Quotes about performance
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“Organization structure must perform the major functions of facilitating the collection of information from external areas as well as permitting effective processing of information within and between subunits which make up the organization.”

David A. Nadler (1948–2015) American organizational theorist

Source: "Information Processing as an Integrating Concept in Organizational Design." 1978, p. 615

Arthur Schopenhauer photo
Arthur Schopenhauer photo
Charles Fort photo
Ivar Jacobson photo

“When a user uses the system, she or he will perform a behaviorally related sequence of transactions in a dialogue with the system. We call such a special sequence a use case.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 127; as cited in: Journal of Object-oriented Programming Vol 10, Nr 2-9. p. 32.

Ansel Adams photo
Johann Kaspar Lavater photo

“Act well at the moment, and you have performed a good action to all eternity.”

Johann Kaspar Lavater (1741–1801) Swiss poet

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 4

Tsunetomo Yamamoto photo
Paul Graham photo

“European public opinion will apparently tolerate people being fired in industries where they really care about performance. Unfortunately the only industry they care enough about so far is soccer.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Why Startups Condense in America" http://www.paulgraham.com/america.html, May 2006

Henry James photo
Ernesto Che Guevara photo
Doug Stanhope photo

“Associated with each office is a set of activities, which are defined as potential behaviors. These activities constitute the role to be performed, at least approximately, by any person who occupies that office.”

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 13: Definition of the term role.

Christina Aguilera photo

“Even when I was little, I knew I was meant to perform. I would watch specials on TV or videos of Janet or Whitney, and I would start crying because I was like 'I want that so bad.”

Christina Aguilera (1980) American singer

A Christina Aguilera interview to Allure Magazine 2002 - Compiled by Courtney Watson http://www.bignoisenow.com/christina/allure02interview.html (2002)

Hermann Göring photo
George W. Bush photo
Pauline Kael photo
Kunti photo
Vitruvius photo

“For we must not build temples according to the same rules to all gods alike, since the performance of the sacred rites varies with the various gods.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IV, Chapter VIII, Sec. 6

Amartya Sen photo
Donald Rumsfeld photo

“Be able to resign. It will improve your value to the President and do wonders for your performance.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

"Rumsfeld's Rules" January 12, 1974 http://library.villanova.edu/vbl/bweb/rumsfeldsrules.pdf
1970s

Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Michel Foucault photo
GG Allin photo

“Jane Whitney: What's your ultimate idea of performance, of a fantasy performance?”

GG Allin (1956–1993) American singer-songwriter

On The Jane Whitney Show

Dana Gioia photo
Otto Lilienthal photo
Henry Adams photo
Mark Satin photo
Tiësto photo

“The opportunity to perform my music for billions of people around the globe will be the greatest highlight of my life, I am honoured to be part of the biggest sports event in the world.”

Tiësto (1969) Dutch DJ and record producer

Tiësto said about the ATHOC.
Source: [Dutch Top DJ Tiësto to rock opening Olympics 2004 Greece this Friday at Kennisland, http://blog.kennisland.nl/kennisland/2004/08/12/dutch_top_dj_ti/, Kennisland.nl, 2008-04-17]

Thomas Carlyle photo
Tony Gonzalez photo
Matthijs Maris photo

“I recollect after the war in '71 [in Paris, where he stayed then and was fighting against the German] there were some debts to pay of course: what had I to do? I said to Wisselingh [Dutch art-dealer] who was with Goupil, 'tell them that I'll take them back later on.' I've never been able to do so, for one Van Gogh [probably Vincent, then art-seller at Goupil], his partner, gave me 200 francs, someone bought it for 350, and sold it in America for 700 pounds. He had asked Wisselingh how long it had taken me to do [make] it; he said a week, so I was the chap for him; no wonder he was always talking making fortune, fancy 100 pounds per day, make some more or this sort: do it only for a year. So I had to commit suicides upon suicides [he means, making salable paintings]: what did it matter to him or anyone else? Someone said once to me: 'You must have somebody fool enough to say, here is money for you, and go your own way': that is the very thing one may not do. There is always someone telling you how to set about, and then come the schools telling you that it is not allowed to be one's self, but that one has to be a Roman or Greek, or imitate what they have performed..”

Matthijs Maris (1839–1917) Dutch painter

in a letter to David Croal Thomson (1907), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxvii

Daniel Day-Lewis photo

“[Task uncertainty is] the difference between the amount of information required to perform the task and the amount of information already possessed by the organisation.”

Jay R. Galbraith (1939–2014) American business theorist

Source: Designing complex organizations, 1973, p. 5

Nathanael Greene photo

“But whatever grounds I supposed there were for authorizing such expectations, I now find they were vain and nugatory. The cloud thickens, and the prospects are daily growing darker. There is now no hope of cash. The agents are loaded with heavy debts, and perplexed with half-finished contracts, and the people clamorous for their pay, refusing to proceed in the public business unless their present demands are discharged. The constant run of expenses, incident to the department, presses hard for further credit., or immediate supplies of money. To extend one, is impossible; to obtain the other, we have not the least prospect. I see nothing, therefore, but a general check, if not an absolute stop, to the progress of every branch of business in the whole department, I have little reason to hope that, with the most favorable disposition in the agents, it will be in our power to provide for the occasional demands of the army in their present cantonments; much less, to have in readiness the necessary apparatus, and supplies of different kinds, for putting the army in motion at the opening of the campaign. My apprehensions of a failure in these respects are so strong, and my anxiety for the consequences so great, that I feel it my duty once more to represent to your Excellency our circumstances and prospects. From such a view of our situation, you may be led not to expect more from us than we are able to perform, and may have time to take your measures consequent upon such information.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (January 1780)

Jack Vance photo
Muhammad photo
Timothy Leary photo

“In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show.”

Timothy Leary (1920–1996) American psychologist

As quoted in The Best Advice Ever for Teachers (2001) by Charles McGuire and Diana Abitz, p. 57

Ian Holloway photo

“"To put it in gentleman's terms if you've been out for a night and you're looking for a young lady and you pull one, some weeks they're good looking and some weeks they're not the best. Our performance today would have been not the best looking bird but at least we got her in the taxi. She wasn't the best looking lady we ended up taking home but she was very pleasant and very nice, so thanks very much, let's have a coffee"
- on the "ugly" win against Chesterfield.”

Ian Holloway (1963) English association football player and manager

Gordon Strachan v Ian Holloway: Sportsmail picks their top 10 funny quotes ahead of Middlesbrough's showdown with Blackpool, 2009-12-08, Mail Online, 2011-04-29 http://www.dailymail.co.uk/sport/football/article-1234084/Gordon-Strachan-v-Ian-Holloway-Sportsmail-picks-10-funny-quotes-ahead-Middlesbroughs-showdown-Blackpool.html,
Sourced quotes

Jean-Baptiste Say photo

“What would people think of a tradesman, that was to give a ball in his shop, hire performers, and hand refreshments about, with a view to benefit his business?”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter XX, p. 214 (See also: Marketing)

William Westmoreland photo
Adam Smith photo
Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

C. Everett Koop photo
Britney Spears photo

“Carlson: Give me the chronology of the kiss. How did you decide to kiss Madonna?
Spears: Well, actually, in rehearsals, it wasn't something that was like, "Y'know, This is what we're gonna do. Y'know." It was just kinda like we play around a little bit and, um, she said during—before the performance, "Let's just feel it out and see what happens."”

Britney Spears (1981) American singer, dancer and actress

So I didn't know it was gonna be that long and everything, but it was cool.
CNN interview with Tucker Carlson http://www.cnn.com/2003/SHOWBIZ/Music/09/03/cnna.spears/ (3 September 2003)

Georg Christoph Lichtenberg photo
George Dantzig photo
Seymour Papert photo

“Shykh Nuruddin Mubarak Ghaznavi was the most important disciple of Shykh Shihabuddin Suhrawardi, founder of the second most important sufi silsila after the Chishtiyya, who died in Baghdad in 1235 AD. Ghaznavi had come and settled down in India where he passed away in 1234-35 AD. He served as Shykh-ul-Islam in the reign of Shamsuddin Iltutmish (AD 1210-1236), and propounded the doctrine of Din Panahi. Barani quotes the first principle of this doctrine as follows in his Tarikh-i-Firuzshahi. “The kings should protect the religion of Islam with sincere faith… And kings will not be able to perform the duty of protecting the Faith unless, for the sake of God and the Prophet’s creed, they overthrow and uproot kufr and kafiri (infidelity), shirk (setting partners to God) and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kafirs and mushriks (infidels and idolaters), the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of God and the Prophet. The symptom of the kings being the protectors of religion is this:- When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owning to whom kufr and shirk are spread and the commandments of kufr are enforced… Owing to the fear and terror of the kings of Islam, not a single enemy of God and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231
Tarikh-i-Firuz Shahi

Edward R. Murrow photo

“When the politicians complain that TV turns the proceedings into a circus, it should be made clear that the circus was already there, and that TV has merely demonstrated that not all the performers are well trained.”

Edward R. Murrow (1908–1965) Television journalist

1959, Dons Or Crooners?: Three Lectures on the Subject of Communication in the Modern World, The British Association Granada Lectures, (Three lectures given in Guildhall London in October 1959 on the subject of communication in the modern world), Lecture Title: Television and Politics, Speaker: Edward R. Murrow, Start Page 47, Quote Page 75 and 76, Published by Granada TV, London.

Bill Fagerbakke photo
Robert Benchley photo
Daniel J. Boorstin photo

“While the Jeffersonian did not flatly deny the Creator's power to perform miracles, he admired His refusal to do so.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Lost World of Thomas Jefferson (1948), Ch. 1, part 2: The Economy of Nature, p. 41.

Alexander Woollcott photo
Margaret Sanger photo

“The measure of performance of any given agent is the amount of money it accumulates through its actions.”

John H. Holland (1929–2015) US university professor

Source: Hidden Order - How Adaptation Builds Complexity (1995), Ch 2. Adaptive Systems, p. 86

Dean Acheson photo
Alex Salmond photo

“A skilled people, an economy with a competitive edge. These are the ways to transform economic performance.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Principles and Priorities : Programme for Government (September 5, 2007)

Nick Griffin photo
Heinrich Heine photo
Michael Elmore-Meegan photo
Clayton M. Christensen photo
Ken Dodd photo

“I had an idyllic childhood and when my parents bought me a Punch and Judy Show and a ventriloquist's dummy, I'd perform anywhere, anytime. My parents were wonderful when I told them I wanted to be an entertainer.”

Ken Dodd (1927–2018) English comedian, singer-songwriter and actor

Quoted in Manchester Evening News, http://www.manchestereveningnews.co.uk/entertainment/comedy/s/234/234894_dodds_bolton_bonus.htmlDodd's Bolton bonus, Natalie Anglesey. (2008-04-28)

Ernest Hemingway photo
Richard L. Daft photo
William H. Rehnquist photo
Neil Diamond photo
János Esterházy photo

“It is generally mentioned here, that Jews should be excluded from economic life as soon as possible. It seems that the Slovak government performs real and rapid measures to achieve this goal. Honorable Assembly! We are delighted to welcome it.”

János Esterházy (1901–1957) Czechoslovak member of Czechoslovak national parliament, russian nation politician and hungary nation polit…

About anti-Semitic measures to exclude Jews from economic and social life. Parliamentary speech on October 8, 1940.
Persecution of Jews

Peter F. Drucker photo
Stanley Fischer photo
Amir Taheri photo
Mukesh Ambani photo
Ed Harcourt photo

“Who's to say that every performer should be a good actor? Why can't you just be yourself?”

Ed Harcourt (1977) British musician

" MusicOMH.com Interview http://www.musicomh.com/interviews/ed-harcourt.htm" (2004).

Augustus De Morgan photo
Erving Goffman photo

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

Gloria Estefan photo
Temple Grandin photo
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