Quotes about roar
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Alan Keyes photo
Thomas Carlyle photo
Samuel Johnson photo

“Declamation roared, while Passion slept.”

Samuel Johnson (1709–1784) English writer

Prologue at the Opening of Drury Lane Theatre (1747)

John Milton photo

“Oft, on a plat of rising ground,
I hear the far-off curfew sound
Over some wide-watered shore,
Swinging low with sullen roar.”

John Milton (1608–1674) English epic poet

Source: Il Penseroso (1631), Line 73

Mickey Spillane photo
Chinua Achebe photo
Wallace Stevens photo

“A breath upon her hand
Muted the night.
She turned —
A cymbal crashed,
Amid roaring horns.”

Wallace Stevens (1879–1955) American poet

Peter Quince at the Clavier (1915)

Peter Abelard photo

“St. Jerome, whose heir methinks I am in the endurance of foul slander, says in his letter to Nepotanius: "The apostle says: 'If I yet pleased men, I should not be the servant of Christ.' He no longer seeks to please men, and so is made Christ's servant" (Epist. 2). And again, in his letter to Asella regarding those whom he was falsely accused of loving: "I give thanks to my God that I am worthy to be one whom the world hates" (Epist. 99). And to the monk Heliodorus he writes: "You are wrong, brother, you are wrong if you think there is ever a time when the Christian does not suffer persecution. For our adversary goes about as a roaring lion seeking what he may devour, and do you still think of peace? Nay, he lieth in ambush among the rich."
Inspired by those records and examples, we should endure our persecutions all the more steadfastly the more bitterly they harm us. We should not doubt that even if they are not according to our deserts, at least they serve for the purifying of our soul. And since all things are done in accordance with the divine ordering, let every one of true faith console himself amid all his afflictions with the thought that the great goodness of God permits nothing to be done without reason, and brings to a good end whatsoever may seem to happen wrongfully. Wherefore rightly do all men say: "Thy will be done." And great is the consolation to all lovers of God in the word of the Apostle when he says: "We know that all things work together for good to them that love God" (Rom. viii, 28). The wise man of old had this in mind when he said in his Proverbs: "There shall no evil happen to the just" (Prov. xii, 21). By this he clearly shows that whosoever grows wrathful for any reason against his sufferings has therein departed from the way of the just, because he may not doubt that these things have happened to him by divine dispensation. ///Even such are those who yield to their own rather than to the divine purpose, and with hidden desires resist the spirit which echoes in the words, "Thy will be done," thus placing their own will ahead of the will of God. Farewell.”

Peter Abelard (1079–1142) French scholastic philosopher, theologian and preeminent logician

Source: Historia Calamitatum (c. 1132), Ch. XV

Jeremy Clarkson photo
Anthony Burgess photo

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

Anthony Burgess (1917–1993) English writer

Fiction, Napoleon Symphony (1974)

James Thomas Fields photo

“The skipper stormed and tore his hair,
Hauled on his boots and roared at Marden—
"Nantucket's sunk and here we are
Right over old Marm Hackett’s garden!"”

James Thomas Fields (1817–1881) American writer and publisher

The Nantucket Skipper, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“You can see the walls roar
See your brains on the floor
Become God
Become cripple
Become funky”

Laura Nyro (1947–1997) American musician and songwriter

"Poverty Train"
Lyrics

Marco Girolamo Vida photo

“While the hoarse ocean beats the sounding shore,
Dashed from the strand, the flying waters roar.”

Tunc longe sale saxa sonant, tunc et freta ventis Incipiunt agitata tumescere: littore fluctus Illidunt rauco.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 388. Compare:
But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar.
Alexander Pope, An Essay on Criticism, Part II, line 168
De Arte Poetica (1527)

Mahmud of Ghazni photo

“The king, in his zeal to propagate the faith, now marched against the Hindoos of Nagrakote [Nagarkot Kangra], breaking down their idols and razing their temples. The fort, at that time denominated the Fort of Bheem, was closely invested by the Mahomedans, who had first laid waste the country around it with fire and sword.'…'In the year AH 402 (AD 1011), Mahmood resolved on the conquest of Tahnesur [Thanesar (Haryana)], in the kingdom of Hindoostan. It had reached the ears of the king that Tahnesur was held in the same veneration by idolaters, as Mecca by the faithful; that they had there set up a number of idols, the principal of which they called Jugsom, pretending that it had existed ever since the creation. Mahmood having reached Punjab, required, according to the subsisting treaty with Anundpal, that his army should not be molested on its march through his country…'The Raja's brother, with two thousand horse was also sent to meet the army, and to deliver the following message:- "My brother is the subject and tributary of the King, but he begs permission to acquaint his Majesty, that Tahnesur is the principal place of worship of the inhabitants of the country: that if it is required by the religion of Mahmood to subvert the religion of others, he has already acquitted himself of that duty, in the destruction of the temple of Nagrakote. But if he should be pleased to alter his resolution regarding Tahnesur, Anundpal promises that the amount of the revenues of that country shall be annually paid to Mahmood; that a sum shall also be paid to reimburse him for the expense of his expedition, besides which, on his own part he will present him with fifty elephants, and jewels to a considerable amount." Mahmood replied, "The religion of the faithful inculcates the following tenet: That in proportion as the tenets of the prophet are diffused, and his followers exert themselves in the subversion of idolatry, so shall be their reward in heaven; that, therefore, it behoved him, with the assistance of God, to root out the worship of idols from the face of all India. How then should he spare Tahnesur?"… This answer was communicated to the Raja of Dehly, who, resolving to oppose the invaders, sent messengers throughout Hindoostan to acquaint the other rajas that Mahmood, without provocation, was marching with a vast army to destroy Tahnesur, now under his immediate protection. He observed, that if a barrier was not expeditiously raised against this roaring torrent, the country of Hindoostan would be soon overwhelmed, and that it behoved them to unite their forces at Tahnesur, to avert the impending calamity….”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Harry Chapin photo
John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)

George Eliot photo
Matthew Henry photo

“So great was the extremity of his pain and anguish that he did not only sigh but roar.”

Matthew Henry (1662–1714) Theologician from Wales

Job 3.
Commentaries

James Macpherson photo

“The gloom of the battle roared.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Book III
The Poems of Ossian, Fingal, an ancient Epic Poem

Filippo Tommaso Marinetti photo

“We affirm that the world's magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath – a roaring car that seems to run on grapeshot is more beautiful than The Victory of Samoth-race”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910
1900's
Source: 'Le Figaro', 20 February 1909, as quoted in Futurist Manifestos, ed. Umbro Appolonio, Thames and Hudson, London, 1973

Donald Barthelme photo
Michael Savage photo
Alfred Brendel photo
Mickey Spillane photo
Hilaire Belloc photo

“Pale Ebenezer thought it wrong to fight,
But Roaring Bill (who killed him) thought it right.”

Hilaire Belloc (1870–1953) writer

"The Pacifist"
Sonnets and Verse (1938)

William Blake photo

“Rintrah roars and shakes his fires in the burden'd air;
Hungry clouds swag on the deep.”

William Blake (1757–1827) English Romantic poet and artist

The Argument
1790s, The Marriage of Heaven and Hell (1790–1793)

Letitia Elizabeth Landon photo
Matthew Arnold photo
Hunter S. Thompson photo
Charles Boarman photo
Arthur C. Clarke photo
William Ernest Henley photo

“A people, roaring ripe
With victory, rises, menaces, stands renewed,
Sheds its old piddling aims,
Approves its virtue, puts behind itself
The comfortable dream, and goes,
Armoured and militant,
New-pithed, new-souled, new-visioned, up the steeps
To those great altitudes, whereat the weak
Live not. But only the strong
Have leave to strive, and suffer, and achieve.”

William Ernest Henley (1849–1903) English poet, critic and editor

Epilogue
Hawthorn and Lavender (1901)
Context: A people, haggard with defeat,
Asks if there be a God; yet sets its teeth,
Faces calamity, and goes into the fire
Another than it was. And in wild hours
A people, roaring ripe
With victory, rises, menaces, stands renewed,
Sheds its old piddling aims,
Approves its virtue, puts behind itself
The comfortable dream, and goes,
Armoured and militant,
New-pithed, new-souled, new-visioned, up the steeps
To those great altitudes, whereat the weak
Live not. But only the strong
Have leave to strive, and suffer, and achieve.

Philip José Farmer photo

“Miles above the Earth we know,
Fancy's rocket roars.”

Philip José Farmer (1918–2009) American science fiction writer

"Imagination" in America Sings (1949)
Context: Miles above the Earth we know,
Fancy's rocket roars. Below,
Here and Now are needles which
Sew a pattern black as pitch,
Waiting for the rocket's light.

James Russell Lowell photo

“They were not seduced by the French fallacy that a new system of government could be ordered like a new suit of clothes. They would as soon have thought of ordering a new suit of flesh and skin. It is only on the roaring loom of time that the stuff is woven for such a vesture of their thought and experience as they were meditating.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

On Democracy (6 October 1884)
Context: The framers of the American Constitution were far from wishing or intending to found a democracy in the strict sense of the word, though, as was inevitable, every expansion of the scheme of government they elaborated has been in a democratical direction. But this has been generally the slow result of growth, and not the sudden innovation of theory; in fact, they had a profound disbelief in theory, and knew better than to commit the folly of breaking with the past. They were not seduced by the French fallacy that a new system of government could be ordered like a new suit of clothes. They would as soon have thought of ordering a new suit of flesh and skin. It is only on the roaring loom of time that the stuff is woven for such a vesture of their thought and experience as they were meditating. They recognized fully the value of tradition and habit as the great allies of permanence and stability. They all had that distaste for innovation which belonged to their race, and many of them a distrust of human nature derived from their creed.

Frederick Douglass photo

“If there is no struggle, there is no progress. Those who profess to favor freedom, and yet depreciate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1850s, West India Emancipation (1857)
Context: Let me give you a word of the philosophy of reform. The whole history of the progress of human liberty shows that all concessions yet made to her august claims, have been born of earnest struggle. The conflict has been exciting, agitating, all-absorbing, and for the time being, putting all other tumults to silence. It must do this or it does nothing. If there is no struggle, there is no progress. Those who profess to favor freedom, and yet depreciate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters. This struggle may be a moral one; or it may be a physical one; or it may be both moral and physical; but it must be a struggle. Power concedes nothing without a demand. It never did and it never will. Find out just what any people will quietly submit to, and you have found out the exact amount of injustice and wrong which will be imposed upon them; and these will continue till they are resisted with either words or blows, or with both. The limits of tyrants are prescribed by the endurance of those whom they oppress. [... ] Men might not get all they work for in this world, but they must certainly work for all they get. If we ever get free from the oppressions and wrongs heaped upon us, we must pay for their removal. We must do this by labor, by suffering, by sacrifice, and if needs be, by our lives and the lives of others.

Robert Graves photo

“He roars in his anger, he scratches, he looks not up.”

Robert Graves (1895–1985) English poet and novelist

"Nebuchadnezzar's Fall"
Country Sentiment (1920)
Context: Down on his knees he sinks, the stiff-necked King,
Stoops and kneels and grovels, chin to the mud.
Out from his changed heart flutter on startled wing
The fancy birds of his Pride, Honour, Kinglihood.
He crawls, he grunts, he is beast-like, frogs and snails
His diet, and grass, and water with hand for cup.
He herds with brutes that have hooves and horns and tails,
He roars in his anger, he scratches, he looks not up.

Leigh Hunt photo

“Fishes do not roar; they cannot express any sound of suffering; and therefore the angler chooses to think they do not suffer, more than it is convenient for him to fancy.”

Leigh Hunt (1784–1859) English critic, essayist, poet and writer

Revised edition, London, Smith, Elder & Co., 1889, p. 114
The Town: Its Memorable Characters and Events (1848)
Context: Fishes do not roar; they cannot express any sound of suffering; and therefore the angler chooses to think they do not suffer, more than it is convenient for him to fancy. Now it is a poor sport that depends for its existence on the want of a voice in the sufferer, and of imagination in the sportsman.

Harriet Beecher Stowe photo

“When winds are raging o'er the upper ocean
And billows wild contend with angry roar,
'T is said, far down beneath the wild commotion
That peaceful stillness reigneth evermore.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

"Hymn".
Context: When winds are raging o'er the upper ocean
And billows wild contend with angry roar,
'T is said, far down beneath the wild commotion
That peaceful stillness reigneth evermore.
Far, far beneath, the noise of tempests dieth
And silver waves chime ever peacefully,
And no rude storm, how fierce soe'er it flyeth
Disturbs the Sabbath of that deeper sea.

Voltairine de Cleyre photo

“Bear it aloft, O roaring flame!
Skyward aloft, where all may see.”

Voltairine de Cleyre (1866–1912) American anarchist writer and feminist

"Written-In-Red", last lines.
Context: Bear it aloft, O roaring flame!
Skyward aloft, where all may see.
Slaves of the World! Our cause is the same;
One is the immemorial shame;
One is the struggle, and in One name —
Manhood— we battle to set men free.
"Uncurse us the Land!" burn the words of the Dead,
Written-in-red.

Oliver Wendell Holmes Jr. photo
Anna Akhmatova photo

“O let the organ, many-voiced, sing boldly,
O let it roar like spring's first thunderstorm!”

Anna Akhmatova (1889–1966) Russian modernist poet

Translated by Irina Zheleznova
Context: O let the organ, many-voiced, sing boldly,
O let it roar like spring's first thunderstorm!
My half-closed eyes over your young bride's shoulder
Will meet your eyes just once and then no more.

Alfred, Lord Tennyson photo
Marcin Malek photo

“"SINN"
We are the anthems, trumpets
long-maned waves and roaring seas
we are the heavy columns of clouds
and eager sharp granite fangs

we are the yellow sands
that marble moon, grey dust
a stone’s shadow as hard as tears
of river streams and famine time

we boundless days, empty nights
blood on the threshold, iris of guns
hangman's ropes and trenches –
of gaping hollow graves”

Marcin Malek (1975) Polish writer

Notes: Originally written in English. „Sinn”: In Gaelic means "We". Poem was created in response to an appeal of fellow Irishman, who ask to wrote something in kind of Arthur O'Shaughnessy's "Ode", maintaining similar styling. (footnote from page 42)

Among the things (2012), Page 42, verse I-III.

George Eliot photo
Tavleen Singh photo
Newton Lee photo

“Humanity ought to be the shining light and roaring thunder that fills up the vastly empty and silent universe.”

Newton Lee American computer scientist

The Transhumanism Handbook, 2019

Tristan Tzara photo
John Dalberg-Acton, 1st Baron Acton photo

“What one hears in Ranke. The whisper of statecraft. Not the tramp of democracy's earthquake feet. Not the dull roar of surging opinion.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

Private notes, quoted in Herbert Butterfield, ‘Acton: His Training, Methods and Intellectual System’, in A. O. Sarkissian (ed.), Studies in Diplomatic History and Historiography in honour of G. P. Gooch, C.H. (1961), p. 192
Undated

Matthew Arnold photo
Stephen Vincent Benét photo

“Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.
It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive.”

Source: By the Waters of Babylon (1937)

Whoopi Goldberg photo
Norman Lindsay photo