Quotes about revelation

A collection of quotes on the topic of revelation, god, other, use.

Quotes about revelation

Mwanandeke Kindembo photo
Stephen King photo
Haile Selassie photo

“The progress of science can be said to be harmful to religion only in so far as it is used for evil aims and not because it claims a priority over religion in its revelation to man. It is important that spiritual advancement must keep pace with material advancement.”

Haile Selassie (1892–1975) Emperor of Ethiopia

Interview in The Voice of Ethiopia (5 April 1948).
Context: The progress of science can be said to be harmful to religion only in so far as it is used for evil aims and not because it claims a priority over religion in its revelation to man. It is important that spiritual advancement must keep pace with material advancement. When this comes to be realized man's journey toward higher and more lasting values will show more marked progress while the evil in him recedes into the background. Knowing that material and spiritual progress are essential to man, we must ceaselessly work for the equal attainment of both. Only then shall we be able to acquire that absolute inner calm so necessary to our well-being.
It is only when a people strike an even balance between scientific progress and spiritual and moral advancement that it can be said to possess a wholly perfect and complete personality and not a lopsided one.

Dan Brown photo
Seraphim Rose photo
Aleksandr Solzhenitsyn photo
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Thomas Paine photo
Rabindranath Tagore photo

“The meaning of the living words that come out of the experiences of great hearts can never be exhausted by any one system of logical interpretation. They have to be endlessly explained by the commentaries of individual lives, and they gain an added mystery in each new revelation.”

Rabindranath Tagore (1861–1941) Bengali polymath

Preface
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: The meaning of the living words that come out of the experiences of great hearts can never be exhausted by any one system of logical interpretation. They have to be endlessly explained by the commentaries of individual lives, and they gain an added mystery in each new revelation. To me the verses of the Upanishads and the teachings of Buddha have ever been things of the spirit, and therefore endowed with boundless vital growth; and I have used them, both in my own life and in my preaching, as being instinct with individual meaning for me, as for others, and awaiting for their confirmation, my own special testimony, which must have its value because of its individuality.

“I concluded that women are flawed. There is something mentally wrong with the way their brains are wired, as if they haven’t evolved from animal-like thinking. They are incapable of reason or thinking rationally. They are like animals, completely controlled by their primal, depraved emotions and impulses. That is why they are attracted to barbaric, wild, beast-like men. They are beasts themselves. Beasts should not be able to have any rights in a civilized society. If their wickedness is not contained, the whole of humanity will be held back from advancement to a more civilized state. Women should not have the right to choose who to mate with. That choice should be made for them by civilized men of intelligence. If women had the freedom to choose which men to mate with, like they do today, they would breed with stupid, degenerate men, which would only produce stupid, degenerate offspring. This in turn would hinder the advancement of humanity. Not only hinder it, but devolve humanity completely. Women are like a plague that must be quarantined. When I came to this brilliant, pefect revelation, I felt like everything was now clear to me, in a bitter, twisted way. I am one of the few people on this world who has the intelligence to see this. I am like a god, and my purpose is to exact ultimate Retribution on all of the impurities I see in the world.”

Elliot Rodger (1991–2014) American spree killer

My Twisted World (2014), 19-22, UC Santa Barbara, Building to Violence

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Vladimir Nabokov photo
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Ludwig Van Beethoven photo

“Music is a higher revelation than all wisdom and philosophy.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

Musik höhere Offenbarung ist als alle Weisheit und Philosophie.
http://books.google.com/books?id=W2k6AAAAcAAJ&q=%22Musik+h%C3%B6here+Offenbarung+ist+als+alle+Weisheit+und+Philosophie%22&pg=PA193#v=onepage
As reported by Bettina von Arnim in a letter to Goethe, 28 May 1810.
Goethe's Briefwechsel mit einem Kinde: Seinem Denkmal, Volume 2, Dümmler, 1835, p. 193.
Variant: Music is a higher revelation than all wisdom and philosophy.

“Bask in your uniqueness, revel in your strenght. We stand separate from the world because of our gifts. never forget that, because you may be sure the world never will”

Variant: We stand separate from the world because of our gifts. Never forget that, because you may be sure the world never will.
Source: Marked

Oscar Wilde photo
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H.P. Lovecraft photo
Virginia Woolf photo
Friedrich Nietzsche photo

“To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.”

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

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Pope Francis photo

“Every form of catechesis would do well to attend to the “way of beauty” (via pulchritudinis). Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendour and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. This has nothing to do with fostering an aesthetic relativism which would downplay the inseparable bond between truth, goodness and beauty, but rather a renewed esteem for beauty as a means of touching the human heart and enabling the truth and goodness of the Risen Christ to radiate within it. If, as Saint Augustine says, we love only that which is beautiful, the incarnate Son, as the revelation of infinite beauty, is supremely lovable and draws us to himself with bonds of love. So a formation in the via pulchritudinis ought to be part of our effort to pass on the faith. Each particular Church should encourage the use of the arts in evangelization, building on the treasures of the past but also drawing upon the wide variety of contemporary expressions so as to transmit the faith in a new “language of parables”. We must be bold enough to discover new signs and new symbols, new flesh to embody and communicate the word, and different forms of beauty which are valued in different cultural settings, including those unconventional modes of beauty which may mean little to the evangelizers, yet prove particularly attractive for others.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 167
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

H.P. Lovecraft photo
Friedrich Nietzsche photo

“In these dancers of Saint John and Saint Vitus we can recognize the Bacchic choruses of the Greeks, with their prehistory in Asia Minor, as far back as Babylon and the orgiastic Sacaea. Some people, either through a lack of experience or through obtuseness, turn away with pity or contempt from phenomena such as these as from 'folk diseases', bolstered by a sense of their own sanity; these poor creatures have no idea how blighted and ghostly this 'sanity' of theirs sounds when the glowing life of Dionysiac revellers thunders past them.”

In diesen Sanct-Johann- und Sanct-Veittänzern erkennen wir die bacchischen Chöre der Griechen wieder, mit ihrer Vorgeschichte in Kleinasien, bis hin zu Babylon und den orgiastischen Sakäen. Es giebt Menschen, die, aus Mangel an Erfahrung oder aus Stumpfsinn, sich von solchen Erscheinungen wie von "Volkskrankheiten", spöttisch oder bedauernd im Gefühl der eigenen Gesundheit abwenden: die Armen ahnen freilich nicht, wie leichenfarbig und gespenstisch eben diese ihre "Gesundheit" sich ausnimmt, wenn an ihnen das glühende Leben dionysischer Schwärmer vorüberbraust.
Source: The Birth of Tragedy (1872), p. 17

Brian Eno photo
Claude Monet photo

“It took me a long time to understand my water lilies... I planted them for pleasure, and grew them without thinking of painting them.. You don't absorb a landscape in a day... And then, all of a sudden, I had the revelation of the enchantment of my pond. I took up my palette.”

Claude Monet (1840–1926) French impressionist painter

in Marc Elder, A Giverny, chez Claude Monet (1924); as quoted in: Vivian Russell (1998) Monet's Water Lilies: The Inspiration of a Floating World. p. 19
1920 - 1926

Brigham Young photo
Lawrence M. Krauss photo
Isaac Bashevis Singer photo
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Karl Marx photo

“The entire revolutionary movement necessarily finds both its empirical and its theoretical basis in the movement of private property – more precisely, in that of the economy. This material, immediately perceptible private property is the material perceptible expression of estranged human life. Its movement – production and consumption – is the perceptible revelation of the movement of all production until now, i. e., the realisation or the reality of man. Religion, family, state, law, morality, science, art, etc., are only particular modes of production, and fall under its general law. The positive transcendence of private property as the appropriation of human life, is therefore the positive transcendence of all estrangement – that is to say, the return of man from religion, family, state, etc., to his human, i. e., social, existence. Religious estrangement as such occurs only in the realm of consciousness, of man’s inner life, but economic estrangement is that of real life; its transcendence therefore embraces both aspects. It is evident that the initial stage of the movement amongst the various peoples depends on whether the true recognised life of the people manifests itself more in consciousness or in the external world – is more ideal or real. Communism begins where atheism begins (Owen), but atheism is at the outset still far from being communism; indeed it is still for the most part an abstraction. The philanthropy of atheism is therefore at first only philosophical, abstract philanthropy, and that of communism is at once real and directly bent on action.”

Private Property and Communism
Paris Manuscripts (1844)

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Louis Comfort Tiffany photo

“God has given us our talents, not to copy the talents of others, but rather to use our brains and imagination in order to obtain the revelation of true beauty.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany [biography dictated to Charles de Kay] (Doubleday, Page & Co New York, 1916)

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“Art cannot be separated from life. It is the expression of the greatest need of which life is capable, and we value art not because of the skilled product, but because of its revelation of a life's experience.”

Robert Henri (1865–1929) American painter

Source: * The New York Exhibition of Independent Artists ** The Craftsman ** 1910 ** https://books.google.com/books?id=Af84fBmzmVYC&pg=PA423&lpg=PA423&dq=Art+cannot+be+separated+from+life.#v=onepage&q=Art%20cannot%20be%20separated%20from%20life.&f=false.

Terry Pratchett photo
H.P. Lovecraft photo
Thomas Paine photo
H.P. Lovecraft photo
W.B. Yeats photo

“Surely some revelation is at hand;
Surely the Second Coming is at hand.”

The Second Coming (1919)
Context: p>Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?</p

Virginia Woolf photo

“What is the meaning of life? That was all — a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other”

Part III, Ch. 3
To the Lighthouse (1927)
Context: "Like a work of art," she repeated, looking from her canvas to the drawing-room steps and back again. She must rest for a moment. And, resting, looking from one to the other vaguely, the old question which transversed the sky of the soul perpetually, the vast, the general question which was apt to particularise itself at such moments as these, when she released faculties that had been on the strain, stood over her, paused over her, darkened over her. What is the meaning of life? That was all — a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other; herself and Charles Tansley and the breaking wave; Mrs. Ramsay bringing them together; Mrs. Ramsay saying, "Life stand still here"; Mrs. Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent) — this was of the nature of a revelation. In the midst of chaos there was shape; this eternal passing and flowing (she looked at the cloud going and the leaves shaking) was struck into stability. Life stand still here, Mrs. Ramsay said. "Mrs. Ramsay! Mrs. Ramsay!" she repeated. She owed it all to her.

Martha Graham photo
Maria Montessori photo

“There exists, then, the "spirit" of the scientist, a thing far above his mere "mechanical skill," and the scientist is at the height of his achievement when the spirit has triumphed over the mechanism. When he has reached this point, science will receive from him not only new revelations of nature, but philosophic syntheses of pure thought.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 8.
Context: We give the name scientist to the type of man who has felt experiment to be a means guiding him to search out the deep truth of life, to lift a veil from its fascinating secrets, and who, in this pursuit, has felt arising within him a love for the mysteries of nature, so passionate as to annihilate the thought of himself. The scientist is not the clever manipulator of instruments, he is the worshipper of nature and he bears the external symbols of his passion as does the follower of some religious order. To this body of real scientists belong those who, forgetting, like the Trappists of the Middle Ages, the world about them, live only in the laboratory, careless often in matters of food and dress because they no longer think of themselves; those who, through years of unwearied use of the microscope, become blind; those who in their scientific ardour inoculate themselves with tuberculosis germs; those who handle the excrement of cholera patients in their eagerness to learn the vehicle through which the diseases are transmitted; and those who, knowing that a certain chemical preparation may be an explosive, still persist in testing their theories at the risk of their lives. This is the spirit of the men of science, to whom nature freely reveals her secrets, crowning their labours with the glory of discovery.
There exists, then, the "spirit" of the scientist, a thing far above his mere "mechanical skill," and the scientist is at the height of his achievement when the spirit has triumphed over the mechanism. When he has reached this point, science will receive from him not only new revelations of nature, but philosophic syntheses of pure thought.

H.P. Lovecraft photo

“To the scientist there is the joy in pursuing truth which nearly counteracts the depressing revelations of truth.”

H.P. Lovecraft (1890–1937) American author

Letter to "The Keicomolo"—Kleiner, Cole, and Moe (October 1916), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 26-27
Non-Fiction, Letters
Context: Frankly, I cannot conceive how any thoughtful man can really be happy. There is really nothing in the universe to live for, and unless one can dismiss thought and speculation from his mid, he is liable to be engulfed by the very immensity of creation. It is vastly better that he should amuse himself with religion, or any other convenient palliative to reality which comes to hand. … There is much relief from the burden of life to be derived from many sources. To the man of high animal spirits, there is the mere pleasure of being alive; the Joi de vivre, as our Gallick friends term it. To the credulous there is religion and its paradisal dreams. To the moralist, there is a certain satisfaction in right conduct. To the scientist there is the joy in pursuing truth which nearly counteracts the depressing revelations of truth. To the person of cultivated taste, there are the fine arts. To the man of humour, there is the sardonic delight of spying out pretensions and incongruities of life. To the poet there is the ability and privilege to fashion a little Arcadia in his fancy, wherein he may withdraw from the sordid reality of mankind at large. In short, the world abounds with simple delusions which we may call "happiness", if we be but able to entertain them.

Thomas Paine photo

“It is a contradiction in terms and ideas to call anything a revelation that comes to us at second hand, either verbally or in writing.”

1790s, The Age of Reason, Part I (1794)
Context: It is a contradiction in terms and ideas to call anything a revelation that comes to us at second hand, either verbally or in writing. Revelation is necessarily limited to the first communication. After this, it is only an account of something which that person says was a revelation made to him; and though he may find himself obliged to believe it, it cannot be incumbent on me to believe it in the same manner, for it was not a revelation made to me, and I have only his word for it that it was made to him.

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Thomas Paine photo

“As it is necessary to affix right ideas to words, I will, before I proceed further into the subject, offer some other observations on the word revelation.”

Revelation, when applied to religion, means something communicated immediately from God to man.
No one will deny or dispute the power of the Almighty to make such a communication, if he pleases. But admitting, for the sake of a case, that something has been revealed to a certain person, and not revealed to any other person, it is revelation to that person only. When he tells it to a second person, a second to a third, a third to a fourth, and so on, it ceases to be a revelation to all those persons. It is revelation to the first person only, and hearsay to every other, and consequently they are not obliged to believe it.
When Moses told the children of Israel that he received the two tables of the commandments from the hands of God, they were not obliged to believe him, because they had no other authority for it than his telling them so; and I have no other authority for it than some historian telling me so. The commandments carry no internal evidence of divinity with them; they contain some good moral precepts, such as any man qualified to be a lawgiver, or a legislator, could produce himself, without having recourse to supernatural intervention.
When I am told that the Koran was written in Heaven, and brought to Mahomet by an angel, the account comes too near the same kind of hearsay evidence and second-hand authority as the former. I did not see the angel myself, and, therefore, I have a right not to believe it.
When also I am told that a woman called the Virgin Mary, said, or gave out, that she was with child without any cohabitation with a man, and that her betrothed husband, Joseph, said that an angel told him so, I have a right to believe them or not: such a circumstance required a much stronger evidence than their bare word for it; but we have not even this — for neither Joseph nor Mary wrote any such matter themselves; it is only reported by others that they said so — it is hearsay upon hearsay, and I do not choose to rest my belief upon such evidence.
1790s, The Age of Reason, Part I (1794)

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“All good work requires self-revelation.”

Sidney Lumet (1924–2011) American director, producer and screenwriter

Source: Making Movies

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“True character is revealed in the choices a human being makes under pressure - the greater the pressure, the deeper the revelation, the truer the choice to the character's essential nature.”

Robert McKee (1941) American academic specialised in seminars for screenwriters

Source: Story: Substance, Structure, Style, and the Principles of Screenwriting

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“I want to work in revelations, not just spin silly tales for money. I want to fish as deep down as possible into my own subconscious in the belief that once that far down, everyone will understand because they are the same that far down.”

Jack Kerouac (1922–1969) American writer

Letter to Ed White (5 July 1950) as published in The Missouri Review, Vol. XVII, No. 3, 1994, page 137, and also quoted in Jack Kerouac: Angelheaded Hipster (1996) by Steve Turner, p. 117

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“I am not asking for sensational revelations, but I would like to sense the meaning of that minute, to feel it's urgency…”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …
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“Accept who you are; and revel in it.”

Source: Tuesdays with Morrie

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“Virtue consists in doing our duty in the several relations we sustain in respect to ourselves, to our fellow men, and to God, as known from reason, conscience, and revelation.”

James Waddel Alexander (1804–1859) American Presbyterian minister and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 611.

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“The terrible fluidity of self-revelation.”

The Ambassadors
Prefaces (1907-1909)

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