Quotes about recall
A collection of quotes on the topic of recall, time, timing, use.
Quotes about recall

“I've got this light | I'll be around to grow | Who I was before | I cannot recall.”

Speech http://hansard.millbanksystems.com/commons/1845/mar/17/agricultural-interest in the House of Commons (17 March 1845).
1840s

Interview With Aleksandr Solzhenitsyn on Ukraine (May 1994)
Source: Arthur

“To see you naked is to recall the Earth.”
" Casidas http://www.poesia-inter.net/fgldt204.htm," IV: Casida de la Mujer Tendida from Primeras Canciones (1936)

Antonio Damasio, Brain and mind from medicine to society 1/2, Open University of Catalonia, 2005 http://www.youtube.com/watch?v=KbacW1HVZVk

Letter to Richard Nixon (December 15, 1971) http://www.thehindu.com/thehindu/mag/2005/07/03/stories/2005070300090100.htm.

1980s, First term of office (1981–1985), Abortion and the Conscience of the Nation (1983)

1910s, Address to the Knights of Columbus (1915)

Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287

“Bullets cannot be recalled. They cannot be uninvented. But they can be taken out of the gun.”
"Introduction: Thinkability"
Einstein's Monsters (1987)

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting

Speech in the House of Lords on the state of agriculture (28 March 1879), reported in The Times (29 March 1879), p. 8.
1870s

As quoted at Penn State University Libraries http://www.libraries.psu.edu/nabokov/wlolita.htm.
On a Book Entitled Lolita (1956)

In an interview with Benjamin Fulford (13 November 2007) http://video.google.com/videoplay?docid=-3704527408635856046

Thomas J. Sargent interviewed by George W. Evans & Seppo Honkapohja, Macroeconomic Dynamics, 9, 2005, 561–583.

Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.

O meu problema, nesta situação, é saber se já deveria ter corado antes, ou se é agora que devo corar, Lembro-me de a ter visto corar uma vez, Quando, Quando toquei na rosa que estava no seu gabinete, As mulheres coram mais que os homens, somos o sexo frágil, Ambos os sexos são frágeis, eu também corei, Sabe assim tanto da fragilidade dos sexos, Sei da minha própria fragilidade, e alguma coisa da dos outros.
Source: The History of the Siege of Lisbon (1989), p. 219

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Source: A General View of Positivism (1848, 1856), p. 253-254

"Remarks to the United Nations General Assembly in New York City," September 23, 2010. Online by Gerhard Peters and John T. Woolley, The American Presidency Project http://www.presidency.ucsb.edu/ws/index.php?pid=88483&st=&st1=
2010

Harpal Brar, Perestroika - The complete collapse of revisionism, pg. 274-75.

Source: Speech in the House of Lords (10 December 1876), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), p. 1273.

<p>Les ondulations de ces montagnes infinies, que leurs couches de neige semblaient rendre écumantes, rappelaient à mon souvenir la surface d'une mer agitée. Si je me retournais vers l'ouest, l'Océan s'y développait dans sa majestueuse étendue, comme une continuation de ces sommets moutonneux. Où finissait la terre, où commençaient les flots, mon oeil le distinguait à peine.</p><p>Je me plongeais ainsi dans cette prestigieuse extase que donnent les hautes cimes, et cette fois, sans vertige, car je m'accoutumais enfin à ces sublimes contemplations. Mes regards éblouis se baignaient dans la transparente irradiation des rayons solaires, j'oubliais qui j'étais, où j'étais, pour vivre de la vie des elfes ou des sylphes, imaginaires habitants de la mythologie scandinave; je m'enivrais de la volupté des hauteurs, sans songer aux abîmes dans lesquels ma destinée allait me plonger avant peu.</p>
Source: Journey to the Center of the Earth (1864), Ch. XVI: Boldly down the crater

2013, "Let Freedom Ring" Ceremony (August 2013)

Speaker's Handbook of Epigrams and Witticisms (1955), p. 69.
Attributed
Morgaine
The Mists of Avalon (1983)

1910s, California's Policies Proclaimed (Feb. 21, 1911)

§ 133
2010s, 2015, Laudato si' : Care for Our Common Home

2009, First Inaugural Address (January 2009)
Context: Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with sturdy alliances and enduring convictions. They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use; our security emanates from the justness of our cause, the force of our example, the tempering qualities of humility and restraint.

On First Principles, Bk. 1, ch. 6; par. 1
On First Principles
Context: An end or consummation would seem to be an indication of the perfection and completion of things.... These subjects, indeed, are treated by us with great solicitude and caution, in the manner rather of an investigation and discussion, than in that of fixed and certain decision.... We think, indeed, that the goodness of God, through His Christ, may recall all His creatures to one end, even His enemies being conquered and subdued. For thus says holy Scripture, “The LORD said to My Lord, Sit Thou at My right hand, until I make Thine enemies Thy footstool.” (Psalm 110:1) And if the meaning of the prophet’s language here be less clear, we may ascertain it from the Apostle Paul, who speaks more openly, thus: “For Christ must reign until He has put all enemies under His feet.” (1 Cor 15:25) But if even that unreserved declaration of the apostle do not sufficiently inform us what is meant by “enemies being placed under His feet,” listen to what he says in the following words, “For all things must be put under Him.” (1 Cor 15:27) What, then, is this “putting under” by which all things must be made subject to Christ? I am of opinion that it is this very subjection by which we also wish to be subject to Him, by which the apostles also were subject, and all the saints who have been followers of Christ. For the name “subjection,” by which we are subject to Christ, indicates that the salvation which proceeds from Him belongs to His subjects, agreeably to the declaration of David, “Shall not my soul be subject unto God? From Him cometh my salvation.” (Psalm 62:1)

An American Prayer (1978)
Context: The program for this evening
is not new. You have seen
This entertainment through and through.
You've seen your birth, your
life and death; you might recall
all of the rest — (did you
have a good world when you
died?) — enough to base
a movie on?

The Eighteenth Brumaire of Louis Bonaparte (1852)
Context: Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language. Thus Luther put on the mask of the Apostle Paul, the Revolution of 1789-1814 draped itself alternately in the guise of the Roman Republic and the Roman Empire, and the Revolution of 1848 knew nothing better to do than to parody, now 1789, now the revolutionary tradition of 1793-95. In like manner, the beginner who has learned a new language always translates it back into his mother tongue, but he assimilates the spirit of the new language and expresses himself freely in it only when he moves in it without recalling the old and when he forgets his native tongue.
When we think about this conjuring up of the dead of world history, a salient difference reveals itself. Camille Desmoulins, Danton, Robespierre, St. Just, Napoleon, the heroes as well as the parties and the masses of the old French Revolution, performed the task of their time – that of unchaining and establishing modern bourgeois society – in Roman costumes and with Roman phrases.

Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."

Black Elk Speaks (1961)
Context: To the center of the world you have taken me and showed the goodness and the beauty and the strangeness of the greening earth, the only mother — and there the spirit shapes of things, as they should be, you have shown to me and I have seen. At the center of this sacred hoop, you have said that I should make the tree to bloom.
With tears running, O Great Spirit, Great Spirit, my Grandfather — with running tears I must say now that the tree has never bloomed. A pitiful old man, you see me here, and I have fallen away and have done nothing. Here at the center of the world, where you took me when I was young and taught me; here, old, I stand, and the tree is withered, Grandfather, my Grandfather!
Again, and maybe the last time on this earth, I recall the great vision you sent me. It may be that some little root of the sacred tree still lives. Nourish it then, that it may leaf and bloom and fill with singing birds. Hear me, not for myself, but for my people; I am old. Hear me that they may once more go back into the sacred hoop and find the good red road, the shielding tree!

1910s, California's Policies Proclaimed (Feb. 21, 1911)
Context: When a judge decides a constitutional question, when he decides what the people as a whole can or cannot do, the people should have the right to recall that decision if they think it wrong. We should hold the judiciary in all respect; but it is both absurd and degrading to make a fetish of a judge or of anyone else.

Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972

Speech in Eastbourne (25 November 1911), quoted in The Times (27 November 1911), p. 7
Source: Almost Heaven
Source: Sickened: The Memoir of a Munchausen by Proxy Childhood

"This Cruel Age has deflected me..." (1944)
Source: The Complete Poems of Anna Akhmatova

“There may be a time when we'll attend Weather Theatres to recall the sensation of rain.”
Source: The Lords and The New Creatures

“Many writers do little else but sit in small rooms recalling the real world.”

“It's life's illusions that I recall, I really don't know life at all”
Source: The Spider's House

On getting to the location of the last scene in the movie.
Mohican Press interview (2005)

1989 August 13, New York Times, On Language: The Elysian Fields by William Safire.
Attributed

A Theory of Roughness (2004)

I'm Tired Joey Boy
Song lyrics, Avalon Sunset (1989)

On his differences with the Prime Minister Morarji Desai, in: p. 237
Commissions and Omissions by Indian Prime Ministers, Volume 1

As quoted in: 'The artist, his life and his epoch' (excerpt), Ionel Jianou, 1964; for the Zadkine Research Center https://www.zadkine.com/writing
1960 - 1968