Quotes about order
page 24

Anton Mauve photo

“Dear friend! I am still staying in Oosterbeek as you can see but I will now leave in 2 days. The last days I spent on two small paintings ordered by Mr. de Visser. I painted them in a happy atmosphere... I send them to you because they were still wet when I sent them away and I could hardly do that to Mr. de Visser. Please, do you want to give them a layer of egg-varnish and when you discover here or there a badly seen dash, or you see a chance to make a witty thing in the paintings, oh chap, I pray you do so, because if he doesn't like them, I'll get no bread and have nasty problems, because I need the money so badly..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from the original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve's brief, in het Nederlands:) Waarde Vriend! Ik zit zoo als gij ziet nog altijd te Oosterbeek doch zal nu over 2 dagen vertrekken de laatste tijd heb ik aan twee kleine schilderijtjes besteed voor den Heer de Visser, ik heb ze onder een gelukkige atmosfeer geschilderd.. ..ik zend ze jou omdat ze nat waren toen ik ze afzond en ik dat moeyelijk aan den Heer de Visser kon doen, wilt gij ze s.v.p. met een eivernisje bestrijken en vindt gij ze hier of daar eene slecht geziene greep, of ziet gij gemakkelijk kans er nog eene geestige zet in te doen, och kerel ik bid je doe het, want als ze hem niet bevielen en ik krijg geen duiten dan zit ik er leelijk mee in, ik heb ze hoog noodig..
In a letter of Mauve from Oosterbeek 4 Nov. 1867, to Willem Maris in The Hague; from the original letter https://rkd.nl/explore/excerpts/109, RKD Archive, The Hague
1860's

Clement Attlee photo

“We have absolutely abandoned any idea of nationalist loyalty. We are deliberately putting a world order before our loyalty to our own country.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech to the Labour Party Conference in Southport (2 October 1934) , quoted in Talus, Your Alternative Government (London: Eyre and Spottiswoode, 1945), p. 17 and D. M. Touche, Britain's Lost Victory (London: The Individualist Bookshop, 1941).
1930s

“Nehru’s daughter, Mrs. Indira Gandhi, carried her father’s game much farther. In her fight for a monopoly of power, she split the Congress Party, and made a common cause with the Communists. Well-known Communists and fellow-travellers were given positions of power in the ruling Congress Party, in the Government at the Centre as well in the States, and in prestigious institutions all over the country. The Muslim-Marxist combine of “historians” had already captured the Indian History Congress during the days of Pandit Nehru, and many honest historians had been hounded out of it. Now this combine was placed in control of the Indian Council of Historical Research and entrusted with extensive patronage. The combine took over the National Council of Educational Research and Training also, and laid down the guidelines for producing school textbooks on various subjects. The Jawaharlal Nehru University was created and financed on a fabulous scale in order to collect Communist professors from all over the country, and form them into a frontline brigade for launching all sorts of anti-Hindu campaigns. The smokescreen for this Stalinist operation was provided by the slogan of Secularism which nobody was supposed to question, or examine as to what it had come to mean. Its meaning had to be accepted ex-cathedra, and as laid down by the Muslim-Marxist combine. In the new political parlance that emerged, Hinduism and the nationalism it inspired, became blackned as “Communalism.””

Sita Ram Goel (1921–2003) Indian activist

Small wonder that the word “Hindu” started becoming a dirty word in the academia as well as the media.
Hindu Temples – What Happened to Them, Volume II (1993)

Muhammad of Ghor photo
Oliver Wendell Holmes photo
Immanuel Kant photo
Kent Hovind photo
Tina Fey photo

“In order to feel safer on his private jet, actor John Travolta has purchased a bomb-sniffing dog. Unfortunately for the actor, the dog came six movies too late.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/01/01dupdate.phtml

Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Hans Arp photo

“Like the disposition of planes, the proportion of these planes and their colors seemed to depend only upon chance, and I declared that these works were ordered 'according to the law of chance', just like in the order of nature.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 307

Joan Miró photo
Augusto Pinochet photo
André Maurois photo
Diodorus Siculus photo
Maimónides photo
Ernesto Che Guevara photo
Germaine Greer photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Francisco Franco photo

“The defence of internal peace and order constitutes the sacred mission of a nation's armed forces and that is what we have carried out.”

Francisco Franco (1892–1975) Spanish general and dictator

As quoted in The Tyrants : 2500 Years of Absolute Power and Corruption (2006) by Clive Foss, p. 143, ISBN 1905204965

John Ralston Saul photo
Aurangzeb photo
Martin Luther King, Jr. photo
Charles James Napier photo
Roger Scruton photo
Alfonso X of Castile photo

“Had I been present at the Creation, I would have given some useful hints for the better ordering of the universe.”

Alfonso X of Castile (1221–1284) King of Castile

Si hubiera estado presente en la Creación, habría dado algunas indicaciones útiles.
After studying Ptolemy's treatise on astronomy.; reported in Thomas Carlyle, History of Frederick the Great, book ii. chap. vii. Carlyle wrote that this saying of Alfonso about Ptolemy's astronomy, "that it seemed a crank machine; that it was pity the Creator had not taken advice," is still remembered by mankind, — this and no other of his many sayings.
If the Lord Almighty had consulted me before embarking on creation thus, I should have recommended something simpler.
Quoted/paraphrased by Adam Riess in his Nobel Prize (in Physics 2011) lecture slides on Supernovae Reveal An Accelerating Universe (A Science Adventure Story).

Ramsay MacDonald photo
Herbert Marcuse photo
Joseph Arch photo
Democritus photo

“Those who have a well-ordered character lead also a well-ordered life.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Yanis Varoufakis photo
Russell Brand photo
William Edward Hartpole Lecky photo
Daniel Handler photo
Rudolf Höss photo
William James photo
Carl Menger photo
Max Stirner photo
Tom Stoppard photo

“Since we cannot hope for order let us withdraw with style from the chaos.”

Tom Stoppard (1937) British playwright

Source: Lord Malquist and Mr Moon (1966), Ch. I: Dramatis Personae and Other Coincidences.

Isaac Barrow photo
Chuck Palahniuk photo
Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Naomi Wolf photo
A. James Gregor photo
Amir Khusrow photo

“Praise be to God!, that he (the sultan) so ordered the massacre of all the chiefs of Hindustan out of the pale of Islam, by his infidel-smiting sword, that if in this time it should by chance happen that a schismatic should claim his right, the pure Sunnis would swear in the name of this Khalifa of God, that heterodoxy has no right.”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

Amir Khusrau, Khazain-ul-Futuh, trs., in E.D. vol. III, p. 77. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 3
Khazainu’l-Futuh

Herman Melville photo
Peter L. Berger photo
Philip Stanhope, 4th Earl of Chesterfield photo
Stuart Kauffman photo

“Evolution is not just "chance caught on the wing". It is not just a tinkering of the ad hoc, of bricolage, of contraption. It is emergent order honored and honed by selection.”

Stuart Kauffman (1939) American biophysicist

Source: The origins of order: Self-organization and selection in evolution (1993), p. 644

William John Macquorn Rankine photo

“The objects of instruction in purely scientific mechanics and physics are, first, to produce in the student that improvement of the understanding which results from the cultivation of natural knowledge, and that elevation of mind which flows from the contemplation of the order of the universe”

William John Macquorn Rankine (1820–1872) civil engineer

"On the Harmony of Theory and Practice in Mechanics" (Jan. 3, 1856)
Context: The objects of instruction in purely scientific mechanics and physics are, first, to produce in the student that improvement of the understanding which results from the cultivation of natural knowledge, and that elevation of mind which flows from the contemplation of the order of the universe; and secondly, if possible, to qualify him to become a scientific discoverer.<!--p. 176

Timothy Leary photo
Calvin Coolidge photo
Miguel de Unamuno photo

“It may be expedient but it is not just that some should have less in order that others may prosper.”

Source: A Theory of Justice (1971; 1975; 1999), Chapter I, Section 3, pg. 15

Herbert Marcuse photo

“They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality.”

Source: One-Dimensional Man (1964), pp. 60-61

Noam Chomsky photo
Thomas Jefferson photo
Edwin Abbott Abbott photo
Aurangzeb photo

“Middle of 1698: ‘Hamid-ud-din Khan Bahadur who had been deputed to destroy the temple of Bijapur and build a mosque (there), returned to Court after carrying the order out and was praised by the Emperor.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat. Jadunath Sarkar, History of Aurangzib, Volume III, Orient Longman, New Delhi, 1972 reprint, pp. 185–89., quoted from Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1690s

Roger Ebert photo

“For 40 years, I didn't miss a single deadline, but since July, I have missed every one. I also, to my intense disappointment, missed the Telluride and Toronto film festivals. Having just written my first review since June (The Queen), I think an update is in order.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Roger writes to readers" Chicago Sun Times (11 October 2006) http://www.rogerebert.com/interviews/roger-writes-to-readers

Erastus Otis Haven photo
Aurangzeb photo
Albert Camus photo
Karl Wilhelm Friedrich Schlegel photo

“A mediator is one who perceives the divinity within himself and who self-destructively sacrifices himself in order to reveal, communicate, and represent to all mankind this divinity in his conduct and actions, in his words and works.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Ein Mittler ist derjenige, der Göttliches in sich wahrnimmt, und sich selbst vernichtend Preis giebt, um dieses Göttliche zu verkündigen, mitzutheilen, und darzustellen allen Menschen in Sitten und Thaten, in Worten und Werken.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 44

Hermann Hesse photo
John Calvin photo

“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—i. e., by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1549), p. 13

Fidel Castro photo
Philip Schaff photo

“Editions and Revisions. The printed Bible text of Luther had the same fate as the written text of the old Itala and Jerome's Vulgate. It passed through innumerable improvements and mis-improvements. The orthography and inflections were modernized, obsolete words removed, the versicular division introduced (first in a Heidelberg reprint, 1568), the spurious clause of the three witnesses inserted in 1 John 5:7 (first by a Frankfurt publisher, 1574), the third and fourth books of Ezra and the third book of the Maccabees added to the Apocrypha, and various other changes effected, necessary and unnecessary, good and bad. Elector August of Saxony tried to control the text in the interest of strict Lutheran orthodoxy, and ordered the preparation of a standard edition (1581). But it was disregarded outside of Saxony.
Gradually no less than eleven or twelve recensions came into use, some based on the edition of 1545, others on that of 1546. The most careful recension was that of the Canstein Bible Institute, founded by a pious nobleman, Carl Hildebrand von Canstein (1667-1719) in connection with Francke's Orphan House at Halle. It acquired the largest circulation and became the textus receptus of the German Bible.
With the immense progress of biblical learning in the present century, the desire for a timely revision of Luther's version was more and more felt. Revised versions with many improvements were prepared by Joh.- Friedrich von Meyer, a Frankfurt patrician (1772-1849), and Dr. Rudolf Stier (1800-1862), but did not obtain public authority.
At last a conservative official revision of the Luther Bible was inaugurated by the combined German church governments in 1863, with a view and fair prospect of superseding all former editions in public use.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

Thomas Dewar, 1st Baron Dewar photo
Will Eisner photo

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

Henry Adams photo

“The basic idea of sensemaking is that reality is an ongoing accomplishment that emerges from efforts to create order and make retrospective sense of what occurs.”

Karl E. Weick (1936) Organisational psychologist

Weick (1993, p. 635), as cited in: Bruce K. Berger, ‎Juan Meng (2014), Public Relations Leaders as Sensemakers, p. 7
1980s-1990s

Antonio Negri photo
Frederick Winslow Taylor photo

“I have read with very great interest Mr. Metcalfe's paper, as we at the Midvale Steel Co. have had the experience, during the past ten years, of organizing a system very similar to that of Mr. Metcalfe. The chief idea in our system, as in his, is, that the authority for doing all kinds of work should proceed from one central office to the various departments, and that there proper records should be kept of the work and reports made daily to the central office, so that the superintending department should be kept thoroughly informed as to what is taking place throughout the works, and at the same time no work could be done in the works without proper authority. The details of the system have been very largely modified as time went on, and a consecutive plan, such as Mr. Metcalfe proposed, would have been of great assistance to us in carrying out our system. There are certain points, however, in Mr. Metcalfe's plan, which I think our experience shows to be somewhat objectionable. He issues to each of the men a book, something like a check-book, containing sheets which they tear out, and return to the office after stating on them the work which they have done. We have found that any record which passes through the average workman's hands, and which he holds for any length of time, is apt either to be soiled or torn. We have, therefore, adopted the system of having our orders sent from the central office to the small offices in the various departments of the works, in each of which there is a clerk who takes charge of all orders received from, and records returned to, the central office, as well as of all records kept in the department.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

F.W. Taylor (1886), " Comment to "The Shop-Order System of Accounts https://archive.org/stream/transactionsof07amer#page/475/mode/1up," by Henry Metcalfe in: Transactions of the American Society of Mechanical Engineers, Vol 7 (1885-1886), p. 475; Partly cited in: Charles D. Wrege, ‎Ronald G. Greenwood (1991), Frederick W. Taylor, the father of scientific management. p. 204.

Slavoj Žižek photo
Alija Izetbegović photo
Philip Stanhope, 4th Earl of Chesterfield photo

“There are some occasions in which a man must tell half his secret, in order to conceal the rest; but there is seldom one in which a man should tell all. Great skill is necessary to know how far to go, and where to stop.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

15 January 1753
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Naum Gabo photo

“It needs a poet like Schwitters to show us that unobserved elements of beauty are strewn and spread all around us and we can find them everywhere in the portentous as well as in the insignificant, if only we care to look, to choose and to fit them into a comely order.”

Naum Gabo (1890–1977) Russian sculptor

Attributed to Gabo in: Andrew Lambirth (2013) " Finding beauty in junk http://www.spectator.co.uk/arts/exhibitions/8839071/finding-beauty-in-junk/" in: The Spectator 9 February 2013
1936 - 1977

Nathanael Greene photo
George Holmes Howison photo
Conrad Black photo