Quotes about poet
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“I’m not a poet, but I do like heightened language that can exist in the theatre. Many plays are sounding more naturalistic these days, more like TV. I still take my cues from Shakespeare. I would rather have the story exist more in the audience’s heads than on a screen.”

Octavio Solis (1958)

On avoiding the label of magical realism in “Octavio Solis’s Journey to ‘Mother Road’” https://www.americantheatre.org/2019/09/09/octavio-soliss-journey-to-mother-road/ (American Theatre; Sept 2019)

“Sylvia went furthest in the sense that her secret was most dangerous to her. She desperately needed to reveal it. You can’t overestimate her compulsion to write like that. She had to write those things — even against her most vital interests. She died before she knew what The Bell Jar and the Ariel poems were going to do to her life, but she had to get them out. She had to tell everybody... like those Native American groups who periodically told everything that was wrong and painful in their lives in the presence of the whole tribe. It was no good doing it in secret; it had to be done in front of everybody else. Maybe that’s why poets go to such lengths to get their poems published. It’s no good whispering them to a priest or a confessional. And it’s not for fame, because they go on doing it after they’ve learned what fame amounts to. No, until the revelation’s actually published, the poet feels no release. In all that, Sylvia was an extreme case, I think.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview

Life, Pain, Secret, Feeling

“He could speak several Indian and foreign languages, he served under both Indira Gandhi and her son Rajiv, as foreign, defence and home minister. His political activism dated back to the struggle for independence. also a poet and writer and after his retirement he wrote a book following the career of a person rising through the ranks of Indian politics.”

P. V. Narasimha Rao (1921–2004) Indian politician

BBC in: "Narasimha Rao - a reforming PM".

Books, Home, Personality

“I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality.”

Ursula K. Le Guin (1929–2018) American writer

Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is not profit. Its name is freedom. National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin

Fear, Hope, Way, Imagination

“My diction, my choice of words, is as precise as I can make it. The images that I use, the evocation of the senses, again, relies upon a certain exactitude. You can see how what I did with language as a poet would bleed into what I did as a lawyer, vice-versa…”

Martín Espada (1957) Puerto Rican poet

On how his correlates the language of a poet with practicing law in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)

Making love, Sense

“I used to sit on the stairs outside the courtroom and scratch out poems on legal pads while I was waiting for our cases to be called. There were juvenile hearings prior to the housing cases, and of course given their right to privacy we were not allowed inside the courtroom while that was going on. Everyone was in the hallway or on the stairs. I sat there. I didn’t have an office there, and I wrote poems. It was not as crazy as it might sound because whether I was working or am working as a lawyer or a poet, I am an advocate…”

Martín Espada (1957) Puerto Rican poet

On composing poems while practicing as an attorney in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)

Waiting, Housing

“At the risk of over-generalizing, my sense is that American poetry, where popular culture is concerned, is a poetry of freedom and permission—that there are certainly poets who embrace it and have enjoyed success, from a publishing perspective, in embracing it…”

Francisco Aragón (1968) poet

On how certain poetry intermingles popular culture in “Q & A: AMERICAN POETRY—Francisco Aragón” https://poetrysociety.org/features/q-a-american-poetry-1/francisco-arag%C3%B3n (Poetry Society of America)

Sense, Freedom, Success

“The advice to any young poet is to embrace your freedom and not feel constrained to write in one particular way or only about one particular topic. If they’re Latino poets, I would encourage them not only to read widely, but also to read Latino poetry, to familiarize themselves with their particular tradition within American literature…”

Francisco Aragón (1968) poet

On his advice to Latino poets in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

Way, Feeling, Literature, Freedom

“When you’re confronted with your community being rendered invisible to the culture-at-large, a mission as straightforward as nurturing and promoting your community’s storytellers can, in my view, be viewed as a form of activism. Another, if one works in a context like mine, is exposing one’s students to the work of your community’s poets and writers…”

Francisco Aragón (1968) poet

On how poetry can become a form of activism in “Split This Rock Interviews Freedom Plow Finalist Francisco Aragón” https://www.poetryfoundation.org/harriet/2017/04/split-this-rock-interviews-freedom-plow-finalist-francisco-aragon in Poetry Foundation (Apr 2017)

Communication

“The rationalist mind has always had its doubts about Venice. The watery city receives a dry inspection, as though it were a myth for the credulous — poets and honeymooners.”

Mary McCarthy (1912–1989) American writer

Source: Venice Observed (1956), Ch. 1

“He had the true American taste for argument, argument as distinguished from conversation on the one hand and from oratory on the other. The long-drawn-out, meandering debate was, perhaps, the only art form he understood or relished, and this was natural since the argument is in a sense our only indigenous folk-art, and it is not the poet but the silver-tongued lawyer who is our real national bard.”

Mary McCarthy (1912–1989) American writer

Source: The Company She Keeps (1942), Ch. 5 "Portrait of the Intellectual as a Yale Man", p. 141

Art, Nature, Sense

“The doctrine of Universal Kinship is not a new doctrine, born from the more brilliant loins of modern understanding. It is as old almost as human philosophy. It was taught by Buddha twenty-four hundred years ago. And the teachings of this divine soul, spreading over the plains and peninsulas of Asia, have made unnumbered millions mild. It was taught also by Pythagoras and all his school of philosophers, and rigidly practised in their daily lives. Plutarch, one of the grandest characters of antiquity, wrote several essays in advocacy of it. In these essays, as well as in many passages of his writings generally, he demonstrates that he was far ahead of his contemporaries in the breadth and intensity of his moral nature, and in advance even of all except a very few of those living to-day, 2,000 years after him. Shelley among the poets of modern times, and Tolstoy in these latter days, are others among the eminent adherents of this holy cause.”

J. Howard Moore (1862–1916)

"Ethical Implications of Evolution", pp. 322–323
The Universal Kinship (1906), The Ethical Kinship

School, Soul, Understanding, Nature

“The universe is an evolution. Change is as extensive as time and space. The present has come out of that which has been, and will enter into and determine that which is to be. Everything has a biography. Everything has evolved—everything—from the murmur on the lips of the speechless babe to the soul of the poet, and from the molecule to Jehovah.”

J. Howard Moore (1862–1916)

"The Earth an Evolution", p. 35
The Universal Kinship (1906), The Physical Kinship

Soul, Universe, Change, Time

“Thousands of writers, of poets, of scholars, have laboured to increase knowledge, to dissipate error, and to create that atmosphere of scientific thought, without which the marvels of our century could never appeared. And these thousands of philosophers, of poets, of scholars, of inventors, have themselves been supported by the labour of past centuries. They have been upheld and nourished through life, both physically and mentally, by legions of workers and craftsmen of all sorts. They have drawn their motive force from the environment.”

Peter Kropotkin book The Conquest of Bread

Source: The Conquest of Bread (1892), Ch. 1 : Our Riches, p. 57

Life, Error, Motivation, Support

“It’s about learning to listen, much like in music. You can train your ears to history. You can train your ears to the earth. You can train your ears to the wind. It’s important to listen and then to study the world, like astronomy or geology or the names of birds. A lot of poets can be semihistorians. Poetry is very mathematical. There’s a lot in the theoretical parts that is similar. Quantum physicists remind me of mystics. They are aware of what happens in timelessness, though they speak of it through theories and equations.”

Joy Harjo (1951) American writer

On her advice to poets in “The First Native American U.S. Poet Laureate on How Poetry Can Counter Hate” https://time.com/5658443/joy-harjo-poet-interview/ in Time Magazine (2019 Aug 22)

World, Music, History, Mathematics

“All persons exist to society by some shining trait of beauty or utility, which they have. We borrow the proportions of the man from that one fine feature, and finish the portrait symmetrically; which is false; for the rest of his body is small or deformed. I observe a person who makes a good public appearance, and conclude thence the perfection of his private character, on which this is based; but he has no private character. He is a graceful cloak or lay-figure for holidays. All our poets, heroes, and saints, fail utterly in some one or in many parts to satisfy our idea, fail to draw our spontaneous interest, and so leave us without any hope of realization but in our own future. Our exaggeration of all fine characters arises from the fact, that we identify each in turn with the soul. But there are no such men as we fable; no Jesus, nor Pericles, nor Caesar, nor Angelo, nor Washington, such as we have made. We consecrate a great deal of nonsense, because it was allowed by great men. There is none without his foible. I verily believe if an angel should come to chant the chorus of the moral law, he would eat too much gingerbread, or take liberties with private letters, or do some precious atrocity.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: Second Series (1844), Nominalist and Realist

Men, Making love, Law, Beauty

“I wish our clever young poets would remember my homely definitions of prose and poetry; that is, prose = words in their best order; poetry = the best words in their best order.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

12 July 1827
Table Talk (1821–1834)

Home

“I must admit, sir, that I have modified the verses a little, to allow for the new things I have learned, so I am an unreliable source of truth, sir, save in its most fundamental sense. Like a majority of poets, sir.”

Michael Moorcock (1939) English writer, editor, critic

Book 3 “A Rose Redeemed; A Rose Revived,” Chapter 1 “Of Weapons Possessed of Will” (p. 270)
The Elric Cycle, The Revenge of the Rose (1991)

Truth, Sense, Learning

“I had completely forgotten about religion and in this respect had a savage ignorance of it. The first glimmer of truth came to me through an encounter with a great poet, who played a predominant part in the formation of my thinking and to whom I owe an eternal debt, Arthur Rimbaud. Reading Illuminations, then a few months later, Use Saison en Enfer was for me a capital event. For the first time, his books opened a crack in my materialist servitude and gave me a vivid and almost physical impression of the supernatural.”

Paul Claudel (1868–1955) French diplomat

J'avais complètement oublié la religion et j'étais à son égard d'une ignorance sauvage. La première lueur de vérité me fut donnée par la rencontre des livres d'un grand poète, à qui je dois une éternelle reconnaissance, et qui a eu dans la formation de ma pensée une part prépondérante, Arthur Rimbaud. La lecture des Illuminations, puis, quelques mois après, d'Une Saison en enfer, fut pour moi un événement capital. Pour la première fois, ces livres ouvraient une fissure dans mon bagne matérialiste et me donnaient l'impression vivante et presque physique du surnaturel.
"My Conversion," December 1886, as translated in Negritude and the Civilization of the Universal, p. 28

Truth, Books, Religion, Thinking

“What the poet has in mind... is that poetic value is an intrinsic value. It is not the value of knowledge. It is not the value of faith. It is the value of imagination. The poet tries to exemplify it, in part as I have tried to exemplify it here, by identifying it with an imaginative activity that diffuses itself throughout our lives.”

Wallace Stevens (1879–1955) American poet

The Necessary Angel (1951), Imagination as Value

Faith, Imagination, Knowledge, Parting

“All these poets are ascetics, monks and priests. They despise the flesh and all ballast. This world holds no enchantment for them... Poetry for them is the ultimate expression of the essence of things and thus is hymn and worship. Their poetry is one of divine names, of mysterious seals, and of spiritual extracts.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

Quote of Ball, 21 July 1920, in Flucht aus der Zeit, p. 266; as quoted by Debbie Lewer in 'Papers of Surrealism Issue 6 Autumn 2007', p. 15, note 15
while reading a book of mystic writers, Ball noted this remark
after 1916

World

“I have not found in Europe or America, poets, thinkers or popular leaders equal, or even comparable, to those of India today.”

Hermann von Keyserling (1880–1946) German philosopher

Quoted from Gewali, Salil (2013). Great Minds on India. New Delhi: Penguin Random House.

“Indeed, I scarcely comprehend how one can be a poet without revering and loving Spinoza and becoming completely his. Your own fantasy is rich enough for the invention of the particular: nothing is better suited to entice your fantasy, to stimulate and nourish it, than the poetic creations of other artists. But in Spinoza you find the beginning and the end of all fantasy, the universal ground on which your particularity rests — and you should welcome precisely this separation of that which is originary and eternal in fantasy from everything particular and specific.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: In der Tat, ich begreife kaum, wie man ein Dichter sein kann, ohne den Spinosa zu verehren, zu lieben und ganz der seinige zu werden. In Erfindung des Einzelnen ist Eure eigne Fantasie reich genug; sie anzuregen, zur Tätigkeit zu reizen und ihr Nahrung zu geben, nichts geschickter als die Dichtungen andrer Künstler. Im Spinosa aber findet Ihr den Anfang und das Ende aller Fantasie, den allgemeinen Grund und Boden, auf dem Euer Einzelnes ruht und eben diese Absonderung des Ursprünglichen, Ewigen der Fantasie von allem Einzelnen und Besondern muß Euch sehr willkommen sein.
Friedrich Schlegel, Rede über die Mythologie, in Friedrich Schlegels Gespräch über die Poesie (1800)
S - Z

Love, Making love, Universe

“Since I always like Zhuangzi and I am close to Tagore, I am greatly affected by the thought of pantheism. Hence, my works are close to works of the great philosopher of Europe Spinoza and poetry of German poet Goethe.”

Baruch Spinoza (1632–1677) Dutch philosopher

Guo Moruo, 1983. As quoted in Yuan Li (2016), Study of Comparative Poetic Thought of Guo Moruo's Goddess [original in Chinese]
G - L

“The Jewish tradition has two distinct tendencies: the more fundamental one, represented by the philosophers and poets and scholars who were interested only in Jewish issues and in the Jewish Weltanschauung; and the other tendency associated with great figures such as Spinoza or Einstein, and to a certain extent also Heinrich Heine, and which applied the traditions of Jewish thinking to other cultures, including German culture, and to other issues. It is not difficult to see how a double identity developed among Jews.”

Baruch Spinoza (1632–1677) Dutch philosopher

Daniel Barenboim, " Germans, Jews, and Music https://www.nybooks.com/articles/2001/03/29/germans-jews-and-music/" (The New York Review of Books, 29 March 2001) A - F, Daniel Barenboim

Thinking

“The piety of philosophers is theory, pure intuition of the divinity, calm and gay in silent solitude. Spinoza is the ideal of the species. The religious state of the poet is more passionate and more communicative.”

Baruch Spinoza (1632–1677) Dutch philosopher

Friedrich Schlegel, Philosophical Fragments (1798)
S - Z

Communication, Solitude, Passion

“Poets, orators, even philosophes, say the same things about fame we were told as boys to encourage us to win prizes. What they tell children to make them prefer being praised to eating jam tarts is the same idea constantly drummed into us to encourage us to sacrifice our real interests in the hope of being praised by our contemporaries or by posterity.”

Nicolas Chamfort (1741–1794) French writer

Ce que les poètes, les orateurs, même quelques philosophes nous disent sur l'amour de la Gloire, on nous le disait au Collège, pour nous encourager à avoir les prix. Ce que l'on dit aux enfants pour les engager à préférer à une tartelette les louanges de leurs bonnes, c'est ce qu'on répète aux hommes pour leur faire préférer à un intérêt personnel les éloges de leurs contemporains ou de la postérité.
Maximes et Pensées, #85
Reflections

Children, Making love, Hope, Boy

“To correct the tribe of our younger poets we shall soon require the aid of a physician, not of a critic. Their history may be told in a few words. A young man educated, or rather mis-educated, without experience, without study, without any definite tendency, without the power of exertion, or of tasting any genuine enjoyment, becomes conscious of his miserable oscillation between existence and non-existence —between not having lived and not being about to live—between a barren past and a barren future. He now takes to novel reading, frequents the theatres, compares himself to heroes or poets, and makes verses. All on a sudden the thought flashes across his mind that his unhappy condition is connected with the unfilled profundity of his feelings—with an unsatisfied yearning of the soul. He rushes headlong into the ocean of melancholy, and indulges in expressions with which the poetic springs of latter years have inundated us; he bathes in these waters, and contemplates his own image reflected from their surface.”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

Source: The Dietetics of the Soul; Or, True Mental Discipline (1838), pp. 136-137

Education, Making love, Feeling, Soul

“Walking has been one of the constellations in the starry sky of human culture, a constellation whose three stars are the body, the imagination, and the wide-open world, and though all three exist independently, it is the lines drawn between them—drawn by the act of walking for cultural purposes—that makes them a constellation. Constellations are not natural phenomena but cultural impositions; the lines drawn between stars are like paths worn by the imagination of those who have gone before. This constellation called walking has a history, the history trod out by all those poets and philosophers and insurrectionaries, by jaywalkers, streetwalkers, pilgrims, tourists, hikers, mountaineers, but whether it has a future depends on whether those connecting paths are traveled still.”

Rebecca Solnit (1961) Author and essayist from United States

Wanderlust: A History of Walking (2001)

World, Making love, Travel, Imagination

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca.”

Amir Taheri (1942) Iranian journalist

Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions. When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

People, Books, Faith, Religion

“He was a Gandhian in ideology, essentially cosmopolitan in outlook, truly Indian in culture, a poet at heart and an activist in thoughts.”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

By R.K. Jain
Full Court Reference in Memory of The Late Justice M. Hidayatullah

Heart

“No poet in England has ever been in the masses what Tulsidas has been to the people of this land.”

Tulsidas (1532–1623) Hindu poet-saint

Edwin Greaves, in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35
On Tulsidas’s epic Ramacharritamanas

People

“Tulsidas is the highest tree in the garden of Hindu poetry, though his name does not appear in Aeen-i-Akbari or any book of Muslim historians or even narratives of European writers who worked on information taken from Persian historians. Yet, Tuslidas was the greatest man of India of his time. In fact he can be called greater than Akbar because the victory that the poet registered in the hearts of thousands of millions of people was greater and more lasting than all the imperious victories put together…the Ramacharritamanas is such an enormous epic that its English adaptation by Growse is of 362 pages. The declinations in this epic are so similar to Christianity that on numerous spots, if Rama is replaced by Christ, there can be no question.”

Tulsidas (1532–1623) Hindu poet-saint

Vincent Smith in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", pp.34-35
On Tulsidas’s epic Ramacharritamanas

People, Books, Question, Tree

“Briju Maharaj’s Baaz Bahadur displayed both Pathan strength and artistic ecstasy – in fact this last Muslim king of Malwa was a considerable poet and ended his days as a musician in the court of Emperor Akbar.”

Birju Maharaj (1938) Indian dancer

India's Kathak Dance, Past Present, Future

“She began life as a poet, in later years when the compulsion of events drew into the national struggle, she plunged into it with all the zest and fire she possessed…. whose whole life became a poem and a song and who infused artistry and grace in the national struggle, just as Mahatma Gandhi had infused moral grandeur to it.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Jawahar Lal Nehru quoted in "Selected Letters, Gandhi -Sarojini Naidu Correspondence, Preface".

Life

“Entire islands and groves of memory suddenly sprung up and I found myself face to face with a deeper awareness of what I can only describe as numerous versions of my singular self and my solitary destiny, pencil sketches of possibility bitch hoe slut thot saw myself as a clown, a poet, a slave, an orator, a prophet and a beggar and a healer and a warrior.”

Aberjhani (1957) author

(Angels and Shakespeare, p. 114).
Book Sources, I Made My Boy Out of Poetry (1998)

Memory, Bitch, Self-confidence

“Remember this son, if you forget everything else. A poet is a musician who can’t sing. Words have to find a man’s mind before they can touch his heart. And, some men’s minds are woeful small targets. Music touches their hearts directly, no matter how small or stubborn the mind of the man who listens.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 14, “The Name of the Wind” (p. 113)

Men, Music, Singing, Heart

“Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It (Gormenghast trilogy) is a very, very great work … a classic of our age.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Robertson Davies

Age, World

“Webster is not concerned with humanity. He is the poet of bile and brainstorm, the sweet singer of apoplexy; ideally, one feels, he would have had all his characters drowned in a sea of cold sweat. His muse drew nourishment from Bedlam, and might, a few centuries later, have done the same from Belsen.”

John Webster (1578–1634) English dramatist

Kenneth Tynan, review of The Duchess of Malfi at the Aldwych Theatre (1960), from Tynan Left and Right (1967).

Feeling, Sea

“His poems, even in English, seem to me finer than anything currently being written by any English or American poet.”

Zbigniew Herbert (1924–1998) Polish writer

A.Alvarez, The New York Review of Books (1985-07-18).

“To few men was it given to realize so completely the element of eternity — of time-effacing enjoyment in work — as it was to John Muir. The secret of it all was in his soul, the soul of a child, of a poet, and of a strong man, all blended into one. … An innate nobility of character, an unstudied reverence for all that is sublime in nature or in life, unconsciously called forth the best in his friends and acquaintances. In the spiritual as in the physical realm flowers blossomed in his footsteps where he went. After all it is to such men as John Muir that we must look for the sustenance of those finer feelings that keep men in touch with the spiritual meaning and beauty of the universe, and make them capable of understanding those rare souls whose insight has invested life with imperishable hope and charm. … To all who knew John Muir intimately his gentleness and humaneness toward all creatures that shared the world with him, was one of the finest attributes of his character. … Among those who have won title to remembrance as prophets and interpreters of nature he rises to a moral as well as poetical altitude that will command the admiring attention of men so long as human records shall endure.”

John Muir (1838–1914) Scottish-born American naturalist and author

William Frederic Badé (pages 38-40)
Sierra Club Bulletin - Memorial Issue

Life, Men, Secret, World

“When next he came to me he was drunk—royally drunk on many poets for the first time revealed to him. His pupils were dilated, his words tumbled over each other, and he wrapped himself in quotations—as a beggar would enfold himself in the purple of emperors.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Finest Story in the World http://www.telelib.com/authors/K/KiplingRudyard/prose/ManyInventions/fineststory.html (1893). Other works

Time

“World-Poets too, those whom we are to take for perfect Poets, are settled by critics in the same way. One who rises so far above the general level of Poets will, to such and such critics, seem a Universal Poet; as he ought to do. And yet it is, and must be, an arbitrary distinction. All Poets, all men, have some touches of the Universal; no man is wholly made of that.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Men, World, Way, Universe

“This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.... The poet shall not spend his time in unneeded work. He shall know that the ground is always ready ploughed and manured.... others may not know it but he shall. He shall go directly to the creation. His trust shall master the trust of everything he touches.... and shall master all attachment.”

Walt Whitman (1819–1892) American poet, essayist and journalist

From the Preface to the 1855 edition of Leaves of Grass

Love, Life, Men, God

“Compared with the greatest poets, he may be said to be the poet of unpoetical natures, possessed of quiet and contemplative tastes. But unpoetical natures are precisely those which require poetic cultivation. This cultivation Wordsworth is much more fitted to give, than poets who are intrinsically far more poets than he.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/149/mode/1up p. 149

Nature

“The heroic virtue of these glorious representatives of the opinions with which I sympathized, deeply affected me, and I perpetually recurred to them as others do to a favourite poet, when needing to be carried up into the more elevated regions of feeling and thought.”

John Stuart Mill book Autobiography

Autobiography (1873)

Feeling

“I do not feel brave. I am not the center of this symphony. No one even cares if I am here.
Where is the immortal majesty the poets promised me? Where is the stern will my ancestors preached to their children?
It was just an illusion conjured by fools who never left their libraries, or by agents of necessity.
This is the Noble Lie.”

Pierce Brown book Dark Age

Source: Dark Age (2019), Ch. 10: The Ash Rain; Lysander

Children, Lie, Fools, Feeling

“The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing? But nobody says this. The self-appointed unqualified nurse says: "You are to sing the patient a song which will make him believe that I, and I alone, can cure him. If you can't or won't, I shall confiscate your passport and send you to the mines."”

W. H. Auden book The Dyer's Hand

And the poor patient in his delirium cries: "Please sing me a song which will give me sweet dreams instead of nightmares. If you succeed, I will give you a penthouse in New York or a ranch in Arizona."
"Writing", p. 27
The Dyer's Hand, and Other Essays (1962)

God, Making love, Singing, Self-confidence

“my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world”

E.E. Cummings (1894–1962) American poet

unless you're not only willing, but glad, to feel and work and fight till you die.
Does this sound dismal? It isn't.
It's the most wonderful life on earth.
Or so I feel.
E. E. Cummings
A Poet's Advice (1958)

People, World, Learning

“The white fathers told us, I think therefore I am; and the black mothers in each of us-the poet-whispers in our dreams, I feel therefore I can be free. Poetry coins the language to express and charter this revolutionary awareness and demand, the implementation of that freedom.”

Audre Lorde (1934–1992) writer and activist

"Poetry is Not a Luxury"
Sister Outsider: Essays and Speeches (1984)

Dreams, Feeling, Thinking, Freedom

“There was a nation among the nations, which was a sort of elder brother in this family of the oppressed, a prophet in the human tribe. This nation took the initiative of the whole human movement. It went on, saying, "Come!" and the rest followed. As a complement to the fraternity of men, in the Gospel, it taught the fraternity of nations. It spoke by the voice of its writers, of its poets, of its philosophers, of its orators, as by a single mouth, and its words flew to the extremities of the earth, to rest, like tongues of fire, upon the brow of all nations. It presided over the communion of intellects.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Napoleon the Little (1852), Conclusion, Part Second, I
Napoleon the Little (1852)

Men, Family

“This age proclaims the sovereignty of the citizen, and the inviolability of life; it crowns the people, and consecrates man. In art, it possesses all varieties of genius,—writers, orators, poets, historians, publicists, philosophers, painters, sculptors, musicians; majesty, grace, power, force, splendour, colour, form, style; it renews its strength in the real and in the ideal, and bears in its hand the two thunderbolts, the true and the beautiful. In science it accomplishes unheard-of miracles; it makes of cotton salt petre, of steam a horse, of the voltaic battery a workman, of the electric fluid a messenger, of the sun a painter; it waters itself with subterranean streams, pending the time when it shall warm itself with the central fire; it opens upon the two infinites those two windows, the telescope upon the infinitely great, the microscope upon the infinitely little, and it finds stars in the first abyss, and insects in the second, which prove to it the existence of God... It annihilates time, it annihilates space, it annihilates suffering; it writes a letter from Paris to London, and has an answer in ten minutes; it cuts off a man's leg, the man sings and smiles.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Conclusion, Part Second, II
Napoleon the Little (1852)

Life, God, People, Age

“We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively outnumbers the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.”

Richard Dawkins book Unweaving the Rainbow

Source: Unweaving the Rainbow (1998), Ch. 1 : The Anaesthetic of Familiarity; Dawkins is reported to have stated that this passage will be read at his funeral; it is often quoted with an extension which does not occur in any thus-far-checked editions of the book: "We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?"

People, Making love, Light

“Yet was Rob Roy as wise as brave;
Forgive me if the phrase be strong;—
A Poet worthy of Rob Roy
Must scorn a timid song.”

William Wordsworth (1770–1850) English Romantic poet

Rob Roy's Grave, st. 3
Memorials of a Tour in Scotland (1803)

Forgiveness, Strong

“To the European poet the relation between man and woman is a thing of supreme importance and mystery. To the Chinese, it is something commonplace, obvious—a need of the body, not a satisfaction of the emotions.”

Arthur Waley (1889–1966) British academic

A Hundred and Seventy Chinese Poems (1919), Introduction, p. 18

Relation ships

“Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay;
But when he nestles in your hand at last,
Close up your fingers tight and hold him fast.”

Robert Graves (1895–1985) English poet and novelist

"A Pinch of Salt"
Fairies and Fusiliers (1917)

Hunger, Dreams

“Women are afraid to sing salsa…I don't know why; maybe they think it's for men. I am not a composer, or a soneo, a singer and a poet, which is very difficult. But I think everybody can sing everything.”

Celia Cruz (1925–2003) Cuban singer (1925-2003)

On the gender stereotypes surrounding salsa singers in “CELIA CRUZ: AT THE TOP OF SALSA” https://www.nytimes.com/1985/11/19/arts/celia-cruz-at-the-top-of-salsa.html in New York Times (1985 Nov 19).

Women, Men, Thinking, Singing

“As poets we tend to not like the word “responsibility. I think it’s one of the major responsibilities of the poet.”

Juan Felipe Herrera (1948) American writer

We prefer “freedom”, we want to be as free as we can, but freedom and responsibility can go together. We’re responsible because we’re writers, and we’ve been at this all our lives… On the poet having both responsibility and freedom in “Interview with Juan Felipe Herrera” https://gulfstreamlitmag.com/archives/online-archives/current-issue-4/features/interview-with-juan-felipe-herrera/ (Gulf Stream, 2015)

Thinking

“I have always loved playing around with words. I didn’t know it was called poetry. I was just an innocent kid messing around with words when an adult said ‘You’re a poet, be published or be damned’.”

Benjamin Zephaniah (1958) English poet and author

On the realization that he was a poet in “Interview with Benjamin Zephaniah” https://www.writersandartists.co.uk/writers/advice/37/a-writers-toolkit/interviews-with-authors/interview-with-benjamin-zephaniah in Writers & Artists

Love, Making love

“…I think that poets can do anything. With a novel, we all know about plot and character and yes, there’s experimental and people can recognize that, but I think that there are rules. I don’t think of poetry that way…”

Terrance Hayes (1971) American poet

On poets having certain freedoms in “Interview with Terrance Hayes” http://katonahpoetry.com/interviews/interview-terrance-hayes/ in the Katonah Poetry Series (2017 Sep 21)

People, Way, Thinking

“The poets make Fame a monster. They describe her in part finely and elegantly, and in part gravely and sententiously. They say, look how many feathers she hath, so many eyes she hath underneath; so many tongues; so many voices; she pricks up so many ears.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame

Making love, Parting

“How shall we venture home?
How shall we tell each other of the poet?
How can we meet the judgment on the poet,
or his execution? How shall we free him? How shall we speak to the infant beginning to run?
All those beginning to run?”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Gates (1976)

Home

“At present they [philosophers] seem to be in a very lamentable condition, and such as the poets have given us but a faint notion of in their descriptions of the punishment of Sisyphus and Tantalus.”

David Hume book A Treatise of Human Nature

For what can be imagin'd more tormenting, than to seek with eagerness, what for ever flies us; and seek for it in a place, where 'tis impossible it can ever exist?
Part 4, Section 3
A Treatise of Human Nature (1739-40), Book 1: Of the understanding

“The poet makes silk dresses out of worms.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955), Adagia

Making love

“Poets say science takes away from the beauty of the stars — mere globs of gas atoms. Nothing is "mere."”

Richard Feynman (1918–1988) American theoretical physicist

I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-4, "Astronomy"; p. 3-6
The Feynman Lectures on Physics (1964)

Beauty, Star, Science

“Show me a poet, and I'll show you a shit.”

A. J. Liebling (1904–1963) American journalist

The New Yorker, March 28, 1953, quoted in David Remnick, "Reporting It All: A.J. Liebling at 100", The New Yorker, March 29, 2004.

“Live, shit, drinking and smoking should be the daily bread of all poets.”

Charles Bukowski book Notes of a Dirty Old Man

Notes of a Dirty Old Man (1969)

Drink

“If, in reading translations, you come across a haiku that does not convey to you any emotion at all, do not blame yourself or the poet. Blame it on the translator!”

Harold Gould Henderson (1889–1974) American art historian

Haiku in English'. Charles E. Tuttle 1967

Reading

“To be a poet is to dive into the madness of poetry and penetrate deeply into the realm of words…”

Valter Bitencourt Júnior (1994) Brazilian poet and writer

Madness

“I decided that it was not wisdom that enabled poets to write their poetry, but a kind of instinct or inspiration, such as you find in seers and prophets who deliver all their sublime messages without knowing in the least what they mean.”

Isocrates (-436–-338 BC) ancient greek rhetorician

Wisdom

“The poet is a brother speaking to a brother of "a moment of their other lives"”

Edith Sitwell (1887–1964) British poet

a moment that had been buried beneath the dust of the busy world.
"The Poet's Vision" (1959)

“The poet writes a few lines, then throws them away, thinking: ‘Nobody’s going to be interested in that.’”

Paulo Coelho book Manuscript Found in Accra

Manuscript Found in Accra (2012), Uselessness

Thinking

“When the house is burning down around the poet's head, on grounds of what if any dispensation can the poet continue the poem?”

Carl Oglesby (1935–2011) American political activist

"The Deserters: The Contemporary Defeat of Fiction" (1972)

Housing

“None but a poet can translate a poet.”

William Julius Mickle (1734–1788) British writer

Introduction (p. cl)
The Lusiad; Or, The Discovery of India: an Epic Poem (1776)

“It is only by poets that the life of any epoch can be synthesized. Encyclopaedias and guides to knowledge cannot do it, for the good reason that they affect only the intellectual surface of a man’s life. The lower layers, the core of his being, they leave untouched.”

Aldous Huxley (1894–1963) English writer

Source: Texts and Pretexts (1932), p. 4

Life, Knowledge

“The reason, however, why the philosopher may be likened to the poet is this: both are concerned with the marvellous.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Source: Commentary on the Metaphysics (c. 1270–1272), 1, 3; quoted in Josef Pieper, Leisure, the Basis of Culture (New York, 1952), p. 88

“What do I want my boy to be?
Oft is the question asked of me,
And oft I ask it of myself -
What corner, niche or post or shelf
In the great hall of life would I
Select for him to occupy?
Statesman or writer, poet, sage
Or toiler for a weekly wage,
Artist or artisan? Oh, what
Is to become his future lot?
For him I do not dare to plan;
I only hope he'll be a man.I leave it free for him to choose
The tools of life which he shall use,
Brush, pen or chisel, lathe or wrench,
The desk of commerce or the bench,
And pray that when he makes his choice
In each day's task he shall rejoice.
I know somewhere there is a need
For him to labor and succeed;
Somewhere, if he be clean and true,
Loyal and honest through and through,
He shall be fit for any clan,
And so I hope he'll be a man.”

Edgar Guest (1881–1959) American writer

Source: When Day is Done (1921), A Father's Wish, stanzas 1 and 2.

Life, Hope, Boy, Question

“The secret that our poets and philosophers have been trying to tell us for centuries, is that our longing is the great gateway to belonging.”

Susan Cain (1968) self-help writer

Bittersweet Introduction at p. xxvii

Secret

“If every instrument could accomplish its own work, obeying or anticipating the will of others, like the statues of Daedalus, or the tripods of Hephaestus, which, says the poet, ‘of their own accord entered the assembly of the Gods’; if, in like manner, the shuttle would weave and the plectrum touch the lyre without a hand to guide them, chief workmen would not want servants, nor masters slaves.”

Aristotle book Politics

Book I, part 4 (1920 translation by Benjamin Jowett)
Popularly simplified to when the looms spin by themselves, we'll have no need for slaves.
Politics

God