Quotes about romance
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Nina Shatskaya photo
John Gray photo
John Updike photo
Francis Marion Crawford photo
Craig Ferguson photo

“Nothing says romance like hobos, martyrs and decapitations.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

On the creation of St. Valentine's Day. (14 February 2010)
The Late Late Show with Craig Ferguson (2005–2014)

Ben Gibbard photo
James Branch Cabell photo
Mao Zedong photo
James Taylor photo

“First kiss ever I took
Like a page from a romance book.
The sky opened and the earth shook.”

James Taylor (1948) American singer-songwriter and guitarist

"Copperline", written with Reynolds Price
Song lyrics, New Moon Shine (1991)

Charles Krauthammer photo
Mike Oldfield photo
Suzanne Curchod photo

“Romance is the poetry of literature.”

Suzanne Curchod (1737–1794) French-Swiss salonist and writer

Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 676.

Alexander Pope photo

“Nothing can be more shocking and horrid than one of our kitchens sprinkled with blood, and abounding with the cries of expiring victims, or with the limbs of dead animals scattered or hung up here and there. It gives one the image of a giant's den in a romance, bestrewed with scattered heads and mangled limbs.”

Alexander Pope (1688–1744) eighteenth century English poet

Spence's Anecdotes and The Guardian (21 May 1713); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 132.

Sinclair Lewis photo
Chetan Bhagat photo
E.M. Forster photo
Matt Taibbi photo
John Buchan photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Jane Austen photo
Francis Marion Crawford photo
Warren Farrell photo
Camille Paglia photo
Harold Lloyd photo
Warren Farrell photo

“From evening soaps to preteen romances, [the message is that] inner values are for losers.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 73.

John Greenleaf Whittier photo

“Tradition wears a snowy beard, romance is always young.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Mary Garvin, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Jim Morrison photo
Lois McMaster Bujold photo
William Wordsworth photo

“Lady of the Mere,
Sole-sitting by the shores of old romance.”

William Wordsworth (1770–1850) English Romantic poet

A Narrow Girdle of Rough Stones and Crags, l. 37 (1803).

Roger Ebert photo
Eliza Calvert Hall photo

“Patchwork? Ah, no! It was memory, imagination, history, biography, joy, sorrow, philosophy, religion, romance, realism, life, love and death; and over all, like a halo, the love of the artist for his work and the soul's longing for earthly immortality.”

Eliza Calvert Hall (1856–1935) American author, women's rights advocate and suffragist

Hall, Eliza Calvert. Aunt Jane of Kentucky. Boston: Little, Brown, and Co, 1907. Aunt Jane's Album p. 82.
Hall, Eliza Calvert, and Melody Graulich. Aunt Jane of Kentucky. Masterworks of literature series. Albany, NY: NCUP, 1992. In the reprinted edition, Graulich discusses the quote on page xxiv.
Aunt Jane of Kentucky (1907)

Henry James photo
Peter Ackroyd photo
Daniel Dennett photo

“We really have to think of reasoning the way we think of romance, it takes two to tango. There has to be a communication.”

Daniel Dennett (1942) American philosopher

Daniel Dennett in a panel under the title "Can Rationality Be Taught?" https://www.youtube.com/watch?v=ImE6-3GuvhE at TAM 2014.

John Theophilus Desaguliers photo
John Fante photo
Roger Ebert photo
Ralph Waldo Emerson photo
Van Morrison photo

“Well it's a marvellous night for a moondance,
With the stars up above in your eyes.
A fantabulous night to make romance,
'Neath the cover of October skies.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Moondance
Song lyrics, Moondance (1970)

“It is generally assumed that men are damaged in their capacity for closeness and intimacy. If intimacy is defined as a loving closeness with another person, then it is usually true that the early conditioning of men to be performers and competitors in the impersonal competitive world limits their intimacy capacity. Women are assumed to have a greater capacity for intimacy than men because they express caring emotions and allow themselves to be dependent and close in relationships more easily. Yet, a closer look will provide a different perspective.

True intimacy is love and closeness based on knowledge of the inner reality and inner experience of the other. However, in romantic relationships, closeness ends or is put into crisis when men describe honestly their inner experiences to women. Women assail the relationship behavior of men and men acknowledge what they are told. Rarely is the opposite true. Men accept the reality of women more than women accept the reality of men.

The fact that a woman's priority is placed on personal needs bears no relationship to a genuine capacity for intimacy. To be loved and known, and to be fully comfortable expressing one's personal self, are two major components of intimacy. There are few men who have received that from a woman. The opposite holds true. A woman's love for a man is contingent on his participating in her romantic fantasy of what he and the relationship should be. Few men risk challenging or undermining that fantasy. Instead, they play by the rules of romance even when it feels uncomfortable, knowing that being loved by her is fragile and easily broken once he reveals his resistances and unromantic feelings.”

Herb Goldberg (1937–2019) American psychologist

Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)

Peter Greenaway photo
Theodor Mommsen photo

“The earliest achievement of this (of equality and the restriction on the powers of the constitutionally mandated magistrates), the most ancient opposition in Rome, consisted in the abolition of the life-tenure of the presidency of the community; in other words, in the abolition of the monarchy… Not only in Rome (but all over the Italian peninsula) … we find the rulers for life of an earlier epoch superseded in after times by annual magistrates. In this light the reasons which led to the substitution of the consuls for kings in Rome need no explanation. The organism of the ancient Greek and Italian polity through its own action and by a sort of natural necessity produced the limitation of the life-presidency to a shortened, and for the most part an annual, term… Simple, however, as was the cause of the change, it might be brought about in various ways, resolution (of the community),.. or the rule might voluntarily abdicate; or the people might rise in rebellion against a tyrannical ruler, and expel him. It was in this latter way that the monarchy was terminated in Rome. For however much the history of the expulsion of the last Tarquinius, "the proud", may have been interwoven with anecdotes and spun out into a romance, it is not in its leading outlines to be called in question. Tradition credibly enough indicates as the causes of the revolt, that the king neglected to consult the senate and to complete its numbers; that he pronounced sentences of capital punishment and confiscation without advising with his counsellors(sic); that he accumulated immense stores of grain in his granaries, and exacted from the burgesses military labours and task-work beyond what was due… we are (in light of the ignorance of historical facts around the abolition of the monarchy) fortunately in possession of a clearer light as to the nature of the change which was made in the constitution (after the expulsion of the monarchy). The royal power was by no means abolished, as is shown by the fact that, when a vacancy occurred, a "temporary king" (Interrex) was nominated as before. The one life-king was simply replaced by two [one year] kings, who called themselves generals (praetores), or judges…, or merely colleagues (Consuls) [literally, "Those who leap or dance together"]. The collegiate principle, from which this last - and subsequently most current - name of the annual kings was derived, assumed in their case an altogether peculiar form. The supreme power was not entrusted to the two magistrates conjointly, but each consul possessed and exercised it for himself as fully and wholly as it had been possessed and exercised by the king; and, although a partition of functions doubtless took place from the first - the one consul for instance undertaking the command of the army, and the other the administration of justice - that partition was by no means binding, and each of the colleagues was legally at liberty to interfere at any time in the province of the other.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 1, Book II , Chapter 1. "Change of the Constitution" Translated by W.P. Dickson
The History of Rome - Volume 1

Neil Young photo
John Buchan photo

“Young girls passed me with romance still in their eyes, and others, a little older, with the romance dead.”

The scene is a society ball in London.
Source: A Lodge in the Wilderness (1906), Ch. V, p. 145.

Isaac Asimov photo

“Remarkable what a fragile flower romance is. A gun with a nervous operator behind it can spoil the whole thing.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Second Foundation (1953), Chapter 11 “Stowaway”

Sunil Dutt photo

“I never knew there was a romance. The only thing I knew was that she came into my life. I was not concerned about her past. I know these questions arise. But I am concerned about the person who comes in my life; what matters from that day on is how true the person is to me. The past is nothing to me.”

Sunil Dutt (1929–2005) Hindi film actor

About his wife Nargis’s past love life. Nargis-Sunil Dutt: A real life romance, 20 October 2003, 6 December 2013, Rediff.com http://www.rediff.com/movies/2003/oct/20dutt.htm,
We all are one, whichever religion we belong to

Shraddha Kapoor photo
Matthew Lewis (writer) photo

“He was a child, and a spoiled child, but a child of high imagination; and so he wasted himself on ghost-stories and German romances.”

Matthew Lewis (writer) (1775–1818) English novelist and dramatist

Walter Scott, manuscript note written in 1825; cited from J. G. Lockhart The Life of Sir Walter Scott, Bart. (London: Adam and Charles Black, 1896) p. 81 col. 2.
Criticism

Frances Kellor photo
Kage Baker photo
E. Lee Spence photo

“As a child, everyone dreams of finding treasure. There’s romance and drama. But as an adult most people aren’t going to spend their lives trying to find it.”

E. Lee Spence (1947) German anthropologist, photographer, archaeologist, historian, photojournalist and academic

Diving Into Sunken-Treasure Investing http://www.cnbc.com/id/39342234, CNBC Special Report by Shelly K. Scwartz, Published: October 18, 2010.

Halldór Laxness photo
Joseph Conrad photo

“Only a moment; a moment of strength, of romance, of glamour — of youth!… A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and — goodbye!”

Joseph Conrad (1857–1924) Polish-British writer

Night — Goodbye!
Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)

Bruce Springsteen photo
Craig Ferguson photo

“It's all about the triumph of intellect and romance over brute force and cynicism!”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

A comedic musical tribute to Doctor Who made in November 2010 https://www.youtube.com/watch?v=M9P4SxtphJ4, which was not aired for legal reasons, but "leaked" to the internet, and finally aired with legal clearance on Late Late Show (6 January 2011) http://geeksofdoom.com/2011/01/07/craig-fergusons-doctor-who-musical-finally-airs/The ·  Transcript of lyrics (with some minor errors), online at Forbes (1 December 2010) http://www.forbes.com/sites/davidewalt/2010/12/01/craig-fergusons-doctor-who-song/
The Late Late Show with Craig Ferguson (2005–2014)
Context: In 1963 the BBC premiered a show about an alien
Who traveled through space and time to combat the powers of evil. … 
The show has been running in Britain almost fifty years,
with many different actors in the role of The Doctor. …
One thing is consistent though and this is why the show is so beloved by geeks and nerds —
It's all about the triumph of intellect and romance over brute force and cynicism!
Intellect and romance over brute force and cynicism!
And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it:
Intellect and romance triumph over brute force and cynicism! <!-- Right Doctor?

Meher Baba photo

“There is no greater romance in life than this adventure in realization.”

Meher Baba (1894–1969) Indian mystic

Message at Pickfair, Beverly Hills, California (1 June 1932), as quoted in Life Is A Jest (1974) edited by A. K. Hajra <!-- or 6 January? 1932 Me p100-101 -->
General sources
Context: Life becomes meaningful and all activities are purposeful only on the basis of faith in the enduring reality. … The greatest romance possible in life is to discover this Eternal Reality in the midst of infinite change. Once, one has experienced this, one sees oneself in everything that lives, one recognises all of life as his life, everybody's interests as his own. One is no longer bound by habits of the past, no longer swayed by the hopes of the future — One lives in and enjoys each present moment to the full. There is no greater romance in life than this adventure in realization.

Frederic G. Kenyon photo

“The history of the Bible text is a romance of literature,”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter I, The Bible And Recent Discoveries, p. 4
Context: The history of the Bible text is a romance of literature, though it is a romance of which the consequences are of vital import; and thanks to the succession of discoveries which have been made of late years, we know more about it than of the history of any other ancient book in the world.

“Somewhere along the line I had fallen in love with learning, and it became a lifelong romance.”

Louis L'Amour (1908–1988) Novelist, short story writer

Source: Education of a Wandering Man (1989), Ch. 1
Context: A great book begins with an idea; a great life, with a determination.
My life may not be great to others, but to me it has been one of steady progression, never dull, often exciting, often hungry, tired, and lonely, but always learning. Somewhere back down the years I decided, or my nature decided for me, that I would be a teller of stories.
Decisions had to be made and there was nobody but me to make them. My course altered a number of times but never deviated from the destination I had decided upon. Whether this was altogether a matter of choice I do not know. Perhaps my early reading and the storytelling at home had preconditioned me for the role I adopted.
Somewhere along the line I had fallen in love with learning, and it became a lifelong romance. Early on I discovered it was fun to follow along the byways of history to find those treasures that await any searcher. It may be that all later decisions followed naturally from that first one.
One thing has always been true: That book or that person who can give me an idea or a new slant on an old idea is my friend.

Robert Stawell Ball photo

“The Planet of Romance”

Robert Stawell Ball (1840–1913) Irish astronomer

Name for hypothetical planet nearer the Sun than Mercury
The Story of the Heavens, London, 1893, p. 122

Nathaniel Hawthorne photo

“Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.”

Preface
The Marble Faun (1860)
Context: No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.

Patrick Rothfuss photo

“As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go.”

Patrick Rothfuss (1973) American fantasy writer

On the progress of The Wise Man's Fear in "Concerning the Release of Book Two" (26 February 2009) http://blog.patrickrothfuss.com/2009/02/concerning-the-release-of-book-two/
Official site
Context: My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I fuck it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.

Ray Bradbury photo

“The need for romance is constant, and again, it’s pooh-poohed by intellectuals.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)
Context: The need for romance is constant, and again, it’s pooh-poohed by intellectuals. As a result they’re going to stunt their kids. You can’t kill a dream. Social obligation has to come from living with some sense of style, high adventure, and romance. It’s like my friend Mr. Electrico. … he was a real man. That was his real name. Circuses and carnivals were always passing through Illinois during my childhood and I was in love with their mystery. One autumn weekend in 1932, when I was twelve years old, the Dill Brothers Combined Shows came to town. One of the performers was Mr. Electrico. He sat in an electric chair. A stagehand pulled a switch and he was charged with fifty thousand volts of pure electricity. Lightning flashed in his eyes and his hair stood on end. … Mr. Electrico was a beautiful man, see, because he knew that he had a little weird kid there who was twelve years old and wanted lots of things. We walked along the shore of Lake Michigan and he treated me like a grown-up. I talked my big philosophies and he talked his little ones. Then we went out and sat on the dunes near the lake and all of a sudden he leaned over and said, I’m glad you’re back in my life. I said, What do you mean? I don’t know you. He said, You were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I’m glad you’re back in the world. You have a different face, a different name, but the soul shining out of your face is the same as my friend. Welcome back.
Now why did he say that? Explain that to me, why? Maybe he had a dead son, maybe he had no sons, maybe he was lonely, maybe he was an ironical jokester. Who knows? It could be that he saw the intensity with which I live. Every once in a while at a book signing I see young boys and girls who are so full of fire that it shines out of their face and you pay more attention to that. Maybe that’s what attracted him.
When I left the carnival that day I stood by the carousel and I watched the horses running around and around to the music of “Beautiful Ohio,” and I cried. Tears streamed down my cheeks. I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped.
Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, “Live forever.” And I decided to.

Carl Sagan photo

“It does no harm to the romance of the sunset to know a little bit about it.”

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 159
Context: It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works — that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.

Craig Ferguson photo

“And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it:
Intellect and romance triumph over brute force and cynicism!”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

A comedic musical tribute to Doctor Who made in November 2010 https://www.youtube.com/watch?v=M9P4SxtphJ4, which was not aired for legal reasons, but "leaked" to the internet, and finally aired with legal clearance on Late Late Show (6 January 2011) http://geeksofdoom.com/2011/01/07/craig-fergusons-doctor-who-musical-finally-airs/The ·  Transcript of lyrics (with some minor errors), online at Forbes (1 December 2010) http://www.forbes.com/sites/davidewalt/2010/12/01/craig-fergusons-doctor-who-song/
The Late Late Show with Craig Ferguson (2005–2014)
Context: In 1963 the BBC premiered a show about an alien
Who traveled through space and time to combat the powers of evil. … 
The show has been running in Britain almost fifty years,
with many different actors in the role of The Doctor. …
One thing is consistent though and this is why the show is so beloved by geeks and nerds —
It's all about the triumph of intellect and romance over brute force and cynicism!
Intellect and romance over brute force and cynicism!
And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it:
Intellect and romance triumph over brute force and cynicism! <!-- Right Doctor?

“Genius is unquestionably a great trial, when it takes the romantic form, and genius and romance are so associated in the public mind that many people recognize no other kind.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Dylan Thomas and Hector Berlioz (1956).
Context: Genius is unquestionably a great trial, when it takes the romantic form, and genius and romance are so associated in the public mind that many people recognize no other kind. There are other forms of genius, of course, and though they create their own problems, they are not "impossible" people. But O, how deeply we should thank God for these impossible people like Berlioz and Dylan Thomas! What a weary, grey, well-ordered, polite, unendurable hell this would be without them!

Oliver Wendell Holmes Jr. photo

“Romance is the opiate of the dissatisfied”

The Wheel of Fortune (1984), Part 1: Robert
Context: Romance is the opiate of the dissatisfied, it anaesthesises them from the pain of their disordered second-rate lives [... ] If romance is the opiate of the dissatisfied then surely nostalgia is the opiate of the disillusioned, for those who see all their dreams come true and find themselves living in a nightmare.

James Branch Cabell photo

“I am quite content, in this Comedy of Appearances, to follow the old romancers' lead.”

"To Sinclair Lewis : A Foreword"
Figures of Earth (1921)
Context: I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them."
I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy name of heroism.

Bill Murray photo

“I think romance basically starts with respect. And new romance always starts with respect.”

Bill Murray (1950) American actor and comedian

Interview with Rebecca Murray http://romanticmovies.about.com/cs/lostintranslation/a/lostbillint.htm
Context: I think romance basically starts with respect. And new romance always starts with respect. I think I have some romantic friendships. Like the song “Love the One You’re With”; there is something to that. It’s not just make love to whomever you’re with, it’s just love whomever you’re with. And love can be seeing that here we are and there’s this world here. If I go to my room and I watch TV, I didn’t really live. If I stay in my hotel room and watch TV, I didn’t live today.

James Branch Cabell photo

“Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance.”

James Branch Cabell (1879–1958) American author

The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance. For man alone of animals plays the ape to his dreams. These axioms — poor, deaf and blinded spendthrift! — are none the less valuable for being quoted.

Gertrude Stein photo

“Romance is everything.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Advertisement"
Useful Knowledge (1928)

William Gibson photo

“Neuro from the nerves, the silver paths. Romancer. Necromancer.”

Neuromancer (1984)
Context: The lane to the land of the dead. Where you are, my friend. Marie-France, my lady, she prepared this road, but her lord choked her off before I could read the book of her days. Neuro from the nerves, the silver paths. Romancer. Necromancer. I call up the dead. But no, my friend," and the boy did a little dance, brown feet printing the sand, "I am the dead, and their land." He laughed. A gull cried, "Stay. If your woman is a ghost, she doesn't know it. Neither will you."

Zulfikar Ali Bhutto photo

“Life is a love affair. There is a romance with every beauty of nature.”

Zulfikar Ali Bhutto (1928–1979) Fourth President and ninth Prime Minister of Pakistan

pp 79 - 80.
Letter to his daughter (1978)
Context: Life is a love affair. There is a romance with every beauty of nature. I have no hesitation in saving that my most passionate love affair, my most thrilling romance has been with the people. There is an indissoluble marriage between politics and the people. That is why "Man is a political animal" and the state a political theatre. I have been on this stage of the masters for over twenty tumultuous years. I believe I still have a role to play. I believe the people still want me on this stage, but if I have to bow out, I give you the gift of my feelings. You will fight the fight better than me. Your speeches will be more eloquent than my speeches. Your commitment equally total. There will be more youth and vitality in your struggle. Your deeds ill be more daring. I transmit to you the blessing to the most blessed mission. This is the only present I can give you on your birthdays.

Stanislaw Ulam photo

“For a few years I had an off-and-on romance with her.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Source: Adventures of a Mathematician - Third Edition (1991), Chapter 2, Student Years, p. 45 (On Ada Halpern...)
Context: Ada came from Lwów. She was a very good looking girl who was studying mathematics at the University of Geneva. For a few years I had an off-and-on romance with her.

Walter Raleigh (professor) photo
Marjorie M. Liu photo
Robert Sheckley photo

“You simply can’t throw strangers together at random and expect the fiery, quick romance to turn into love. Love has its own rules and enforces them rigidly.”

Robert Sheckley (1928–2005) American writer

Gray Flannel Armor (p. 9)
Short fiction, Notions: Unlimited (1960)

Morgan Parker (writer) photo
Jack Kirby photo
William Dalrymple photo

“He is one of Britain’s most successful travel writers, whose highly entertaining books elegantly combine scholarship and story-telling, trans-cultural investigations and romance.”

William Dalrymple (1965) author and historian

Jules Smith, in William Dalrymple: Critical Perspective http://literature.britishcouncil.org/william-dalrymple, 2007, British Council.
About William Dalrymple

Tipu Sultan photo
Chittaranjan Das photo

“Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

… What excellent advice it is, and how it was beaten into my generation of schoolboys... But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?
Writing (1990), he here quotes from The King's English (1906) by Henry Watson Fowler & Francis George Fowler

Jane Austen photo
Ulysses S. Grant photo
Max Haiven photo
Sting photo
Marilyn Monroe photo
James Branch Cabell photo

“Nothing ... nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance. For man alone of animals plays the ape to his dreams. These axioms — poor, deaf and blinded spendthrift!”

James Branch Cabell (1879–1958) American author

are none the less valuable for being quoted.
The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)

Bo Xilai photo