Quotes about palace
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Percy Bysshe Shelley photo
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“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Margrethe II of Denmark photo
Hilaire Belloc photo

“Kings live in Palaces, and Pigs in sties,
And youth in Expectation. Youth is wise.”

Hilaire Belloc (1870–1953) writer

"Habitations"
Sonnets and Verse (1938)

Pierre-Auguste Renoir photo
Letitia Elizabeth Landon photo
T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Shashi Tharoor photo
John Hennigan photo

“Teddy Long could never hang out at the Palace of Wisdom..”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Alain Daniélou photo
Charlotte Brontë photo

“Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on attending The Great Exhibition of 1851. The Brontes' Life and Letters, (by Clement King Shorter) (1907)

Johann Wolfgang von Goethe photo
Richard Le Gallienne photo

“Art was a palace once, things great and fair,
And strong and holy, found a temple there:”

Richard Le Gallienne (1866–1947) British writer

To the Reader English Poems Copland & Day 1895 kindle ebook.

John Hennigan photo

“You're dying to spend a night with me in the Palace of Wisdom. (to Kelly Kelly)”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

John Lancaster Spalding photo

“Culture makes the whole world our dwelling place; our palace in which we take our ease and find ourselves at one with all things.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 197

Louis Untermeyer photo
Aurangzeb photo
Emil Nolde photo
John Hennigan photo

“We hang out with Mr. Fuji at the Palace of Wisdom.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Qutb al-Din Aibak photo

“Hasan Nizami writes that after the suppression of a Hindu revolt at Kol (Aligarh) in 1193 AD, Aibak raised “three bastions as high as heaven with their heads, and their carcases became food for beasts of prey. The tract was freed from idols and idol-worship and the foundations of infidelism were destroyed.” In 1194 AD Aibak destroyed 27 Hindu temples at Delhi and built the Quwwat-ul-Islãm mosque with their debris. According to Nizami, Aibak “adorned it with the stones and gold obtained from the temples which had been demolished by elephants”. In 1195 AD the Mher tribe of Ajmer rose in revolt, and the Chaulukyas of Gujarat came to their assistance. Aibak had to invite re-inforcements from Ghazni before he could meet the challenge. In 1196 AD he advanced against Anahilwar Patan, the capital of Gujarat. Nizami writes that after Raja Karan was defeated and forced to flee, “fifty thousand infidels were despatched to hell by the sword” and “more than twenty thousand slaves, and cattle beyond all calculation fell into the hands of the victors”. The city was sacked, its temples demolished, and its palaces plundered. On his return to Ajmer, Aibak destroyed the Sanskrit College of Visaladeva, and laid the foundations of a mosque which came to be known as ADhãî Din kã JhoMpaDã. Conquest of Kalinjar in 1202 AD was Aibak’s crowning achievement. Nizami concludes: “The temples were converted into mosques… Fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.””

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Hasan Nizami, quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 6

Louis Antoine de Saint-Just photo

“The Revolution is frozen; all its principles are weakened; there remains only red caps worn by intriguers. The exercise of terror has made crime blasé, as strong liquors made the palace blasé.”

Louis Antoine de Saint-Just (1767–1794) military and political leader

Fragment 3 (1794). [Source: Saint-Just, Fragments sur les institutions républicaines]

Aurangzeb photo
Jimmy Buffett photo

“We're gypsies in the palace, he's left us here alone.
The order of the Sleepless Knights will now assume the throne.
We ain't got no money, we ain't got no right,
But we're gypsies in the palace, we got it all tonight.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Gypsies in the Palace, written with Glenn Frey and Will Jennings
Song lyrics, Last Mango in Paris (1985)

Diogenes Laërtius photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

“The desire not to destroy the palace but to move into it oneself has always been the occupational curse of revolutionaries.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Writers' Politics" (1971), p. 66
The Good Word & Other Words (1978)

Richard Francis Burton photo

“As palace mirror'd in the stream, as vapour mingled with the skies,
So weaves the brain of mortal man the tangled web of Truth and Lies.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

William Morris photo
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Aurangzeb photo

“27 January 1670: During this month of Ramzan abounding in miracles, the Emperor as the promoter of justice and overthrower of mischief, as a knower of truth and destroyer of oppression, as the zephyr of the garden of victory and the reviver of the faith of the Prophet, issued orders for the demolition of the temple situated in Mathura, famous as the Dehra of Kesho Rai. In a short time by the great exertions of his officers, the destruction of this strong foundation of infidelity was accomplished, and on its site a lofty mosque was built at the expenditure of a large sum. This temple of folly was built by that gross idiot Birsingh Deo Bundela. Before his accession to the throne, the Emperor Jahangir was displeased with Shaikh Abul Fazl. This infidel [Birsingh] became a royal favourite by slaying him [Abul Fazl], and after Jahangir’s accession was rewarded for this service with the permission to build the temple, which he did at an expense of thirty-three lakhs of rupees.
Praised be the august God of the faith of Islam, that in the auspicious reign of this destroyer of infidelity and turbulence [Aurangzeb], such a wonderful and seemingly impossible work was successfully accomplished. On seeing this instance of the strength of the Emperor’s faith and the grandeur of his devotion to God, the proud Rajas were stifled, and in amazement they stood like facing the wall. The idols, large and small, set with costly jewels, which had been set up in the temple, were brought to Agra, and buried under the steps of the mosque of the Begam Sahib, in order to be continually trodden upon. The name of Mathura was changed to Islamabad.
17 December 1679: Hafiz Muhammad Amin Khan reported that some of his servants had ascended the hill and found the other side of the pass also deserted; (evidently) the Rana had evacuated Udaipur and fled. On the 4th January/12th Zil. H., the Emperor encamped in the pass. Hasan ‘Ali Khan was sent in pursuit of the infidel. Prince Muhammad ‘Azam and Khan Jahan Bahadur were permitted to view Udaipur. Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana’s palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers. Twenty machator Rajputs [who] were sitting in the temple, vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Saqi Mustad Khan, Maasir-i-Alamgiri, translated and annotated by Jadunath Sarkar, Royal Asiatic Society of Bengal, Calcutta, 1947, reprinted by Oriental Books Reprint Corporation, Delhi, 1986. quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: January, 1670. “In this month of Ramzan, the religious-minded Emperor ordered the demolition of the temple at Mathura known as the Dehra of Keshav Rai. His officers accomplished it in a short time. A grand mosque was built on its site at a vast expenditure. The temple had been built by Bir Singh Dev Bundela, at a cost of 33 lakhs of Rupees. Praised be the God of the great faith of Islam that in the auspicious reign- of this destroyer of infidelity and turbulence, such a marvellous and [seemingly] impossible feat was accomplished. On seeing this [instance of the] strength of the Emperor’s faith and the grandeur of his devotion to God, the Rajahs felt suffocated and they stood in amazement like statues facing the walls. The idols, large and small, set with costly jewels, which had been set up in the temple, were brought to Agra and buried under the steps of the mosque of Jahanara, to be trodden upon continually.”
Quotes from late medieval histories, 1670s

Firuz Shah Tughlaq photo

“[Sultan Firoz Tughlaq] convened a meeting of the learned Ulama and renowned Mashaikh and suggested to them that an error had been committed: the Jiziyah had never been levied from Brahmans: they had been held excused, in former reigns. The Brahmans were the very keys of the chamber of idolatry, and the infidels were dependent on them (kalid-i-hujra-i-kufr und va kafiran bar ishan muataqid und). They ought therefore to be taxed first. The learned lawyers gave it as their opinion that the Brahmans ought to be taxed. The Brahmans then assembled and went to the Sultan and represented that they had never before been called upon to pay the Jiziyah, and they wanted to know why they were now subjected to the indignity of having to pay it. They were determined to collect wood and to burn themselves under the walls of the palace rather than pay the tax. When these pleasant words (kalimat-i-pur naghmat) were reported to the Sultan, he replied that they might burn and destroy themselves at once for they would not escape from the payment. The Brahmans remained fasting for several days at the palace until they were on the point of death. The Hindus of the city then assembled and told the Brahmans that it was not right to kill themselves on account of the Jiziyah, and that they would undertake to pay it for them. In Delhi, the Jiziyah was of three kinds: Ist class, forty tankahs; 2nd class, twenty tankahs; 3rd class, ten tankahs. When the Brahmans found their case was hopeless, they went to the Sultan and begged him in his mercy to reduce the amount they would have to pay, and he accordingly assessed it at ten tankahs and fifty jitals for each individual.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 6 https://archive.org/stream/cu31924073036737#page/n381/mode/2up

Stafford Cripps photo
John Hennigan photo

““It happened that Mahmud had long been planning an expedition into Bhardana, and Gujarat, to destroy the idol temple of Somnat, a place of great sanctity to all Hindus. So as soon as he had returned to Ghazni from his Khurasan business, he issued a farman to the General of the army, ordering him to leave a confidential officer in charge of the fort of Kabuliz, and himself to join the court with his son Salar Mas‘ud…
“It is related in the Tarikh-i Mahmudi that the Sultan shortly after reached Ghazni, and laid down the image of Somnat at the threshold of the Mosque of Ghazni, so that the Musulmans might tread upon the breast of the idol on their way to and from their devotions. As soon as the unbelievers heard of this, they sent an embassy to Khwaja Hasan Maimandi, stating that the idol was of stone and useless to the Musulmans, and offered to give twice its weight in gold as a ransom, if it might be returned to them. Khwaja Hasan Maimandi represented to the Sultan that the unbelievers had offered twice the weight of the idol in gold, and had agreed to be subject to him. He added, that the best policy would be to take the gold and restore the image, thereby attaching die people to his Government. The Sultan yielded to the advice of the Khwaja, and the unbelievers paid the gold into the treasury.
“One day, when the Sultan was seated on his throne, the ambassadors of the unbelievers came, and humbly petitioned thus: ‘Oh, Lord of the world! we have paid the gold to your Government in ransom, but have not yet received our purchase, the idol Somnat.’ The Sultan was wroth at their words, and, falling into reflection, broke up the assembly and retired, with his dear Salar Mas‘ud, into his private apartments. He then asked his opinion as to whether the image ought to be restored, or not? Salar Mas‘ud, who was perfect in goodness, said quickly, ‘In the day of the resurrection, when the Almighty shall call for Ãzar, the idol-destroyer, and Mahmud, the idol-seller, Sire! what will you say?’ This speech deeply affected the Sultan, he was full of grief, and answered, ‘I have given my word; it will be a breach of promise.’ Salar Mas‘ud begged him to make over the idol to him, and tell the unbelievers to get it from him. The Sultan agreed; and Salar Mas‘ud took it to his house, and, breaking off its nose and ears, ground them to powder.
“When Khwaja Hasan introduced the unbelievers, and asked the Sultan to give orders to restore the image to them, his majesty replied that Salar Mas‘ud had carried it off to his house, and that he might send them to get it from him. Khwaja Hasan, bowing his head, repeated these words in Arabic, ‘No easy matter is it to recover anything which has fallen into the hands of a lion.’ He then told the unbelievers that the idol was with Salar Mas‘ud, and that they were at liberty to go and fetch it. So they went to Mas‘ud’s door and demanded their god.
“That prince commanded Malik Nekbakht to treat them courteously, and make them be seated; then to mix the dust of the nose and ears of the idol with sandal and the lime eaten with betel-nut, and present it to them. The unbelievers were delighted, and smeared themselves with sandal, and ate the betel-leaf. After a while they asked for the idol, when Salar Mas‘ud said he had given it to them. They inquired, with astonishment, what he meant by saying that they had received the idol? And Malik Nekbakht explained that it was mixed with the sandal and betel-lime. Some began to vomit, while others went weeping and lamenting to Khwaja Hasan Maimandi and told him what had occurred…”
“Afterwards the image of Somnat was divided into four parts, as is described in the Tawarikh-i-Mahmudi. Mahmud’s first exploit is said to have been conquering the Hindu rebels, destroying the forts and the idol temples of the Rai Ajipal (Jaipal), and subduing the country of India. His second, the expedition into Harradawa and Guzerat, the carrying off the idol of Somnat, and dividing it into four pieces, one of which he is reported to have placed on the threshold of the Imperial Palace, while he sent two others to Mecca and Medina respectively. Both these exploits were performed at the suggestion, and by the advice, of the General and Salar Mas‘ud; but India was conquered by the efforts of Salar Mas‘ud alone, and the idol of Somnat was broken in pieces by his sold advice, as has been related. Salar Sahu was Sultan of the army and General of the forces in Iran…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Somnath (Gujarat), Mir‘at-i-Mas‘udi Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

“Saloons provide moments of genuine ecstasy — but only if your soul is at peace and the rest of your life bears contemplating. Otherwise, they are palaces of misery.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Now That Men Can Cry...," p. 299
The Good Word & Other Words (1978)

Aurangzeb photo

“Mir Jumla made his way into Kuch Bihar by an obscure and neglected highway' In six days the Mughal army reached the capital (19th December) which had been deserted by the Rajah and his people in terror. The name of the town was changed to Alamgirnagar; the Muslim call to prayer, so long forbidden in the city, was chanted from the lofty roof of the palace, and a mosque was built by demolishing the principal temple.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

1661. Koch Bihar (Bengal) , Fathiyya-i-Ibriyya cited by Sarkar, Jadu Nath, History of Aurangzeb, quoted in Goel, S.R. Hindu temples What Happened to them https://archive.org/details/in.ernet.dli.2015.62677/page/n171
Quotes from late medieval histories, 1660s

Theodor Mommsen photo

“.. As Salmanezer and Nebuchadnezzar had formerly carried the Jews to Babylon, so now from all the frontier provinces of the new kingdom (of Armenia) - from Corduene, Adiabene, Assyria, Cilicia, Cappadocia - the inhabitants, especially the Greek or half-Greek citizens of the towns, were compelled to settle with their whole goods and chattels in the new capital, one of those gigantic cities proclaiming rather the nothingness of the people than the greatness of the rulers, which sprang up in the countries of the Euphrates on every change in the supreme sovereignty at the fiat of the new grant Sultan. the new 'city of Tigranes", Tigranocerta, situated in in the most southern province of Armenia, not far from the Mesopotamian frontier, was a city like Nineveh and Babylon, with walls fifty yards high, and the appendages of palace, garden and park that were appropriate to sultanism In other respects, too, the new great king proved faithful to his part. As amidst the perpetual childhood of the East the childlike conceptions of kings with real crowns on their heads have never disappeared, Tigranes, when he showed himself in public, appeared in the state and costume of a successor of Darius and Xerxes, with the purple fagtan, the half white half-purple tunic, the long plaited trousers, the high turban, and the royal diadem - attended moreover and served in slavish fashion, wherever he went or stoood, by four "kings."”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part: 1. Chapter 2 Pg. 47 - "Rule of the Sullan Restoration" Translated by W.P. Dickson.
The History of Rome - Volume 4: Part 1

Letitia Elizabeth Landon photo
Samuel Butler (poet) photo

“No Indian prince has to his palace
More followers than a thief to the gallows.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto I, line 273
Source: Hudibras, Part II (1664)

Edward Jenks photo
Firuz Shah Tughlaq photo
John Hennigan photo

“Roll ups don't exist at the Palace of Wisdom”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

“The explanation for capturing the vessel is perhaps to be found in Barroes’ remark: ‘It is true that there does exist a common right to all to navigate the seas and in Europe we recognize the rights which others hold against us; but the right does not extend beyond Europe and therefore the Portuguese as Lords of the Sea are justified in confiscating the goods of all those who navigate the seas without their permission.’ Strange and comprehensive claim, yet basically one which every European nation, in its turn, held firmly almost to the end of Western supremacy in Asia. It is true that no other nation put it forward so crudely or tried to enforce it so barbarously as the Portuguese in the first quarter of the sixteenth century, but the principle that the doctrines of international law did not apply outside Europe, that what would be barbarism in London or Paris is civilized conduct in Peking (e. g. the burning of the Summer Palace) and that European nations had no moral obligations in dealing with Asian peoples (as for example when Britain insisted on the opium trade against the laws of China, though opium smoking was prohibited by law in England itself) was pact of the accepted creed of Europe’s relations with Asia. So late as 1870 the President of the Hong Kong Chamber of Commerce declared: ‘China can in no sense be considered a country entitled to all the same rights and privileges as civilized nations which are bound by international law.’ Till the end of European domination the fact that rights existed for Asians against Europeans was conceded only with considerable mental reservation. In countries under direct British occupation, like India, Burma and Ceylon, there were equal rights established by law, but that as against Europeans the law was not enforced very rigorously was known and recognized. In China, under extra‑territorial jurisdiction, Europeans were protected against the operation of Chinese laws. In fact, except in Japan this doctrine of different rights persisted to the very end and was a prime cause of Europe’s ultimate failure in Asia.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Thomas Brooks photo
Le Corbusier photo

“You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.
But suddenly you touch my heart, you do me good, I am happy and I say: "This is beautiful."”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

That is Architecture. Art enters in.
Vers une architecture [Towards an Architecture] (1923)

John Hennigan photo

“We date real women in the Palace of Wisdom.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

William Beckford photo

“When he was angry, one of his eyes became so terrible, that no person could bear to behold it; and the wretch upon whom it was fixed, instantly fell backward, and sometimes expired. For fear, however, of depopulating his dominions, and making his palace desolate, he but rarely gave way to his anger.”

Quand il étoit en colère, un de ses yeux devenoit si terrible qu'on n'en pouvoit pas soutenir les regards: le malheureux sur lequel il le fixoit tomboit à la renverse, & quelquefois même expiroit à l'instant. Aussi, dans la crainte de dépeupler ses états, & de faire un désert de son palais, ce prince ne se mettoit en colère que très-rarement.
Source: Vathek, P. 3; translation p. 1.

Cyril Connolly photo
Robert G. Ingersoll photo

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Emily Brontë photo
George William Curtis photo

“The relation between physical sanitary laws and the national welfare is now hardly disputed. At this moment the cholera is stealthily feeling its terrible way along the edges of Europe to this country, and there is not an intelligent man who does not know that it is a divine vengeance upon uncleanliness. Let it seize the unclean city of New York, and it will riot in horror and devastation. Panic will empty the palaces, trade will stop in the warehouses. Those who can will flee, while the poor and wretched, poisoned in tenement-houses, will be huddled in heaps of agony and death. Does any man say that cholera is God's remedy for overpopulation? On the contrary, it is only the ghastly proof that God's laws of human health are disregarded. It is not a proclamation that the world is over-peopled; it is merely a warning for the world to provide decently for its population. God does not create men in his image to rot in tenement-houses, and he will make squalor and filth and misery plague-spots threatening the fairest prosperity, until that prosperity acknowledges in vast sanitary reforms that cleanliness is next to godliness. And if the dread pestilence now approaching our shores would frighten us into universal purgation of our foul cities, it would be seen at this moment hovering in the wintry air, not an angry demon, but a stem angel with a sword of fire to open the path of knowledge and humanity and civilization.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Horace photo

“Whoever cultivates the golden mean avoids both the poverty of a hovel and the envy of a palace.”
Auream quisquis mediocritatem diligit, tutus caret obsoleti sordibus tecti, caret invidenda sobrius aula.

Horace book Odes

Auream quisquis mediocritatem
diligit, tutus caret obsoleti
sordibus tecti, caret invidenda
sobrius aula.
Book II, ode x, line 5
Odes (c. 23 BC and 13 BC)

Henri Lefebvre photo

“Castles, palaces, cathedrals, fortresses, all speak in their various ways of the greatness and the strength of the people who built them and against whom they were built.”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)
Context: Everything great and splendid is founded on power and wealth. They are the basis of beauty. This is why the rebel and the anarchic protester who decries all of history and all the works of past centuries because he sees in them only the skills and the threat of domination is making a mistake. He sees alienated forms, but not the greatness within. The rebel can only see to the end of his own ‘private’ consciousness, which he levels against everything human, confusing the oppressors with the oppressed masses, who were nevertheless the basis and the meaning of history and past works. Castles, palaces, cathedrals, fortresses, all speak in their various ways of the greatness and the strength of the people who built them and against whom they were built. This real greatness shines through the fake grandeur of rulers and endows these buildings with a lasting ‘beauty’. The bourgeoisie is alone in having given its buildings a single, over-obvious meaning, impoverished, deprived of reality: that meaning is abstract wealth and brutal domination; that is why it has succeeded in producing perfect ugliness and perfect vulgarity. The man who denigrates the past, and who nearly always denigrates the present and the future as well, cannot understand this dialectic of art, this dual character of works and of history. He does not even sense it. Protesting against bourgeois stupidity and oppression, the anarchic individualist is enclosed in ‘private’ consciousness, itself a product of the bourgeois era, and no longer understands human power and the community upon which that power is founded. The historical forms of this community, from the village to the nation, escape him. He is, and only wants to be, a human atom (in the scientifically archaic sense of the word, where ‘atom’ meant the lowest isolatable reality). By following alienation to its very extremes he is merely playing into the hands of the bourgeoisie. Embryonic and unconscious, this kind of anarchism is very widespread. There is a kind of revolt, a kind of criticism of life, that implies and results in the acceptance of this life as the only one possible. As a direct consequence this attitude precludes any understanding of what is humanly possible.

Anatole France photo

“Amid the ever lasting gloom Ialdabaoth still retained his lofty mien. Blackened and shattered, terrible and sublime, he glanced upwards at the palace of the King of Heaven with a look of proud disdain, then turned away his head.”

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: Satan found pleasure in praise and in the exercise of his grace; he loved to hear his wisdom and his power belauded. He listened with joy to the canticles of the cherubim who celebrated his good deeds, and he took no pleasure in listening to Nectaire's flute, because it celebrated nature's self, yielded to the insect and to the blade of grass their share of power and love, and counselled happiness and freedom. Satan, whose flesh had crept, in days gone by, at the idea that suffering prevailed in the world, now felt himself inaccessible to pity. He regarded suffering and death as the happy results of omnipotence and sovereign kindness. And the savour of the blood of victims rose upward towards him like sweet incense. He fell to condemning intelligence and to hating curiosity. He himself refused to learn anything more, for fear that in acquiring fresh knowledge he might let it be seen that he had not known everything at the very outset. He took pleasure in mystery, and believing that he would seem less great by being understood, he affected to be unintelligible. Dense fumes of Theology filled his brain. One day, following the example of his predecessor, he conceived the notion of proclaiming himself one god in three persons. Seeing Arcade smile as this proclamation was made, he drove him from his presence. Istar and Zita had long since returned to earth. Thus centuries passed like seconds. Now, one day, from the altitude of his throne, he plunged his gaze into the depths of the pit and saw Ialdabaoth in the Gehenna where he himself had long lain enchained. Amid the ever lasting gloom Ialdabaoth still retained his lofty mien. Blackened and shattered, terrible and sublime, he glanced upwards at the palace of the King of Heaven with a look of proud disdain, then turned away his head. And the new god, as he looked upon his foe, beheld the light of intelligence and love pass across his sorrow-stricken countenance. And lo! Ialdabaoth was now contemplating the Earth and, seeing it sunk in wickedness and suffering, he began to foster thoughts of kindliness in his heart. On a sudden he rose up, and beating the ether with his mighty arms, as though with oars, he hastened thither to instruct and to console mankind. Already his vast shadow shed upon the unhappy planet a shade soft as a night of love.
And Satan awoke bathed in an icy sweat.
Nectaire, Istar, Arcade, and Zita were standing round him. The finches were singing.
"Comrades," said the great archangel, "no — we will not conquer the heavens. Enough to have the power. War engenders war, and victory defeat.
"God, conquered, will become Satan; Satan, conquering, will become God. May the fates spare me this terrible lot; I love the Hell which formed my genius. I love the Earth where I have done some good, if it be possible to do any good in this fearful world where beings live but by rapine.
Now, thanks to us, the god of old is dispossessed of his terrestrial empire, and every thinking being on this globe disdains him or knows him not. But what matter that men should be no longer submissive to Ialdabaoth if the spirit of Ialdabaoth is still in them; if they, like him, are jealous, violent, quarrelsome, and greedy, and the foes of the arts and of beauty? What matter that they have rejected the ferocious Demiurge, if they do not hearken to the friendly demons who teach all truths; to Dionysus, Apollo, and the Muses? As to ourselves, celestial spirits, sublime demons, we have destroyed Ialdabaoth, our Tyrant, if in ourselves we have destroyed Ignorance and Fear."
And Satan, turning to the gardener, said:
"Nectaire, you fought with me before the birth of the world. We were conquered because we failed to understand that Victory is a Spirit, and that it is in ourselves and in ourselves alone that we must attack and destroy Ialdabaoth."

Oliver Wendell Holmes Jr. photo

“And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?”

Lascelles Abercrombie (1881–1938) Poet, academic, literary critic

Emblems of Love (1912)
Context: And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?
Ah, it was but built in vain
Against the stupid horns of Rome,
That pusht down into the common loam
The loveliness that shone in Spain.
But we have raised it up again!
A loftier palace, fairer far,
Is ours, and one that fears no war.
Safe in marvellous walls we are;
Wondering sense like builded fires,
High amazement of desires,
Delight and certainty of love,
Closing around, roofing above
Our unapproacht and perfect hour
Within the splendours of love's power.

Alfred, Lord Tennyson photo
P. J. O'Rourke photo
John D. Barrow photo
Aeschylus photo

“They dare'd not invade the palace while the globe shone, for the light-rays would have killed them.”

Henry Kuttner (1915–1958) American author

Zend explaining the Spawn of Dagon to Elak
Short fiction, The Spawn Of Dagon (1938)
Context: "They dare'd not invade the palace while the globe shone, for the light-rays would have killed them. … This island-continent would have gone down beneath the sea long ago if I hadn't pitted my magic and my science against that of the children of Dagon. They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea. But within that room" — Zend nodded toward the curtain that hid the sea-bred horrors — "in that room there is power far stronger than theirs. I have drawn strength from the stars, and the cosmic sources beyond the universe. You know nothing of my power. It is enough — more than enough — to keep Atlantis steady on its foundation, impregnable against the attacks of Dagon's breed. They have destroyed other lands before Atlantis."

David Foster Wallace photo

“In Caesars Palace is America conceived as a new kind of Rome: conqueror of its own people. An empire of self.”

Big Red Son, p. 9
Consider the Lobster (2007)
Context: Nor let us forget Vegas's synecdoche and beating heart. It's kitty-corner from Bally's: Caesar's Palace. The granddaddy. As big as 20 walmarts end to end. Real marble and fake marble, carpeting you can pass out on without contusion, 130,000 square feet of casion alone. Domed ceilings, clerestories, barrel vaults. In Caesars Palace is America conceived as a new kind of Rome: conqueror of its own people. An empire of self.

John Bunyan photo

“The palace Beautiful.”

Part I, Ch. VII : The Palace Beautiful
The Pilgrim's Progress (1678), Part I

Ruhollah Khomeini photo
John Adams photo
J. Howard Moore photo
Barham Salih photo
Rajendra Prasad photo
Baruch Spinoza photo
Nicolas Chamfort photo

“Petty souls are more susceptible to ambition than great ones, just as straw or thatched cottages burn more easily than palaces.”

Nicolas Chamfort (1741–1794) French writer

L'ambition prend aux petites âmes plus facilement qu'aux grandes, comme le feu prend plus aisément à la paille, aux chaumières qu'aux palais.
Maximes et Pensées, #68
Reflections

B.K.S. Iyengar photo
Uthradom Thirunal Marthanda Varma photo

“He was educated by 14 palace tutors. He remembered a childhood stay with his mother in London, when he folded up as a paper boat a doctors’ report about his being too fat, and set it adrift on the Thames, so that she would not see it. He studied economics at Travancore University, and was a Sanskrit scholar.”

Uthradom Thirunal Marthanda Varma (1922–2013) Maharaja of Travancore

Anne Keleny, in Uthradom Thirunal Marthanda Varma: The Maharajah of Travancore 4 March 2014 http://www.independent.co.uk/news/obituaries/uthradom-thirunal-marthanda-varma-the-maharajah-of-travancore-9169048.html

Jayachamarajendra Wadiyar photo
Jayachamarajendra Wadiyar photo
Jayachamarajendra Wadiyar photo
Ken MacLeod photo

“Hey, this is Europe. We took it from nobody; we won it from the bare soil that the ice left. The bones of our ancestors, and the stones of their works, are everywhere. Our liberties were won in wars and revolutions so terrible that we do not fear our governors: they fear us. Our children giggle and eat ice-cream in the palaces of past rulers. We snap our fingers at kings. We laugh at popes. When we have built up tyrants, we have brought them down. And we have nuclear *fucking* weapons.”

Ken MacLeod (1954) Scottish science fiction writer

USENET posting to rec.sf.arts.fandom http://groups.google.com/group/rec.arts.sf.fandom/browse_frm/thread/303b0da0ab25aee/b12adceacd343279 28 September 2000, in the discussion of Robert A. Heinlein's quote "The cowards never started and the weaklings died on the way." (Expanded Universe, How to be a Survivor in the Atomic Age)
Other sources

Will Cuppy photo
Halldór Laxness photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“Turn where we may,—within,—around,—the voice of great events is proclaiming to us, Reform, that you may preserve. Now, therefore, while every thing at home and abroad forebodes ruin to those who persist in a hopeless struggle against the spirit of the age,—now, while the crash of the proudest throne of the continent is still resounding in our ears,—now, while the roof of a British palace affords an ignominious shelter to the exiled heir of forty kings,—now, while we see on every side ancient institutions subverted, and great societies dissolved,—now, while the heart of England is still sound,—now, while the old feelings and the old associations retain a power and a charm which may too soon pass away,—now, in this your accepted time,—now in this your day of salvation,—take counsel, not of prejudice,—not of party spirit,—not of the ignominious pride of a fatal consistency,—but of history,—of reason,—of the ages which are past,—of the signs of this most portentous time. Pronounce in a manner worthy of the expectation with which this great Debate has been anticipated, and of the long remembrance which it will leave behind. Renew the youth of the State. Save property divided against itself. Save the multitude, endangered by their own ungovernable passions. Save the aristocracy, endangered by its own unpopular power. Save the greatest, and fairest, and most highly civilized community that ever existed, from calamities which may in a few days sweep away all the rich heritage of many ages of wisdom and glory. The danger is terrible. The time is short. If this Bill should be rejected, I pray to God that none of those who concur in rejecting it may ever remember their votes with unavailing regret, amidst the wreck of laws, the confusion of ranks, the spoliation of property, and the dissolution of social order.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Speech in the House of Commons (2 March 1831) https://api.parliament.uk/historic-hansard/commons/1831/mar/02/ministerial-plan-of-parliamentary-reform#column_1204 in favour of the Reform Bill
1830s

Adolf Hitler photo

“The Palace of Justice in Brussels lies like a cyclops above the city, building a court of justice above a city, that is really something special.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

1940s

William Morris photo
Arsenius the Great photo

“While still living in the palace, Abba Arsenius prayed to God in these words, "Lord, lead me in the way of salvation." And a voice came saying to him, "Arsenius, flee from men and you will be saved."”

Arsenius the Great (354–449) Desert Father

Sayings of the Desert Fathers, as translated by Benedicta Ward, SLG (Cistercian Publications: 1975), Saying 1, Page 9

Thomas Aquinas photo

“Prostitution in towns is like the sewer in a palace; take away the sewers and the palace becomes an impure and stinking place.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Misattributed
Source: This quote, frequently attributed to Aquinas, is actually a paraphrase of a passage (itself an elaborate paraphrase of Augustine) by Ptolemy of Lucca in his continuation of an unfinished work by Aquinas. The passage from Ptolemy reads: "Thus, Augustine says that a whore acts in the world as the bilge in a ship or the sewer in a palace: 'Remove the sewer, and you will fill the palace with a stench.' Similarly, concerning the bilge, he says: 'Take away whores from the world, and you will fill it with sodomy.'" (Ptolemy of Lucca and Thomas Aquinas, On the Government of Rulers, trans. James M. Blythe. Philadelphia: University of Pennsylvania Press, 1997, 4. 14. 6). What Augustine actually wrote (in De ordine, 2. 4. 12) was simply: "Remove prostitutes from human affairs and you will unsettle everything on account of lusts." Only Book 1 and the first four chapters of Book 2 of On the Government of Rulers (De Regimine Principum) are by Aquinas. The rest of the work was written by Ptolemy. (It even mentions the coronation of Albert I of Hapsburg, an event that occurred in 1298, twenty-four years after Aquinas's death.) The quote comes from Book 4, which was definitely not written by Aquinas.