“I mean, there is a certain amount of exposition you have to have in films and how that exposition is handled tells you whether it's a good script or not, whether it's a good filmmaker or not. You know, the more exposition that can be handled without a character speaking it, the more thematic metaphors that you can do visually, to me that’s a better situation.”

Source: Lover Eternal

Act II
A Man for All Seasons (1960)

The Mike Wallace Interview (1958)
Context: The more complex the world situation becomes, the more scientific and rational analysis you have to have, the less you can do with simple good will and sentiment. Nonetheless, the human situation is so, and this is why I think that the Christian faith is right as against simple forms of secularism. That it believes that there is in man a radical freedom, and this freedom is creative but it is also destructive — and there's nothing that prevents this from being both creative and destructive. That's why history is not an answer to our problem, because history complicates, enlarges every problem of human existence.

"Quantum Mechanics: Non-relativistic Theory", together with L. D. Landau, translated by John Menzies (third edition 1991), p. xi

Source: Breadcrumbs

Telephone interview quoted by Carol Krucoff. Why Jane's Fonda Exercise;Stress-Busting Workouts and Other News About Staying in Shape. Washington Post, 13 March 1990

On portraying different kinds of relationships in her book Emergency Contact in “Interview with Mary H.K. Choi” https://therumpus.net/2018/05/the-rumpus-interview-with-mary-h-k-choi/ in The Rumpus (2018 May 18)

Other

Marcelle Marquet, Marquet Fernand Hazan Editions, Paris 1955, p. 6; as quoted in 'Appendix – Marquet Speaks on his Art', in "Albert Marquet and the Fauve movement, 1898-1908", Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116