
Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,
Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,
Can Love Last? (New York: W. W. Norton & Company, 2002), p. 114
Bech, A Book (1970)
Don Orsino (1891)
“Nothing says romance like hobos, martyrs and decapitations.”
On the creation of St. Valentine's Day. (14 February 2010)
The Late Late Show with Craig Ferguson (2005–2014)
In Edgar Snow's Red Star Over China (1937)
“First kiss ever I took
Like a page from a romance book.
The sky opened and the earth shook.”
"Copperline", written with Reynolds Price
Song lyrics, New Moon Shine (1991)
2010s, 2011, Are we alone in the universe? (2011)
Prof. George Cardona in:"Indo-Aryan languages".
“Romance is the poetry of literature.”
Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 676.
Spence's Anecdotes and The Guardian (21 May 1713); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 132.
Letter 136, to Malcolm Darling, 6 November 1914
Selected Letters (1983-1985)
"Finding Love in Electoral Politics", AlterNet (13 November 2004) http://web.archive.org/web/20041117195414/http://www.alternet.org/columnists/story/20486/
La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s
"Government Injunction Restraining Harlem Cosmetic Co." (1941) St. 2–3; Collected Poems, University of Illinois Press, 1983
Letter to Mr. Clarke (1816-04-01) [Letters of Jane Austen -- Brabourne Edition]
Letters
The Novel: What It Is (1893)
George Santayana, from The Wine of Absurdity (1966).
Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 37
“From evening soaps to preteen romances, [the message is that] inner values are for losers.”
Source: Why Men Are the Way They Are (1988), p. 73.
“Tradition wears a snowy beard, romance is always young.”
Mary Garvin, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
“Lady of the Mere,
Sole-sitting by the shores of old romance.”
A Narrow Girdle of Rough Stones and Crags, l. 37 (1803).
Review http://www.rogerebert.com/reviews/slackers-2002 of Slackers (1 February 2002)
Reviews, Zero star reviews
Hall, Eliza Calvert. Aunt Jane of Kentucky. Boston: Little, Brown, and Co, 1907. Aunt Jane's Album p. 82.
Hall, Eliza Calvert, and Melody Graulich. Aunt Jane of Kentucky. Masterworks of literature series. Albany, NY: NCUP, 1992. In the reprinted edition, Graulich discusses the quote on page xxiv.
Aunt Jane of Kentucky (1907)
August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers
Preface to English Edition (p. 9)
Last and First Men (1930)
Daniel Dennett in a panel under the title "Can Rationality Be Taught?" https://www.youtube.com/watch?v=ImE6-3GuvhE at TAM 2014.
Source: Course of Experimental Philosophy, 1745, p. vi-v: Preface
Review http://www.rogerebert.com/reviews/metropolitan-1990 of Metropolitan (10 August 1990)
Reviews, Three-and-a-half star reviews
Which left very little room, Stavia thought, for womanly initiative.
Source: The Gate to Women's Country (1988), Chapter 2 (p. 9)
Love
1840s, Essays: First Series (1841)
Moondance
Song lyrics, Moondance (1970)
Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)
Vol. 1, Book II , Chapter 1. "Change of the Constitution" Translated by W.P. Dickson
The History of Rome - Volume 1
Source: The Foundation series (1951–1993), Second Foundation (1953), Chapter 11 “Stowaway”
About his wife Nargis’s past love life. Nargis-Sunil Dutt: A real life romance, 20 October 2003, 6 December 2013, Rediff.com http://www.rediff.com/movies/2003/oct/20dutt.htm,
We all are one, whichever religion we belong to
I’m a diehard romantic - Shraddha Kapoor via Filmfare (April 30, 2013) http://www.filmfare.com/interviews/im-a-diehard-romantic-shraddha-kapoor-3014.html
Walter Scott, manuscript note written in 1825; cited from J. G. Lockhart The Life of Sir Walter Scott, Bart. (London: Adam and Charles Black, 1896) p. 81 col. 2.
Criticism
Diving Into Sunken-Treasure Investing http://www.cnbc.com/id/39342234, CNBC Special Report by Shelly K. Scwartz, Published: October 18, 2010.
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
Night — Goodbye!
Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)
"The Ties That Bind"
Song lyrics, The River (1980)
“It's all about the triumph of intellect and romance over brute force and cynicism!”
A comedic musical tribute to Doctor Who made in November 2010 https://www.youtube.com/watch?v=M9P4SxtphJ4, which was not aired for legal reasons, but "leaked" to the internet, and finally aired with legal clearance on Late Late Show (6 January 2011) http://geeksofdoom.com/2011/01/07/craig-fergusons-doctor-who-musical-finally-airs/The · Transcript of lyrics (with some minor errors), online at Forbes (1 December 2010) http://www.forbes.com/sites/davidewalt/2010/12/01/craig-fergusons-doctor-who-song/
The Late Late Show with Craig Ferguson (2005–2014)
Context: In 1963 the BBC premiered a show about an alien
Who traveled through space and time to combat the powers of evil. …
The show has been running in Britain almost fifty years,
with many different actors in the role of The Doctor. …
One thing is consistent though and this is why the show is so beloved by geeks and nerds —
It's all about the triumph of intellect and romance over brute force and cynicism!
Intellect and romance over brute force and cynicism!
And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it:
Intellect and romance triumph over brute force and cynicism! <!-- Right Doctor?
“There is no greater romance in life than this adventure in realization.”
Message at Pickfair, Beverly Hills, California (1 June 1932), as quoted in Life Is A Jest (1974) edited by A. K. Hajra <!-- or 6 January? 1932 Me p100-101 -->
General sources
Context: Life becomes meaningful and all activities are purposeful only on the basis of faith in the enduring reality. … The greatest romance possible in life is to discover this Eternal Reality in the midst of infinite change. Once, one has experienced this, one sees oneself in everything that lives, one recognises all of life as his life, everybody's interests as his own. One is no longer bound by habits of the past, no longer swayed by the hopes of the future — One lives in and enjoys each present moment to the full. There is no greater romance in life than this adventure in realization.
“The history of the Bible text is a romance of literature,”
Source: The Story Of The Bible, Chapter I, The Bible And Recent Discoveries, p. 4
Context: The history of the Bible text is a romance of literature, though it is a romance of which the consequences are of vital import; and thanks to the succession of discoveries which have been made of late years, we know more about it than of the history of any other ancient book in the world.
“Somewhere along the line I had fallen in love with learning, and it became a lifelong romance.”
Source: Education of a Wandering Man (1989), Ch. 1
Context: A great book begins with an idea; a great life, with a determination.
My life may not be great to others, but to me it has been one of steady progression, never dull, often exciting, often hungry, tired, and lonely, but always learning. Somewhere back down the years I decided, or my nature decided for me, that I would be a teller of stories.
Decisions had to be made and there was nobody but me to make them. My course altered a number of times but never deviated from the destination I had decided upon. Whether this was altogether a matter of choice I do not know. Perhaps my early reading and the storytelling at home had preconditioned me for the role I adopted.
Somewhere along the line I had fallen in love with learning, and it became a lifelong romance. Early on I discovered it was fun to follow along the byways of history to find those treasures that await any searcher. It may be that all later decisions followed naturally from that first one.
One thing has always been true: That book or that person who can give me an idea or a new slant on an old idea is my friend.
Name for hypothetical planet nearer the Sun than Mercury
The Story of the Heavens, London, 1893, p. 122
“Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.”
Preface
The Marble Faun (1860)
Context: No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.
On the progress of The Wise Man's Fear in "Concerning the Release of Book Two" (26 February 2009) http://blog.patrickrothfuss.com/2009/02/concerning-the-release-of-book-two/
Official site
Context: My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I fuck it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.
“The need for romance is constant, and again, it’s pooh-poohed by intellectuals.”
The Paris Review interview (2010)
Context: The need for romance is constant, and again, it’s pooh-poohed by intellectuals. As a result they’re going to stunt their kids. You can’t kill a dream. Social obligation has to come from living with some sense of style, high adventure, and romance. It’s like my friend Mr. Electrico. … he was a real man. That was his real name. Circuses and carnivals were always passing through Illinois during my childhood and I was in love with their mystery. One autumn weekend in 1932, when I was twelve years old, the Dill Brothers Combined Shows came to town. One of the performers was Mr. Electrico. He sat in an electric chair. A stagehand pulled a switch and he was charged with fifty thousand volts of pure electricity. Lightning flashed in his eyes and his hair stood on end. … Mr. Electrico was a beautiful man, see, because he knew that he had a little weird kid there who was twelve years old and wanted lots of things. We walked along the shore of Lake Michigan and he treated me like a grown-up. I talked my big philosophies and he talked his little ones. Then we went out and sat on the dunes near the lake and all of a sudden he leaned over and said, I’m glad you’re back in my life. I said, What do you mean? I don’t know you. He said, You were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I’m glad you’re back in the world. You have a different face, a different name, but the soul shining out of your face is the same as my friend. Welcome back.
Now why did he say that? Explain that to me, why? Maybe he had a dead son, maybe he had no sons, maybe he was lonely, maybe he was an ironical jokester. Who knows? It could be that he saw the intensity with which I live. Every once in a while at a book signing I see young boys and girls who are so full of fire that it shines out of their face and you pay more attention to that. Maybe that’s what attracted him.
When I left the carnival that day I stood by the carousel and I watched the horses running around and around to the music of “Beautiful Ohio,” and I cried. Tears streamed down my cheeks. I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped.
Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, “Live forever.” And I decided to.
“It does no harm to the romance of the sunset to know a little bit about it.”
Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 159
Context: It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works — that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.
A comedic musical tribute to Doctor Who made in November 2010 https://www.youtube.com/watch?v=M9P4SxtphJ4, which was not aired for legal reasons, but "leaked" to the internet, and finally aired with legal clearance on Late Late Show (6 January 2011) http://geeksofdoom.com/2011/01/07/craig-fergusons-doctor-who-musical-finally-airs/The · Transcript of lyrics (with some minor errors), online at Forbes (1 December 2010) http://www.forbes.com/sites/davidewalt/2010/12/01/craig-fergusons-doctor-who-song/
The Late Late Show with Craig Ferguson (2005–2014)
Context: In 1963 the BBC premiered a show about an alien
Who traveled through space and time to combat the powers of evil. …
The show has been running in Britain almost fifty years,
with many different actors in the role of The Doctor. …
One thing is consistent though and this is why the show is so beloved by geeks and nerds —
It's all about the triumph of intellect and romance over brute force and cynicism!
Intellect and romance over brute force and cynicism!
And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it:
Intellect and romance triumph over brute force and cynicism! <!-- Right Doctor?
Dylan Thomas and Hector Berlioz (1956).
Context: Genius is unquestionably a great trial, when it takes the romantic form, and genius and romance are so associated in the public mind that many people recognize no other kind. There are other forms of genius, of course, and though they create their own problems, they are not "impossible" people. But O, how deeply we should thank God for these impossible people like Berlioz and Dylan Thomas! What a weary, grey, well-ordered, polite, unendurable hell this would be without them!
Address to the Harvard Alumni Association to the Class of '61, in Speeches (1913), p. 96.
1910s
“Romance is the opiate of the dissatisfied”
The Wheel of Fortune (1984), Part 1: Robert
Context: Romance is the opiate of the dissatisfied, it anaesthesises them from the pain of their disordered second-rate lives [... ] If romance is the opiate of the dissatisfied then surely nostalgia is the opiate of the disillusioned, for those who see all their dreams come true and find themselves living in a nightmare.
“I am quite content, in this Comedy of Appearances, to follow the old romancers' lead.”
"To Sinclair Lewis : A Foreword"
Figures of Earth (1921)
Context: I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them."
I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy name of heroism.
“I think romance basically starts with respect. And new romance always starts with respect.”
Interview with Rebecca Murray http://romanticmovies.about.com/cs/lostintranslation/a/lostbillint.htm
Context: I think romance basically starts with respect. And new romance always starts with respect. I think I have some romantic friendships. Like the song “Love the One You’re With”; there is something to that. It’s not just make love to whomever you’re with, it’s just love whomever you’re with. And love can be seeing that here we are and there’s this world here. If I go to my room and I watch TV, I didn’t really live. If I stay in my hotel room and watch TV, I didn’t live today.
The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance. For man alone of animals plays the ape to his dreams. These axioms — poor, deaf and blinded spendthrift! — are none the less valuable for being quoted.
"Advertisement"
Useful Knowledge (1928)
“Neuro from the nerves, the silver paths. Romancer. Necromancer.”
Neuromancer (1984)
Context: The lane to the land of the dead. Where you are, my friend. Marie-France, my lady, she prepared this road, but her lord choked her off before I could read the book of her days. Neuro from the nerves, the silver paths. Romancer. Necromancer. I call up the dead. But no, my friend," and the boy did a little dance, brown feet printing the sand, "I am the dead, and their land." He laughed. A gull cried, "Stay. If your woman is a ghost, she doesn't know it. Neither will you."
“Life is a love affair. There is a romance with every beauty of nature.”
pp 79 - 80.
Letter to his daughter (1978)
Context: Life is a love affair. There is a romance with every beauty of nature. I have no hesitation in saving that my most passionate love affair, my most thrilling romance has been with the people. There is an indissoluble marriage between politics and the people. That is why "Man is a political animal" and the state a political theatre. I have been on this stage of the masters for over twenty tumultuous years. I believe I still have a role to play. I believe the people still want me on this stage, but if I have to bow out, I give you the gift of my feelings. You will fight the fight better than me. Your speeches will be more eloquent than my speeches. Your commitment equally total. There will be more youth and vitality in your struggle. Your deeds ill be more daring. I transmit to you the blessing to the most blessed mission. This is the only present I can give you on your birthdays.
“For a few years I had an off-and-on romance with her.”
Source: Adventures of a Mathematician - Third Edition (1991), Chapter 2, Student Years, p. 45 (On Ada Halpern...)
Context: Ada came from Lwów. She was a very good looking girl who was studying mathematics at the University of Geneva. For a few years I had an off-and-on romance with her.
p. 174 https://babel.hathitrust.org/cgi/pt?id=yale.39002032470974;view=1up;seq=190
English Voyages of the Sixteenth Century (1906)
On her views of the romance genre in “Marjorie Liu: Making a Monstress” https://www.guernicamag.com/making-a-monstress/ in Guernica (2016 Feb 15)
Gray Flannel Armor (p. 9)
Short fiction, Notions: Unlimited (1960)
On her feelings about romance in “Morgan Parker: ‘In the back of my mind I’m on a slave ship, yet I’m also here just telling you how it is.’” https://www.guernicamag.com/miscellaneous-files-interview-morgan-parker/ in Guernica Magazine (2019 Mar 22)
Jules Smith, in William Dalrymple: Critical Perspective http://literature.britishcouncil.org/william-dalrymple, 2007, British Council.
About William Dalrymple
Tipu Sultan's address on 1788, Quoted in The Sword of Tipu Sultan, by Bhagwan S Gidwani https://books.google.com.sa/books?id=EimPBAAAQBAJ&lpg=PP1&pg=PT262#v=onepage&q&f=true
From Tipu Sultan's Decrees
Source: Collected Works of Deshbandhu.
… What excellent advice it is, and how it was beaten into my generation of schoolboys... But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?
Writing (1990), he here quotes from The King's English (1906) by Henry Watson Fowler & Francis George Fowler
Source: 1870s, Around the World with General Grant (1879), pp. 162–163
1989
Bishop Daniel P. Reilly https://vimeo.com/273945657 (2008)
are none the less valuable for being quoted.
The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Source: Excerpts of letter to his first wife (14 July 1975)