Quotes about poetry
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Virginia Woolf photo

“My brain hums with scraps of poetry and madness.”

Virginia Woolf (1882–1941) English writer

Source: Selected Letters

Michael Oakeshott photo

“Poetry is a sort of truancy, a dream within the dream of life, a wild flower planted among our wheat.”

Michael Oakeshott (1901–1990) British philosopher

Rationalism in Politics and Other Essays (1962)

Paul Dirac photo

“In science one tries to tell people, in such a way as to be understood by everyone, something that no one ever knew before. But in the case of poetry, it's the exact opposite!”

Paul Dirac (1902–1984) theoretical physicist

As quoted in Brighter Than a Thousand Suns : A Personal History of the Atomic Scientists (1958) by Robert Jungk, as translated by James Cleugh, p. 22
Anecdotally, when Oppenheimer was working at Göttingen, Dirac supposedly came to him one day and said: "Oppenheimer, they tell me you are writing poetry. I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say... something that everybody knows already in words that nobody can understand."

Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Karl Marx photo
Edward Payson photo
A.C. Bhaktivedanta Swami Prabhupada photo

“Prabhupada: Yes. That is Tulasi dasa’s remark. So in many passages of his poetry he has not done very justice to woman. And another poetry, he writes, dhol gunar sudra nari. Dhol gunar sudra nari ihe sab sasan ke adhikari. (?) Dhol gunar pasu sudra nari, ihe sab sasan ke adhikari. Dhol, dhol means drum, mrdanga. Gunar, gunar means… What is called English? A fool, fool. Illiterate fool, what is one word?
Brahmananda: Buffoon?
Prabhupada: Maybe buffoon. Buffoon is sometimes troublesome. But gunar means he doesn’t understand very nicely.
Brahmananda: Dullard.
Prabhupada: Dull, dull. Dhol gunar, dhol means drum and gunar means dull. Sudra, and the laborer class. Three. Dhol, gunar, sudra, and pasu, household animals, just like cows, dogs.
Brahmananda: Pet.
Prabhupada: Pet, like that. Dhol gunar sudra pasu and nari. Nari means woman. (laughs) Just see. He has classified the nari amongst these class, dhol, gunar, sudra, pasu, nari. Ihe sab sasan ke adhikari. Sasan ke adhikari means all these are subjected for punishment. And what about the guest?
Govinda dasi: Oh, the guest? It’s coming.
Prabhupada: So sasan ke adhikari means they should be punished. (laughs) Punished means, just like dhol, when the, I mean to say, sound is not very hard, dag-dag, if you beat it on the border, then it comes to be nice tune. Similarly, pasu, animals, if you request, “My dear dog, please do not go there.” Hut! (laughter) “No, my dear dog.” Hut! This is the way.(?) Similarly, woman. If you become lenient, then she will be troublesome. So in India still, in villages, whenever there is some quarrel between husband wife, the husband beats and she is tamed. (laughs) In civilized society, “Oh, you have done this?” Immediately some criminal case. But in uncivilized society they don’t care for court or civilized way of…”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Conversation, New York, April 12, 1969 PrabhupadaBooks.com http://prabhupadabooks.com/conversations/1969/apr/new_york/april/12/1969?d=1
Quotes from other Sources, Quotes from other Sources: Violence and Dictatorship

Juan Antonio Villacañas photo

“If pain does not die
we shall make it poetry.”

Juan Antonio Villacañas (1922–2001) Spanish poet, essayist and critic

From Sublimation of Disobedience (1998)

Friedrich Nietzsche photo
Zygmunt Krasiński photo
Edgar Allan Poe photo
Edgar Allan Poe photo

“All religion, my friend, is simply evolved out of chicanery, fear, greed, imagination and poetry!”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Sometimes quoted as "All religion, my friend, is simply evolved out of fraud, fear, greed, imagination and poetry"
According to John A. Joyce's much-criticized biography Edgar Allen Poe (1901), this was said by Poe to William Barton.
Disputed
Source: Google Books link https://books.google.com/books?id=_cdEAAAAYAAJ&printsec=frontcover&dq=John+Alexander+Joyce+poe&hl=en&sa=X&ved=0CBwQ6AEwAGoVChMIsuLtsoXUyAIVVSqICh2cqAI_#v=onepage&q=%22chicanery%2C%20fear%22&f=false

John Lennon photo
Andrei Tarkovsky photo
Mark Twain photo
Friedrich Nietzsche photo

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Saul Bellow photo
Swathi Thirunal Rama Varma photo

“All that I write whether poetry or music centred around God. This is an act of faith in me. Music is not worth its name otherwise.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

V. K. Subramanian (2013), in 101 Mystics of India, p. 181 http://books.google.co.in/books?id=_uswAgAAQBAJ&pg=PA181

Edgar Allan Poe photo
Novalis photo

“Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. … It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are.”

Novalis (1772–1801) German poet and writer

Ralph Waldo Emerson in "Goethe; or, the Writer" writes of this passage, and quotes a slightly different translation: The ardent and holy Novalis characterized the book as "thoroughly modern and prosaic; the romantic is completely levelled in it; so is the poetry of nature; the wonderful. The book treats only of the ordinary affairs of men: it is a poeticized civic and domestic story. The wonderful in it is expressly treated as fiction and enthusiastic dreaming:" — and yet, what is also characteristic, Novalis soon returned to this book, and it remained his favorite reading to the end of his life.
Novalis (1829)

Stéphane Mallarmé photo

“The work of pure poetry implies the elocutionary disappearance of the poet, who yields the initiative to words.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

L'oeuvre pure implique la disparition élocutoire du poëte, qui cède l'initiative aux mots.
"Crise de Vers", La Revue Blanche (September 1895 )as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p. 55.
Observations

“I think men and women who write poetry or write music or paint are finally responsible for what they do. They are entitled to praise for any success they achieve and they should not complain of just criticism.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

Paul Valéry photo

“[Mitchell wanted in her painting].. the feeling in a line of poetry which makes it different from, a line of prose... Sentimentality is self-pity, your own swamp. Weeping in your own beer is not a feeling. It lacks dignity and hasn't an outside reference.”

Joan Mitchell (1925–1992) American painter

Quote of Joan Mitchell from an interview with Irving Sandler (c. 1956); as cited in Joan Mitchell, Lady Painter, by Patricia Albers, Knopf Doubleday Publishing Group, 3 may 2011, p. 244
1950 - 1975

Friedrich Nietzsche photo

“Good prose is written only face to face with poetry.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Sec. 92
The Gay Science (1882)

John Updike photo

“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Hugging the Shore, foreword (1983)

Jeremy Bentham photo

“All poetry is misrepresentation”

Jeremy Bentham (1748–1832) British philosopher, jurist, and social reformer

An Aphorism attributed to him according to John Stuart Mill (see Mill's essay On Bentham and Coleridge in Utilitarianism edt. by Mary Warnock p. 123).
Disputed

Theodor W. Adorno photo

“Writing poetry after Auschwitz is barbaric.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

[N]ach Auschwitz ein Gedicht zu schreiben, ist barbarisch...
Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.
Kulturkritik und Gesellschaft [Cultural Criticism and Society] (1951); this quote is more famously known in the forms "No poetry after Auschwitz" or "There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz."

Eugène Boudin photo

“To swim in the open sky. To achieve the tenderness of clouds. To suspend these masses in the distance, very far away in the grey mist, make the blue explode. I feel all this coming, dawning in my intentions. What joy and what torment! If the bottom were still, perhaps I would never reach these depths. Did they do better in the past? Did the Dutch achieve the poetry of clouds I seek? That tenderness of the sky which even extends to admiration, to worship: it is no exaggeration.”

Eugène Boudin (1824–1898) French painter

Diary-note of Boudin, 3 December, 1856; as cited in the description of his painting 'Sky, Setting Sun, Bushes in Foreground' http://www.muma-lehavre.fr/en/collections/artworks-in-context/eugene-boudin/boudin-skies, by the Muma-museum, Le Havre
A quote from Boudin's personal diary sheds remarkable light on a small group of his sky studies
1850s - 1870s

G. H. Hardy photo
Federico Fellini photo

“Money is everywhere but so is poetry. What we lack are the poets.”

Federico Fellini (1920–1993) Italian filmmaker

"Poets"
I'm a Born Liar (2003)

Oscar Wilde photo

“Meredith is a prose Browning, and so is Browning. He used poetry as a medium for writing in prose.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

Czeslaw Milosz photo
Virginia Woolf photo
Juan Antonio Villacañas photo
Anicius Manlius Severinus Boethius photo

“When she [Philosophy] saw that the Muses of poetry were present by my couch giving words to my lamenting, she was stirred a while; her eyes flashed fiercely, and said she, "Who has suffered these seducing mummers to approach this sick man? Never do they support those in sorrow by any healing remedies, but rather do ever foster the sorrow by poisonous sweets. These are they who stifle the fruit-bearing harvest of reason with the barren briars of the passions: they free not the minds of men from disease, but accustom them thereto."”
Quae ubi poeticas Musas uidit nostro assistentes toro fletibusque meis uerba dictantes, commota paulisper ac toruis inflammata luminibus: Quis, inquit, has scenicas meretriculas ad hunc aegrum permisit accedere, quae dolores eius non modo nullis remediis fouerent, uerum dulcibus insuper alerent uenenis? Hae sunt enim quae infructuosis affectuum spinis uberem fructibus rationis segetem necant hominumque mentes assuefaciunt morbo, non liberant.

Anicius Manlius Severinus Boethius (480) philosopher of the early 6th century

Prose I, lines 7-9; translation by W.V. Cooper
The Consolation of Philosophy · De Consolatione Philosophiae, Book I

Thomas Chatterton photo

“The finest of the Rowley poems – Eclogues, Ballad of Charity &c rank absolutely with the finest poetry in the language…He was an absolute and untarnished hero.”

Thomas Chatterton (1752–1770) English poet, forger

Dante Gabriel Rossetti, letter to Hall Caine dated June 13, 1880; published in Vivien Allen (ed.) Dear Mr. Rossetti (Sheffield: Sheffield Academic Press, 2000) p. 122.
Criticism

Isaac Bashevis Singer photo

“Most people ignore most poetry because most poetry ignores most people.”

Adrian Mitchell (1932–2008) British writer

Poems (1964), Preface.

Joseph Joubert photo
Masiela Lusha photo

“While some mothers sing lullabies to their children, my mother read me poetry. And to this day, I associate my strongest and most insistent feelings with words lyrically organized on a page.”

Masiela Lusha (1985) Albanian actress, writer, author

On her creative inspiration http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/

José Saramago photo
Claude Monet photo
Paul Dirac photo

“The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way. The two are incompatible.”

Paul Dirac (1902–1984) theoretical physicist

As quoted in Dirac: A Scientific Biography (1990), by Helge Kragh, p. 258
Source: [Kragh, Helge, Dirac: A Scientific Biography, https://books.google.co.uk/books?id=zXm1Bso1VREC&pg=PA258&lpg=PA258&dq=%22The+aim+of+science+is+to+make+difficult+things+understandable+in+a+simpler+way;+the+aim+of+poetry+is+to+state+simple+things+in+an+incomprehensible+way.+The+two+are+incompatible%22&source=bl&ots=OLeGFpZGCh&sig=VRga1I7FVl9UBpXi_oAq_-8u_ls&hl=en&sa=X&ved=0ahUKEwjBwLbbwdvVAhXIIMAKHZ_pCZQQ6AEIOTAD#v=onepage&q=%22The%20aim%20of%20science%20is%20to%20make%20difficult%20things%20understandable%20in%20a%20simpler%20way%3B%20the%20aim%20of%20poetry%20is%20to%20state%20simple%20things%20in%20an%20incomprehensible%20way.%20The%20two%20are%20incompatible%22&f=false, March 30, 1990, 258, December 6, 2017]

W.B. Yeats photo
César Vallejo photo

“The arts (painting, poetry, etc.) are not just these. Eating, drinking, walking are also arts; every act is an art.”

César Vallejo (1892–1938) Peruvian writer

Las artes (pintura, poesía, etc.) no son solo éstas. Artes son también comer, beber, caminar: todo acto es un arte.
Source: Aphorisms (2002), p. 60

Milan Kundera photo

“In the love poetry of every age, the woman longs to be weighed down by the man's body.”

Pg 5
The Unbearable Lightness of Being (1984), Part One: Lightness and Weight

Edgar Allan Poe photo
Jeremy Bentham photo

“Prose is when all the lines except the last go on to the end. Poetry is when some of them fall short of it.”

Jeremy Bentham (1748–1832) British philosopher, jurist, and social reformer

As quoted in Life of John Stuart Mill (1954) by M. St.J. Packe, Bk. I, Ch. II

A.E. Housman photo
Francois Villon photo
Ovid photo

“I am the poor man's poet; because I am poor myself and I have known what it is to be in love. Not being able to pay them in presents, I pay my mistresses in poetry.”
Pauperibus vates ego sum, quia pauper amavi; Cum dare non possem munera, verba dabam.

Book II, lines 165–166 (tr. J. Lewis May)
Ars Amatoria (The Art of Love)

Ovid photo

“Poetry comes fine-spun from a mind at ease.”
Carmina proveniunt animo deducta sereno.

Ovid book Tristia

I, i, 39
Tristia (Sorrows)

John Lennon photo
Edgar Allan Poe photo
Steve Jobs photo

“Woz and I very much liked Bob Dylan's poetry, and we spent a lot of time thinking about a lot of that stuff.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

interview in Playboy magazine (February 1985 http://www.playboy.co.uk/article/16311/playboy-interview-steven-jobs) <!-- alternate link : http://gizmodo.com/5694765/29+year+old-steve-jobs-extols-californias-virtues-to-playboy-magazine -->
1980s
Context: Woz and I very much liked Bob Dylan's poetry, and we spent a lot of time thinking about a lot of that stuff. This was California. You could get LSD fresh made from Stanford. You could sleep on the beach at night with your girlfriend. California has a sense of experimentation and a sense of openness—openness to new possibilities.

Henri Barbusse photo

“I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: Who shall compose the Bible of human desire, the terrible and simple Bible of that which drives us from life to life, the Bible of our doings, our goings, our original fall? Who will dare to tell everything, who will have the genius to see everything?
I believe in a lofty form of poetry, in the work in which beauty will be mingled with beliefs. The more incapable of it I feel myself, the more I believe it to be possible. The sad splendour with which certain memories of mine overwhelm me, shows me that it is possible. Sometimes I myself have been sublime, I myself have been a masterpiece. Sometimes my visions have been mingled with a thrill of evidence so strong and so creative that the whole room has quivered with it like a forest, and there have been moments, in truth, when the silence cried out.
But I have stolen all this, and I have profited by it, thanks to the shamelessness of the truth revealed. At the point in space in which, by accident, I found myself, I had only to open my eyes and to stretch out my mendicant hands to accomplish more than a dream, to accomplish almost a work.

“Poetry must find ways of breaking distance.”

Yo-Yo Boing! (Spanglish novel, 1998)
Context: If I respected languages like you do, I wouldn't write at all. El muro de Berlín fue derribado. Why can't I do the same? Desde la torre de Babel, las lenguas han sido siempre una forma de divorciarnos del resto de la humanidad. Poetry must find ways of breaking distance. I'm not reducing my audience. On the contrary, I'm going to have a bigger audience with the common markets — in Europe — in America. And besides, all languages are dialects that are made to break new grounds. I feel like Dante, Petrarca and Boccaccio, and I even feel like Garcilaso forging a new language. Saludo al nuevo siglo, el siglo del nuevo lenguaje de América, y le digo adiós a la retórica separatista y a los atavismos.

Aristotle photo
Audre Lorde photo

“Poetry coins the language to express and charter this revolutionary awareness and demand, the implementation of that freedom.”

Audre Lorde (1934–1992) writer and activist

"Poetry is Not a Luxury"
Sister Outsider: Essays and Speeches (1984)
Context: The white fathers told us, I think therefore I am; and the black mothers in each of us-the poet-whispers in our dreams, I feel therefore I can be free. Poetry coins the language to express and charter this revolutionary awareness and demand, the implementation of that freedom.

Niels Bohr photo

“I feel very much like Dirac: the idea of a personal God is foreign to me. But we ought to remember that religion uses language in quite a different way from science. The language of religion is more closely related to the language of poetry than to the language of science.”

Niels Bohr (1885–1962) Danish physicist

Remarks after the Solvay Conference (1927)
Context: I feel very much like Dirac: the idea of a personal God is foreign to me. But we ought to remember that religion uses language in quite a different way from science. The language of religion is more closely related to the language of poetry than to the language of science. True, we are inclined to think that science deals with information about objective facts, and poetry with subjective feelings. Hence we conclude that if religion does indeed deal with objective truths, it ought to adopt the same criteria of truth as science. But I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a subjective side won't get us very far.

Martha Graham photo
Aristotle photo
Rachel Carson photo

“If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.

Jorge Luis Borges photo

“The fact is that poetry is not the books in the library... Poetry is the encounter of the reader with the book, the discovery of the book.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Poetry" (1977)

Ryōkan photo

“Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry.”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
Who says my poems are poems?
My poems are not poems.
After you know my poems are not poems,
Then we can begin to discuss poetry!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006) http://www.hermitary.com/articles/ryokan_poetics.html
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

Jacque Fresco photo
Bertrand Russell photo
Johann Wolfgang von Goethe photo
I. K. Gujral photo
John Lennon photo

“All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler."”

John Lennon (1940–1980) English singer and songwriter

It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
Source: The Beatles Anthology (2000), p. 9

Nikola Tesla photo

“One afternoon, which is ever present in my recollection, I was enjoying a walk with my friend in the city park and reciting poetry. At that age I knew entire books by heart, word for word. One of these was Goethe's Faust. The sun was just setting and reminded me of a glorious passage:
Sie rückt und weicht, der Tag ist überlebt,
Dort eilt sie hin und fördert neues Leben.
O! daß kein Flügel mich vom Boden hebt,
Ihr nach und immer nach zu streben!
Ein schöner Traum, indessen sie entweicht.
Ach! zu des Geistes Flügeln wird so leicht
Kein körperlicher Flügel sich gesellen![The glow retreats, done is the day of toil;
It yonder hastes, new fields of life exploring;
Ah, that no wing can lift me from the soil
Upon its track to follow, follow soaring!
A glorious dream! though now the glories fade.
Alas! the wings that lift the mind no aid
Of wings to lift the body can bequeath me.
(tr. Bayard Taylor)
As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it."”

Nikola Tesla (1856–1943) Serbian American inventor

I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence …

On the Invention of the Induction Motor
My Inventions (1919)

Jericho Brown photo

“It is the hardest thing to take chaos and make order of it. Poetry is a veil in front of a heart beating at a very fast pace.”

Jericho Brown (1976) American writer

On his poems being likened to powder kegs in “Jericho Brown: ‘Poetry is a veil in front of a heart beating at a fast pace” https://www.theguardian.com/books/2018/jul/28/jericho-brown-book-interview-q-and-a-new-testament-poetry in The Guardian (2018 Jul 28)

Richard Wagner photo

“Believe me, mankind's truest madness is revealed to him in dreams. All word-craft and poetry is nothing but true dream-interpretation.”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2

Kate Bush photo

“You'll never know that you had all of me.
You'll never know the poetry you've stirred in me.
Of all the stars I've seen that shine so brightly,
I've never known or felt in myself so rightly,
It's in me...”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Source: Song lyrics, The Kick Inside (1978)

W.B. Yeats photo
Stephen King photo
William Makepeace Thackeray photo
Umberto Eco photo

“Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Source: Postscript to the Name of the Rose

Czeslaw Milosz photo
A.A. Milne photo
Denise Levertov photo

“Two girls discover
the secret of life
in a sudden line of
poetry. I who don't know the
secret wrote
the line.”

Denise Levertov (1923–1997) Poet

O Taste and See : New Poems (1964), The Secret
Source: Poems, 1960-1967

Francesca Lia Block photo
Borís Pasternak photo
Nicholas Sparks photo
Matt Groening photo
Mark Strand photo

“Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.”

Mark Strand (1934–2014) Canadian-American poet, essayist, translator

Source: Selected Poems

John Keats photo

“Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.”

John Keats (1795–1821) English Romantic poet

Letter to John Hamilton Reynolds (February 3, 1818)
Letters (1817–1820)

George Eliot photo
Stephen Fry photo
Ralph Waldo Emerson photo

“Some people will tell you there is a great deal of poetry and fine sentiment in a chest of tea.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: Letters and Social Aims

Antonin Artaud photo