Quotes about roar
page 2
The Grave of Bonaparte, reported in Bartlett's Familiar Quotations, 10th ed. (1919) (incorrectly attributed as "Leonard" Heath).

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

"Carolina", st. VII, 2–3
An adaptation of this poem , edited by G.R. Goodwin and set to music by Anne Curtis Burgess, was adopted as the official state song of Carolina in 1911.
Art of Politics (1729). Colonel Titus is reported to have said, "I hope we shall not be wise as the frogs to whom Jupiter gave a stork for their king. To trust expedients with such a king on the throne would be just as wise as if there were a lion in the lobby, and we should vote to let him in and chain him, instead of fastening the door to keep him out". On the Exclusion Bill, Jan. 7, 1681.

“I heard the roar of a wave that could drown the whole world.”
Song lyrics, The Freewheelin' Bob Dylan (1963), A Hard Rain's a-Gonna Fall

Rodeo, written by Larry Bastian.
Song lyrics, Ropin' the Wind (1991)

"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764) http://www.thomasgray.org/cgi-bin/display.cgi?text=trow
Muslim Separatism – Causes and Consequences (1987)

1990s, Letter to the Union-Sun & Journal (1992)
"Boy in Darkness," Sometime, Never (1956)
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 66–74; spoken by Hera.

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

“For what cause, youthful Sleep, kindest of gods, or what error have I deserved, alas to lack your boon? All cattle are mute and birds and beasts, and the nodding tree-tops feign weary slumbers, and the raging rivers abate their roar; the ruffling of the waves subsides, the sea is still, leaning against the shore.”
Crimine quo merui, juvenis placidissime divum,
quove errore miser, donis ut solus egerem,
Somne, tuis? tacet omne pecus volucresque feraeque
et simulant fessos curvata cacumina somnos,
nec trucibus fluviis idem sonus; occidit horror
aequoris, et terris maria adclinata quiescunt.
iv, line 1
Silvae, Book V
Source: Argonautica (3rd century BC), Book II. Onward to Colchis, Lines 317–340

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 71.

Address to the Citizens of Concord, New Hampshire (4 July 1863).
Bombastes Furioso (1810), Act i, scene 4, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Nature’s Nature"

“Loud roared the dreadful thunder,
The rain a deluge showers.”
The Bay of Biscay (lyrics, c. 1805), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

2012-11-02
http://www.washingtonpost.com/blogs/election-2012/wp/2012/11/02/mitt-romneys-closing-argument-advance-excerpts/
Mitt Romney’s closing argument: Advance excerpts
The Washington Post
2012
“[A cave] that trembled with the roaring of the deep.”
Sonitu tremebunda profundi.
Source: Argonautica, Book IV, Line 180

Book I
The Poems of Ossian, Fingal, an ancient Epic Poem

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

"Common Places," No. 60, The Literary Examiner (September - December 1823)

“Terror in the house does roar,
But Pity stands before the door.”
Terror in the House
1800s, Poems from Blake's Notebook (c. 1804)

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

" Three Adventures in the Yosemite http://books.google.com/books?id=k8dZAAAAYAAJ&pg=P656", The Century Magazine volume LXXXIII, number 5 (March 1912) pages 656-661 (at page 661); modified slightly and reprinted in The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 4: Snow Banners
1910s

“Oops! Sorry! I heard someone say “Roar” so it’s kinda went for it.”
As quoted in Monsters University.

1830s, The Journals of Søren Kierkegaard, 1830s

"The Songs of Selma", p. 209
The Poems of Ossian

2016, But… Wait… The Good Guys Won’t Win With More Crony Capitalism (December 2, 2016)

10 December 1824
1820s, Journals (1822–1863)

Source: Reminiscences (1964), p. 265

When the Night-wind bewaileth, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Voices of Islam, New York Post, September 23, 2003.

1895, page 350
John of the Mountains, 1938

The Sea-Fowler, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 105.
Broken Lights Diaries 1955-57.

Calling the final out of Bob Gibson's 1971 no-hitter. Gibson struck out Willie Stargell to secure the only no-hitter of his legendary career.
1970s

“Reducing taxes will cause new companies and new jobs to come roaring back into our country.”
2010s, 2016, July, (21 July 2016)

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 114.

"Morreion"
Quotations and text from the Dying Earth novels, Rhialto the Marvellous (1984)

Joe Strummer and Bono, "46664", written for Nelson Mandela's HIV/AIDS festival in 2003.
Lyrics
As quoted by Steve Ryfle (1998), Japan's Favourite Mon-star: The Unauthorized Biography of "The Big G", ECW Press, p. 263-64, ISBN 1550223488

Speech http://hansard.millbanksystems.com/commons/1986/nov/06/economic-policy in the House of Commons (6 November 1986)
1980s

Sermons, vol. II (1839), sermon XXXIX: "The Watchman".

The Dispensary, Canto III, line 225; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

The Works of Virgil (1753), Dedication, pp. viii–ix
Vol. 2, Essais et Notes
The Lie of the Truth (1938)

Wild Night
Song lyrics, Tupelo Honey (1971)

“Okay, that thing is gone. I think, I hope—" [ROAR-ing noise] "NO, IT'S NOT! AHHHHH!”
Video game commentary, Terrorift (Oculus Rift) (February 12, 2014)
Source: WARNING: EXTREMELY SCARY Terrorift, Markiplier, wikipedia:Markiplier, February 12, 2014, YouTube https://www.youtube.com/watch?v=L40Z7sd3nwI,

Abends sitze ich auf meinem Zimmer und lese die Bibel. In der Ferne braust das Meer. Dann liege ich noch lange wach und denke an den stillen, bleichen Mann von Nazareth.
Michael: a German fate in diary notes (1926)

Quote in: 'Letter from K. Malevich to art-critic Aleksandr Benois', May 1916; by Jane A, Sharp, in Chapter 'The Critical Reception of the 0. 10 Exhibition: Malevich and Benua', in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 44
1910 - 1920

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Speech in Westminster Hall (30 November 1954), quoted in The Times (1 December 1954), p. 11
Post-war years (1945–1955)
The Origins of the Boxer War: A Multinational Study (作者)) http://books.google.com/books?id=lAxresT12ogC&dq=yangcun+dong+fuxiang&q=sheng+jia#v=onepage&q=magic%20power%20may%20, page 275.