Quotes about raven

A collection of quotes on the topic of raven, likeness, doing, use.

Quotes about raven

Lewis Carroll photo

“Raven: So Alexander, now we know what we do all day. What do you do? Alexander: I spend it thinking about you.”

Ellen Schreiber (1967) American writer

Variant: Raven: So Alexander, now we know what we do all day. What do you do?
Alexander: I spend it thinking about you.
Source: Love Bites

Lewis Carroll photo
Nora Roberts photo
H.P. Lovecraft photo
Edgar Allan Poe photo
Edgar Allan Poe photo
Edgar Allan Poe photo
Richard Wagner photo

“That it must have been hunger alone, which first drove man to slay the animals and feed upon their flesh and blood; and that this compulsion was no mere consequence of his removal into colder climes … is proved by the patent fact that great nations with ample supplies of grain suffer nothing in strength or endurance even in colder regions through an almost exclusively vegetable diet, as is shewn by the eminent length of life of Russian peasants; while the Japanese, who know no other food than vegetables, are further renowned for their warlike valour and keenness of intellect. We may therefore call it quite an abnormality when hunger bred the thirst for blood … that thirst which history teaches us can never more be slaked, and fills its victims with a raging madness, not with courage. One can only account for it all by the human beast of prey having made itself monarch of the peaceful world, just as the ravening wild beast usurped dominion of the woods … And little as the savage animals have prospered, we see the sovereign human beast of prey decaying too. Owing to a nutriment against his nature, he falls sick with maladies that claim but him, attains no more his natural span of life or gentle death, but, plagued by pains and cares of body and soul unknown to any other species, he shuffles through an empty life to its ever fearful cutting short.”

Richard Wagner (1813–1883) German composer, conductor

Part III
Religion and Art (1880)

Juvenal photo

“Censure pardons the raven, but is visited upon the dove.”
Dat veniam corvis, vexat censura columbas.

II, line 63.
Satires, Satire II

Letitia Elizabeth Landon photo
Henri Barbusse photo

“More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth.”

Under Fire (1916), Ch. 24 - The Dawn
Context: Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot.
Paradis says to me, "That's war."
"Yes, that's it," he repeats in a far-away voice, "that's war. It's not anything else."
He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"
Paradis was so full of this thought that he ruminated a memory, and growled, "D'you remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, 'How beautiful they must be to see!'"
A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, 'Beautiful? Oh, hell! It's just as if an ox were to say, 'What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!'

Friedrich Nietzsche photo

“Does wisdom perhaps appear on the earth as a raven which is inspired by the smell of carrion?”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Jim Morrison photo
Ray Bradbury photo
Toni Morrison photo
Ann Brashares photo
Joss Whedon photo
Cassandra Clare photo

“First, the candy and flowers, then the apology letters, then the ravenous demon hordes. In that order." -Jace Wayland”

Variant: It wouldn't be my move," Jace agreed. "First the candy and flowers, then the apology letters, then the ravenous demon hordes. In that order.
Source: City of Bones

Cassandra Clare photo
Louise Erdrich photo
Susanna Clarke photo

“The land is all too shallow
It is painted on the sky
And trembles like the wind-shook rain
When the Raven King passed by”

Susanna Clarke (1959) British author

Source: Jonathan Strange i pan Norrell. Tom 3

Jim Morrison photo

“Death makes angels of us all
and gives us wings
where we had shoulders
smooth as raven's
claws”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)
Variant: Death makes angels of us all
and gives us wings
where we had shoulders
smooth a raven´s claws…

Cassandra Clare photo
D.J. MacHale photo

“Seriously. Dados bounce." Bobby in Raven Rise”

Source: Raven Rise

Cassandra Clare photo
W. H. Auden photo
Arthur Schopenhauer photo
John Gay photo

“That raven on yon left-hand oak
(Curse on his ill-betiding croak!)
Bodes me no good.”

John Gay (1685–1732) English poet and playwright

Fable, The Farmer's Wife and the Raven. Comparable to: "It wasn't for nothing that the raven was just now croaking on my left hand", Plautus, Aulularia, act iv. sc. 3
Fables (1727)

Eugène Edine Pottier photo

“Workers, peasants, we are
The great party of labourers.
The earth belongs only to men;
The idle will go to reside elsewhere.
How much of our flesh have they consumed?
But if these ravens, these vultures
Disappear one of these days,
The sun will still shine forever.”

Eugène Edine Pottier (1816–1887) French politician

Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
The Internationale (1864)

Stephenie Meyer photo
Robert Jordan photo

“To fight the raven you may make alliance with the serpent until the battle is done.”

Robert Jordan (1948–2007) American writer

Byar, Children of the Light
(11 October 2005)

Robert Jordan photo
Plautus photo

“It was not for nothing that the raven was just now croaking on my left hand.”

Aulularia, Act iv, sc. 3, 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Referenced in "That raven on yon left-hand oak/(Curse on his ill-betiding croak!)/Bodes me no good", John Gay, 'Fables, Part I, The Farmer’s Wife and the Raven.
Aulularia (The Pot of Gold)

Camille Paglia photo
Charlotte Brontë photo
David Pogue photo
Jim Butcher photo
Christian Scriver photo

“As ravens rejoice over carrion, so infernal spirits exult over the soul that is dead in sin.”

Christian Scriver (1629–1693) German hymnwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 561.

Halldór Laxness photo
Vincent Van Gogh photo

“There is a saying by Gustave Dore which I have always admired: "J'ai la patience d'un boeuf." [I have the patience of an ox]. I find in it a certain goodness, a certain resolute honesty, more, it has a deep meaning that saying, it is the word of a real artist. When one thinks of the men from whose heart such a saying sprang, all the arguments one too often hears of art dealers about "natural gifts", seem to become a terrible raven's croaking.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 336) p. 34
1880s, 1883

Phil Brooks photo

“Before you cut me off, Raven, the reason I hate you, the reason in my heart of hearts why I hate you, is I did not know any better when I was a little kid. When my dad came home smelling like beer. I thought it was a hard day’s work he was doing. I did not realize he was out at a bar. I did not realize ‘work’ meant ‘unemployment office.’ I did not think it was strange for someone to come home and take an Old Style up into the shower. I did not think it was strange for somebody to pass out. I thought an Old Style, a pack a day, was the norm. Raven, my father is exactly like you. Since day one of Ring of Honor, where fighting spirit is supposed to be revered, things are not supposed to be this way! I’d shake your hand like a normal man, but the thing is, I don’t respect you! I hate you! I hate you for everything you have pissed away! Everything I have scrapped and clawed for that I haven’t even earned yet! That you got handed to you and you flushed down the toilet! For what? For pills? For booze? For alcohol? For women? I’m born of your poison society. So, on the seventeenth of July, I will become a monster to fight the monsters of the world! Your time in Ring of Honor will be done. That is a promise. This is true! This is real! This is straight edge!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor: WrestleRave '03. June 28th, 2003.
Promo aimed at Raven after a tag team match with Colt Cabana against Raven and Christopher Daniels
Ring of Honor

Letitia Elizabeth Landon photo
Dorothy Wordsworth photo
Phaedrus photo
Richard Eberhart photo
Friedrich Engels photo

“By dissolving nationalities, the liberal economic system had done its best to universalise enmity, to transform mankind into a horde of ravenous beasts (for what else are competitors?) who devour one another just because each has identical interests with all the others – after this preparatory[work there remained but one step to take before the goal was reached, the dissolution of the family. To accomplish this, economy’s own beautiful invention, the factory system, came to its aid.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

Nachdem die liberale Ökonomie ihr Bestes getan hatte, um durch die Auflösung der Nationalitäten die Feindschaft zu verallgemeinern, die Menschheit in eine Horde reißender Tiere - und was sind Konkurrenten anders?
zu verwandeln, die einander ebendeshalb auffressen, WEIL jeder mit allen andern gleiches Interesse hat, nach dieser Vorarbeit blieb ihr nur noch ein Schritt zum Ziele übrig, die Auflösung der Familie. Um diese durchzusetzen, kam ihr eine eigene schöne Erfindung, das Fabriksystem, zu Hülfe.
Outlines of a Critique of Political Economy (1844)

Max Heindel photo
Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

John Ruskin photo
Rebecca Latimer Felton photo
Jack Gleeson photo
Salvador Dalí photo
Frederick Douglass photo
Courtney Love photo
Peter Cook photo
Saint Patrick photo

“Listen to me, skull!
Under your thin brittle boneplates
what black memories haunt you?
What do you want? What do you dream of? …
Is it your soul you think of,
flickering through frightful nights? …
Skull, I must have been raving mad
to smash you with my bare fist.
Scarlet blood thickens on my fingers,
plagues me to spew these rhymes, and still
my teeth want to tear you to pieces!
Like a raven I'll swallow even the sucked-out bones
to get a fresh taste of the past,
a drop from the torrent of months and years.”

Chế Lan Viên (1920–1989) Vietnamese writer

"Skull", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), ISBN 978-0394494722, p. 166
Original in Vietnamese https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/vietnamese/, and an English translation by Hai-Dang Phan https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/, available at Asymptote.

Robert E. Howard photo

“He glutted black ravens on the rampart of the stronghold, though he was no Arthur.”

Stanza B38, p. 112.
Possibly the earliest reference to King Arthur.
Y Gododdin

Cormac McCarthy photo
Maggie Stiefvater photo
Taliesin photo
Geoff Boycott photo

“We were brought up watching opening batsmen score nine before lunch. If Geoffrey Boycott flashed at a ball outside off stump in the first over of a Test match, questions were asked in Parliament. If he flashed at two, the ravens abandoned the Tower of London.”

Geoff Boycott (1940) cricket player of England

Brian Viner in the Independent http://www.independent.co.uk/sport/cricket/its-cricket-geoff-but-not-as-we-know-it-503579.html, 2005.

Sueton photo

“A few months before the murder [of Domitian] a raven perched on the Capitol and croaked out the words: "All will be well!" – a portent which some wag explained in the following verse:
There was a raven, strange to tell,
Perched upon Jove's own gable, whence
He tried to tell us "All is well!" –
But had to use the future tense.”

Ante paucos quam occideretur menses cornix in Capitolino elocuta est: εσται πάντα καλως, nec defuit qui ostentum sic interpretaretur: <br/>Nuper Tarpeio quae sedit culmine cornix, <br/>"Est bene" non potuit dicere, dixit: "Erit."

Ante paucos quam occideretur menses cornix in Capitolino elocuta est: εσται πάντα καλως, nec defuit qui ostentum sic interpretaretur:
Nuper Tarpeio quae sedit culmine cornix,
"Est bene" non potuit dicere, dixit: "Erit."
Source: The Twelve Caesars, Domitian, Ch. 23

Letitia Elizabeth Landon photo
Samuel R. Delany photo
Letitia Elizabeth Landon photo
Muhammad bin Tughluq photo
Glen Cook photo

“Raven muttered, “You don’t have to be brilliant to be a god.””

Source: The Silver Spike (1989), Chapter 42 (p. 580)

Letitia Elizabeth Landon photo
Augustine Birrell photo
Halldór Laxness photo
Meat Loaf photo
Charles Stross photo

“When I die
let the black rag fly
raven falling
from the sky.”

George Woodcock (1912–1995) Canadian writer of political biography and history, an anarchist thinker, an essayist and literary critic

"Black Flag" in Collected Poems (1983)

James Russell Lowell photo
Carl Sagan photo
Robert Burns photo
William Julius Mickle photo
Albert Jay Nock photo
Sarah Helen Whitman photo

“Raven from the dim dominions
On the Night's Plutonian shore,
Oft I hear thy dusky pinions
Wave and flutter round my door—
See the shadow of thy pinions
Float along the moonlit floor.”

The Raven (written as a counterpart to Poe's poem by the same name).
Bartlett's Familiar Quotations, 10th ed. (1919)