Quotes about shadow
page 11

Anton Mauve photo

“.. it is really beautiful here with that freezing weather. o you should see now the distance, and the fields with their black earth and flat shadows it would strike you, how lovely the sun is shining in the Betuwe.. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..het is hier zo mooi met dat vriesende weer. o je moest thans de verschieten eens zien, en die akkers met zijn zwarte aarde en vlakken schaduwen dat zou je frapperen, heerlijk schijnt de zon in de ..
in a letter to Willem Maris, 1860's; as cited in 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31
1860's

Ali Gomaa photo

“Interviewer: what do you think about polygamy? Is this Egypt's method of family planning?
Ali Gum'a: This is a storm in a teacup. Our statistics show that cases of polygamy do not exceed two percent. That's one thing. Mistresses and adultery have become widespread throughout the world, beginning with the heads of state here and there – and I don't want to mention specific Western countries – and culminating with illegitimate children, who are recognized, due to the constraints of reality. I'd like to know if this is preferable to having a rate of two percent [polygamy] among marriages, according to the reliable official statistics? What is this? Are we supposed to allow adultery and ban marriages? In my opinion, this is preposterous.
[…]
Interviewer: In Judaism, a man is permitted to have four wives?
Ali Gum'a: Of course! Moses has four wives, and so did Abraham…
Interviewer: But today, it is not permitted.
Ali Gum'a: Today, yesterday…what's the difference? To this day, Judaism permits polygamy. The Hindus permit polygamy. The Buddhists permit polygamy. There is not a single religion on the face of the earth that bans polygamy, but all religions agree that women are not allowed to have more than one husband.
[…]
Ali Guma: …in Islam, Allah permits us – just like in all religions – to marry several wives, and have things done out in the open. For whose benefit is all this? For the benefit of the woman, because a woman who is taken as a mistress remains in the shadows, and loses all her rights. The man does not owe her anything. But since [Allah] permits marrying another wife, she gains respect, status, and rights.”

Ali Gomaa (1951) Egyptian imam

citation needed

“The deep spaces between stars,
Fathomless as the cold shadow
His mind cast.”

R.S. Thomas (1913–2000) Welsh poet

"Wallace Stevens", p. 25
The Bread of Truth (1963)

John Keats photo
Denise Levertov photo

“Praise
the invisible sun burning beyond
the white cold sky, giving us
light and the chimney's shadow.”

Denise Levertov (1923–1997) Poet

Mass for the Day of St. Thomas Didymus (1981); Online excerpt http://www.poets.org/viewmedia.php/prmMID/16007

Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Barbara Hepworth photo
Nick Cave photo

“I just made a simple gesture,
They jumped up and nailed it to my shadow,
My gesture was a hooker,
You know, my shadow's made of timber.”

Nick Cave (1957) Australian musician

Song lyrics, The Firstborn Is Dead (1985), Black Crow King

Dante Gabriel Rossetti photo

“We two will lie i' the shadow of
That living mystic tree
Within whose secret growth the Dove
Is sometimes felt to be,
While every leaf that His plumes touch
Saith His Name audibly.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)

“Adversity shows whether we have friends, or only the shadows of friends.”

Publilio Siro Latin writer

Maxim 35
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave

Harry Chapin photo
Winston S. Churchill photo
Sarah Helen Whitman photo

“Raven from the dim dominions
On the Night's Plutonian shore,
Oft I hear thy dusky pinions
Wave and flutter round my door—
See the shadow of thy pinions
Float along the moonlit floor.”

The Raven (written as a counterpart to Poe's poem by the same name).
Bartlett's Familiar Quotations, 10th ed. (1919)

Woody Guthrie photo

“One bright sunny morning in the shadow of the steeple
By the Relief Office I saw my people —
As they stood hungry, I stood there wondering if
God blessed America for me.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

Final stanza of manuscript notes for "God Blessed America" which later became "This Land Is Your Land" (23 February 1940)

Percy Bysshe Shelley photo
Marianne von Werefkin photo
Samuel Palmer photo

“It seems to me the charm of etching is the glimmering through of the white paper even in the shadows so that almost everything sparkles or suggest sparkles.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

Letter to Thomas Oldham Barlow (1876), from The Letters of Samuel Palmer, ed. Raymond Lister (Oxford, 1974)

Adlai Stevenson photo
Joseph H. Hertz photo

“A wife is not a man's shadow or subordinate, but his other self, his "helper," in a sense which no other creature on earth can be.”

Joseph H. Hertz (1872–1946) British rabbi

Genesis II, 18 (p. 9)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Algernon Charles Swinburne photo

“When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

First chorus, line 65.
Atalanta in Calydon (1865)

Conrad Aiken photo
George Holmes Howison photo
Warren Farrell photo

“I could be a much better role model by sharing more openly with him my shadow side, my faults, my mistakes, asking him to be my teacher rather than being his.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 120.

Letitia Elizabeth Landon photo

“The field is fought—who walketh there?—
The shadow victory casts—Despair!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Ruhollah Khomeini photo

“Islam makes it incumbent on all adult males, provided they are not disabled or incapacitated, to prepare themselves for the conquest of [other] countries so that the writ of Islam is obeyed in every country in the world.... But those who study Islamic Holy War will understand why Islam wants to conquer the whole world.... Those who know nothing of Islam pretend that Islam counsels against war. Those [who say this] are witless. Islam says: Kill all the unbelievers just as they would kill you all! Does this mean that Muslims should sit back until they are devoured by [the unbelievers]? Islam says: Kill them [the non-Muslims], put them to the sword and scatter [their armies]. Does this mean sitting back until [non-Muslims] overcome us? Islam says: Kill in the service of Allah those who may want to kill you! Does this mean that we should surrender [to the enemy]? Islam says: Whatever good there is exists thanks to the sword and in the shadow of the sword! People cannot be made obedient except with the sword! The sword is the key to Paradise, which can be opened only for the Holy Warriors! There are hundreds of other [Qur'anic] psalms and Hadiths [sayings of the Prophet] urging Muslims to value war and to fight. Does all this mean that Islam is a religion that prevents men from waging war? I spit upon those foolish souls who make such a claim.”

Ruhollah Khomeini (1902–1989) Religious leader, politician

As quoted in Holy Terror: Inside the World of Islamic Terrorism (1987) by Amir Taheri, pp. 241-3.
Disputed

Clifford D. Simak photo
Cat Stevens photo
Camille Pissarro photo
Edouard Manet photo
Umberto Boccioni photo

“All shadows have their light, each shadow being an autonomous unit forming a new individuality with its own chiaroscuro: it is no longer a form that is half-shadow, half-light, as hat hitherto been the case.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

In 'Dynanisme plastique' 1914, Boccioni; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 132
1914 - 1916

Marie-Louise von Franz photo
John Flavel photo
Halldór Laxness photo

“It's you who are strange. Talking to you is like talking to someone who has no shadow.”

Halldór Laxness (1902–1998) Icelandic author

Jórunn
Heimsljós (World Light) (1940), Book Three: The House of the Poet

Edward Coote Pinkney photo
Pierre-Auguste Renoir photo

“They've found fault with me enough, in all conscience, for putting violet shadows on bodies.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 80 : Renoir to Vollard, referring to his color-use.

Charles Sanders Peirce photo

“Be it understood, then, that what we have to do, as students of phenomenology, is simply to open our mental eyes and look well at the phenomenon and say what are the characteristics that are never wanting in it, whether that phenomenon be something that outward experience forces upon our attention, or whether it be the wildest of dreams, or whether it be the most abstract and general of the conclusions of science.
The faculties which we must endeavor to gather for this work are three. The first and foremost is that rare faculty, the faculty of seeing what stares one in the face, just as it presents itself, unreplaced by any interpretation, unsophisticated by any allowance for this or for that supposed modifying circumstance. This is the faculty of the artist who sees for example the apparent colors of nature as they appear. When the ground is covered by snow on which the sun shines brightly except where shadows fall, if you ask any ordinary man what its color appears to be, he will tell you white, pure white, whiter in the sunlight, a little greyish in the shadow. But that is not what is before his eyes that he is describing; it is his theory of what ought to be seen. The artist will tell him that the shadows are not grey but a dull blue and that the snow in the sunshine is of a rich yellow. That artist's observational power is what is most wanted in the study of phenomenology. The second faculty we must strive to arm ourselves with is a resolute discrimination which fastens itself like a bulldog upon the particular feature that we are studying, follows it wherever it may lurk, and detects it beneath all its disguises. The third faculty we shall need is the generalizing power of the mathematician who produces the abstract formula that comprehends the very essence of the feature under examination purified from all admixture of extraneous and irrelevant accompaniments.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Lecture II : The Universal Categories, § 1 : Presentness, CP 5.41 - 42
Pragmatism and Pragmaticism (1903)

John Calvin photo
Percy Bysshe Shelley photo

“The shadows: some hide, others reveal.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Las sombras: unas ocultan, otras descubren.
Voces (1943)

Harriet Harman photo

“Hague: I'd like to congratulate the Leader of the House on being the first female Labour member ever to answer Prime Minister's Questions. She must be proud, three decades on, to be following in the footsteps of Margaret Thatcher, who we on this side of the House and the Prime Minister so admire.
Harman: Well I thank him for his congratulations but I would ask him, why is he asking the questions today? Because he is not the Shadow Leader of the House - the Shadow Leader of the House is sitting next to him! Is this the situation in the modern Conservative Party; that women should be seen but not heard? And if I may, perhaps I could offer the Shadow Leader of the House a bit of sisterly advice: she should not let him get away with it!
Hague: Turning to domestic issues, I was going to be nice to the Rt. Hon. Lady - she has had a difficult week and she had to explain yesterday that she dresses in accordance with wherever she goes; she wears a helmet to a building site; wears Indian clothes to Indian parts of her constituency; presumably, when she goes to a Cabinet meeting, she dresses as a clown.
Harman: Well I would just start by saying that if I'm looking for advice on what to wear and what not to wear, the very last man I would look to for advice would be the man in the baseball cap!”

Harriet Harman (1950) British politician

During Prime Minister's Questions, 2 April 2008 http://www.youtube.com/watch?v=-AsiKI7uCog&feature=related, with Deputy Conservative Party Leader, William Hague

Glen Cook photo
Stephen Johnson Field photo

“The Constitution deals with substance, not shadows.”

Stephen Johnson Field (1816–1899) American politician

Cummings v. State of Missouri, 71 U. S. 277, 325 (1866).

Marianne von Werefkin photo
Paula Modersohn-Becker photo
Ralph Ellison photo
Ken Wilber photo
Steve Kilbey photo
Francesco Petrarca photo

“Truly, we are dust and shadow; truly, desire is blind and greedy; truly, hope deceives.”

Veramente siam noi polvere et ombra,
veramente la voglia cieca e 'ngorda,
veramente fallace è la speranza.
Canzone 294, st. 4
Il Canzoniere (c. 1351–1353), To Laura in Death

William Julius Mickle photo
Robert E. Howard photo

“The darkness
is the deepening shadow
of your presence; the silence a
process in the metabolism
of the being of love.”

R.S. Thomas (1913–2000) Welsh poet

"Alive", p. 51
Laboratories of the Spirit (1975)

Letitia Elizabeth Landon photo
Henry Clay Trumbull photo
Edmund Burke photo
Bankim Chandra Chattopadhyay photo

“Woman is the crowning excellence of God's creation … Woman is light, man is shadow.”

Bankim Chandra Chattopadhyay (1838–1894) Bengali writer

Bankim Chandra Chattopadhyay: From Bankim's novel Krishnakanta's Will, quoted from Elst, Koenraad (2001). Decolonizing the Hindu mind: Ideological development of Hindu revivalism. New Delhi: Rupa. p. 114-115

Glen Cook photo
Alfred Noyes photo
John Keats photo
Francis Parkman photo

“In the middle of the sixteenth century, Spain was the incubus of Europe. Gloomy and portentous, she chilled the world with her baneful shadow.”

Francis Parkman (1823–1893) American historian

Pt. I, Ch. 2 Villegagnon
Pioneers of France in the New World (1865)

Cormac McCarthy photo
Joaquin Miller photo

“Where storm-born shadows hide and hunt
I knew thee, in thy glorious youth,
And loved thy vast face, white as truth”

Joaquin Miller (1837–1913) American judge

Epigraph, Ch. 1 : Mount Shasta; this appears as "To Mount Shasta" in In Classic Shades, and Other Poems (1890), p. 126
Variant: I saw the lightning's gleaming rod
Reach forth and write upon the sky
The awful autograph of God.
This variant was cited as being in The Ship in the Desert in the 10th edition of Familiar Quotations (1919) by John Bartlett, but this appears to be an incorrect citation of a misquotation first found in The Japanese Letters of Lafcadio Hearn (1910), edited by Elizabeth Bislande, p. 161.
Shadows of Shasta (1881)
Context: Where storm-born shadows hide and hunt
I knew thee, in thy glorious youth,
And loved thy vast face, white as truth;
I stood where thunderbolts were wont
To smite thy Titan-fashioned front,
And heard dark mountains rock and roll;
I saw the lightning's gleaming rod
Reach forth and write on heaven's scroll
The awful autograph of God!

Simone de Beauvoir photo

“At the present time there still exist many doctrines which choose to leave in the shadow certain troubling aspects of a too complex situation. But their attempt to lie to us is in vain. Cowardice doesn’t pay.”

Part I : Ambiguity and Freedom http://www.marxists.org/reference/subject/ethics/de-beauvoir/ambiguity/ch01.htm
The Ethics of Ambiguity (1947)
Context: At the present time there still exist many doctrines which choose to leave in the shadow certain troubling aspects of a too complex situation. But their attempt to lie to us is in vain. Cowardice doesn’t pay. Those reasonable metaphysics, those consoling ethics with which they would like to entice us only accentuate the disorder from which we suffer.

Arthur Stanley Eddington photo

“If God is as real as the shadow of the Great War on Armistice Day, need we seek further reason for making a place for God in our thoughts and lives?”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Science and the Unseen World (1929)
Context: If God is as real as the shadow of the Great War on Armistice Day, need we seek further reason for making a place for God in our thoughts and lives? We shall not be concerned if the scientific explorer reports that he is perfectly satisfied that he has got to the bottom of things without having come across either.<!--VI, p.67

“Man is a dream about a shadow. But when some splendour falls upon him from God, a glory comes to him and his life is sweet.”

R.S. Thomas (1913–2000) Welsh poet

Neb [No-one] (1985)
Context: On seeing his shadow fall on such ancient rocks, he had to question himself in a different context and ask the same old question as before, "Who am I?", and the answer now came more emphatically than ever before, "No-one."
But a no-one with a crown of light about his head. He would remember a verse from Pindar: "Man is a dream about a shadow. But when some splendour falls upon him from God, a glory comes to him and his life is sweet."

Jacqueline Kennedy Onassis photo

“Aristotle Onassis rescued me at a moment when my life was engulfed with shadows. He brought me into a world where one could find both happiness and love.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Statement at the funeral of Aristotle Onassis, as quoted in Jacqueline Bouvier Kennedy Onassis : A Life (2000) by Donald Spoto.
Context: Aristotle Onassis rescued me at a moment when my life was engulfed with shadows. He brought me into a world where one could find both happiness and love. We lived through many beautiful experiences together which cannot be forgotten, and for which I will be eternally grateful.

Heidi Klum photo

“I'm not saying that everyone should swim with sharks, but sometimes you have to jump over your own shadow in order to learn something that you will never forget for the rest of your life. Then you know you can conquer your fears.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted in Parade Magazine 10 July 2008 http://www.parade.com/celebrity/celebrity-parade/archive/pc_0194.html.
Context: I jumped into the water with 45 sharks without a cage in the Bahamas for a Discovery Channel show. That was a really good experience. I'm not saying that everyone should swim with sharks, but sometimes you have to jump over your own shadow in order to learn something that you will never forget for the rest of your life. Then you know you can conquer your fears.

Sophie B. Hawkins photo

“I'm dancing in the shadows of life
And death is all around me tonight”

Sophie B. Hawkins (1967) American musician

Whaler (1994), Right Beside You
Context: I'm dancing in the shadows of life
And death is all around me tonight
I miss you making love to me right
Beside myself I'm holding you tight
Someone is waiting for me to rise
And drive into the ocean I cried
And I cried and I cried my baby to sleep
Beside myself my soul to keep Right beside you I see
Right beside you I stay
Right beside you I'll be
Right beside you always.

Percy Bysshe Shelley photo

“The awful shadow of some unseen Power
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower”

Percy Bysshe Shelley (1792–1822) English Romantic poet

St. 1
Hymn to Intellectual Beauty (1816)
Context: The awful shadow of some unseen Power
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower;
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.

Mary Wollstonecraft Shelley photo

“I seek not a fellow feeling in my misery. No sympathy may I ever find. When I first sought it, it was the love of virtue, the feelings of happiness and affection with which my whole being overflowed, that I wished to be participated. But now that virtue has become to me a shadow, and that happiness and affection are turned into bitter and loathing despair, in what should I seek for sympathy?”

The monster to Robert Walton
Frankenstein (1818)
Context: I seek not a fellow feeling in my misery. No sympathy may I ever find. When I first sought it, it was the love of virtue, the feelings of happiness and affection with which my whole being overflowed, that I wished to be participated. But now that virtue has become to me a shadow, and that happiness and affection are turned into bitter and loathing despair, in what should I seek for sympathy? I am content to suffer alone while my sufferings shall endure; when I die, I am well satisfied that abhorrence and opprobrium should load my memory. Once my fancy was soothed with dreams of virtue, of fame, and of enjoyment. Once I falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding. I was nourished with high thoughts of honour and devotion. But now crime has degraded me beneath the meanest animal. No guilt, no mischief, no malignity, no misery, can be found comparable to mine. When I run over the frightful catalogue of my sins, I cannot believe that I am the same creature whose thoughts were once filled with sublime and transcendent visions of the beauty and the majesty of goodness. But it is even so; the fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.

Arthur Stanley Eddington photo

“If our so-called facts are changing shadows, they are shadows cast by the light of constant truth.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Science and the Unseen World (1929)
Context: If our so-called facts are changing shadows, they are shadows cast by the light of constant truth. So too in religion we are repelled by that confident theological doctrine... but we need not turn aside from the measure of light that comes into our experience showing us a Way through the unseen world.<!--IX, p.91

Roger Ebert photo

“Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Plotinus photo
Anatole France photo

“Already his vast shadow shed upon the unhappy planet a shade soft as a night of love.”

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: Satan found pleasure in praise and in the exercise of his grace; he loved to hear his wisdom and his power belauded. He listened with joy to the canticles of the cherubim who celebrated his good deeds, and he took no pleasure in listening to Nectaire's flute, because it celebrated nature's self, yielded to the insect and to the blade of grass their share of power and love, and counselled happiness and freedom. Satan, whose flesh had crept, in days gone by, at the idea that suffering prevailed in the world, now felt himself inaccessible to pity. He regarded suffering and death as the happy results of omnipotence and sovereign kindness. And the savour of the blood of victims rose upward towards him like sweet incense. He fell to condemning intelligence and to hating curiosity. He himself refused to learn anything more, for fear that in acquiring fresh knowledge he might let it be seen that he had not known everything at the very outset. He took pleasure in mystery, and believing that he would seem less great by being understood, he affected to be unintelligible. Dense fumes of Theology filled his brain. One day, following the example of his predecessor, he conceived the notion of proclaiming himself one god in three persons. Seeing Arcade smile as this proclamation was made, he drove him from his presence. Istar and Zita had long since returned to earth. Thus centuries passed like seconds. Now, one day, from the altitude of his throne, he plunged his gaze into the depths of the pit and saw Ialdabaoth in the Gehenna where he himself had long lain enchained. Amid the ever lasting gloom Ialdabaoth still retained his lofty mien. Blackened and shattered, terrible and sublime, he glanced upwards at the palace of the King of Heaven with a look of proud disdain, then turned away his head. And the new god, as he looked upon his foe, beheld the light of intelligence and love pass across his sorrow-stricken countenance. And lo! Ialdabaoth was now contemplating the Earth and, seeing it sunk in wickedness and suffering, he began to foster thoughts of kindliness in his heart. On a sudden he rose up, and beating the ether with his mighty arms, as though with oars, he hastened thither to instruct and to console mankind. Already his vast shadow shed upon the unhappy planet a shade soft as a night of love.
And Satan awoke bathed in an icy sweat.
Nectaire, Istar, Arcade, and Zita were standing round him. The finches were singing.
"Comrades," said the great archangel, "no — we will not conquer the heavens. Enough to have the power. War engenders war, and victory defeat.
"God, conquered, will become Satan; Satan, conquering, will become God. May the fates spare me this terrible lot; I love the Hell which formed my genius. I love the Earth where I have done some good, if it be possible to do any good in this fearful world where beings live but by rapine.
Now, thanks to us, the god of old is dispossessed of his terrestrial empire, and every thinking being on this globe disdains him or knows him not. But what matter that men should be no longer submissive to Ialdabaoth if the spirit of Ialdabaoth is still in them; if they, like him, are jealous, violent, quarrelsome, and greedy, and the foes of the arts and of beauty? What matter that they have rejected the ferocious Demiurge, if they do not hearken to the friendly demons who teach all truths; to Dionysus, Apollo, and the Muses? As to ourselves, celestial spirits, sublime demons, we have destroyed Ialdabaoth, our Tyrant, if in ourselves we have destroyed Ignorance and Fear."
And Satan, turning to the gardener, said:
"Nectaire, you fought with me before the birth of the world. We were conquered because we failed to understand that Victory is a Spirit, and that it is in ourselves and in ourselves alone that we must attack and destroy Ialdabaoth."

Bob Dylan photo

“Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)
Context: Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying

“My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.”

Henry Vaughan (1621–1695) Welsh author, physician and metaphysical poet

"The Retreat," l. 7 - 19.
Silex Scintillans (1655)
Context: When yet I had not walk'd above
A mile or two from my first Love,
And looking back, at that short space
Could see a glimpse of His bright face;
When on some gilded cloud or flower
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.

Abraham Joshua Heschel photo

“He who is satisfied has never truly craved, and he who craves for the light of God neglects his ease for ardor, his life for love, knowing that contentment is the shadow not the light. The great yearning that sweeps eternity is a yearning to praise, a yearning to serve.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Man Is Not Alone : A Philosophy Of Religion (1951), Ch. 24 : The Great Yearning; The Yearning for Spiritual Living<!-- p. 259 -->
Context: He who is satisfied has never truly craved, and he who craves for the light of God neglects his ease for ardor, his life for love, knowing that contentment is the shadow not the light. The great yearning that sweeps eternity is a yearning to praise, a yearning to serve. And when the waves of that yearning swell in our souls all the barriers are pushed aside: the crust of callousness, the hysteria of vanity, the orgies of arrogance. For it is not the I that trembles alone, it is not a stir out of my soul but an eternal flutter that sweeps us all. No code, no law, even the law of God, can set a pattern for all of our living. It is not enough to have the right ideas. For the will, not reason, has the executive power in the realm of living. The will is stronger than reason and does not blindly submit to the dictates of rational principles. Reason may force the mind to accept intellectually its conclusions. Yet what is the power that will make me love to do what I ought to do?

Walt Disney photo

“Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil, and that is what our pictures attempt to do.”

Walt Disney (1901–1966) American film producer and businessman

Deeds Rather Than Words (1963)
Context: I don't believe in playing down to children, either in life or in motion pictures. I didn't treat my own youngsters like fragile flowers, and I think no parent should.
Children are people, and they should have to reach to learn about things, to understand things, just as adults have to reach if they want to grow in mental stature. Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil, and that is what our pictures attempt to do.

Albert Pike photo

“All hypotheses scientifically probable are the last gleams of the twilight of knowledge, or its last shadows. Faith begins where Reason sinks exhausted.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXXII : Sublime Prince of the Royal Secret, p. 841
Context: All hypotheses scientifically probable are the last gleams of the twilight of knowledge, or its last shadows. Faith begins where Reason sinks exhausted. Beyond the human Reason is the Divine Reason, to our feebleness the great Absurdity, the Infinite Absurd, which confounds us and which we believe. For the Master, the Compass of Faith is above the Square of Reason; but both rest upon the Holy Scriptures and combine to form the Blazing Star of Truth.
All eyes do not see alike. Even the visible creation is not, for all who look upon it, of one form and one color. Our brain is a book printed within and without, and the two writings are, with all men, more or less confused.

Robert G. Ingersoll photo

“Around this sacred word cluster the joys and sorrows, the agonies and ecstasies, of the human race. The mother walks in the shadow of death that she may give another life.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Is Divorce Wrong? (1889)
Context: To me, the tenderest word in our language, the most pathetic fact within our knowledge, is maternity. Around this sacred word cluster the joys and sorrows, the agonies and ecstasies, of the human race. The mother walks in the shadow of death that she may give another life. Upon the altar of love she puts her own life in pawn. When the world is civilized, no wife will become a mother against her will.

Camille Paglia photo

“I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.

Elbert Hubbard photo

“My faith is great: out of the transient darkness of the present the shadows will flee away, and Day will yet dawn. I am an Anarchist.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Better Part (1901)
Context: I believe that brutality tends to defeat itself. Prizefighters die young, gourmands get the gout, hate hurts worse the man who nurses it, and all selfishness robs the mind of its divine insight, and cheats the soul that would know. Mind alone is eternal. He, watching over Israel, slumbers not nor sleeps. My faith is great: out of the transient darkness of the present the shadows will flee away, and Day will yet dawn. I am an Anarchist.

Thomas Campbell photo

“Lochiel, Lochiel, beware of the day!
For, dark and despairing, my sight I may seal,
But man cannot cover what God would reveal:
'Tis the sunset of life gives me mystical lore,
And coming events cast their shadows before.”

Thomas Campbell (1777–1844) British writer

Lochiel's Warning http://oldpoetry.com/opoem/48723 (1802), a poem regarding "Gentle Lochiel", Donald Cameron of Lochiel, and the final defeat of his forces and other Jacobites at the Battle of Culloden, in which he was badly wounded.

Meher Baba photo

“God is Infinite and His Shadow is also infinite.”

Meher Baba (1894–1969) Indian mystic

18 : The Four Journeys, p. 22.
The Everything and the Nothing (1963)
Context: God is Infinite and His Shadow is also infinite. The Shadow of God is the Infinite Space that accommodates the infinite Gross Sphere which, with its occurrences of millions of universes, within and without the ranges of men's knowledge, is the Creation that issued from the Point of Finiteness in the infinite Existence that is God.

Alfred, Lord Tennyson photo

“For Knowledge is the swallow on the lake
That sees and stirs the surface-shadow there
But never yet hath dipt into the abysm”

Alfred, Lord Tennyson (1809–1892) British poet laureate

From The Ancient Sage (1885), lines 37-39

“The shadows broke and soul awoke
In a strange, dim dream of God.”

Evolution (1895; 1909)
Context: Thus life by life and love by love
We passed through the cycles strange,
And breath by breath and death by death
We followed the chain of change.
Till there came a time in the law of life
When o’er the nursing sod,
The shadows broke and soul awoke
In a strange, dim dream of God.

Steven Erikson photo

“The Letheri are masters at corrupting words, their meanings. They call war peace, they call tyranny liberty. On which side of the shadow you stand decides a word's meaning.”

Reaper's Gale (2007)
Context: For Hood's sake,' the foreigner muttered. 'What's wrong with words?'
'With words,' said Redmask, turning away, 'meanings change.'
'Well,' Anaster Toc said, following as Redmask made his way back to his army's camp, 'that is precisely the point. That's their value — their ability to adapt -'
'Grow corrupt, you mean. The Letheri are masters at corrupting words, their meanings. They call war peace, they call tyranny liberty. On which side of the shadow you stand decides a word's meaning. Words are the weapons used by those who see others with contempt. A contempt which only deepens when they see how those others are deceived and made into fools because they choose to believe. Because in their naivety they thought the meaning of a word was fixed, immune to abuse.

Arthur Stanley Eddington photo
Julie Taymor photo

“Puppets really are the origin of theater. Even the shadow on the wall of Plato's cave was a puppet. The very first actor was some kind of hand creating some kind of animal.”

Julie Taymor (1952) American film and theatre director

Academy of Achievement interview (2006)
Context: You know, we still hear the word "puppet" and we get this nauseating image of some kind of Muppet or something. Puppets really are the origin of theater. Even the shadow on the wall of Plato's cave was a puppet. The very first actor was some kind of hand creating some kind of animal.

Wallace Stevens photo

“There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)
Context: Do not speak to us of the greatness of poetry,
Of the torches wisping in the underground,
Of the structure of vaults upon a point of light.
There are no shadows in our sun,
Day is desire and night is sleep.
There are no shadows anywhere.
The earth, for us, is flat and bare.
There are no shadows.

Algernon Charles Swinburne photo

“Night, the shadow of light,
And Life, the shadow of death.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Second chorus, lines 1-12.
Atalanta in Calydon (1865)
Context: Before the beginning of years
There came to the making of man
Time with a gift of tears,
Grief with a glass that ran,
Pleasure with pain for leaven,
Summer with flowers that fell,
Remembrance fallen from heaven,
And Madness risen from hell,
Strength without hands to smite,
Love that endures for a breath;
Night, the shadow of light,
And Life, the shadow of death.

Richard Wright photo
James Russell Lowell photo

“Truth forever on the scaffold, Wrong forever on the throne,—
Yet that scaffold sways the future, and, behind the dim unknown,
Standeth God within the shadow, keeping watch above his own.”

St. 8
The Present Crisis (1844)
Context: Careless seems the great Avenger; history's pages but record
One death-grapple in the darkness 'twixt old systems and the Word;
Truth forever on the scaffold, Wrong forever on the throne,—
Yet that scaffold sways the future, and, behind the dim unknown,
Standeth God within the shadow, keeping watch above his own.

Margaret Fuller photo

“I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed.”

Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.