Quotes about printing
page 5

Thomas Carlyle photo

“The three great elements of modern civilization, gunpowder, printing, and the Protestant religion.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

The State of German Literature (1827).
1820s, Critical and Miscellaneous Essays (1827–1855)

Elbert Hubbard photo

“The newspapers print what the people want, and thus does the savage still swing his club and flourish his spear.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

Source: The Note Book of Elbert Hubbard (1927), p. 142.

Isabella Fyvie Mayo photo

“For honesty is before honor; and though man must write his poems in sounding words, God's poems are printed best in the brave and silent duties of common life.”

Isabella Fyvie Mayo (1843–1914) Scottish poet, novelist, reformer

Reported in Dictionary of Burning Words of Brilliant Writers (1895) by Josiah Hotchkiss Gilbert, p. 388.

Roy A. Childs, Jr. photo

“I was an apprentice to a linnen-draper when this king was born, and continued at the trade some years, but the shop being too narrow and short for my large mind, I took leave of my master, but said nothing. Then I lived a country-life for some years; and in the late wars I was a soldier, and sometimes had the honour and misfortune to lodg and dislodg an army. In the year 1G52, I entred upon iron works, and pli'd them several years, and in them times I made it my business to survey the three great rivers of England, and some small ones; and made two navigable, and a third almost compleated. I next studied the great weakness of the rye-lands, and the surfeit it was then under by reason of their long tillage. I did by practick and theorick find out the reason of its defection, as also of its recovery, and applyed the remedy in putting out two books, which were so fitted to the country-man's capacity, that he fell on pell-mell; and I hope, and partly know, that great part of Worcestershire, Glocestershire, Herefordshire, Shropshire, and Staffordshire, have doubled the value of the land by the husbandry discovered to them; see my two books printed by Mr Sawbridg on Ludgate Hill, entitled, Yarranton's Improvement ly Clover, and there thou mayest be further satisfied.* I also for many years served the countreys with the seed, and at last gave them the knowledg of getting it with ease and small trouble; and what I have been doing since, my book tells you at large.”

Andrew Yarranton (1619–1684) English civil engineer

Source: Quotes from England's Improvement, (1677), p. 193; cited in Patrick Edward Dove (1854, p. 405-6)

Barry Switzer photo

“The quote "Some people are born on third base and go through life thinking they hit a triple," is often attributed to Switzer but, in fact, appeared in print five years before the interview in which he is known to have said it. Ralph Keyes, author of The Quote Verifier: Who Said What, Where, and When, attributes the quote to to an unknown author following an investigation in his book.”

Barry Switzer (1937) American football player and coach

[The Unknown Barry Switzer - Poverty, Tragedy Build Oklahoma Coach into a Winner, Tom Shatel, December 14, 1986, Chicago Tribune, http://www.chicagotribune.com/news/ct-xpm-1986-12-14-8604030680-story.html, October 1, 2018]

Kage Baker photo
Alexander Hamilton photo
Gancho Tsenov photo
Ilana Mercer photo

“While the Left controls the intellectual means of production—schools (primary, secondary, tertiary), media, foundations, think tanks, publishing prints—the 'Respectable Right' is hardly on the outs with the liberal smart set.”

Ilana Mercer South African writer

" Trump Doesn't Need To Talk Like A Con-Servative http://www.wnd.com/2016/03/trump-doesnt-need-to-talk-like-a-conservative/," WND.com, March 17, 2016.
2010s, 2016

M. C. Escher photo

“I could fill an entire second life with working on my prints.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

Grant Morrison photo

“Your lips have splashed my dull house with print of flowers
My hands are crooked where they spilled over your dear
curving”

Kenneth Patchen (1911–1972) American writer and poet

"As We Are So Wonderfully Done With Each Other"

James Joyce photo
Elizabeth Kostova photo
John Strutt, 3rd Baron Rayleigh photo
Alfred Horsley Hinton photo

“The texture of the printed image is of such peculiar character that neither brush or liquid paint seem capable of imitating it.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90

Ray Bradbury photo
James Boswell photo

“In every place, where there is any thing worthy of observation, there should be a short printed directory for strangers.”

James Boswell (1740–1795) Scottish lawyer, diarist and author

19 August 1773
The Journal of a Tour to the Hebrides with Samuel Johnson, LL.D. (1785)

Amit Chaudhuri photo
Alfred Horsley Hinton photo
Ted Hughes photo
Alfred Horsley Hinton photo
Jozef Israëls photo

“The title [of an album with prints of Israels and poems after his pictures, made by Nicolaas Beets ] will not be I hope 'Kroost der zee' ['Offspring of the Sea']. I think this is an insufferable dissonance. Call it 'Sketches from Fisher's life - of B to J.' I think that is the best, the simplest and the most attractive name. Also the word 'to' gives me justice, otherwise people will think that I made them [his pictures] after Beets and not Beets [his poems] after me.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls in Nederlands): De titel [van een album met prenten van Israels en gedichten daarop van nl:Nicolaas Beets ] zal toch hoop ik niet zijn, 'Kroost der zee'.- zulks vind ik van een onuitstaanbare wanklank laat het heeten 'schetsen uit het visschersleven van B naar J. ' dat vind ik de beste eenvoudigste en meest aantrekkelijke naam. Tevens het woordje 'naar' doet mij regt, daar anders men meenen zoude dat ik ze naar Beets en niet Beets naar mij gemaakt heeft.
Quote in his letter to publisher A.C. Kruseman in The Hague, 1861; as cited in LTK 1390 nr. 11, University Library of Leiden
the compromise between Beets and Israëls became 'The Children of the Sea'; the album was published in four episodes, the first on 7 June, 1861
Quotes of Jozef Israels, 1840 - 1870

Horace Mann photo

“Let but the public mind become once thoroughly corrupt, and all attempts to secure property, liberty or life, by mere force of laws written on parchment, will be as vain as to put up printed notices in an orchard to keep off the canker-worms.”

Horace Mann (1796–1859) American politician

As quoted in The Albany Law Journal Vol. XLIX (January - June 1894), p. 47; also paraphrased as: "Let the public mind become corrupt, and all efforts to secure property, liberty, or life by the force of laws written on paper will be as vain as putting up a sign in an apple orchard to exclude canker worms."

Tristan Tzara photo
Robert Rauschenberg photo
Philip Schaff photo

“The Pre-Lutheran German Bible. The precise origin of the mediaeval German Bible is still unknown. Dr. Ludwig Keller of Münster first suggested in his Die Reformation und die älteren Reformparteien, Leipzig, 1885, pp. 257-260, the hypothesis that it was made by Waldenses (who had also a Romanic version); and he tried to prove it in his Die Waldenser und die deutschen Bibelübersetzungen, Leipzig, 1886 (189 pages). Dr. Hermann Haupt, of Würzburg, took the same ground in his Die deutsche Bibelübersetzung der mittelalterlichen Waldenser in dem Codex Teplensis und der ersten gedruckten Bibel nachgewiesen, Würzburg, 1885 (64 pages); and again, in self-defense against Jostes, in Der waldensische Ursprung des Codex Teplensis und der vor-lutherischen deutschen Bibeldrucke, Würzburg, 1886. On the other hand, Dr. Franz Jostes, a Roman Catholic scholar, denied the Waldensian and defended the Catholic origin of that translation, in two pamphlets: Die Waldenser und die vorlutherische Bibelübersetzung, Münster, 1885 (44 pages), and Die Tepler Bibelübersetzung. Eine zweite Kritik, Münster, 1886 (43 pages). The same author promises a complete history of German Catholic Bible versions.
The hostility of several Popes and Councils to the circulation of vernacular translations of the Bible implies the existence of such translations, and could not prevent their publication, as the numerous German editions prove. Dutch, French, and Italian versions also appeared among the earliest prints. See Stevens, Nos. 687 and 688 (p. 59 sq.). The Italian edition exhibited in 1877 at London is entitled: La Biblia en lingua Volgare (per Nicolo di Mallermi). Venetia: per Joan. Rosso Vercellese, 1487, fol. A Spanish Bible by Bonif. Ferrer was printed at Valencia, 1478 (see Reuss, Gesch. der heil. Schr. N. T., II. 207, 5th Ed.).
The Bible is the common property and most sacred treasure of all Christian churches. The art of printing was invented in Catholic times, and its history goes hand in hand with the history of the Bible. Henry Stevens says (The Bibles in the Caxton Exhibition, p. 25): ""The secular history of the Holy Scriptures is the sacred history of Printing. The Bible was the first book printed, and the Bible is the last book printed. Between 1450 and 1877, an interval of four centuries and a quarter, the Bible shows the progress and comparative development of the art of printing in a manner that no other single book can; and Biblical bibliography proves that during the first forty years, at least, the Bible exceeded in amount of printing all other books put together; nor were its quality, style, and variety a whit behind its quantity.""”

Philip Schaff (1819–1893) American Calvinist theologian

Roman Catholic rival German versions of the Bible

Edward Everett photo
Ernest Hemingway photo
Alfred Horsley Hinton photo
George Gordon Byron photo
Ernest Dimnet photo
James K. Morrow photo
Ron Paul photo
Newton Lee photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“The work of Dr. Nares has filled us with astonishment similar to that which Captain Lemuel Gulliver felt when first he landed in Brobdingnag, and saw corn as high as the oaks in the New Forest, thimbles as large as buckets, and wrens of the bulk of turkeys. The whole book, and every component part of it, is on a gigantic scale. The title is as long as an ordinary preface: the prefatory matter would furnish out an ordinary book; and the book contains as much reading as an ordinary library. We cannot sum up the merits of the stupendous mass of paper which lies before us better than by saying that it consists of about two thousand closely printed quarto pages, that it occupies fifteen hundred inches cubic measure, and that it weighs sixty pounds avoirdupois. Such a book might, before the deluge, have been considered as light reading by Hilpa and Shallum. But unhappily the life of man is now three-score years and ten; and we cannot but think it somewhat unfair in Dr. Nares to demand from us so large a portion of so short an existence. Compared with the labour of reading through these volumes, all other labour, the labour of thieves on the treadmill, of children in factories, of negroes in sugar plantations, is an agreeable recreation.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Review of a life of William Cecil, 1st Baron Burghley by Edward Nares, Edinburgh Review, 1832)
Attributed

Dave Barry photo
Francis Bacon photo
Benjamin Franklin photo

“If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

"Apology for Printers" (1730); later in Benjamin Franklin's Autobiographical Writings (1945) edited by Carl Van Doren
1730s

Ron Paul photo
Jack McDevitt photo
Charlie Brooker photo
Clay Shirky photo

“Gutenberg’s press flooded the market. In the early 1500s John Tetzel, the head pardoner for German territories, would sweep into a town with a collection of already printed indulgences, hawking them with a phrase usually translated as “When a coin a coffer rings / A soul for heaven springs.” The nakedly commercial aspects of indulgences, among other things, enraged Martin Luther, who in 1517 launched an attack on the Church in the form of his famous Ninety-five Theses. He first nailed the theses to a church door in Wittenberg, but copies were soon printed up and disseminated widely. Luther’s critique, along with the spread of Bibles translated into local languages, drove the Protestant Reformation, plunging the Church (and Europe) into crisis. The tool that looked like it would strengthen the social structure of the age instead upended it. From the vantage point of 1450, the new technology seemed to do nothing more than offer the existing society a faster and cheaper way to do what it was already doing. By 1550 it had become apparent that the volume of indulgences had debauched their value, creating “indulgence inflation”—further evidence that abundance can be harder for a society to deal with than scarcity. Similarly, the spread of Bibles wasn’t a case of more of the same, but rather of more is different—the number of Bibles produced increased the range of Bibles produced, with cheap Bibles translated into local languages undermining the interpretative monopoly of the clergy, since churchgoers could now hear what the Bible said in their own language, and literate citizens could read it for themselves, with no priest anywhere near. By the middle of the century, Luther’s Protestant Reformation had taken hold, and the Church’s role as the pan-European economic, cultural, intellectual, and religious force was ending.”

Clay Shirky (1964) American technology writer

Cognitive Surplus : Creativity and Generosity in a Connected Age (2010)

Rex Stout photo
Michel De Montaigne photo

“Nothing prints more lively in our minds than something we wish to forget.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Book II, Ch. 12
Attributed

Ernst Ludwig Kirchner photo

“A primitive power of artistic sensuousness speaks from the prints, which itself develops directly from the graphic technique that is tied to painstaking effort. Like the 'savage' who with patience cuts the figure.... out of the hard wood, so the artist creates perhaps his purest and strongest pieces.... following the primordial curse, if one may so understand it: from the sweat of thy brow shalt thou eat thy bread.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle, Uber Kirchners Graphik, Genius 3, no. 2 (1921):, p. 263; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 52-53
1920's

Marshall McLuhan photo

“The present volume to this point might be regarded as a gloss on a single text of Harold Innis: "The effect of the discovery of printing was evident in the savage religious wars of the sixteenth and seventeenth centuries. Application of power to communication industries hastened the consolidation of vernaculars, the rise of nationalism, revolution, and new outbreaks of savagery in the twentieth century."”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 216; McLuhan here quotes "Minerva's Owl" (1947), by Innis, an address to the Royal Society of Canada, published in The Bias of Communication (1951)

Joe Satriani photo

“Satriani's Law: There's at least a 30% chance that someone will print the name Satriani incorrectly”

Joe Satriani (1956) American guitar player

As quoted in Luminous Flesh Giants Tour Itinerary booklet (1995).

Adlai Stevenson photo

“Accuracy to a newspaper is what virtue is to a lady; but a newspaper can always print a retraction.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

As quoted in Morrow's International Dictionary of Contemporary Quotations (1982) by Jonathon Green

Peter Blake photo

“I can’t work with computers but I work with someone who can. We talk about what the subjects will be and then I get a load of images about Liverpool. We then scan them and put them on a disk and then we manipulate them on the computer. I am treating them as posters. They are prints but I want them to look like posters.”

Peter Blake (1932) British artist

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006
On producing serigraph prints to celebrate Liverpool as the 2008 European Capital of Culture.
Art

Bob Barr photo
Norman Mailer photo
Ernst Ludwig Kirchner photo
David Dixon Porter photo
Van Morrison photo

“Rave on, down through the industrial revolution
Empiricism, atomic and nuclear age
Rave on down through time and space down through the corridors
Rave on words on printed page.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Rave On, John Donne
Song lyrics, Inarticulate Speech of the Heart (1983)

Thomas Jefferson photo

“While the art of printing is left to us science can never be retrograde; what is once acquired of real knowlege can never be lost.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to William Green Mumford (18 June 1799) http://www.princeton.edu/~tjpapers/munford/munford.html
1790s

Elbert Hubbard photo

“[chaff] Editor: a person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Philistine http://books.google.com/books?id=MaVHAAAAYAAJ&q=%22editor+a+person+employed+on+a+newspaper%22+%22whose+business+it+is+to+separate+the+wheat+from+the+chaff+and+to+see+that+the+chaff+is+printed%22&pg=PA810#v=onepage (May 1913)
The Roycroft Dictionary Concocted by Ali Baba and the Bunch on Rainy Days http://books.google.com/books?id=ZQLpQ2SAIeQC&q=%22Editor+1+a+person+employed+on+a+newspaper+whose+business+it+is+to+separate+the+wheat+from+the+chaff+and+to+see+that+the+chaff+is+printed%22&pg=PA46#v=onepage (1914).
Famous Lines: A Columbia Dictionary of Familiar Quotations https://books.google.com/books?id=MtciwlIG3sMC&pg=PA138&lpg=PA138&dq=adlai+chaff+elbert#v=onepage&q=adlai%20chaff%20elbert&f=false (1997), see Adlai Stevenson for a later variation

Hendrik Werkman photo

“I have composed here so many prints from the immediate surroundings around me - starting with the chimneys and the pigeons and the passing ships, the staircase, the labyrinth of corridors and doors, the crazy combinations of beams and wooden walls..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Ik heb hier zoveel drukken gecomponeerd uit de onmiddellijke omgeving om mij heen, beginnende met de schoorstenen en de duiven en de voorbijvarende schepen, het trappenhuis, het doolhof van gangen en deuren, de gekke combinaties van balken en beschotten..
In a letter to August Henkels, 29 April 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's

Leo Tolstoy photo

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

Ellsworth Kelly photo
William Golding photo
Philip Schaff photo

“After the invention of the printing-press, and before the Reformation, this mediaeval German Bible was more frequently printed than any other except the Latin Vulgate.”

Philip Schaff (1819–1893) American Calvinist theologian

German versions of the Bible that preceded the Luther Bible

Margaret Atwood photo
Christian David Ginsburg photo
Arun Shourie photo
Jonathan Franzen photo
Charlie Brooker photo
Karlheinz Deschner photo

“Free press: all may read whatever is printed.”

Karlheinz Deschner (1924–2014) German writer and activist

Freie Presse: jeder darf lesen, was gedruckt wird.
Nur Lebendiges schwimmt gegen den Strom

Steve Jobs photo

“Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?
Jobs: In the future, it won't be an act of faith. The hard part of what we're up against now is that people ask you about specifics and you can't tell them. A hundred years ago, if somebody had asked Alexander Graham Bell, "What are you going to be able to do with a telephone?" he wouldn't have been able to tell him the ways the telephone would affect the world. He didn't know that people would use the telephone to call up and find out what movies were playing that night or to order some groceries or call a relative on the other side of the globe. But remember that first the public telegraph was inaugurated, in 1844. It was an amazing breakthrough in communications. You could actually send messages from New York to San Francisco in an afternoon. People talked about putting a telegraph on every desk in America to improve productivity. But it wouldn't have worked. It required that people learn this whole sequence of strange incantations, Morse code, dots and dashes, to use the telegraph. It took about 40 hours to learn. The majority of people would never learn how to use it. So, fortunately, in the 1870s, Bell filed the patents for the telephone. It performed basically the same function as the telegraph, but people already knew how to use it. Also, the neatest thing about it was that besides allowing you to communicate with just words, it allowed you to sing.
Playboy: Meaning what?
Jobs: It allowed you to intone your words with meaning beyond the simple linguistics. And we're in the same situation today. Some people are saying that we ought to put an IBM PC on every desk in America to improve productivity. It won't work. The special incantations you have to learn this time are "slash q-zs" and things like that. The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel—one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. It's the first "telephone" of our industry. And, besides that, the neatest thing about it, to me, is that the Macintosh lets you sing the way the telephone did. You don't simply communicate words, you have special print styles and the ability to draw and add pictures to express yourself.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, as quoted in “Steve Jobs Imagines 'Nationwide' Internet in 1985 Interview” https://paleofuture.gizmodo.com/steve-jobs-imagines-nationwide-internet-in-1985-intervi-1671246589, Matt Novak, 12/15/14 2:20pm Paleofuture, Gizmodo.
1980s

Andy Partridge photo
Walter Slezak photo
Kurt Schwitters photo
Alastair Reynolds photo
Daniel Defoe photo

“It happened one day, about noon, going towards my boat, I was exceedingly surprised with the print of a man's naked foot on the shore, which was very plain to be seen on the sand.”

Daniel Defoe (1660–1731) English trader, writer and journalist

Source: Robinson Crusoe (1719), Ch. 11, Finds Print of Man's Foot on the Sand.

Nayef Al-Rodhan photo

“3D printing is going to transform our societies, our freedoms and our sense of security.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Printing the Future? http://www.isn.ethz.ch/Digital-Library/Articles/Detail/?ots591=4888caa0-b3db-1461-98b9-e20e7b9c13d4&lng=en&id=172924 - ISN ETH Zurich, November 2013

David Mushet photo
Ernst Ludwig Kirchner photo

“Nowhere does one come to know an artist better than in his prints [and] the woodcut is the most graphic of the print processes.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 39
Kirchner expressed the significance of print-making for German Expressionism in general when he wrote this quote
1920's

Jane Roberts photo
Alexandre Dumas, fils photo

“In the interest of the dictionaries of the future let me lay down the principle that the Demi-Monde, contrary to the common belief and in spite of what is printed, does not represent the ruck of courtesans, but the class of women that have lost caste.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Établissons donc ici, pour les dictionnaires à venir, que le Demi-Monde ne représente pas, comme on le croit, comme on l'imprime, la cohue des courtisanes, mais la classe des déclassées.
Preface to Le Demi-Monde (1855), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 2, p. 9; translation from Albert D. Vandam Undercurrents of the Second Empire (London: William Heinemann, 1897) p. 246.

Jonathan Safran Foer photo
Jef Raskin photo

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Paul Krugman photo
Harold Innis photo

“The discovery of printing in the middle of the fifteenth century implied the beginning of a return to a type of civilization dominated by the eye rather than the ear.”

Harold Innis (1894–1952) Canadian professor of political economy

Industrialism and Cultural Values (1950), a paper presented at meetings of the American Economic Association in Chicago, published in The Bias of Communication (1951) p. 138.
The Bias of Communication (1951)

Alain de Botton photo
Max Scheler photo

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Hendrik Werkman photo

“one print gets born from the other one, and that is exactly the right thing of it - it keeps the mind ready.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): ..de ene druk wordt uit de andere geboren en dat is juist het mooie, dat houdt de geest vaardig.
In a letter to August Henkels, 23 June 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's

Ron Paul photo
Calvin Coolidge photo
Mukesh Ambani photo

“[Internet] the biggest discovery after printing press.”

Mukesh Ambani (1957) Indian business magnate

In "5 things you may not know about Mukesh Ambani".

Francis Thompson photo

“Summer set lip to earth's bosom bare;
And left the flushed print in a poppy there:
Like a yawn of fire from the grass it came,
And the fanning wind puffed it to flapping flame.”

Francis Thompson (1859–1907) British poet

The Poppy http://books.google.com/books?id=qM8VAAAAYAAJ&q="Summer+set+lip+to+earth's+bosom+bare+And+left+the+flushed+print+in+a+poppy+there+Like+a+yawn+of+fire+from+the+grass+it+came+And+the+fanning+wind+puffed+it+to+flapping+flame"&pg=PA6#v=onepage.

Robert Rauschenberg photo
Robert G. Ingersoll photo