Quotes about script

A collection of quotes on the topic of script, likeness, doing, people.

Quotes about script

“When you’re playing someone, I feel the character taking over me, but I am also influencing the character. Becoming embodied in the character on set is, what I think, makes a really powerful actor. If the character is good enough in a script, it really affects you. This is why I try and become the character for one or two weeks.”

Solomon B Taiwo (1990) English actor and author

Impact interview (2020)

Making love, Feeling, Thinking

“The Doctor does have some long speeches and he talks very quickly. Learning all his babble can take a while, but it's very well written babble so I don't mind and you do get quicker. When I filmed Recovery during the break in Doctor Who I would sit down at the weekend and learn the script in an hour and I was like 'Hang on??”

David Tennant (1971) Scottish actor

You do get used to it though. Davidtennant.com exclusive interview (February 2007) http://www.team-tennant.com/article/id154.html

Learning

“Understanding human history in the millennia following the Agricultural Revolution boils down to a single question: how did humans organise themselves in mass-cooperation networks, when they lacked the biological instincts necessary to sustain such networks? The short answer is that humans created imagined orders and devised scripts. These two inventions filled the gaps left by our biological inheritance.”

Yuval Noah Harari book Sapiens: A Brief History of Humankind

Sapiens: A Brief History of Humankind

Imagination, History, Understanding, Question

“Right from his early days in the Andamans, Vinayak encouraged people to speak in Hindi....Till then, government records were maintained in Urdu, and even Hindi was written in the Persian script. Vinayak strongly advocated the implementation of the Devanagari script as it was the one in which the oldest language of the subcontinent, Sanskrit, was written. During his interactions with local merchants in his capacity as the foreman of oil collections, Vinayak passed this zeal on to them too. Through his influence, a girls’ school that was started in the Andamans began a compulsory teaching of Hindi in the Devanagari script.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Vikram Sampath - Savarkar, Echoes from a Forgotten Past

People, School, Girl

“Dustin Hoffman and Al Pacino play losers very well. But my audience like to be in there vicariously with a winner. That isn't always popular with critics. My characters have sensitivity and vulnerabilities, but they're still winners. I don't pretend to understand losers. When I read a script about a loser I think of people in life who are losers and they seem to want it that way. It's a compulsive philosophy with them. Winners tell themselves, I'm as bright as the next person. I can do it. Nothing can stop me.”

Clint Eastwood (1930) actor and director from the United States

On his role in The Beguiled
Source: Clint: The Life and Legend (1999), p. 189.

Life, People, Way, Understanding

“My mind’s buzzing with scripts. I want to do something really different. A long-term goal is to open an orphanage for kids. I’ve envisioned something of huge proportions. But first let me make the money for it.”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

Money

“I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom. I mark only the happy hours, like the sundial, because otherwise I would have gone nuts. To quote from my script for The Dreamers, never expect justice in the world. That is not part of God's plan. Everybody thinks that if they don't get it, they're some kind of odd man out. And it's not true. Nobody gets justice — people get good luck or bad luck.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted by Barbara Leaming, "Orson Welles: The Unfulfilled Promise". The New York Times, July 14, 1985.

God, Bad luck, Happiness, People

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling

“When the loud day for men who sow and reap
Grows still, and on the silence of the town
The insubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.
Then, as with loathing I peruse the years,
I tremble, and I curse my natal day,
Wail bitterly, and bitterly shed tears,
But cannot wash the woeful script away.”

Aleksandr Pushkin (1799–1837) Russian poet

Remembrance.

Men, Dreams, Soul, Tear

“I handed in a script last year and the studio didn't change one word. The word they didn't change was on page 87.”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Introducing the best adapted screenplay at the 2003 Academy Awards

Change

“What a wonderful work Wagner has done for humanity in translating the toil of life into the readable script of music! For those who seek the tale of other worlds his magic is silent; but earth-travail under his wand becomes instinct with rhythmic song to an accompaniment of the elements, and the blare and crash of the bottomless pit itself.”

Margaret Barber book The Roadmender

Source: The Roadmender (1902), Chapter II

Life, World, Music

“I would love to work with Salman. We have a great tuning so if we work together, it will be great fun. But till the time we don't get a good script, a script that excites both of us, we can't work together.”

Aamir Khan (1965) Indian film actor, director, and producer of Hindi Cinema

On Salman Khan, 10 September, 2011. http://www.hindustantimes.com/Entertainment/Bollywood/Salman-is-number-one-Aamir-Khan/Article1-743829.aspx.

Love, Time

“We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal--an illusion--since it rests upon paper. The wise person looks upon both paper and script as one.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

Personality

“For me, the roles are the secondary part of the whole process to me strangely. It's about who you're being directed by and who the other actors are. Whenever I read a script, I think, 'wow, that's a great story,' and invariably I want to play one of the other characters, and the process of working out how to play the character you're offered is to work out why you aren't playing the other characters in a way. Maybe that's why I play roles of various different sizes. The challenge is not necessarily always the lead role, but in this case [Blue Jasmine] it was all those things combined.”

Cate Blanchett (1969) Australian actress

2014 SBIFF - Cate Blanchett Discusses Selecting Roles, Woody Allen and Casting, Santa Barbara International Film Festival, 2 February 2014 https://www.youtube.com/watch?v=_9m9sMSGC5M,

Way, Thinking, Reading, Parting

“This script, it seems to me, is the work of professionals who yearned to be as charming as inspired amateurs can sometimes be.”

Kurt Vonnegut (1922–2007) American writer

"Preface"
Between Time and Timbuktu (1972)

“I don't have a technique. I've never been a believer in having one set technique on how to act. There are no rules and there is no rulebook. At the end of the day, it all comes down to my instincts. That's the one thing that guides me through every decision professionally. Socially, also. That's my technique. Yeah, you read through the script 100 times. I guess I have little characteristics about myself. Sometimes, most often than not, once we start shooting I won't look at the script at all until we finished shooting. It's kind of like it's been imprinted in my head during rehearsals. You just let it go.”

Heath Ledger (1979–2008) Australian actor

As quoted by Reel.com (May 2001).

Decision, Time, Reading

“When we didn't make the picture, Dan O'Bannon needed to be interned in a mental institution for two years, suffering because we didn't get to do "Dune." And when he came out he wrote the script for "Alien." "Alien" was the reaction to not doing "Dune."”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Who would believe that? But it's true! Alejandro Jodorowsky reveals how his Dune inspired alien challanges to get the script published http://blogs.indiewire.com/theplaylist/alejandro-jodorowsky-reveals-how-his-dune-inspired-alien-challenges-to-get-the-script-published-20140321

Suffering

“Last night Alexis got his script for Angel. I was like, "Oh, I would have been getting a Buffy script right now."”

Alyson Hannigan (1974) American actress

About.com, "American Wedding's" Bride and Groom Discuss the Third "Pie" Movie http://movies.about.com/cs/americanwedding/a/amwedjbah.htm.

Angels, Night

“I loved the material when I first read it, and the experience of making the film (The Matrix) was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.”

Keanu Reeves (1964) Canadian actor, director, producer and musician

Love, Making love, Reading

“Last night Alexis got his script for Angel.”

Alyson Hannigan (1974) American actress

I was like, "Oh, I would have been getting a Buffy script right now." About.com, "American Wedding's" Bride and Groom Discuss the Third "Pie" Movie http://movies.about.com/cs/americanwedding/a/amwedjbah.htm.

Angels, Night

“Independent will is our capacity to act. It gives us the power to transcend our paradigms, to swim upstream, to rewrite our scripts, to act based on principle rather than reacting based on emotion or circumstance.”

Stephen R. Covey (1932–2012) American educator, author, businessman and motivational speaker

“When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.”

Joss Whedon (1964) American director, writer, and producer for television and film

Age, Moms, Reading

“We're all clichés, all following scripts that have been written and played out long before we landed the role.”

Jonathan Tropper (1970) American writer

Source: One Last Thing Before I Go

“I wouldn't know a good script if it bit me in the face.”

Tim Burton (1958) American filmmaker

“Ford!" he said, "there's an infinite number of monkeys outside who want to talk to us about this script forthey've worked out.”

Douglas Adams The Hitchhiker's Guide to the Galaxy pentalogy

Source: The Hitchhiker's Guide to the Galaxy

“You can't write a script in your mind and then force yourself to follow it. You have to let yourself be.”

Chimamanda Ngozi Adichie book Half of a Yellow Sun

Source: Half of a Yellow Sun

“If God is the author of life, there must be a script.”

Ravi Zacharias (1946) Indian philosopher

Source: Jesus Among Other Gods: The Absolute Claims of the Christian Message

Life, God

“I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign.”

Nick Hornby book High Fidelity

Source: High Fidelity

“… [I] would certainly like to work with Dennehy again. When he was presented with the script he didn't know me from Adam, and why should he, small-time eccentric, esoteric Englishman that I am?”

Peter Greenaway (1942) British film director

In an interview in Sight and Sound, Summer 1987
Interviews

Time

“I like the fact that I'm involved in a career that gives me so many different mediums to perform in. The entertainment industry in the last 10 years has been so fragmented, from scripted programming to reality. There's work not just on TV and in film, but you know, on your cell phone, on the Internet. There's so many [venues] now, and each of them looking for quality content, that, you know, I'm just going with the flow. And I'm having fun with every wave.”

Ian Ziering (1964) American actor

'Sharknado's' Ian Ziering: 'Maybe This Is My Pulp Fiction Moment' http://www.hollywoodreporter.com/news/sharknados-ian-ziering-maybe-is-my-pulp-fiction-moment-584659 (July 12, 2013)

Reality

“I never wanted to belong to a crowd. I never had a herd mentality… I always knew what I wanted and I made sure I got it. And I always knew that I wanted to be an actress. I exist because I can act. I will not sit here and say, 'Arrey, by chance, offer aa gaya' (I got the offer by chance). No, I made acting happen to me. The first opportunity I got to act, I grabbed it. Nobody had even heard of me till a couple of years ago. But it's by sheer hard work and focus that I am here. Also, I think I chose the right scripts. Like Robert De Niro says, 'Talent is in the choice you make!”

Mallika Sherawat (1976) Indian actress

Cine Bliitz magazine,(July 2005)

Thinking, Chance

“People were dealing with CGI for the first time, so I think we were really unsure as to whether it would be a huge success or a big flop. … I thought the scripts were so good. It had a kind of domestic element which I'm not sure it ever had before. I think we were feeling quite confident about that. … In terms of whether it had a place in the world when it aired, I think everyone was quite unsure. I didn't know until it aired and people really seemed to like it.”

Billie Piper (1982) English singer, dancer and actress

On her role in the 21st century revival of Doctor Who, as quoted in "'I've heard that before!': Chris Evans cracks ex-wife jokes with Billie Piper as she appears on his show with new husband Laurence Fox" in The Daily Mail Reporter (22 November 2013) http://www.dailymail.co.uk/tvshowbiz/article-2511885/Chris-Evans-cracks-ex-wife-jokes-Billie-Piper-appears-new-husband-Laurence-Fox.html

People, World, Feeling, Confidence

“The moment there’s a foreigner in a film it gives a novelty to the script. We make regional films and we need to hype our films.”

Arin Paul (1980) Indian film director

Tolly-ho! on The Telegraph, Calcutta http://www.telegraphindia.com/1081128/jsp/entertainment/story_10173848.jsp(2008)

“I made the statement years ago which is often quoted that 80 percent of life is showing up. People used to always say to me that they wanted to write a play, they wanted to write a movie, they wanted to write a novel, and the couple of people that did it were 80 percent of the way to having something happen. All the other people struck out without ever getting that pack. They couldn’t do it, that’s why they don’t accomplish a thing, they don’t do the thing, so once you do it, if you actually write your film script, or write your novel, you are more than half way towards something good happening. So that I was say [sic] my biggest life lesson that has worked. All others have failed me.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Interview for The Collider (2008) http://collider.com/entertainment/interviews/article.asp/aid/8878/tcid/1/pg/2.

Life, People, Way, Quotes

“"Those shells don't look very comfortable, miss." - Edited from the original script of the Little Mermaid (Chapter Eleven)”

Ben Croshaw (1983) English video game journalist

Fullyramblomatic Novels, Articulate Jim: A Search For Something

“Cross, and Dempsey is denied again, and Donovan has scored! Oh, can you believe this? Go, go, USA! Certainly through! Oh, it's incredible! You could not write a script like this!”

Ian Darke (1950) British association football and boxing commentator

United States v. Algeria http://www.listenonrepeat.com/watch/?v=DALDkkXodRU (23 June 2010). 2010s, 2010, 2010 FIFA World Cup Context: Four minutes of added time. That might lift the United States, that's time enough. Dreadfully negative, really. From the Algerians, they're looking for things on the break. I suspect they'll get a chance or two, on the break. Ghezzal, that's a good ball he's found there to Guedioura who plays it deep. Saïfi, with a header. Howard, gratefully claims it. Distribution, brilliant. Landon Donovan. Oh, are things on here for the USA? Can they do it here? Cross, and Dempsey is denied again, and Donovan has scored! Oh, can you believe this? Go, go, USA! Certainly through! Oh, it's incredible! You could not write a script like this!

“Those who dumb down the news, trivialize the news with in-studio shouting matches passing for debate, those who tart up the news with celebrity gossip, scandal and sensationalism are playing right into the hands of those that stand to gain the most from the news being seen as irrelevant and trivial and no more or less worth your attention than the next episode of 'American Idol.' […] I worry that if it becomes no more than a reality show, something that could be scripted and rigged behind the scenes without anyone really getting upset about it, that our freedom of the press will become another one of those constitutionally granted rights that can be watered down and eventually taken away from us.”

Dan Rather (1931) Journalist, Anchor

Speech 3 February 2011 at San Antonio College, as quoted in Jeanne Jakle, "Rather warns media is in 'state of crisis'" http://www.mysanantonio.com/news/article/Rather-warns-media-is-in-state-of-crisis-995904.php, San Antonio Express-News, 4 February 2011.

Reality, Freedom, Water

“I’m just really grateful and lucky that I get to keep existing in this business and existing by way of working as opposed to just being around the scene. So I love the process of making all of this. Being on set at the Sesame Workshop was one of the great things of last year for me. Getting just to work with Joss Whedon [on Dr. Horrible] for six days renegade-style was just unbelievable. Every week getting these new scripts and seeing what Barney Stinson gets to say and do is like a constant Christmas present. Things are swell.”

Neil Patrick Harris (1973) American actor and host

AfterElton.com; September 11th, 2008.

Love, Way, Business, Christmas

“I wanted to see that grizzly fucker. I wanted to see him flower. I wanted to see him blossom under the fact of love. I wanted to see where the sonnets came from. They came from the same pen of despair that wrote Timon of Athens— I wanted to see that guy. I wanted to see that guy with the sensibilities of a man that could create a body of work that would last century after century. I wanted to see that… I wanted to play that character. I loved the script. I mean, it was an incredibly well observed script about actors. That's why I thought it was so cool.”

Russell Crowe (1964) New Zealand-born Australian actor, film producer and musician

On Shakespeare In Love
GQ Interview (2005)

Love, Guy, Flowers, Despair

“Oh, I have a special way of writing the lyrics when it is dictated to me. No matter what the language of the song, even if it is Bengali, I write it in Hindi. I have certain notations and markings to indicate the way it should be pronounced. I feel the Devanagari script is the closest to the phonetics of the language. English alphabets are not very good for that purpose. Moreover, I listen carefully and try to grasp as much as possible when the lyrics are read to me.”

Shreya Ghoshal (1984) Indian playback singer

Getting it right (Singing) http://www.thehindu.com/features/metroplus/queen-of-the-charts/article390455.ece

Way, Feeling, Reading

“I am reminded of a comment Lord Dunsany made. He saw a script which had a gorgeous description of a sun setting over a landscape, and this had to be crossed out, and it said, "Sun sets, left." This is what I mean by the visuals being supplied by someone else, in that case the stage designer and the director.”

Lord Dunsany (1878–1957) Irish writer and dramatist

About

Sun

“I feel like the script to Nightmare 4 is so tender hearted and thought out. I completely related to that character. That’s me in grade school, junior high, etc. Daydreamer, all I did was read books all summer long, looking out the window at the cute guy playing soccer in the backyard. Literally I was Alice. That was my life, so I completely related to the character and I think a lot of us can relate to the character at times in our life when we just want to be part of the wall. We just want to be wallpaper and not bring attention to ourselves and disappear into fantasy worlds. I believe a lot of people, at least a lot of people have told me that they really related to that character. But at one point in life, you have to make a decision to stand up for yourself and stand up for those that you love.”

Lisa Wilcox (1964) American actress

Lisa Wilcox Interview: Clinger, Nightmare on Elm Street and Star Trek: The Next Generation http://www.nerdreport.com/2015/10/22/lisa-wilcox-interview-clinger-nightmare-on-elm-street-and-star-trek-the-next-generation/ (October 22, 2015)

Love, Life, People, Books

“I decided not to score GODZILLA VS. SPACE GODZILLA (1994) when I read the script for the film. The atmosphere was very different. However, when I read the screenplay for GODZILLA VS. DESTROYER, I discovered that it was directly related to GODZILLA - KING OF THE MONSTERS. There was even going to be footage from GODZILLA - KING OF THE MONSTERS in the movie! I felt that since I'd been involved in Godzilla's birth, it was fitting for me to be involved in his death.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Death, Birth, Reading

“Somewhere in Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character… His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love.”

Christopher Reeve (1952–2004) actor, director, producer, screenwriter

Statement of 1980, as quoted in the "Biography" at Chris Reeve Homepage http://www.chrisreevehomepage.com/biography.html

Love, People, Sex, Fashion

“Steven Spielberg offers me a part in Raiders of the Lost Ark… But as much as I'd like to do a movie with Spielberg, the script is as moronically shitty as so many other flicks of this ilk. At the same time, Claude Lelouch is nagging me to do his Les Uns et les Autres (Bolero). I'd be willing to do this project, but not for the shabby pittance that this rat offers me.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 294

Time, Parting

“Every screenwriter worthy of the name has already directed his film when he has written his script.”

Joseph L. Mankiewicz (1909–1993) American film director, screenwriter, and producer

Quoted in Leslie Halliwell, Halliwell's Who's Who in the Movies, 15th edition (Harper Collins, 2003, ISBN 0-060-53423-0, p. 312

“When Hussainji narrated the script [on Gaja Gamini] to me, I couldn´t understand it. And I told him so. So, he worked out a storyboard and then I could visualize the whole film. You know the film is like a painting on celluloid.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Understanding, Painting

“Chinese script is not visual but iconic and tactile. It does not disturb the tribal bonds.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Culture Is Our Business (1970), p. 72

“Gothic script seemed to warp every letter that passed through the door of the funeral parlour, as if death were a German village.”

Edward St. Aubyn (1960) British writer

At Last, Chapter 3

Death

“I was approached to do a film script for the Beatles. I said it would have to be an absolutely original script. Paul McCartney said do whatever you like. I said that means you'll never be able to do it.”

Joe Orton (1933–1967) English playwright and author

Interview with Barry Hanson, programme notes of Peter Gill's Royal Court production of The Erpingham Camp and The Ruffian on the Stair http://dspace.dial.pipex.com/town/parade/abj76/PG/pieces/joe_orton.shtml (June 1967)

“The first Elm Street was such a fresh idea and it absolutely blew me away. But the second one didn’t have Wes involved and I think it suffered as a result of that. With the third one Wes and his writing partner Bruce Wagner already had a script before I came onboard. Then me and Frank Darabont did some re-writes. We thought ‘why can’t we make this film wilder and much more fun that the first one’. I realised that the heart of it was these adolescent kids. These 15/16 year old kids who are just at that age when you start to realise that bad things happen in the world. Of course, none of the adults believe the kids about Freddy so going to them always makes things worse in these films.”

Chuck Russell (1958) American film director

THN Exclusive: Chuck Russell talks I Am Wrath, The Mask and Freddy Krueger http://www.thehollywoodnews.com/2016/05/23/thn-exclusive-chuck-russell-talks/ (May 23, 2016)

Age, World, Idea, Thinking

“I watch a lot of TV, but I find that recently it’s largely oddball stuff … Scripted stuff sometimes feels like homework, like I'm scoping out the competition or something.”

Jane Espenson (1964) American television writer and producer

Ain't It Cool News interview (17 July 2003)

Feeling

“With The Dark Knight you had to strike a balance of familiarity with the audience. It is a sequel, and they want familiar elements, things they liked from the first film. But you always have to be very aware that the audience is extremely ruthless in its demand for newness, novelty and freshness. At script stage, we really tried to thrash that out—are we striking that right balance?”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704

“Yet even here all these peoples have remained rooted in their sacred homelands for centuries. Though oppressed and colonized by outsiders, they have never been expelled en masse, and so the theme of restoration to the homeland has played little part in the conceptions of these peoples. There are, however, two peoples, apart from the Jews, for whom restoration of the homeland and commonwealth have been central: the Greeks and the Armenians, and together with the Jews, they constitute the archetypal Diaspora peoples, or what John Armstrong has called ‘mobilized diasporas° Unlike diasporas composed of recent mi migrant workers—Indians, Chinese and others in Southeast Asia, East Africa and the Caribbean— mobilized diasporas are of considerable antiquity, are generally polyglot and multi-skilled trading communities and have ancient, portable religious traditions. Greeks, Jews, and Armenians claimed an ancient homeland and kingdom, looked back nostalgically to a golden age or ages of great kings, saints, sages and poets, yearned to return to ancient capitals with sacred sites and buildings, took with them wherever they went their ancient scriptures, sacred scripts and separate liturgies, founded in every city congregations with churches, clergy and religious schools, traded across the Middle East and Europe using the networks of enclaves of their co-religionists to compete with other ethnic trading networks, and used their wealth, education and economic skills to offset their political powerlessness)”

Anthony D. Smith (1939–2016) British academic

Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.

People, Age, Education, School

“We're off the script
We're off the lease
We can't catch any decent sleep
We don't live here anymore”

Jakob Dylan (1969) singer and songwriter

"We Don’t Live Here Anymore"
Women + Country (2010)

Sleep

“We can have the final word on hate, neglect, disease and all the other insidious characters that still script their way into our stories…for now, but not forever.”

Jennifer Beals (1963) American actress and a former teen model

“It’s a Wrap”, message posted on ourchart.com (16 October 2008) http://www.jennifer-beals.com/media/speeches/oc.html#wrap.

Hate, Disease, Way

“Taken as a whole, the Cross Correspondences and the Willet scripts are among the most convincing evidence that at present exists for life after death. For anyone who is prepared to devote weeks to studying them, they prove beyond all reasonable doubt that Myers, Gurney, and Sidgwick went on communicating after death.”

Colin Wilson (1931–2013) author

Source: After Life (1999), p. 136

Life, Death, Communication, Study

“I wanted to put a reference to masturbation in one of the scripts for the Sandman. It was immediately cut by the editor [Karen Berger]. She told me, "There's no masturbation in the DC Universe." To which my reaction was, "Well that explains a lot about the DC Universe."”

Neil Gaiman (1960) English fantasy writer

The Sandman Companion (1999)

Universe

“It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage. This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 30: About Ethnic Change, Dissolution and Survival

People, Literature, Sense, Nostalgia

“I didn't like movies. You see, in a play you become the play, because you start in the beginning and end up at the end of the script. Movies, you do little bits and you don't know where it fits in. You just do a little bit here and a little bit there and you never see the whole thing, you can never act out the whole thing. It has no unity. I would advise anybody-a kid-instead of doing pictures, get experience! Do theater! Get theater in his blood!”

David Manners (1900–1998) Canadian-born American actor

Interview with David Manners, Scarlet Street #26 (1997)

“It's important to me that I don't get trapped in the whole teen scene because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes. So I just try to choose the scripts that have the best characters for myself, or would be the most challenging, or fun.”

Kirsten Dunst (1982) American actress

Interview in The Guardian (14 October 2000) http://film.guardian.co.uk/interview/interviewpages/0,6737,382311,00.html

Money, Feeling

“[T]he project of the modernist visionary: the search for individual and collective empowerment through the dissolution of the prewritten social script.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 22

“Actors are a troupe that makes a living pretending to be something they're not. Professional poseurs, if you like. Granted, they're not parasites, like the politicians with whom they cavort. But Tinseltown is a left-liberal ideological collective. They march in thematic unison. That their cultural products have become artistically worthless could well be because activism has replaced acting, and sermons have supplanted stories and good scripts. Hollywood is a pretty, pea-brained community.”

Ilana Mercer South African writer

"Thanks, POTUS, For Breaking-Up The Annual Correspondents’ Circle Jerk." http://dailycaller.com/2017/05/08/thanks-potus-for-breaking-up-the-annual-correspondents-circle-jerk/ The Daily Caller, May 8, 2017 2010s, 2017

Communication

“It is not certain whether Pāṇini used writing for the composition of his work, though it is generally agreed that he knew of a form of writing, based on references to words such as "script" and "scribe" in his Ashtadhyayi. These must have referred to Aramaic or early Kharosthi writing. It is believed by some that a work of such complexity would have been difficult to compile without written notes, though others have argued that he might have composed it with the help of a group of students whose memories served him as 'notepads' (as is typical in Vedic learning). Writing first reappears in India in the form of the Brāhmī script from the 3rd century BC in the Ashokan inscriptions.”

Pāṇini ancient Sanskrit grammarian

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

Learning, Memory, Help

“If you get typecast, it's up to you to break that. Since I started real young, getting roles where they would ask me to take my clothes off, I would get those [types of] scripts over and over. The fact that I'm still here and working… I don't know if it's so much because of my performances or something else.”

Nastassja Kinski (1961) German actress

Entertainment Weekly, October 7, 1994

Clothes

“There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman.”

Bob Kane (1915–1998) American comic book artist, the creator of Batman

[Bob Kane and Tom Andrae, Batman & Me, Eclipse Books, Forestville, CA, 1989, 1-56060-017-9, 44]

Business

“For the pie scene, people asked if I read the script and said: 'Oh my god, do I have to do that?'  No — I said: 'I hope that's me. I hope I get that part.”

Jason Biggs (1978) American actor

On casting in film American Pie, interviewed in: —

God, People, Hope, Reading

“Israel is different. In Israel the great temptation of modernity — assimilation — simply does not exist. Israel is the very embodiment of Jewish continuity. It is the only nation on earth that inhabits the same land, bears the same name, speaks the same language, and worships the same God that it did 3,000 years ago. You dig the soil and you find pottery from Davidic times, coins from Bar Kokhba, and 2,000-year-old scrolls written in a script remarkably like the one that today advertises ice cream at the corner candy store.”

Charles Krauthammer (1950–2018) American journalist

1990s, 1998, At Last, Zion (1998)

God, Time

“Most scripts are bad. I read a lot of them. Brick was a good script just to read. It was like, “Oh my God, these words feel so good in my mouth.” A lot of movies try to set up a world with cool sets, costumes, camera work. In Brick, the world is born from the words.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Newsweek, March 31, 2006

God, World, Feeling, Reading

“Appropriate patterns of reproductive, gender, and sexual conduct are all products of specific cultures and all can be viewed as examples of socially scripted conduct. Western societies now have a system of gender and sexual learning in which gender differential scripts are learned prior to sexual scripts, but take their origins in part from the previously learned gender scripts… There are two important points: The first is that both gender and sexuality are learned forms of social practice, and the second is that looking to "natural differences" between women and men for lessons about sexual conduct is an error.”

John Gagnon

"The Explicit and Implicit Use of the Scripting Perspective in Sex Research", Annual Review of Sex Research, Vol. 1, (1990), 5

Women, Men, Error, Nature

“[R]eformers seeking to speed China's modernization by modernizing the writing system through a policy of digraphia have to contend not only with the natural attachment of Chinese to their familiar script but also with chauvinistic and mindless claims for its superiority.”

John DeFrancis (1911–2009) American linguist

Visible Speech: The Diverse Oneness of Writing Systems (1989, p. 120) http://pinyin.info/readings/texts/visible/index.html Visible Speech: The Diverse Oneness of Writing Systems (1989)

Nature, Speed

“The core of the Syrian tragedy consists of the fact that Assad and ISIS represent the two faces of the same coin. Both want the Syrian people, or what is left of them inside the country, scripted out of the equation. Both have enough of a popular base to hang on for some more time even if they did not receive succor from the outside which they regularly do. At the same time neither is strong enough or is ever likely to have the popular base to impose its agenda on Syria.”

Amir Taheri (1942) Iranian journalist

Opinion: The Syrian Orphan and a Club of Cynics http://english.aawsat.com/2015/09/article55345155/opinion-the-syrian-orphan-and-a-club-of-cynics, Ashraq Al-Awsat (18 Sep, 2015).

People, Strong, Time, Country

“I mean, there is a certain amount of exposition you have to have in films and how that exposition is handled tells you whether it's a good script or not, whether it's a good filmmaker or not. You know, the more exposition that can be handled without a character speaking it, the more thematic metaphors that you can do visually, to me that’s a better situation.”

Clancy Brown (1959) American actor and voice actor

“Ask yourself: "Do I police what people say for political propriety? … do I scrutinize great literature, music, art, television or comedy for signs of so-called sexism, racism, elitism, homophobia, antisemitism and meanness? Am I incapable of appreciating a superbly written script or book; a sublime painting or symphony; a smart stand-up routine, if only because the material and its creator violate the received laws of political correctness?”

Ilana Mercer South African writer

“Joan Rivers – antidote to PC totalitarianism,” http://www.quarterly-review.org/?p=2781 The Quarterly Review, July 11, 2014. 2010s, 2014

People, Books, Law, Art

“I like to try different things. A good strong character and a good story are the key things for me when I'm considering a script. But I don't want to do the same kinds of things over and over. I like to challenge myself and do projects that dare to push the limits.”

Matt Dillon (1964) American actor

Dennis King (January 12, 1990) "Matt Dillon - This Era's James Dean - 'Drugstore Cowboy' Star Takes Critics' Award, Speculation About Oscar Nomination in Stride", Tulsa World, p. C1.

Strong

“It is significant that nothing resembling Platonism arose in China. Classical Chinese script is not ideographic, as used to be thought; but because of what A. C. Graham terms its 'combination of graphic wealth with phonetic poverty' it did not encourage the kind of abstract thinking that produced Plato's philosophy. Plato was what historians of philosophy call a realist - he believed that abstract terms designated spiritual or intellectual entities. In contrast, throughout its long history, Chinese thought has been nominalist - it has understood that even the most abstract terms are only labels, names for the diversity of things in the world. As a result, Chinese thinkers have rarely mistaken ideas for facts. Plato's legacy to European thought was a trio of capital letters - the Good, the Beautiful and the True. Wars have been fought and tyrannies established, cultures have been ravaged and peoples exterminated in the service of these abstractions. Europe owes much of its murderous history to errors of thinking engendered by the alphabet.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Deception: Plato and the alphabet (p. 57-8)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

War, People, World, Beauty

“The one affectation I have forced on the publisher … are my apostrophe-free ellisions. Because I write my scripts to read myself, I dont spell 'don't' with an apostrophe. I spell it 'dont'. We all know the word and it seems foolish to put in an extraneous apostrophe. Punctuation marks are devices we use to make the meaning of sentences clear. There is nothing confusing about a word like 'dont' printed without an apostrophe to indicate an omitted letter.”

Andy Rooney (1919–2011) writer, humorist, television personality

Reading

“It's fascinating to watch a show develop from a script to a 22-minute comedy. I try to learn as much, and ask as many questions, as I can without being annoying.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

The Hollywood Reporter November 7, 1995.

Question, Learning

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Way, Game, Time, Parting

Bill Finger (1914–1974) American comic strip and comic book writer

About

Business

“I treat all film roles one way: very seriously," exclaims Pleasence. "I never play anything tongue-in-cheek, though at times it might appear that way. I'm a professional actor who has no particular approach to acting. I get the part, I read the script. If I decide to do it, I learn the lines. People expecting a longwinded explanation on my approach will be disappointed. I have no theory about acting. There is no method, there is no way. I just do it.”

Donald Pleasence (1919–1995) British actor

INTERVIEW BY MARC SHAPIRO https://www.pleasence.com/articles/MADMAN.HTML (February 1989)

People, Disappointment, Way, Learning

“It was an earnest, extreme, and irreverent book, a book that, in its mockery of authority, its relentless logic, its relentless hewing to the line of Reason, letting the sacred cows fall where they might, followed the old familiar script: CAMPUS REBEL FLAYS FACULTY. But the script was all balled up, for the author was more reactionary than any of the dignitaries in their black robes, and his book damned Yale as a hotbed of atheism and collectivism.”

Dwight Macdonald (1906–1982) journalist

Review of God and Man at Yale by William F. Buckley, Jr., quoted in Grace Elizabeth Hale, A Nation of Outsiders:How the White Middle Class Fell in Love With Rebellion in Postwar America. Oxford University Press, 2011.

Books

“The real turning point in my life came when I performed my best in Muzaffar Ali’s Umrao Jaan. After reading the script, I felt I had Umrao in me — the character influenced me so much. I put my soul into each minute aspect of my performance. I was thrilled when I won the National Award for Best Actress for Umrao Jaan.”

Rekha (1954) Indian film actress

The diva rules

Life, Soul, Reading

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Love, Women, People, Books

“A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!””

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Way, Thinking, Sleep, Waiting

“But if politics is an art, it is not like sculpture or painting, where one side acts and the other is passive material. It is more like drama without a script, or dance without choreography - in other words, improvisation. Either player may surprise us again with a new move.”

Thomas Flanagan (political scientist) (1944) author, academic, and political activist

Source: Game Theory and Canadian Politics (1998), Chapter 3, Stalemate At Lubicon Lake, p. 54.

Art, Dance, Painting

“In the beginning was the Word,' and you must not be tempted with a script just because you have a great part. You want a great role to play, but the whole - the whole - must be good. It'll never succeed if it's just the role you like.”

Bette Davis (1908–1989) film and television actress from the United States

Louise Sweeney (December 28, 1987) "Bette Davis: On the heels of a new honor and a new film, a screen legend looks back over her 60-year career", Christian Science Monitor, p. 19.

Parting

“Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper.
Reporter 2: What’s your hurry Carl? The Jewish community’s lawyer is trying to show the damage done by the “Protocols of Zion” book.
Lawyer: Your honor, we have demonstrated that the “Protocols” is ‘’’smut…’’’ I would conclude by exhibiting evidence of its influence on public opinion as a fraud.
Judge: You may proceed!
Lawyer: Since its first publication in Russia by Dr. Nilus in 1905, four printings have been distributed there!
In 1919, type script copies were distributed to delegated at the Versailles peace conference by white Russians.
In England Victor Marsden translated the “protocols” into English in 1922.
In 1920, the first polish language edition was brought into the United States and South America by Polish immigrants.
In 1921, the first Arabic and the first Italian copies appeared!
In 1921, “The Times” of London published its famous expose of this false document!
And because of his fame, Henry Ford’s work deserves recounting.
Lawyer: In 1920, Henry ford the American auto magnate, bought a small newspaper, the “Dearborn Independent.” He began a series, “The International Jew,” made up of borrowings from the “Protocols of the Elders on Zion.”
Later, in 1922, it was published in sxteen language for a world-wide distribution. It sold over a ‘’’half million’’’ copies in America alone!
Reporter: Actually, Ford recanted in 1926 when he was threatened with a libel suit.

Reporter 2: Really?
Reporter 3: What did he say?
Reporter: He said in part, “…To my great regret I learn that in the ‘Dearborn Independent’ there appeared articles which induced the Jews to regard me as their enemy promoting anti-Semitism!”
HE WENT ON TO SAY, “…I am…mortified that this Journal…is giving currency to ‘The Protocols of the wise men of Zion,’ which I learn to be gross forgeries…I deem it my duty…to make amends for the wrong done to the Jews as fellow men and brothers by asking their forgiveness.
HE GOES ON BY RECITING SOME OF THE MORE “evil ingredients” in the “Protocols” AND HE REFERS TO IT AS AN “infamous forgery.”
Reporter 3: DID HIS APOLOGY CHANGE ANYTHING?? HENRY FORD WAS FAMOUS the world over…his apology must have had influence!
Reporter: Not very much. In fact publication increased all over the globe.
Reporter 3: Look! Here I have two French translations of the “Protocols of the Elders of Zion” that were published in ‘’’France,’’’ dated 1934. Later they had many printings!
Judge: …I hope to see the day when nobody will be able to understand why otherwise sane and reasonable men should torment their brains for fourteen days over the authenticity or fabrication of the “Protocols of Zion”’’’…I regard the “protocols” as ridiculous nonsense!
Reporter: Good news! …judge Meyer found against the Nazis and imposed a fine on them…

Publisher: We will publish the judge’s decision!
Reporter: This should put an end to the “Protocols” at last!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107

Men, Books, World, Peace

“We are today living out the script for America and the world that was dreamt up not by Obama but by Obama's father. How do I know this? Because Obama says so himself. Reflect for a moment on the title of his book: it's not Dreams of My Father but rather Dreams from My Father. In other words, Obama is not writing a book about his father's dreams; he is writing a book about the dreams that he got from his father.Think about what this means. The most powerful country in the world is being governed according to the dreams of a Luo tribesman of the 1950s—a polygamist who abandoned his wives, drank himself into stupors, and bounced around on two iron legs (after his real legs had to be amputated because of a car crash caused by his drunk driving). This philandering, inebriated African socialist, who raged against the world for denying him the realization of his anti-colonial ambitions, is now setting the nation’s agenda through the reincarnation of his dreams in his son. The son is the one who is making it happen, but the son is, as he candidly admits, only living out his father’s dream. The invisible father provides the inspiration, and the son dutifully gets the job done. America today is being governed by a ghost.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, The Roots of Obama's Rage (2010), Ch. 10: The Last Anti-Colonial

Books, World, Dreams, Cars

“Arabic writing at the beginning of Islam was, therefore, not of the best quality nor of the greatest accuracy and excellence. It was not (even) of medium quality, because the Arabs possessed the savage desert attitude and were not familiar with crafts. One may compare what happened to the orthography of the Qur’an on account of this situation. The men around Muhammad wrote the Qur’an in their own script which, was not of a firmly established, good quality. Most of the letters were in contradiction to the orthography required by persons versed in the craft of writing…. Consequently, (the Qur’anic orthography of the men around Muhammad was followed and became established, and the scholars acquainted with it have called attention to passages where (this is noticeable). No attention should be paid in this connection with those incompetent (scholars) that (the men around Muhammad) knew well the art of writing and that the alleged discrepancies between their writing and the principles of orthography are not discrepancies, as has been alleged, but have a reason. For instance, they explain the addition of the alif in la ‘adhbahannahU "I shall indeed slaughter him" as indication that the slaughtering did not take place ( lA ‘adhbahannahU ). The addition of the ya in bi-ayydin "with hands (power)," they explain as an indication that the divine power is perfect. There are similar things based on nothing but purely arbitrary assumptions. The only reason that caused them to (assume such things) is their belief that (their explanations) would free the men around Muhammad from the suspicion of deficiency, in the sense that they were not able to write well. They think that good writing is perfection. Thus, they do not admit the fact that the men around Muhammad were deficient in writing.”

Ibn Khaldun book Muqaddimah

Muqqadimah, ibn Khaldun, vol. 2, p. 382
Muqaddimah (1377)

Men, Art, Thinking, Sense

“Acting is very competitive. There are few good scripts out there and the ones that are good are very competitive. You look at your options and often times they're not too appealing.”

Matt Dillon (1964) American actor

Hillary Jackson (April 7, 2001) "Dillon's new direction", The Gold Coast Bulletin, p. W16.

Time

“I've done more films than these people. Why aren't I getting those scripts?' Because my films never get released. So OK, I do Sorted, because it's going to get released, and hate every minute of it. You know, I am ambitious, in the sense of, I will eat as much cardboard as I have to swallow, in order to get to a place where I can make a great script.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004.

Hate, People, Sense

“In this book I am concerned with certain kinds of communication: communication between parents and children, between associates of the same status, between members of different societies and, through the mediation of various kinds of coding—tools, art, script, formulas, film—between cultures distant from each other in time and place. I shall be concerned to show that we must deal not only with evolutionary sequences, in which our ability to articulate and codify parts of the culture enormously increases our ability to intervene in the cultural process, but also with the coexistence at any period of history of earlier forms of communication side by side with later ones.”

Margaret Mead (1901–1978) American anthropologist

Source: 1960s, Continuities in Cultural Evolution (1964), p. xxxi

Children, Books, Art, History

“After I read a script about three times, it sinks into my head. With Harry Potter, it took about six times because it was a lot bigger.”

Daniel Radcliffe (1989) English actor

https://archive.is/20130628114347/www.associatedcontent.com/article/274090/daniel_radcliffe_quotes_harry_potter.html

Time, Reading

“"A curse," said Lee. "Been in our family for generations. The Lees have always been perverts. I shall never forget the unspeakable horror that froze the lymph in my glands when the baneful word seared my reeling brain: 'homosexual'. I was a homosexual. I thought of the painted simpering female impersonators I'd seen in a Baltimore nightclub. Could it be possible I was one of those subhuman things? I walked the streets in a daze like a man with a light concussion- just a minute, Doctore Kildare, this isn't your script. I might as well have destroyed myself, ending an existence which seemed to offer nothing but grotesque misery and humiliation. Nobler, I thought to die a man than life on, a sex monster. It was a wise old queen - Bob, we called her- who taught me that I had a duty to live and to bear my burden proudly for all to see, to conquer prejudice and ignorance and hate with knowledge and sincerity and love. Whenever you are threatened by a hostile presence, you emit a thick cloud of love like an octopus squirts out ink."”

William S. Burroughs (1914–1997) American novelist, short story writer, essayist, painter, and spoken word performer

Source: Queer: A Novel (1985), Chapter Three

Love, Life, Hate, Hostility

“I made those films for 20 years, and after 10 years they ran out of good scripts.”

Herbert Lom (1917–2012) Czech-born film and television actor

“A Broadway play is so much an event, designed down to the bit parts to explode in your face on one particular night, that it is hard to judge any one of them fairly from the scrawny instructions known as a script.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

Clare Boothe Luce http://books.google.com/books?id=mVYfAQAAMAAJ&q=%22A+Broadway+play+is+so+much+an+event+designed+down+to+the+bit+parts+to+explode+in+your+face+on+one+particular+night+that+it+is+hard+to+judge+any+one+of+them+fairly+from+the+scrawny+instructions+known+as+a+script%22&pg=PA69#v=onepage (1982)

Parting, Night