Quotes about rag

A collection of quotes on the topic of rag, likeness, use, life.

Quotes about rag

Jopie Huisman photo

“Over the years I kept everything and anything from stuff and things that I came across during my life in trade, if they had emotional value to me. Always the simple goods and tools, from the farmers, the blacksmith, the carpenter, the baker and so on. I loved those things most in which I saw reflected the struggle for life very clearly.... old used up shoes, trousers, jackets, hats and children's vests, which I found in the rags, often patched up endlessly.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Door de jaren heen heb ik van alles en nog wat bewaard aan dingen en voorwerpen die ik in mijn leven in de handel tegenkwam, als ze gevoelswaarde voor me hadden. Altijd eenvoudig gebruiksgoed en gereedschap van de boer, de smid, de timmerman, de bakker enzovoorts. Dingen waarin ik de strijd om het bestaan het duidelijkst weerspiegeld zag vond ik het mooist.. ..afgetrapte oude schoenen, broeken, jassen, hoeden en kindervestjes, die ik in de vodden vond, vaak tot in den treure versteld en opgelapt.
Source: Jopie de Verteller' (2010) - postumous, p. 19

“I wouldn't contaminte my toliet with your red, white, and blue rag.”

David Lane (white nationalist) (1938–2007) American white supremacist, convicted felon

David Lane

George Orwell photo

“Spending the night out of doors has nothing attractive about it in London, especially for a poor, ragged, undernourished wretch.”

George Orwell (1903–1950) English author and journalist

"Beggars in London", in Le Progrès Civique (12 January 1929), translated into English by Janet Percival and Ian Willison
Context: Spending the night out of doors has nothing attractive about it in London, especially for a poor, ragged, undernourished wretch. Moreover sleeping in the open is only allowed in one thoroughfare in London. If the policeman on his beat finds you asleep, it is his duty to wake you up. That is because it has been found that a sleeping man succumbs to the cold more easily than a man who is awake, and England could not let one of her sons die in the street. So you are at liberty to spend the night in the street, providing it is a sleepless night. But there is one road where the homeless are allowed to sleep. Strangely, it is the Thames Embankment, not far from the Houses of Parliament. We advise all those visitors to England who would like to see the reverse side of our apparent prosperity to go and look at those who habitually sleep on the Embankment, with their filthy tattered clothes, their bodies wasted by disease, a living reprimand to the Parliament in whose shadow they lie.

Joseph Goebbels photo
W.B. Yeats photo

“Now that my ladder’s gone,
I must lie down where all the ladders start
In the foul rag-and-bone shop of the heart.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Circus Animals' Desertion, III
Last Poems (1936-1939)

William Shakespeare photo

“Thou art a very ragged Wart.”

Source: Henry IV, Part 2

Charles Bukowski photo
Whittaker Chambers photo
Aaliyah photo
George Steiner photo
Mickey Spillane photo
W.B. Yeats photo

“My temptation is quiet.
Here at life’s end
Neither loose imagination,
Nor the mill of the mind
Consuming its rag and bone,
Can make the truth known.”

W.B. Yeats (1865–1939) Irish poet and playwright

An Acre of Grass http://poetry.poetryx.com/poems/1438/, st. 2
Last Poems (1936-1939)

Mark Twain photo

“Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that "plagiarism" farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men — but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington's battle, in some degree, and we call it his; but there are others that contributed. It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite”

Mark Twain (1835–1910) American author and humorist

that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.
Letter to Helen Keller, after she had been accused of plagiarism for one of her early stories (17 March 1903), published in Mark Twain's Letters, Vol. 1 (1917) edited by Albert Bigelow Paine, p. 731

Milla Jovovich photo
Mark Twain photo
Fernando Pessoa photo

“Thing thrown to a corner, rag fallen on the road, my ignoble being feigns itself in front of life.”

Ibid., p. 64
The Book of Disquiet
Original: Coisa arrojada a um canto, trapo caído na estrada, meu ser ignóbil ante a vida finge-se.

Adunis photo

“New York is a woman
holding, according to history,
a rag called liberty with one hand
and strangling the earth with the other.”

Adunis (1930) Essayist, poet

"The Funeral of New York" (1971), from The Pages of Day and Night, trans. Samuel Hazo and Esther Allen (Northwestern University Press, 2000, ISBN 0-810-16081-1.

Mark Twain photo
W.B. Yeats photo

“O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Ragged Wood http://poetry.poetryx.com/poems/1673/
In The Seven Woods (1904)
Context: p>O hurry where by water among the trees
The delicate-stepping stag and his lady sigh,
When they have but looked upon their images--
Would none had ever loved but you and I!Or have you heard that sliding silver-shoed
Pale silver-proud queen-woman of the sky,
When the sun looked out of his golden hood?--
O that none ever loved but you and I!O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.</p

Henri Barbusse photo

“I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right — oh, without God, without a harbour, without enough rags to cover us,”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI
Context: I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right — oh, without God, without a harbour, without enough rags to cover us, all we have, standing erect on the land of the dead, is the rebellion of our smile, the rebellion of being gay when darkness envelops us. We are divinely alone, the heavens have fallen on our heads.

Henri Barbusse photo

“The woman from the depths of her rags, a waif, a martyr — smiled. She must have a divine heart to be so tired and yet smile.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI
Context: The woman from the depths of her rags, a waif, a martyr — smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day. She loved the chilly dawn, the sultry noontime, the dreamy evening. The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world.

Barack Obama photo
Mark Twain photo
Mark Twain photo

“Your race, in its poverty, has unquestionably one really effective weapon—laughter. Power, Money, Persuasion, Supplication, Persecution—these can lift at a colossal humbug,—push it a little—crowd it a little—weaken it a little, century by century: but only Laughter can blow it to rags and atoms at a blast. Against the assault of Laughter nothing can stand.”

Mark Twain (1835–1910) American author and humorist

"The Chronicle of Young Satan" (ca. 1897–1900, unfinished), published posthumously in Mark Twain's Mysterious Stranger Manuscripts (1969), ed. William Merriam Gibson ( pp. 165–166 http://books.google.com/books?id=LDvA2xcYZKcC&pg=PA165 in the 2005 paperback printing, ISBN 0520246950)

Denise Levertov photo
Jack Kerouac photo
Dorothea Mackellar photo
Dorothy Parker photo
Rick Riordan photo
William Blake photo
Eoin Colfer photo

“… Hardly. A ragged apron does not a waiter make.”

Eoin Colfer (1965) Irish author of children's books

Source: Artemis Fowl Boxed Set, Bks 1-5

Flannery O’Connor photo
Celia Rees photo

“In the town live witches nine: three in worsted, three in rags, and three in velvet fine…”

Celia Rees (1949) English author

Source: Witch Child

Ambrose Bierce photo
Victor Hugo photo
Leonard Cohen photo

“In our rags of light, all dressed to kill.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter
Scott Westerfeld photo
Suzanne Collins photo
Jean Rhys photo
Anne Lamott photo

“Mine was a patchwork God, sewn together from bits of rag and ribbon, Eastern and Western, pagan and Hebrew, everything but the kitchen sink and Jesus.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Traveling Mercies: Some Thoughts on Faith

T.S. Eliot photo

“I should have been a pair of ragged claws
Scuttling across the floors of silent seas.”

T.S. Eliot (1888–1965) 20th century English author

The Love Song of J. Alfred Prufrock (1915)
Source: The Love Song of J. Alfred Prufrock and Other Poems

Laurie Halse Anderson photo
Cassandra Clare photo
Frances Hodgson Burnett photo
Richelle Mead photo
John Donne photo

“Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.”

John Donne (1572–1631) English poet

The Sun Rising, stanza 1

Charles Lamb photo
Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Carole King photo
Thomas Hood photo
Pearl S.  Buck photo
Dorothy Wordsworth photo

“One only leaf upon the top of a tree - the sole remaining leaf - danced round and round like a rag blown by the wind.”

Dorothy Wordsworth (1771–1855) English author, poet and diarist

March 7, 1798
This was turned into Coleridge's Christabel, lines 48-50:
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can.
Diaries

Carol Ann Duffy photo
Girolamo Gigli photo

“It is better to wear rags in honesty than brocade in dishonour.”

Girolamo Gigli (1660–1722) Italian dramaturge

È meglio vestir cencio con leanza, che broccato con disonoranza.
La Sorellina di Pilone (1712), Act II, Sc. V. — (Credenza.)
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 294.

Sarah Dessen photo
Thom Yorke photo
Benito Mussolini photo

“For us the national flag is a rag to be planted on a dunghill. There are only two fatherlands in the world: that of the exploited and that of the exploiters.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

La Lotta di Classe (1910), while a socialist, paraphrasing French socialist Gustave Hervé, quoted in Mussolini in the Making (1938) by Gaudens Megaro
Variant translation: The national flag is a rag that should be placed in a dunghill.
As quoted in Aspects of European History, 1789-1980 (1988) by Stephen J. Lee, p. 191
1910s

Edmund Blunden photo
Robert Erskine Childers photo
Roy Jenkins photo

“There has been a lot of talk about the formation of a new centre party. Some have even been kind enough to suggest that I might lead it. I find this idea profoundly unattractive. I do so for at least four reasons. First, I do not believe that such a grouping would have any coherent philosophical base…A party based on such a rag-bag could stand for nothing positive. It would exploit grievances and fall apart when it sought to remedy them. I believe in exactly the reverse sort of politics…Second, I believe that the most likely effect of such an ill-considered grouping would be to destroy the prospect of an effective alternative government to the Conservatives…Some genuinely want a new, powerful anti-Conservative force. They would be wise to reflect that it is much easier to will this than to bring it about. The most likely result would be chaos on the left and several decades of Conservative hegemony almost as dismal and damaging as in the twenties and thirties. Third, I do not share the desire, at the root of much such thinking, to push what may roughly be called the leftward half of the Labour Party…out of the mainstream of British politics…Fourth, and more personally, I cannot be indifferent to the political traditions in which I was brought up and in which I have lived my political life. Politics are not to me a religion, but the Labour Party is and always had been an instinctive part of my life.”

Roy Jenkins (1920–2003) British politician, historian and writer

Speech to the Oxford University Labour Club (9 March 1973), quoted in The Times (10 March 1973), p. 4
1970s

A. M. Klein photo

“For the tourist's
brown pennies scattered at the old church door,
the ragged papooses jump, and bite the dust.”

A. M. Klein (1909–1972) writer, journalist, lawyer

Indian Reservation: Caughnawaga (1983)

“The American dream was not, at least at the beginning, a rags-to-riches type of narrow materialism.”

Source: The Greening of America (1970), Chapter II : Consciousness I: Loss Of Reality, p. 22

Tad Williams photo
Jopie Huisman photo

“.. because of self-preservation, selfishness and the urge for happiness love has prevailed in me, and in that way everything becomes enchanted and even an old dirty, discarded doll transforms in something that can move you. The attention I gave it [in his painting: 'Rag doll', 1975], together with the attention you give it, ensure that it is no longer doomed, not alone any more. If there is any background connected to my artwork, it is this.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ..uit zelfbehoud, egoïsme en drang naar geluk heeft de liefde in mij de overhand gekregen en zo wordt alles betoverd en wordt een oude vieze, weggesmeten pop een ding dat je ontroeren kan. De aandacht die ik er aan gegeven heb [in zijn schilderij: 'Lappenpop', 1975], samen met de aandacht die u er aan geeft, zorgt ervoor dat het niet meer verdoemd is, niet meer alleen. Als er een achtergrond bij mijn werk hoort, dan is het dat wel.
p 66
Jopie Huisman', 1981

Robert W. Service photo

“d'Alembert, who wrote the introduction to the Encyclopédie, resigned his editorship with the scathing remark that the work was like a harlequin's coat: some good stuff, but mostly rags.”

Tobias Dantzig (1884–1956) American mathematician

Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954), Ch. 2. The Age of Innocence

Du Fu photo
Cormac McCarthy photo
John Hall photo
Patrick White photo
W. H. Auden photo
Willa Cather photo
Toby Keith photo
Bruno Schulz photo
Timothy Ferriss photo
Niccolo Machiavelli photo

“When Machiavelli came to the end of his life, he had a vision shortly before giving up the ghost. He saw a small company of poor scoundrels, all in rags, ill-favoured, famished, and, in short, in as bad plight as possible. He was told that these were the inhabitants of paradise, of whom it is written, Beati pauperes, quoniam ipsorum est regnum caelorum.. After this, he was asked to which of the groups he would choose to belong; he answered that he would much rather be in Hell with those great geniuses, to converse with them about affairs of state, than be condemned to the company of the verminous scoundrels that he had first been shown.”

Niccolo Machiavelli (1469–1527) Italian politician, Writer and Author

This account of Machiavelli's """"Dream"""" was not published until a century after his death, in Etienne Binet's Du salut d'Origene (1629).
There is an earlier but more oblique reference in a letter written by Giovambattista Busini in 1549: """"Upon falling ill, [Machiavelli] took his usual pills and, becoming weaker as the illness grew worse, told his famous dream to Filippo [Strozzi], Francesco del Nero, Iacopo Nardi and others, and then reluctantly died, telling jokes to the last."""".
The """"Dream"""" is commonly condensed into a more pithy form, such as """"I desire to go to hell, and not to heaven. In the former place I shall enjoy the company of popes, kings, and princes, while in the latter are only beggars, monks, hermits, and apostles"""".
Disputed

Nat Friedman photo
John Banville photo
Griff Rhys Jones photo
George Farquhar photo

“There is no scandal like rags, nor any crime so shameful as poverty.”

George Farquhar (1677–1707) Irish dramatist

The Beaux’ Stratagem (1707), Arch, Act i, Sc. 1.

Victor Hugo photo

“Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Italiens ou français, la misère nous regarde tous. Depuis que l'histoire écrit et que la philosophie médite, la misère est le vêtement du genre humain; le moment serait enfin venu d'arracher cette guenille, et de remplacer, sur les membres nus de l'Homme-Peuple, la loque sinistre du passé par la grande robe pourpre de l'aurore.
Letter To M. Daelli on Les Misérables (1862)

Mike Scott photo
Morrissey photo

“Hand in glove, the good people laugh, yes we may be hidden by rags,
But we've something they'll never have”

Morrissey (1959) English singer

from the song "Hand In Glove"
From songs

“If the assembled company rags you for a failing, you can usually play up to it for comic effect: it's the failing they don't mention that you have to watch out for.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, North Face of Soho (2006), p. 190

Jerome K. Jerome photo
Mark Akenside photo

“The man forget not, though in rags he lies,
And know the mortal through a crown's disguise.”

Mark Akenside (1721–1770) English poet and physician

Source: Epistle to Curio (1744), Lines 197–198

T.S. Eliot photo

“O O O O that Shakespeherian Rag—
It's so elegant
So intelligent”

Source: The Waste Land (1922), Line 128 et seq.

Bruno Schulz photo
Frederick Douglass photo

“When, therefore, it shall be asked what we have to do with the memory of Abraham Lincoln, or what Abraham Lincoln had to do with us, the answer is ready, full, and complete. Though he loved Caesar less than Rome, though the Union was more to him than our freedom or our future, under his wise and beneficent rule we saw ourselves gradually lifted from the depths of slavery to the heights of liberty and manhood; under his wise and beneficent rule, and by measures approved and vigorously pressed by him, we saw that the handwriting of ages, in the form of prejudice and proscription, was rapidly fading away from the face of our whole country; under his rule, and in due time, about as soon after all as the country could tolerate the strange spectacle, we saw our brave sons and brothers laying off the rags of bondage, and being clothed all over in the blue uniforms of the soldiers of the United States; under his rule we saw two hundred thousand of our dark and dusky people responding to the call of Abraham Lincoln, and with muskets on their shoulders, and eagles on their buttons, timing their high footsteps to liberty and union under the national flag; under his rule we saw the independence of the black republic of Haiti, the special object of slave-holding aversion and horror, fully recognized, and her minister, a colored gentleman, duly received here in the city of Washington; under his rule we saw the internal slave-trade, which so long disgraced the nation, abolished, and slavery abolished in the District of Columbia; under his rule we saw for the first time the law enforced against the foreign slave trade, and the first slave-trader hanged like any other pirate or murderer.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Chris Cornell photo
Nick Cave photo

“Now, there is a genuine social justice which proceeds not from the principle of equality, but from the principle: Suum cuique — to each his own. It is true that to deprive the workman of his just wage is not only a sin, but a sin that cries to heaven for vengeance. When one hinders social advance by putting barriers in the way of the diligent and the talented, one not only commits a personal injustice, but damages the common good of the whole nation, which always requires a genuine elite of ability and the contribution of extraordinary brainpower in every walk of life. And it would be socially unjust if a few individuals or certain groups had so much material wealth that, in consequence of this concentration of property and income, other classes had to live not only in povery, but in misery. Whoever lives in real abundance has a Christian duty to assist those living in wrechedness. Before we proceed, however, let us affirm that the notion of misery is different from that of poverty. Péguy has already drawn the distinction between pauvreté and misère. To live in misery means to suffer genuine physical privation: to know cold and hunger, to have no proper dwelling, to be dressed in rags, to be unable to secure medical attention. The poor, by contrast, have the necessities of life, but scarcely any more. They can borrow books, no doubt, but cannot buy them; they can hear music on the radio, but cannot afford a ticket to a concert; they cannot indulge in little extras of food and drink, but should, by self-discipline, be able to save a little. The poor have, therefore, the normal material preconditions for happiness — unless plagued by acquisitiveness or even envy, which has become a political force in the same measure as people have lost their faith. The fact that there are happy poor (alongside unhappy rich people) is beside the point. Demagogues know how to stir up terrible and murderous unrest even among the happy poor, as has been demonstrated clearly by the history of the left from Marat to Marx to Lenin to Hitler.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 53-54
The Timeless Christian (1969)