Quotes about printing
page 6

Context: You cannot judge all men by the one standard, any more than you can make shoes for all of them on the same last. No law that ever darkened white paper in the printing can lay down a rule of conduct for all men to follow alike.

“We have found a strange foot-print on the shores of the unknown.”
Space, Time and Gravitation (1920)
Context: We have found a strange foot-print on the shores of the unknown. We have devised profound theories, one after another, to account for its origins. At last, we have succeeded in reconstructing the creature that made the footprint. And lo! It is our own.<!--p.201
“In schools, print shifted the emphasis from oral to written and visual communication.”
Teaching as a Subversive Activity (1969)
Context: In schools, print shifted the emphasis from oral to written and visual communication. Teachers who had been only partly concerned within instructing their students in how to read became by the mid-sixteenth century concerned with almost nothing else. Since the sixteenth century, the textbook has been a primary source of income for book publishers. Since the sixteenth century, written examinations and written assignments have been an integral part of the methodology of school teaching; and since the sixteenth century, the image of the isolated student who reads and studies by himself, has been the essence of our conception of scholarship. In short, for 400 years Western civilization has lived in what has been characterized as the "Age of Gutenberg." Print has been the chief means of our information flow. Print has shaped our literature and conditioned our responses to literary experience. Print has influenced our conception of the educational process. But... print no longer "monopolizes man's symbolic environment," to use David Riesman's phrase. That monopoly began to dissolve toward the middle of the nineteenth century, when a more or less continuous stream of media inventions began to make accessible unprecedented quantities of information and created new modes of perception and qualities of aesthetic experience....1839... Daguerre developed the first practical method of photography. In 1844, Morse perfected the telegraph. In 1876, Bell transmitted the first telephone message. A year later, Edison invented the phonograph. By 1894, the movies had also been introduced. A year after that, Marconi sent and received the first wireless message. In 1906, Fessenden transmitted the human voice by radio. In 1920, regularly scheduled radio broadcasts began. In 1923, a picture was televised between New York and Philadelphia. In that same year, Henry Luce and Briton Hadden created a totally new idea in magazines with Time. In 1927, the first "talkie" appeared; and in 1923, Disney's first animated cartoon. In 1935, Major E. H. Armstrong developed the FM radio. In 1936 came Life magazine. In 1941, full commercial television was authorized. These are just some of the inventions that form a part of the "communications revolution" through which we are all living. To these, of course could be added the LP record, the tape recorder, the comic strip, the comic book, the paperback book.... the point here is... that the perceptual-cognitive effects on us of the form of these new languages be understood.
Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)
Context: In the Middle Ages, there was a scarcity of information but its very scarcity made it both important and usable. This began to change, as everyone knows, in the late 15th century when a goldsmith named Gutenberg, from Mainz, converted an old wine press into a printing machine, and in so doing, created what we now call an information explosion.... Nothing could be more misleading than the idea that computer technology introduced the age of information. The printing press began that age, and we have not been free of it since.

The Other World (1657)
Context: When I opened a box, I found inside something made of metal, somewhat like our clocks, full of an endless number of little springs and tiny machines. It was indeed a book, but it was a miraculous one that had no pages or printed letters. It was a book to be read not with eyes but with ears. When anyone wants to read, he winds up the machine with a large number of keys of all kinds. Then he turns the indicator to the chapter he wants to listen to. As though from the mouth of a person or a musical instrument come all the distinct and different sounds that the upper-class Moon-beings use in their language.
When I thought about this marvelous way of making books, I was no longer surprised that the young people of that country know more at the age of sixteen or eighteen than the greybeards of our world. They can read as soon as they can talk and are never at a loss for reading material. In their rooms, on walks, in town, during voyages, on foot or on horseback, they can have thirty books in their pockets or hanging on the pommels of their saddles. They need only wind a spring to hear one or more chapters or a whole book, if they wish. Thus you always have with you all the great men, both living and dead, who speak to you in their own voices.
“Print, in even more revolutionary ways than writing, changed the very form of civilization.”
Teaching as a Subversive Activity (1969)
Context: Print, in even more revolutionary ways than writing, changed the very form of civilization.... the Protestant Revolution was contemporaneous with the invention of moving type.... the printing and distribution of millions of Bibles made possible a more personal religion, as the Word of God rested on each man's kitchen table. The book, by isolating the reader and his responses, tended to separate him from the powerful oral influences of his family, teacher, and priest. Print thus created a new conception of self as well as of self-interest. At the same time, the printing press provided the wide circulation necessary to create national literatures and intense pride in one's native language. Print thus promoted individualism on one hand and nationalism on the other.

“A book, once it is printed and published, becomes individual.”
"A Note on Cabellian Harmonics" in Cabellian Harmonics (April 1928)
Context: A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, — both grammatically and actually, — whatever meaning this or that reader gets out of it.

The Age for Love
Context: I bore with the ill-humor of my chief. What would he have said if he had known that I had in my pocket an interview and in my head an anecdote which were material for a most successful story? And he has never had either the interview or the story. Since then I have made my way in the line where he said I should fail. I have lost my innocent look and I earn my thirty thousand francs a year, and more. I have never had the same pleasure in the printing of the most profitable, the most brilliant article that I had in consigning to oblivion the sheets relating my visit to Nemours. I often think that I have not served the cause of letters as I wanted to, since, with all my laborious work I have never written a book. And yet when I recall the irresistible impulse of respect which prevented me from committing toward a dearly loved master a most profitable but infamous indiscretion, I say to myself, "If you have not served the cause of letters, you have not betrayed it." And this is the reason, now that Fauchery is no longer of this world, that it seems to me that the time has come for me to relate my first interview. There is none of which I am more proud.

“The first epoch-making algebra to appear in print was the Ars Magna of Cardan”
Source: History of Mathematics (1925) Vol.2, p.384
Context: The first epoch-making algebra to appear in print was the Ars Magna of Cardan (1545). This was devoted primarily to the solution of algebraic equations. It contained the solution of the cubic and biquadratic equations, made use of complex numbers, and in general may be said to have been the first step toward modern algebra.

Exsurge Domine (1520)
Context: With the advice and consent of these our venerable brothers, with mature deliberation on each and every one of the above theses, and by the authority of almighty God, the blessed Apostles Peter and Paul, and our own authority, we condemn, reprobate, and reject completely each of these theses or errors as either heretical, scandalous, false, offensive to pious ears or seductive of simple minds, and against Catholic truth. By listing them, we decree and declare that all the faithful of both sexes must regard them as condemned, reprobated, and rejected…. We restrain all in the virtue of holy obedience and under the penalty of an automatic major excommunication....
Moreover, because the preceding errors and many others are contained in the books or writings of Martin Luther, we likewise condemn, reprobate, and reject completely the books and all the writings and sermons of the said Martin, whether in Latin or any other language, containing the said errors or any one of them; and we wish them to be regarded as utterly condemned, reprobated, and rejected. We forbid each and every one of the faithful of either sex, in virtue of holy obedience and under the above penalties to be incurred automatically, to read, assert, preach, praise, print, publish, or defend them. They will incur these penalties if they presume to uphold them in any way, personally or through another or others, directly or indirectly, tacitly or explicitly, publicly or occultly, either in their own homes or in other public or private places.

“A person, who reads only to print, to all probability reads amiss”
Briefe, das Studium der Theologie betressend (1780-81), Vierundzwanzigster Brief; cited from Bernhard Suphan (ed.) Herders sämmtliche Werke (Berlin: Weidmann, 1877-1913) vol. 10, p. 260. Translation from Samuel Taylor Coleridge Biographia Literaria (London: Rest Fenner, 1817) vol. 1, ch. 11, pp. 233-34.
Context: With the greatest possible solicitude avoid authorship. Too early or immoderately employed, it makes the head waste and the heart empty; even were there no other worse consequences. A person, who reads only to print, to all probability reads amiss; and he, who sends away through the pen and the press every thought, the moment it occurs to him, will in a short time have sent all away, and will become a mere journeyman of the printing-office, a compositor.

Variant translations: Are you really sure that a floor can't also be a ceiling?
I can't keep from fooling around with our irrefutable certainties. It is, for example, a pleasure knowingly to mix up two and three dimensionalities, flat and spatial, and to make fun of gravity.
1950's, On Being a Graphic Artist', 1953
Context: In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?

Audio lecture Ramakrishna, Ramana, and Krishnamurti (in part three of four)

"Publisher's Statement", in the first issue of National Review (19 November 1955).
Context: Radical conservatives in this country have an interesting time of it, for when they are not being suppressed or mutilated by Liberals, they are being ignored or humiliated by a great many of those of the well-fed Right, whose ignorance and amorality have never been exaggerated for the same reason that one cannot exaggerate infinity.
There are, thank Heaven, the exceptions. There are those of generous impulse and a sincere desire to encourage a responsible dissent from the Liberal orthodoxy. And there are those who recognize that when all is said and done, the market place depends for a license to operate freely on the men who issue licenses — on the politicians. They recognize, therefore, that efficient getting and spending is itself impossible except in an atmosphere that encourages efficient getting and spending. And back of all political institutions there are moral and philosophical concepts, implicit or defined. Our political economy and our high-energy industry run on large, general principles, on ideas — not by day-to-day guess work, expedients and improvisations. Ideas have to go into exchange to become or remain operative; and the medium of such exchange is the printed word.

Hello Out There (1941)
Context: I have read books about the behavior of mobs — The Mob by Le Bon, if I remember rightly, was one — about the crime in children, and the genius in them, about the greatest bodies of things, and about the littlest of them. I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.
Teaching as a Subversive Activity (1969)
Context: Print, in even more revolutionary ways than writing, changed the very form of civilization.... the Protestant Revolution was contemporaneous with the invention of moving type.... the printing and distribution of millions of Bibles made possible a more personal religion, as the Word of God rested on each man's kitchen table. The book, by isolating the reader and his responses, tended to separate him from the powerful oral influences of his family, teacher, and priest. Print thus created a new conception of self as well as of self-interest. At the same time, the printing press provided the wide circulation necessary to create national literatures and intense pride in one's native language. Print thus promoted individualism on one hand and nationalism on the other.

“Typographic man can express but is helpless to read the configurations of print technology.”
Source: The Gutenberg Galaxy (1962), p. 245

http://www.wholeearth.com/issue/2092/article/33/local.currency.in.each.other.we.trust (Whole Earth Catalog), Spring 1998
Context: “We printed our own money because we watched Federal dollars come to town, shake a few hands, then leave to buy rainforest lumber and fight wars. Ithaca's HOURS, by contrast, stay in our region to help us hire each other. While dollars make us increasingly dependent on transnational corporations and bankers, HOURS reinforce community trading and expand commerce which is more accountable to our concerns for ecology and social justice.”.

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday
Context: It would be worthy of the age to print together the collected Scriptures or Sacred Writings of the several nations, the Chinese, the Hindus, the Persians, the Hebrews, and others, as the Scripture of mankind. The New Testament is still, perhaps, too much on the lips and in the hearts of men to be called a Scripture in this sense. Such a juxtaposition and comparison might help to liberalize the faith of men. This is a work which Time will surely edit, reserved to crown the labors of the printing-press. This would be the Bible, or Book of Books, which let the missionaries carry to the uttermost parts of the earth.

Letter to a group of Occidental College students (1955)
Context: When I first went to Occidental College... there was a literary magazine... called the Aurora, and I remember thinking it odd that Occidental — the west, the setting sun — should be represented by a magazine called Aurora, the dawn. At least it gave us a wide range, the whole daylight sky.
I was continually writing verses in those days. Nobody, not even I myself, thought they were good verses; but Aurora's editor accepted many of them and it gave me pleasure to see my rhymes in print. They did rhyme, if that is any value, and were usually metrical, but why was I so eager to publish what hardly anyone would read and no one would remember? I suppose the desire for publication is a normal part of the instinct for writing... the writer sits at home, and the mere fact of being printed provides his verses with a kind of audience... So, having his vanity partially satisfied, he can go ahead and try better work.

Source: "On the Aims and Instruments of Scientific Thought" (Aug 19, 1872), pp. 156-157.

Letter to Malcolm Cowley (11 February 1949), quoted in William Faulkner : A Critical Essay (1970) by Martin Jarrett-Kerr, p. 46; also published in Selected Letters of William Faulkner (1978) by Joseph Blotner, p. 286

“Economic Myths and Public Opinion” https://miltonfriedman.hoover.org/friedman_images/Collections/2016c21/AmSpectator_01_1976.pdf, The Alternative: An American Spectator, vol. 9, no. 4, (January 1976) pp. 5-9

Press conference in Athens (12 March 1982), quoted in The Times (13 March 1982), p. 5
1980s

And He Built a Crooked House (p. 33)
Short fiction, Off the Main Sequence (2005)

Preface
The Characteristics of the Present Age (1806)

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 1.

Reported in Jay Babcock, " JOSHUA HOMME: People say [record] labels are evil. No, they’re just lame. http://www.arthurmag.com/2007/12/04/josh-homme-people-say-labels-are-evil-no-theyre-just-lame/", Arthur Magazine (December 4, 2007).

H. L. Mencken, The Sahara of the Bozart.

Paraphrased as "Film is the score and the print is the performance."
Sheff
David
May 1983
Playboy
http://davidsheff.com/article/ansel-adams/
Playboy Interview: Ansel Adams
226
2010s, Interview with the Reuters War College (April 2017)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Wel ga ik langzamerhand de Japansche prentkunst [in houtdrukken] als geheel een trapje lager stellen dan een klein jaar geleden. Daar kunnen we het later nog wel eens over hebben. Voorloopig kan ik zeggen dat de uiterlijke zwier en knapheid veelal niet gesteund wordt door een diep innerlijk meeleven met de afgebeelde dingen.
In a letter to Pauwels, 13 June 1914; as cited in Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, p. 29
1909 - 1914

As quoted in [McInerney, Daniel John, The Fortunate Heirs of Freedom: Abolition & Republican Thought, https://books.google.com/books?id=ZrnV5Rj6eckC, 1994, U of Nebraska Press, 0-8032-3172-5, 96-7]
Source: The Infinite Future (2018), Part 1: Translator’s Note to the Reader by Daniel Laszlo, Chapter 16 (p. 188)

Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Chapter II Planning a Model World
“The news was highly coloured, even if the print was black and white.”
Source: The Lost Plot (2017), Chapter 9 (p. 118)

Source: Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

" Principles for Dealing with the Changing World Order by Ray Dalio https://www.youtube.com/watch?v=xguam0TKMw8" (at 6m43s), Principles by Ray Dalio, 2 March 2022.

"Mila Kunis Talks Dating, Ashton Kutcher, Her Weight and More in Glamour's August 2012 Issue" in Glamour https://www.glamour.com/story/mila-kunis-talks-dating-ashton (28 June 2012)