
“My brain hums with scraps of poetry and madness.”
Source: Selected Letters
“My brain hums with scraps of poetry and madness.”
Source: Selected Letters
As quoted in Brighter Than a Thousand Suns : A Personal History of the Atomic Scientists (1958) by Robert Jungk, as translated by James Cleugh, p. 22
Anecdotally, when Oppenheimer was working at Göttingen, Dirac supposedly came to him one day and said: "Oppenheimer, they tell me you are writing poetry. I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say... something that everybody knows already in words that nobody can understand."
Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 464.
Conversation, New York, April 12, 1969 PrabhupadaBooks.com http://prabhupadabooks.com/conversations/1969/apr/new_york/april/12/1969?d=1
Quotes from other Sources, Quotes from other Sources: Violence and Dictatorship
“If pain does not die
we shall make it poetry.”
From Sublimation of Disobedience (1998)
“All religion, my friend, is simply evolved out of chicanery, fear, greed, imagination and poetry!”
Sometimes quoted as "All religion, my friend, is simply evolved out of fraud, fear, greed, imagination and poetry"
According to John A. Joyce's much-criticized biography Edgar Allen Poe (1901), this was said by Poe to William Barton.
Disputed
Source: Google Books link https://books.google.com/books?id=_cdEAAAAYAAJ&printsec=frontcover&dq=John+Alexander+Joyce+poe&hl=en&sa=X&ved=0CBwQ6AEwAGoVChMIsuLtsoXUyAIVVSqICh2cqAI_#v=onepage&q=%22chicanery%2C%20fear%22&f=false
Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54
Muslim Separatism – Causes and Consequences (1987)
V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181
The Poetic Principle (1850)
Ralph Waldo Emerson in "Goethe; or, the Writer" writes of this passage, and quotes a slightly different translation: The ardent and holy Novalis characterized the book as "thoroughly modern and prosaic; the romantic is completely levelled in it; so is the poetry of nature; the wonderful. The book treats only of the ordinary affairs of men: it is a poeticized civic and domestic story. The wonderful in it is expressly treated as fiction and enthusiastic dreaming:" — and yet, what is also characteristic, Novalis soon returned to this book, and it remained his favorite reading to the end of his life.
Novalis (1829)
L'oeuvre pure implique la disparition élocutoire du poëte, qui cède l'initiative aux mots.
"Crise de Vers", La Revue Blanche (September 1895 )as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p. 55.
Observations
Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill
Quote of Joan Mitchell from an interview with Irving Sandler (c. 1956); as cited in Joan Mitchell, Lady Painter, by Patricia Albers, Knopf Doubleday Publishing Group, 3 may 2011, p. 244
1950 - 1975
“Good prose is written only face to face with poetry.”
Sec. 92
The Gay Science (1882)
Hugging the Shore, foreword (1983)
“All poetry is misrepresentation”
An Aphorism attributed to him according to John Stuart Mill (see Mill's essay On Bentham and Coleridge in Utilitarianism edt. by Mary Warnock p. 123).
Disputed
“Writing poetry after Auschwitz is barbaric.”
[N]ach Auschwitz ein Gedicht zu schreiben, ist barbarisch...
Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.
Kulturkritik und Gesellschaft [Cultural Criticism and Society] (1951); this quote is more famously known in the forms "No poetry after Auschwitz" or "There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz."
Diary-note of Boudin, 3 December, 1856; as cited in the description of his painting 'Sky, Setting Sun, Bushes in Foreground' http://www.muma-lehavre.fr/en/collections/artworks-in-context/eugene-boudin/boudin-skies, by the Muma-museum, Le Havre
A quote from Boudin's personal diary sheds remarkable light on a small group of his sky studies
1850s - 1870s
“Money is everywhere but so is poetry. What we lack are the poets.”
"Poets"
I'm a Born Liar (2003)
“Meredith is a prose Browning, and so is Browning. He used poetry as a medium for writing in prose.”
The Critic as Artist (1891), Part I
"New Songs for After the Tears", from Revolt of a Newborn (1973)
“When she [Philosophy] saw that the Muses of poetry were present by my couch giving words to my lamenting, she was stirred a while; her eyes flashed fiercely, and said she, "Who has suffered these seducing mummers to approach this sick man? Never do they support those in sorrow by any healing remedies, but rather do ever foster the sorrow by poisonous sweets. These are they who stifle the fruit-bearing harvest of reason with the barren briars of the passions: they free not the minds of men from disease, but accustom them thereto."”
Quae ubi poeticas Musas uidit nostro assistentes toro fletibusque meis uerba dictantes, commota paulisper ac toruis inflammata luminibus: Quis, inquit, has scenicas meretriculas ad hunc aegrum permisit accedere, quae dolores eius non modo nullis remediis fouerent, uerum dulcibus insuper alerent uenenis? Hae sunt enim quae infructuosis affectuum spinis uberem fructibus rationis segetem necant hominumque mentes assuefaciunt morbo, non liberant.
Prose I, lines 7-9; translation by W.V. Cooper
The Consolation of Philosophy · De Consolatione Philosophiae, Book I
Dante Gabriel Rossetti, letter to Hall Caine dated June 13, 1880; published in Vivien Allen (ed.) Dear Mr. Rossetti (Sheffield: Sheffield Academic Press, 2000) p. 122.
Criticism
“Most people ignore most poetry because most poetry ignores most people.”
Poems (1964), Preface.
“He who has no poetry in himself will find poetry in nothing.”
On her creative inspiration http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/
in his letter, 15 February 1889, (L. 911); as cited in Steven Z. Levine, Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93
1870 - 1890
As quoted in Dirac: A Scientific Biography (1990), by Helge Kragh, p. 258
Source: [Kragh, Helge, Dirac: A Scientific Biography, https://books.google.co.uk/books?id=zXm1Bso1VREC&pg=PA258&lpg=PA258&dq=%22The+aim+of+science+is+to+make+difficult+things+understandable+in+a+simpler+way;+the+aim+of+poetry+is+to+state+simple+things+in+an+incomprehensible+way.+The+two+are+incompatible%22&source=bl&ots=OLeGFpZGCh&sig=VRga1I7FVl9UBpXi_oAq_-8u_ls&hl=en&sa=X&ved=0ahUKEwjBwLbbwdvVAhXIIMAKHZ_pCZQQ6AEIOTAD#v=onepage&q=%22The%20aim%20of%20science%20is%20to%20make%20difficult%20things%20understandable%20in%20a%20simpler%20way%3B%20the%20aim%20of%20poetry%20is%20to%20state%20simple%20things%20in%20an%20incomprehensible%20way.%20The%20two%20are%20incompatible%22&f=false, March 30, 1990, 258, December 6, 2017]
Las artes (pintura, poesía, etc.) no son solo éstas. Artes son también comer, beber, caminar: todo acto es un arte.
Source: Aphorisms (2002), p. 60
“In the love poetry of every age, the woman longs to be weighed down by the man's body.”
Pg 5
The Unbearable Lightness of Being (1984), Part One: Lightness and Weight
The Raven and Other Poems (1845), Preface
As quoted in Life of John Stuart Mill (1954) by M. St.J. Packe, Bk. I, Ch. II
Arthur Symons Figures of Several Centuries (London: Constable, 1916) p. 40.
Criticism
“I am the poor man's poet; because I am poor myself and I have known what it is to be in love. Not being able to pay them in presents, I pay my mistresses in poetry.”
Pauperibus vates ego sum, quia pauper amavi;
Cum dare non possem munera, verba dabam.
Book II, lines 165–166 (tr. J. Lewis May)
Ars Amatoria (The Art of Love)
“Poetry comes fine-spun from a mind at ease.”
Carmina proveniunt animo deducta sereno.
I, i, 39
Tristia (Sorrows)
Interview on The David Frost Show (14 June 1969) http://web.archive.org/web/20010719003543/http://homepage.ntlworld.com/carousel/pob07.html
interview in Playboy magazine (February 1985 http://www.playboy.co.uk/article/16311/playboy-interview-steven-jobs) <!-- alternate link : http://gizmodo.com/5694765/29+year+old-steve-jobs-extols-californias-virtues-to-playboy-magazine -->
1980s
Context: Woz and I very much liked Bob Dylan's poetry, and we spent a lot of time thinking about a lot of that stuff. This was California. You could get LSD fresh made from Stanford. You could sleep on the beach at night with your girlfriend. California has a sense of experimentation and a sense of openness—openness to new possibilities.
“I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs.”
The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.
“Poetry must find ways of breaking distance.”
Yo-Yo Boing! (Spanglish novel, 1998)
Context: If I respected languages like you do, I wouldn't write at all. El muro de Berlín fue derribado. Why can't I do the same? Desde la torre de Babel, las lenguas han sido siempre una forma de divorciarnos del resto de la humanidad. Poetry must find ways of breaking distance. I'm not reducing my audience. On the contrary, I'm going to have a bigger audience with the common markets — in Europe — in America. And besides, all languages are dialects that are made to break new grounds. I feel like Dante, Petrarca and Boccaccio, and I even feel like Garcilaso forging a new language. Saludo al nuevo siglo, el siglo del nuevo lenguaje de América, y le digo adiós a la retórica separatista y a los atavismos.
"Poetry is Not a Luxury"
Sister Outsider: Essays and Speeches (1984)
Context: The white fathers told us, I think therefore I am; and the black mothers in each of us-the poet-whispers in our dreams, I feel therefore I can be free. Poetry coins the language to express and charter this revolutionary awareness and demand, the implementation of that freedom.
Remarks after the Solvay Conference (1927)
Context: I feel very much like Dirac: the idea of a personal God is foreign to me. But we ought to remember that religion uses language in quite a different way from science. The language of religion is more closely related to the language of poetry than to the language of science. True, we are inclined to think that science deals with information about objective facts, and poetry with subjective feelings. Hence we conclude that if religion does indeed deal with objective truths, it ought to adopt the same criteria of truth as science. But I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a subjective side won't get us very far.
Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
"Poetry" (1977)
Variant translation:
Who says my poems are poems?
My poems are not poems.
After you know my poems are not poems,
Then we can begin to discuss poetry!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006) http://www.hermitary.com/articles/ryokan_poetics.html
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)
Ante-Nicene Christian library: v. 3 p. 5
Address to the Greeks
1900s, "The Study of Mathematics" (November 1907)
Conversations with Eckermann (entry for 31 January 1827)
It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
Source: The Beatles Anthology (2000), p. 9
I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence …
On the Invention of the Induction Motor
My Inventions (1919)
On his poems being likened to powder kegs in “Jericho Brown: ‘Poetry is a veil in front of a heart beating at a fast pace” https://www.theguardian.com/books/2018/jul/28/jericho-brown-book-interview-q-and-a-new-testament-poetry in The Guardian (2018 Jul 28)
Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2
Source: Song lyrics, The Kick Inside (1978)
Source: Love the One You're With
“It is always fatal to have music or poetry interrupted.”
Source: Middlemarch
Source: Postscript to the Name of the Rose
“Any healthy man can go without food for two days--but not without poetry.”
“I am composed of contradictions, which is why poetry is a better form for me than philosophy”
O Taste and See : New Poems (1964), The Secret
Source: Poems, 1960-1967
“Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.”
Source: Selected Poems
Letter to John Hamilton Reynolds (February 3, 1818)
Letters (1817–1820)
“Some people will tell you there is a great deal of poetry and fine sentiment in a chest of tea.”
Source: Letters and Social Aims