Quotes about plane (532 quotes, page 3)

“It must be remembered that after all in making a picture we are endeavoring to set down on one plane various objects in such a way as to suggest an infinitude of varying planes, and hence we are justified in selecting such conditions of nature as shall help us to give the impression of truthfulness, even though it be not in particular cases absolutely true to fact.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 46

Truth , Way , Nature , Help

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea , Sense , Time , Future

“The surfaces of three-dimensional space are distinguished from each other not only by their curvature but also by certain more general properties. A spherical surface, for instance, differs from a plane not only by its roundness but also by its finiteness. Finiteness is a holistic property. The sphere as a whole has a character different from that of a plane. A spherical surface made from rubber, such as a balloon, can be twisted so that its geometry changes…. but it cannot be distorted in such a way as that it will cover a plane. All surfaces obtained by distortion of the rubber sphere possess the same holistic properties; they are closed and finite. The plane as a whole has the property of being open; its straight lines are not closed. This feature is mathematically expressed as follows. Every surface can be mapped upon another one by the coordination of each point of one surface to a point of the other surface, as illustrated by the projection of a shadow picture by light rays. For surfaces with the same holistic properties it is possible to carry through this transformation uniquely and continuously in all points. Uniquely means: one and only one point of one surface corresponds to a given point of the other surface, and vice versa. Continuously means: neighborhood relations in infinitesimal domains are preserved; no tearing of the surface or shifting of relative positions of points occur at any place. For surfaces with different holistic properties, such a transformation can be carried through locally, but there is no single transformation for the whole surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Way , Mathematics , Tear , Light

“Nothing is more certain than that war promotes science and increases comforts. Utopia may mean no more wars, but universal peace and plenty will never reign until at least one more war raises mankind to a plane of such comfort and ease that nobody on either side of a frontier can even imagine the possibility of resorting to arms. Comfort creates wars and comfort may someday end them.”

Malcolm de Chazal (1902–1981) Mauritian artist

Sens-plastique

War , Peace , Imagination , Universe

“This is the law: Every thing existing on the physical plane is an exteriorization of thought, which must be balanced through the one who issued the thought, and in accordance with that one’s responsibility, at the conjunction of time, condition, and place.”

Harold W. Percival book Thinking and Destiny

Source: Thinking and Destiny (1946), Ch. 2 : The Purpose and Plan of the Universe, p. 28

Law , Time

“Magnets have an inherent quality that they can adhere to each other, so there are certain things you can do with magnets that you can't do with non-magnetic material. There are certain characteristic things you can do with very heavy things you can't do with very light things. By that, I mean it seems to me that very light things and very small things have a different characteristic way that they should be arranged, and big heavy things have a different characteristic way they should be arranged. That's subjective. I can't prove that to you. So my work is essentially combining particles – but again, combining particles according to the properties of individual particles, not imposing properties on the particles. These particles, of course, always work in a gravitational space and meet the plane of resistance that you always meet, as long as you aren't the center of the earth.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, pp. 29-30

Way , Light

“At the 9th Division headquarters at El Guettar, Tunisia, enemy planes bombed and strafed incessantly, so that the security normally associated with a headquarters in the rear was missing. Although officers and men alike dug deep, even in foxholes they could get little sleep. One day a small convoy of vehicles arrived, sirens alive, Patton standing in the lead vehicle. While the division commander, Major General Manton Eddy, rushed to greet him, the staff pondered what fault Patton would find this time. "Manton, Goddamn it," Patton shouted in his high-pitched voice, "I want you to get these staff officers out front and get them shot at!" Having been bombarded day and night by enemy planes, having had no sleep for days, a young personnel officer went berserk and had to be evacuated for medical treatment.”

William Westmoreland book A Soldier Reports

Source: A Soldier Reports (1976), p. 21.

Men , Sleep , Time , Night

“The charge that Luther adapted the translation to his theological opinions has become traditional in the Roman Church, and is repeated again and again by her controversialists and historians.
In both cases, the charge has some foundation, but no more than the counter-charge which may be brought against Roman Catholic Versions.
The most important example of dogmatic influence in Luther's version is the famous interpolation of the word alone in Rom. 3:28 (allein durch den Glauben), by which he intended to emphasize his solifidian doctrine of justification, on the plea that the German idiom required the insertion for the sake of clearness. But he thereby brought Paul into direct verbal conflict with James, who says (James 2:24), "by works a man is justified, and not only by faith" ("nicht durch den Glauben allein"). It is well known that Luther deemed it impossible to harmonize the two apostles in this article, and characterized the Epistle of James as an "epistle of straw," because it had no evangelical character ("keine evangelische Art").
He therefore insisted on this insertion in spite of all outcry against it. His defense is very characteristic. "If your papist," he says,
The Protestant and anti-Romish character of Luther's New Testament is undeniable in his prefaces, his discrimination between chief books and less important books, his change of the traditional order, and his unfavorable judgments on James, Hebrews, and Revelation. It is still more apparent in his marginal notes, especially on the Pauline Epistles, where he emphasizes throughout the difference between the law and the gospel, and the doctrine of justification by faith alone; and on the Apocalypse, where he finds the papacy in the beast from the abyss (Rev. 13), and in the Babylonian harlot (Rev. 17). The anti-papal explanation of the Apocalypse became for a long time almost traditional in Protestant commentaries.
There is, however, a gradual progress in translation, which goes hand in hand with the progress of the understanding of the Bible. Jerome's Vulgate is an advance upon the Itala, both in accuracy and Latinity; the Protestant Versions of the sixteenth century are an advance upon the Vulgate, in spirit and in idiomatic reproduction; the revisions of the nineteenth century are an advance upon the versions of the sixteenth, in philological and historical accuracy and consistency. A future generation will make a still nearer approach to the original text in its purity and integrity. If the Holy Spirit of God shall raise the Church to a higher plane of faith and love, and melt the antagonisms of human creeds into the one creed of Christ, then, and not before then, may we expect perfect versions of the oracles of God.”

Philip Schaff (1819–1893) American Calvinist theologian

How Luther's theology may have influenced his translating

Love , God , Books , Faith

“The plane is the mainstay of all graphic representation. It is so familiar that its properties seem self-evident, but the most familiar things are often the most poorly understood. The plane is homogeneous and has two dimensions. The visual consequences of these properties must be fully explored.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 44

“To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect.”

Dion Fortune (1890–1946) British occultist and author

Dion Fortune, Spiritualism and Occultism

People , Imagination , Reality , Parting

“The essays in simulation of [Paul] Eluard and [Andre] Breton, Breton's recent poem-objects, the latest images of Rene Magritte, the "method" of the latest sculpture of Picasso and the theoretic and pictorial activity of Salvador Dali prove this need of concrete materialisation in current reality, of giving objective value on the real plane to the delirious unknown world of our irrational experiences. Against the remembrance of dreams and the virtual and impossible images of purely receptive states, "that can only be recounted", there are the physical facts of "objective" irrationality, with which one can already actually wound oneself.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 14-15

World , Dreams , Reality

“On the higher plane of public morality, there is no need for me to preach tonight. We have thousands of far better preachers and millions of sacred scriptures to guide us on the path of personal right-living and exemplary official conduct. If we can make effective and earlier use of moral and ethical wisdom of the centuries in today's complex society, we will prevent more crime and more corruption than all the policemen and prosecutors governments can ever deter. If I might say so, this is a job that must begin at home, not in Washington.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

1970s, Address to Congress (12 August 1974)

Wisdom , Home , Personality

“Case officers are subject to the same embarassments any tourist suffers-snarled schedules, lost passports, lost money and luggage, and getting off the plane at the wrong destination”

John Stockwell (1937) American activist

In Search of Enemies: A CIA Story, "Kinshasa"; ISBN 0393057054

Money , Suffering

“When the correspondences on the plane can be established between:
- all the divisions of one component
- and all the divisions of another component, the construction is a DIAGRAM.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 50

“Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details… …My brush should not see better than I do.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s

Nature , Personality

“The idea of a terrorist attack that assaults innocent human beings in a building or a mall or a restaurant is bad enough. Yet the terrorist mind that looks at a passenger plane and sees the fuel and the intensity of the blast, and sees the rocket engines that will carry it into the heart of destruction like a cruise missile, but who does not see the humanity of one single soul on that airplane, is the chilling truth of what we're up against.”

Alan Keyes (1950) American politician

Black America's Political Action Committee (BAMPAC), September 25, 2001. http://renewamerica.us/archives/speeches/01_09_25bampac.htm.
2009

Truth , Soul , Idea , Heart

“Rebellion presupposes the existence of oppression and, on the psychological plane, deification of rebellion creates an affective compact with oppression.”

Giovanni Baldelli (1914–1986) Anarchist theorist

Source: Social Anarchism (1971), p. 7

“All progress, from primitive savagedom to modern civilisation, will… appear as consisting in the progressive socialisation of the lower functions, the stoppage of lower forms of competition and of the education of the more brutal qualities, in order that a larger and larger proportion of individual activity may be engaged in the exercise of higher functions, the practice of competition upon higher planes, and the education of higher forms of fitness.”

J.A. Hobson (1858–1940) English economist, social scientist and critic of imperialism

section 11, p. 420
The Evolution of Modern Capitalism: A Study of Machine Production (1906), Ch. XVII Civilisation and Industrial Development

Education , Exercises , Appearance

“A month after Powell's speech, New York Times columnist Maureen Down remarked that it was no wonder Americans were confused; the United states was about to go to war against a country that did not attack it on September 11, as did al-Queda; that did not intercept its planes, as did North Korea; that did not finance al-Queda, as did Saudi Arabia; that was not home to Osama bin Laden's lieutenants, as was Pakistan; and was not a host body for terrorists, as were Iran and Syria.”

Maureen Dowd (1952) American journalist

From [Halper, Stefan, Clarke, Johnathan, America Alone: The Neo-Conservatives and the Global Order, 2004, Cambridge University Press, Cambridge, United Kingdom, 0-521-83834-7 hardback, 213]

War , Home , Time , Country

“[E]xperimental investigation of stresses in a plane structure is of great interest and merit as applied to shells with single curvature (barrel shells, pipes) and to shells with double curvature (domes, etc.). In these structures similar states of stress are produced and can be determined at any point as acting in a plane tangential to the center layer of the shell.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

“What is seen and called the picture is what remains – an evidence. Even as one travels in painting towards a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanished and the paint falls into positions that feel destined. The very matter of painting – its pigment and space – is so resistant to the will, so disinclined to assert its plane and remain still. Painting seems like impossibility, with only a sign now and then of its own light. Which must be because of the narrow passage from a diagramming to that other state – corporeality. In this sense, to paint is a possessing rather than a picturing.”

Phillip Guston (1913–1980) American artist

12 Americans, by Dorothy C.Miller, New York, 1956. p. 36
1950 - 1960

Travel , Feeling , Sense , Light

“We speak of concrete and not abstract painting because nothing is more concrete, more real then a line, a colour, a surface. A woman, a tree, a cow; are these concrete elements in a painting? No. A woman, a tree and a cow are concrete only in nature; in painting they are abstract, illusionistic, vague and speculative. However, a plane is a plane, a line is a line and no more or no less than that. 'Concrete paintin.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931

Age , Nature , Tree , Painting

“I define the Soul as that which individualises the Universal Spirit, which focuses the Universal Light into a single point; which is, as it were, a receptacle into which is poured the Spirit; so that that which in Itself is universal, poured into this receptacle appears as separate, identical in its essence always but separated now in its manifestation; the purpose of this separation being that an individual may develop and grow; that there may be an individualised life potent on every plane in the Universe; that it may know on the physical and on the psychical planes as it knows on the spiritual, and have no break in consciousness of any kind; that it may make for itself the vehicles that it needs for acquiring consciousness beyond its own plane, and then may gradually purify them one by one until they no longer act as blinds or as hindrances, but as pure and translucent media through which all knowledge on every plane may come.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court (1895)

Life , Soul , Knowledge , Light

“Oprah is rich, Bill Gates is wealthy. If Bill Gates woke up tomorrow with Oprah's money, he'd jump out a fuckin' window and slit his throat on the way down saying, "I can't even put gas in my plane!"”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Never Scared (HBO, 2004)

Money , Way

“As we jumped from our plane, as far as one could see were parachutes of many colors floating gently to earth in the warm afternoon sunshine. In contrast to the scattered drop in Normandy, there were no lonely officers roaming about looking for their units- the fields were alive with American soldiers assembling their equipment and hurrying to the rendezvous points of their companies.”

Maxwell D. Taylor (1901–1987) United States general

Source: Swords and Plowshares (1972), p. 88

Color

“Intellectual truth alone will not make you free, though it is certainly a necessary preliminary. If this were the case your walls would fall away, since intellectually you understand their rather dubious nature. Since feeling is so often the cohesive with which mind builds, it is feeling itself which must be changed if you would find freedom from your particular plane of existence at your particular time.”

Jane Roberts (1929–1984) American Writer

Session 13, Page 72
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 1

Truth , Feeling , Understanding , Nature

“I am now working on a still life with a bottle and other objects spread out on a plane and it seems to be turning out well.”

Giorgio Morandi (1890–1964) Italian painter

1925 - 1945

Life

“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

Jean Metzinger (1883–1956) French painter

Du Cubisme (1912)

Love , Idea , Light , Dead

“Amazingly, the religion of Buddhism denies that God even exists. It teaches that life and death are sort of an illusion. That’s like standing at the door of the plane and saying, “I’m not really here, and there’s no such thing as the law of gravity, and no ground that I’m going to hit.” That may temporarily help you deal with your fears, but it doesn’t square with reality. And it doesn’t deal with your real problem of having sinned against God and the reality of hell.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

The Origin of Species: 150th Anniversary Edition (2009)

Life , Death , God , Fear

“As you know, I do not believe that the Mahatma's principle [of non-cooperation] can be the true foundation or his programme the true means of bringing out the genuine freedom and greatness of India, her Swarajya and Samrajya. On the other hand … I hold that school [of Tilakite nationalism] to be out of date. My own policy, if I were in the field, would be radically different in principle and programme from both, however it might coincide in certain points. But the country is not yet ready to understand its principle or to execute its programme…. Because I know this very well, I am content to work still on the spiritual and psychic plane, preparing there the ideas and forces, which may afterwards at the right moment and under the right conditions precipitate themselves into the vital and material field….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December 1, 1922
India's Rebirth

School , Idea , Understanding , Freedom

“A graphic is a diagram when correspondences on the plane can be established among all elements of another component.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 193

“I see possibilities for a whole new way of painting, in which planes are used more freely. Weaving and embroidery make this possible.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

variant of Stedelijk Museum Amsterdam in 'Family – Ernst Ludwig Kirchner' https://www.stedelijk.nl/en/collection/8144-ernst-ludwig-kirchner-familie
1920's

Way , Painting

“I remember shooting a show in Australia and I was having to leave and come home all the time. And I remember I was leaving for two months and I wept for like 12 hours on the plane because I wasn’t going to get to see him. So yes. I can relate to the young love thing. … But it was only four years — and not that many boyfriends ago.”

Maia Mitchell (1993) Australian actress

As quoted in "Maia Mitchell: My Audition For ‘The Fosters’ Was ‘Crap’" by Sean Daly at The TV Page (20 January 2014) http://thetvpage.com/2014/01/20/maia-mitchell-interview-fosters/

Love , Home , Time

“We played a gig in the Swiss Alps at a snowboarding convention. Red Bull-this energy sports-fuel drink-sponsored the whole thing. It has some ingredient believed to be bull-testicle extract. We went way off our tour route, had to take two planes and missed a night's sleep. We got up there and there's no snow-it's all mud. You couldn't walk. You'd step and then be up to your knee in mud. So you had several thousand disgruntled snowboarders tanked up to the max on bull-testicle extract. Of course, for some reason, these strapping brutes were made to wait out in the mid and the rain before coming into the tent for the show. When we get up to play, I see this forty-foot gap between us and the audience-they still managed to nail us with empty cans of Red Bull. After a few songs, I wasn't really playing my guitar, I was using it to bay cans back into the crowd of disgruntled sports enthusiasts. It felt like we were A Flock of Seagulls opening for Napalm Death.”

Beck (1970) American Musician (b.1970)

Rolling Stone magazine, 1996

Death , Way , Drink , Sport

“I'd like to welcome you the AOPA. There's also aa-AOPA. If this is your first time flying a plane on alcohol, I'd like to welcome ya!”

Robin Williams (1951–2014) American actor and stand-up comedian

Inside the Actors Studio (2001)

Alcohol , Time , Flying

“In war, science has proven itself an evil genius; it has made war more terrible than it ever was before. Man used to be content to slaughter his fellowmen on a single plane — the earth's surface. Science has taught him to go down into the water and shoot up from below and to go up into the clouds and shoot down from above, thus making the battlefield three times a bloody as it was before; but science does not teach brotherly love. Science has made war so hellish that civilization was about to commit suicide; and now we are told that newly discovered instruments of destruction will make the cruelties of the late war seem trivial in comparison with the cruelties of wars that may come in the future.”

William Jennings Bryan (1860–1925) United States Secretary of State

Summation
Scopes Trial (1925), Summations

Love , War , Suicide , Water

“Feeling must have a medium in order to function at all; in the same way, thought must have symbols. It is the medium, or the specific configuration of the medium that we call a work of art that brings feeling into being, just as do responses tot the objects of the external world... The medium of painting is such changing and ordering on an ideal plane, ideal in that the medium is more tractable, subtle, and capable of emphasis (abstraction is a kind of emphasis) than everyday life.”

Mark Rothko (1903–1970) American painter

Source: 1940's, Beyond the Aesthetics (1946), pp. 38-39

Life , World , Art , Way

“Our magical tools and insights, our awareness of energies and allies on many planes, can deepen and inform our activism. And our activism can deepen our magic, by encouraging us to create ritual that speaks to the real challenges we face in the world, offers the healing and renewal we need to continue working, and a community that understands that spirit and action are one.”

Starhawk (1951) American author, activist and Neopagan

Toward an Activist Spirituality (2003)

World , Communication , Understanding

“God is all love, and the more we are like Him the more we shall love; the trouble is not in the quantity but the quality of our love. If it were wholly pure, wholly unselfish, it could not be too deep or intense; for all true loving lifts us to a higher plane, bringing us nearer to God and the eternal goodness.”

Arthur Kenney (1776–1855) Irish dean

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 395.

Love , God

“To avoid a projection towards infinity I am interposing overlaid planes a short way off. To make it understood that things are in front of each other instead of being scattered in space.”

Georges Braque (1882–1963) French painter and sculptor

Quote from: 'Entretien avec Jauqes Lassaigne' - 1961; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 94
1946 - 1963

Way

“In the creative act, the artist goes from intention to realization through a chain of totally subjective reactions. His struggle towards the realization is a series of efforts, pains, satisfactions, refusals, decisions, which also cannot be fully self-conscious, at least on the aesthetic plane. The result of his struggle is a difference between the intention and its realization, a difference which the artist is not aware of.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Pain , Decision , Effort

“The Third World deserves freedom of speech just like everyone else. We want to fight the battle to say what we want, whether to be serious or just make fun of ourselves. That's what "Worldtown" is about, that's what "Paper Planes" is about. It's what people in the third world live through.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Quote reprinted http://www.nme.com/photos/in-her-own-words-mias-20-sharpest-quotes/172930/16/4 in NME
Sourced quotes

People , World , Freedom , Fight

“To be an atheist is to maintain God. His existence or his nonexistence, it amounts to much the same, on the plane of proof. Thus proof is a word not often used among the Handdarata, who have chosen not to treat God as a fact, subject either to proof or to belief: and they have broken the circle, and go free.
To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 11 “Soliloquies in Mishnory” (p. 151)

God , Question , Learning , Time

“Rosey Grier, immortalized in needlepoint - and by my own hands to boot! If anyone would have told me that I would go from football to needlepoint, I would have laughed in their face. In fact, the whole thing started as a joke, but it's turned into one of the most enjoyable and satisfying things I've ever done. I try to turn other guys on to needlepoint wherever I go - from the dude sitting next to me on a plane to the guy working behind the scenes on a movie set. 'Smile all you want,' I tell them, 'but if you try it once, you'll keep on coming back for more,' and that's the truth brother.”

Rosey Grier (1932) Player of American football

(January 1, 1973). Needlepoint for Men. Walker Co, Back Cover. ISBN 0802704212.

Truth , Smile , Guy , Football

“The point to be made clear is that, whatever may be our temperament, or our power in the presence of nature, we have to render what we actually see, forgetting everything that appeared before our own time. Which, I think, should enable the artist to express his personality to the full, be it large or small. Now that I am an old man, about seventy, the sensations of colour which produce light give rise to abstractions that prevent me from covering my canvas, and from trying to define the outlines of objects when their points of contact are tenuous and delicate; with the result that my image or picture is incomplete. For another thing, the planes become confused, superimposed; hence Neo-Impressionism (initiated by Seurat and Paul Signac, ed., where everything is outlined in black, an error which must be uncompromisingly rejected. And nature, if consulted, shows us how to achieve this aim.”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 23 October 1905; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 180
Quotes of Paul Cezanne, after 1900

Error , Nature , Thinking , Light

“All kinds of things set us back, but life goes on. You don’t shoot yourself. Soon this will be old news. People got lives to live, bills to pay, mouths to feed. Maybe a plane will go down with ninety people on it. Or a great man will be assassinated. That will be more important than Ali losing. I never wanted to lose, never thought I would, but the thing that matters is how you lose. I’m not crying. My friends should not cry.”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

Press conference, March 9, 1971, following his defeat by Joe Frazier, quoted in The Intercept, June 6, 2016 https://theintercept.com/2016/06/06/in-1971-muhammad-ali-helped-undermine-the-fbis-illegal-spying-on-americans/

Life , People , Cry

“When Picasso does pure painting he is a great artist. When he paints as an cubist, putting one tone next to another, the arrangement of planes is fine and the result very strong. But those who imitate him achieve nothing worthwhile.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 407

Strong , Painting

“(on the plane crash) I saw Travis running and flailing, trying to put out fire on his body. He screamed, ‘What do I do?’ and I said, ‘Roll!’ He did, but the fire didn’t go out. He tried to rip his clothes off. I finally put the flames out by smothering him with my body. Some of my burns are from that. His sock was on fire – I burned my fingers taking it off.”

Adam Goldstein (1973–2009) American DJ

DJ AM opens up about the plane crash http://www.celebritysmackblog.com/2008/10/16/dj-am-opens-up-about-the-plane-crash-that-nearly-took-his-life/ People Magazine. October 10, 2008.

Clothes

“For Space, when the position of points is expressed by rectilinear co-ordinates, ds = \sqrt{ \sum (dx)^2 }; Space is therefore included in this simplest case. The next case in simplicity includes those manifoldnesses in which the line-element may be expressed as the fourth root of a quartic differential expression…. I restrict myself… to those manifoldnesses in which the line element is expressed as the square root of a quadric differential expression…. Manifoldnesses in which, as in the Plane and in Space, the line-element may be reduced to the form \sqrt{ \sum (dx)^2 }, are… only a particular case of the manifoldnesses to be here investigated; they require a special name, and therefore these manifoldnesses… I will call flat. In order now to review the true varieties of all the continua which may be represented in the assumed form, it is necessary to get rid of difficulties arising from the mode of representation, which is accomplished by choosing the variables in accordance with a certain principle.”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

“If a straight horizontal thread one meter long falls from a height of one meter on to a horizontal plane twisting as it pleases [it] creates a new image of the unit of length.”

Marcel Duchamp (1887–1968) French painter and sculptor

Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925

“We've got to take the neighborhood back. We've got to go in there. Just forget telling your child to go to the Peace Corps. It's right around the corner. It's standing on the corner. It can't speak English. It doesn't want to speak English. I can't even talk the way these people talk. "Why you ain't where you is go." I don't know who these people are. And I blamed the kid until I heard the mother talk. Then I heard the father talk. This is all in the house. You used to talk a certain way on the corner and you got into the house and switched to English. Everybody knows it's important to speak English except these knuckleheads. You can't land a plane with "why you ain't…". You can't be a doctor with that kind of crap coming out of your mouth. There is no Bible that has that kind of language. Where did these people get the idea that they're moving ahead on this? Well, they know they're not, they're just hanging out in the same place, five or six generations sitting in the projects when you're just supposed to stay there long enough to get a job and move out.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

"Dr Bill Cosby Speaks at the 50th Anniversary commemoration of the Brown vs Topeka Board of Education Supreme Court Decision," known as the "Pound Cake" speech (May 2004).

People , Peace , Way , Idea

“Mother India is not a piece of earth; she is a Power, a Godhead, for all nations have such a Devi supporting their separate existence and keeping it in being. Such Beings are as real and more permanently real than the men they influence but they belong to a higher plane, are part of the cosmic consciousness and being and act here on earth by shaping the human consciousness on which they exercise their influence. It is natural for man who sees only his own consciousness individual, national or racial at work and does not see what works upon it and shapes it, to think that all is created by him and there is nothing cosmic and greater behind it.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December 2, 1946(From a letter.)
India's Rebirth

Men , Exercises , Support , Nature

“Hip-Hop's last hope like Obi-Wan Kenobi
Through your television I'm shining light like a train
Comin out like earthworms when it rains, bringing it
like the C. I. A. be bringing in crack cocaine bailing out of planes
with the George Bush connections, I push Reflection
like I'm selling izm, like a dealer building the system
Supply and the demand it's all just capitalism
Niggaz don't sell crack cause they like to see blacks smoke
Niggaz sell crack cause they broke”

Talib Kweli (1975) American rapper

The Manifesto, Lyricist Lounge, Vol. 1 (1998)
Albums, Singles and compilations

Hope , Light , Training

“If you have not seen the Celine Dion Vegas show, tomorrow, get a plane ticket, go to Vegas… it is the biggest freak show you will ever see! It's Cirque De Celine.”

Kathy Griffin (1960) American actress and comedian

Strong Black Woman (2006)

“We distinguish diagrammatic from sentential paper-and-pencil representations of information by developing alternative models of information-processing systems that are informationally equivalent and that can be characterized as sentential or diagrammatic. Sentential representations are sequential, like the propositions in a text. Diagrammatic representations are indexed by location in a plane. Diagrammatic representations also typically display information that is only implicit in sentential representations and that therefore has to be computed, sometimes at great cost, to make it explicit for use. We then contrast the computational efficiency of these representations for solving several. illustrative problems in mathematics and physics.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1980s and later, "Why a diagram is (sometimes) worth ten thousand words," (1987), p. 65

Mathematics , Problem

“We use trains and planes, but they are not our trains or planes. The (Westerners) manufacture them and export them to us…. We own them, but we don't manufacture them. We don't even produce a single nail in any of these cars…. Islam teaches us to do things professionally. Doing things professionally is a religious duty…. The Prophet said that Allah ordered to excel in everyhting…. Even when killing, you must do well…. We import everything from needles to missiles. This is our nation. We still haven't manufactured an engine in our Arab countries. We assemble parts, but have no manufacturing industries.”

Yusuf Qaradawi (1926) Egyptian imam

Sheik Yousuf Al-Qaradhawi: The Islamic Nation's Problem is That Muslims Do Not Work. The Zionist Gang Has Turned the Desert into an Oasis http://www.memritv.org/clip_transcript/en/645.htm 4/15/2005.
Knowledge and industry

Cars , Parting , Training , Country

“Put forth thy leaf, thou lofty plane,
East wind and frost are safely gone;
With zephyr mild and balmy rain
The summer comes serenely on;
Earth, air, and sun and skies combine
To promise all that’s kind and fair:
But thou, O human heart of mine,
Be still, contain thyself, and bear.”

Arthur Hugh Clough (1819–1861) English poet

In a London Square http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/londonsquare.html, st. 1.

Sun , Heart , Summer

“Feeling must have a medium in order to function at all; in the same way, thought must have symbols. It is the medium, or the specific configuration of the medium that we call a work of art that brings feeling into being, just as do responses tot the objects of the external world... The medium of painting is such changing and ordering on an ideal plane, ideal in that the medium is more tractable, subtle, and capable of emphasis (abstraction is a kind of emphasis) than everyday life.”

Robert Motherwell (1915–1991) American artist

Source: 1940s, Beyond the Aesthetics' (1946), pp. 38-39

Life , World , Art , Way

“The other passengers gazed at each other and there was established that silent solidarity of those who secretly hope to God that the plane will not fall. p264”

Fernando Sabino (1923–2004) Brazilian writer

God , Hope

“When equality is treated not as a medicine or a safety-gadget, but as an ideal, we begin to breed that stunted and envious sort of mind which hates all superiority. That mind is the special disease of democracy, as cruelty and servility are the special diseases of privileged societies. It will kill us all if it grows unchecked. The man who cannot conceive a joyful and loyal obedience on the one hand, nor an unembarrassed and noble acceptance of that obedience on the other — the man who has never even wanted to kneel or to bow — is a prosaic barbarian. But it would be wicked folly to restore these old inequalities on the legal or external plane. Their proper place is elsewhere.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Equality (1943)

Hate , Disease , Democracy

“Hitherto we have considered the apparent motion of the star about its true place, as made only in a plane parallel to the ecliptic, in which case it appears to describe a circle in that plane; but since, when we judge of the place and motion of a star, we conceive it to be in the surface of a sphere, whose centre is our eye, 'twill be necessary to reduce the motion in that plane to what it would really appear on the surface of such a sphere, or (which will be equivalent) to what it would appear on a plane touching such a sphere in the star's true place. Now in the present case, where we conceive the eye at an indefinite distance, this will be done by letting fall perpendiculars from each point of the circle on such a plane, which from the nature of the orthographic projection will form an ellipsis, whose greater axis will be equal to the diameter of that circle, and the lesser axis to the greater as the sine of the star's latitude to the radius, for this latter plane being perpendicular to a line drawn from the centre of the sphere through the star's true place, which line is inclined to the ecliptic in an angle equal to the star's latitude; the touching plane will be inclined to the plane of the ecliptic in an angle equal to the complement of the latitude. But it is a known proposition in the orthographic projection of the sphere, that any circle inclined to the plane of the projection, to which lines drawn from the eye, supposed at an infinite distance, are at right angles, is projected into an ellipsis, having its longer axis equal to its diameter, and its shorter to twice the cosine of the inclination to the plane of the projection, half the longer axis or diameter being the radius.
Such an ellipse will be formed in our present case…”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Star , Nature , Appearance

“In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained... As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian, ] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931

World , Art , Reality , Painting

“It is the experience of the speed of a plane, which was looking for an expression, a form and this caused the plane to come into existence. The plane was not built to take letters from Berlin to Moscow, but to give expression to the irresistible urge to create a form for the experience of speed.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

As quoted in: Richtingen in de hedendaagsche schilderkunst (Trends in the Present Day Art of Painting), Jacob Bendien - W.L. & J Brusse, Rotterdam,1936, p. 100 (transl. Anne Porcelijn)
1910 - 1920

Speed

“Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner... Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's unpublished writing: 'The struggle for the new', 1929-30; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 187
Van Doesburg's quote is proposing here the sensuous-tactile expression of space as essential for modern architecture
1926 – 1931

Effort , Science , Future

“The new discovery that I have made in painting is the following. There are chords of colors, let's say a certain red and green, which move, shimmer when you look at them. Now if you're looking at a tree in a landscape, you can either look at the tree, or at the landscape, but not both, because of the stereoscopic effect. Now, when you are painting something three-dimensional, the chromatic sound which shimmers is the three-dimensional effect of colour, and when you paint a landscape, and the green foliage shimmers a little with the blue sky showing through it, that happens because the green is on a different plane from the sky in nature too. Finding the space-shaping energies of colour, instead of contenting ourselves with a dead chiaroascuro, is our finest task.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

in a letter to artist de:Hans Thuar, 1913, from Lake Thun in Switzerland; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145

Color , Nature , Tree , Painting

“On the evening of December 8, therefor, after the Japanese had bombed the airfields and destroyed many of General MacArthur's planes, our submarines and motor torpedo boats, which were still in Philippine water, were left with the task of impeding the enemy's advance.”

Ernest King (1878–1956) United States Navy admiral, Chief of Naval Operations

From King's report on the Japanese attack on the Philippines, as quoted in Battle Stations! Your Navy In Action (1946) by Admirals of the U.S. Navy, p. 180

Water

“A key characteristic of the engineering culture is that the individual engineer’s commitment is to technical challenge rather than to a given company. There is no intrinsic loyalty to an employer as such. An employer is good only for providing the sandbox in which to play. If there is no challenge or if resources fail to be provided, the engineer will seek employment elsewhere. In the engineering culture, people, organization, and bureaucracy are constraints to be overcome. In the ideal organization everything is automated so that people cannot screw it up. There is a joke that says it all. A plant is being managed by one man and one dog. It is the job of the man to feed the dog, and it is the job of the dog to keep the man from touching the equipment. Or, as two Boeing engineers were overheard to say during a landing at Seattle, “What a waste it is to have those people in the cockpit when the plane could land itself perfectly well.” Just as there is no loyalty to an employer, there is no loyalty to the customer. As we will see later, if trade-offs had to be made between building the next generation of “fun” computers and meeting the needs of “dumb” customers who wanted turnkey products, the engineers at DEC always opted for technological advancement and paid attention only to those customers who provided a technical challenge.”

Edgar H. Schein (1928) Psychologist

Edgar H. Schein (2010). Dec Is Dead, Long Live Dec: The Lasting Legacy of Digital Equiment Corporation. p. 60

People , Dogs , Loyalty

“I’d like the power to make things die with the power of my mind. Not because I have any specific use in mind for it; I just think it’d be useful to have for difficult social situations. Like, if you’re trying to sleep on a plane and a bloke three seats down is laughing really loudly at a film. Or if someone’s trying to make me say something nice about their hideous baby, it would be a good way to change the subject. But then again, that’s really just replacing one awkward social situation with another.”

Ben Croshaw (1983) English video game journalist

http://www.darkhorse.com/Blog/1125/interview-yahtzee-croshaw-about-jam
Other Articles

Way , Thinking , Sleep , Change

“The two photons are entangled and according to local realism, their polarization planes should become independent… a typical EPR situation. Already in 1948, observations… agreed with quantum mechanics, not with local realism.”

F. J. Duarte (1954) Chilean-American physicist

R. H. Dalitz and F. J. Duarte, John Clive Ward, Physics Today 53, 99-100 (2000).

“I've always been a believer. I've been a believer in many different realms of alternate reality, the human capacity to move out of different planes of reality. It's something that has been with me since I was a child.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Time Inc. "8 Questions With Gillian Anderson" http://time.com/4153871/gillian-anderson-questions/ (December 21, 2015)
2010s

Reality

“The personality when it leaves your plane for good will have developed its potentials as far as it possibly can.”

Jane Roberts (1929–1984) American Writer

Session 23, Page 163
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 1

Personality

“It is often difficult and well-nigh impossible, when using the lens, to get all planes in moderate focus without getting one or some part excessively so, and similarly, if we avoid excessive sharpness in each and every part, some planes, such as the extreme distance or immediate foreground, so broken up as to destroy form and structure. Then it is that the pin-hole, with its equal focus in all planes and at any focal length, seems to recommend itself; but if it be desired to emphasize any object, by introducing more detail there than elsewhere, then the uniform sharpness of the pin-hole image fails us.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60

Parting

“Do not let us imagine that discoveries in the world of the higher mathematics, of physics or biology are going to remove or even reduce our difficulties on the moral plane…The realm of morals is a world neither of quantity nor of chemical action. It is a world of values. It is precisely these values of right and wrong, of good and evil, of honesty and courage, which matter supremely for religion and national life…I am not despising science. I am only suggesting that moral values, eternal in their quality, transient in their form and application, are the foundation of a country's greatness. If moral values flourish in our common life all will be well with the nation.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the annual assembly of the Congregational Union, London (12 May 1931), published in This Torch of Freedom (1935), pp. 86-87.
1931

Life , World , Religion , Imagination

“We live in a three dimensional plane. Life is on the third planet from the sun not the second. Ain't nobody lying on a piece of paper looking at each other”

Eddie Griffin (1968) American actor and comedian

Freedom of Speech (2008)

Life , Lying , Sun

“…I never got away from the enigma of Coren's personality. For me he remains the most enigmatic man of his generation, because the sprawling palace of his attainments has so many rooms he has scarcely bothered to look into. He can fly planes, drive fast cars, dance accomplished jive, speak perfect German. But who is he? His writing never tells you, because its humour is a shield.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

On Alan Coren, p. 166
Memoirs, North Face of Soho (2006)

Cars , Dance , Personality , Perfection

“Sculpture is based on the abstract of the planes and volumes that determine the forms, not their figurative value.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1912, Boccioni's 'Sculptural Manifesto', 1912,

“[W]hereas Nature, in propriety of Speech, doth not admit more than Three (Local) Dimensions, (Length, Breadth and Thickness, in Lines, Surfaces and Solids;) it may justly seem improper to talk of a Solid (of three Dimensions) drawn into a Fourth, Fifth, Sixth, or further Dimension.
A Line drawn into a Line, shall make a Plane or Surface; this drawn into a Line, shall make a Solid. But if this Solid be drawn into a Line, or this Plane into a Plane, what shall it make? A Plano-plane? This is a Monster in Nature, and less possible than a Chimera or a Centaure. For Length, Breadth and Thickness, take up the whole of Space.”

John Wallis (1616–1703) English mathematician

Nor can our Fansie imagine how there should be a Fourth Local Dimension beyond these Three.
Treatise of Algebra (1685)

Imagination , Nature

“When I draw horizontals
you see this big plane and you have certain feelings like
you're expanding over the plane
Anything can be painted without representation”

Agnes Martin (1912–2004) American artist

1970's, The Untroubled Mind', 1971

Feeling , Drawing , Painting

“Most [people] see education only as the means by which a person is transported from one economic plane to a higher one.”

Richard M. Weaver (1910–1963) American scholar

“Education and the individual,” p. 42.
Life Without Prejudice (1965)

People , Education , Personality

“Upon US request, Romania has closed its airspace for my plane. Ukraine doesn't allow me to pass through again. Next time I'll fly on board TU-160.”

Dmitry Rogozin (1963) Russian diplomat

The supersonic Soviet-era TU-160 is Russia's largest strategic bomber.
Рогозин пригрозил прилететь в Приднестровье на бомбардировщике http://www.ntv.ru/novosti/962896/, ntv.ru, May 11, 2014
Russian Diplomat Twitter-Threatens to Fly a Bomber Into Romania http://www.thewire.com/global/2014/05/russian-diplomat-twitter-threatens-to-fly-a-bomber-into-romania/362032/, The wire, May 10, 2014
Original: Румыния по требованию США закрыла моему борту воздушное пространство. Украина снова не пропускает. В следующий раз полечу на Ту-160.

Time , Flying

“In the last fifteen days of the war, my Fifth and Seventh Air Forces flew 6,732 sorties against Kyushu alone. Thus, with a deafening roar of blasting bombs, Kenney's Far East air forces culminated their blows against Japan. During the last seven and a half months of the war, their planes destroyed 2,846,932 tons of shipping and 1,375 enemy aircraft, dropped 100,000 tons of bombs, and flew over 150,00 sorties.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

Source: Reminiscences (1964), p. 265

War

“The fact is that your plane originated because enough entities needed certain types of experience to warrant such a creation, and they set about forming it through the process of evolution.”

Jane Roberts (1929–1984) American Writer

Session 31, Page 236
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 1

“Cartan developed a general scheme of infinitesimal geometry in which Klein's notions were applied to the tangent plane and not to the n-dimensional manifold M itself.”

Hermann Weyl (1885–1955) German mathematician

On the foundations of general infinitesimal geometry. Bull. Amer. Math. Soc. 35 (1929) 716–725 [10.1090/S0002-9904-1929-04812-2] (quote on p. 716)

“The Helsinki Treaty confirms yet again the principle of freedom of conscience. However, a stern and relentless struggle will have to be carried on if the contents of this treaty are to be given reality. In the Soviet Union today many thousands of people are persecuted because of their convictions, both by judicial and by non-judicial organs, for the sake of their religious beliefs and for their desire to bring their children up in the spirit of religion, for reading and disseminating - often only to a few acquaintances - literature which is unwelcome to the State, but which in accordance with ordinary democratic practice is absolutely legitimate, e. g. religious literature, and for attempts to leave the country. On the moral plane the persecution of persons who have defended other victims of unjust treatment, who have worked to publish and in particular to distribute information regarding the persecution and trials of persons with deviant opinions, and of conditions in places of internment, is particularly important.”

Andrei Sakharov (1921–1989) Soviet nuclear physicist and human rights activist

Nobel Peace Prize Speech (1975)

Children , People , Religion , Literature

“…the stereographic projection of the spherical surface. From the north pole P we draw radial lines to project every point of the surface of the sphere upon the horizontal plane [below, perpendicular to a line joining it to P and the sphere's center]. In general this transformation is unique and continuous, although the metrical relations are distorted; for the point P, however, it shows a singularity. Point P is mapped upon the infinite; i. e., no finitely located point of the plane corresponds to it. It can be shown that every transformation possesses a singularity in at least one point. The surface of the sphere is therefore called topologically different from the plane. Only a "sphere without a north pole" [point] would be topologically equivalent to a plane. …such a sphere has a point-shaped hole without a boundary and is no longer a closed surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Drawing

“I don't want to get the same looks I give people when they get on a plane holding a baby: "That's a cute baby, just keep walking, keep walking, keep going, keep going…."”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Taste This

People , Baby

“I don't know whether it's the governor's problem, or it's the president's problem, but somebody needs to get … on a plane and sit down, the two of them, and figure this out right now.”

Ray Nagin (1956) politician, businessman

2005, Interview with New Orleans radio station WWL (2005)

Problem

“Vyasa, the great commentator of Yogadadana, does somewhat better. He tells us that mind has five habitual states or planes (bhumis): mudha (dull or inert), kshipta (restless, or probably it is samkshipta and means contracted), vikshipta (scattered), ekagra (one-pointed), and niruddha (stopped). He makes a further pregnant statement that samlidhi is natural to mind and it can take place on all bhamis (sarvabhauma); but he adds a warning that the samlidhis of the first three bhUmis are non-yogic and only the samlidhis of the last two bhUmis are yogic. Only the yogic samlidhi leads to spiritual development.”

Ram Swarup (1920–1998) Indian historian

Hindu View of Christianity and Islam (1992)

Nature

“The rectangular plane of varying dimensions and colours visibly demonstrates that internationalism does not mean chaos ruled by monotony but an ordered and clearly divided unity. In Neo-Plasticism, there are, in fact, very definite boundaries. But these boundaries are not really closed; the straight lines in rectangular opposition to one another constantly intersect, so that their rhythm continues throughout the whole work... These frontiers will be clearly defined but not 'closed'; there will be no customs, no work permits. 'Foreigners' will not be viewed as aliens.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in 'The New Art – The New Life', Piet Mondrian, op. cit. Introd. Note 1., 1931
1930's

“The anti‐Semite has chosen hate because hate is a faith; at the outset he has chosen to devaluate words and reasons. How entirely at ease he feels as a result. How futile and frivolous discussions about the rights of the Jew appear to him. He has placed himself on other ground from the beginning. If out of courtesy he consents for a moment to defend his point of view, he lends himself but does not give himself. He tries simply to project his intuitive certainty onto the plane of discourse. I mentioned awhile back some remarks by anti‐Semites, all of them absurd: "I hate Jews because they make servants insubordinate, because a Jewish furrier robbed me, etc." Never believe that anti‐ Semites are completely unaware of the absurdity of their replies. They know that their remarks are frivolous, open to challenge. But they are amusing themselves, for it is their adversary who is obliged to use words responsibly, since he believes in words. The anti‐Semites have the right to play. They even like to play with discourse for, by giving ridiculous reasons, they discredit the seriousness of their interlocutors. They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert. If you press them too closely, they will abruptly fall silent, loftily indicating by some phrase that the time for argument is past. It is not that they are afraid of being convinced. They fear only to appear ridiculous or to prejudice by their embarrassment their hope of winning over some third person to their side.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Pages 13-14
(1945)

Hate , Fear , Faith , Hope

“But true kingship, which pertains to the divine essence, is still and always shall be in its own station. On the outward plane, the prophets are constant in their sovereignty. They continue until such time as God changes his sacred law. At that time, their dispensations are dissipated. Nevertheless, the sovereignty of the prophets and their religions is everlastingly present in every religion, indeed, in every person who claims to follow those prophets. In sum, such a one has attained leadership, and passes a few days of his life, according to his belief, being a sovereign, until such time as God raises him up to him.”

Subh-i-Azal (1831–1912) Persian religious leader

Treatise on Kingship

Life , God , Religion , Law

“The theory of punctuated equilibrium, proposed by Niles Eldredge and myself, is not, as so often misunderstood, a radical claim for truly sudden change, but a recognition that ordinary processes of speciation, properly conceived as glacially slow by the standard of our own life-span, do not resolve into geological time as long sequences of insensibly graded intermediates (the traditional, or gradualistic, view), but as geologically “sudden” origins at single bedding planes.”

Stephen Jay Gould book Time's Arrow, Time's Cycle

Source: Time's Arrow, Time's Cycle (1987), pp. 2–3

Life , Change , Time

“The way to victory is long.
The going will be hard.
We will do the best we can with what we've got.
We must have more planes and ships- at once.
Then it will be our turn to strike.
We will win through- in time.”

Ernest King (1878–1956) United States Navy admiral, Chief of Naval Operations

King's first statement as Commander-in-Chief, United States fleet, sent on 24 December 1941. As quoted in History of United States Naval Operations in World War II, Volume Three: The Rising Sun in the Pacific, 1931-April 1942 (1948) by Samuel Eliot Morison, p. 255

Way , Time , Victory

““A crank, like I say. Won’t let him fly. Says she wants her grandchildren to see the sun. What difference it makes if a plane flies with one seat empty, I don’t know!”

John Brunner book The Sheep Look Up

January “SNOW JOB”
The Sheep Look Up (1972)

Sun , Flying

“They mean a trip to Paris or Rome
To someone else but not for me.
The trains and boats and planes
Took you away, away from me.”

Hal David (1921–2012) American lyricist

Song Trains and Boats and Planes

Training

“The new painter owes the abstract artist a debt for giving him his language, but the new painting is concerned with a new type of abstract thought... He [the new painter] is declaring that the art of Western Europe is voluptuous art first, an intellectual art by accident. He is reversing the situation by declaring that art is an expression of the mind first and whatever sensuous elements are involved are incidental to that expression. The new painter is therefore the true revolutionary, the real leader who is placing the artist's function on its rightful plane of the philosopher and the pure scientist who is exploring the world of ideas, not the world of the senses.... so the artist is today giving us a vision of the world of truth in terms of visual symbols.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 127

Truth , World , Art , Idea

“A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so... the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. … At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)

Life , Color , Sense

“We exist on several different planes, and when we said nothing had any reason we were referring to the psychological and social plane.”

Eugéne Ionesco (1909–1994) Romanian playwright

The Paris Review interview (1984)

“You become a good writer just as you become a good joiner: by planing down your sentences.”

Anatole France (1844–1924) French writer

On devient bon écrivain comme on devient bon menuisier: en rabotant ses phrases.
As quoted in Anatole France en pantoufles by Jean-Jacques Brousson (1924); published in English as Anatole France Himself: A Boswellian Record by His Secretary, Jean-Jacques Brousson (1925), trans. John Pollock, p. 85
Variant translation: You become a good writer just as you become a good carpenter: by planing down your sentences.

“The two photons are entangled and according to local realism, their polarization planes should become independent… a typical EPR situation. Already in 1948, observations… agreed with quantum mechanics, not with local realism.”

Richard Dalitz (1925–2006) Australian physicist

R. H. Dalitz and F. J. Duarte, John Clive Ward, Physics Today 53, 99-100 (2000).

Quotes about plane page 3

Quotes about plane
page 3