Quotes about mystery
page 6

Denis Dutton photo
Daniel Kahneman photo

“The mystery is how a conception that is vulnerable to such obvious counterexamples survived for so long. I can explain it only by a weakness of the scholarly mind that I have often observed in myself. I call it theory-induced blindness: Once you have accepted a theory, it is extraordinarily difficult to notice its flaws. As the psychologist Daniel Gilbert has observed, disbelieving is hard work.”

Daniel Kahneman (1934) Israeli-American psychologist

Bias, Blindness and How We Truly Think (Part 2): Daniel Kahneman, bloomberg.com, 24 October 2011, 15 May 2014 http://www.bloomberg.com/news/2011-10-25/bias-blindness-and-how-we-truly-think-part-2-daniel-kahneman.html,
"Bias, Blindness and How We Truly Think" (2011)

Pierre Louis Maupertuis photo
Evelyn Underhill photo
William Winwood Reade photo

“The first rational exposition of the relations of mankind to the mystery which shrouds the how and wherefore of man’s existence.”

William Winwood Reade (1838–1875) British historian

Sir Harry Johnston Liberia (1906), vol. 1, p. 257.
Criticism of The Martyrdom of Man

John Ruskin photo
James Gleick photo

“In the thousands of articles that made up the technical literature of chaos, few were cited more often than "Deterministic Nonperiodic Flow." For years, no single object would inspire more illustrations, even motion pictures, than the mysterious curve depicted at the end, the double spiral that became known as the Lorenz attractor.”

Source: Chaos: Making a New Science, 1987, p. 52; as cited in: Joshua Keating, in " Can Chaos theory teach us anything about Foreign Policy http://ideas.foreignpolicy.com/posts/2013/05/23/can_chaos_theory_teach_us_anything_about_international_relations", at ideas.foreignpolicy.com, May 23rd 2013.

J. Sheridan Le Fanu photo

“He has attained supremacy in one particular line: he succeeds in inspiring a mysterious terror better than any other writer.”

J. Sheridan Le Fanu (1814–1873) Irish writer of Gothic tales and mystery novels

M. R. James "The Novels and Stories of J. Sheridan Le Fanu" (1923). http://www.users.globalnet.co.uk/~pardos/ArchiveLeFanu.html
Criticism

“What's hit's history: what's missed's mystery.”

Great Northern? (Chapter 9), 1947

Thomas Jefferson photo

“The art and mystery of banks… is established on the principle that 'private debts are a public blessing.' That the evidences of those private debts, called bank notes, become active capital, and aliment the whole commerce, manufactures, and agriculture of the United States. Here are a set of people, for instance, who have bestowed on us the great blessing of running in our debt about two hundred millions of dollars, without our knowing who they are, where they are, or what property they have to pay this debt when called on; nay, who have made us so sensible of the blessings of letting them run in our debt, that we have exempted them by law from the repayment of these debts beyond a give proportion (generally estimated at one-third). And to fill up the measure of blessing, instead of paying, they receive an interest on what they owe from those to whom they owe; for all the notes, or evidences of what they owe, which we see in circulation, have been lent to somebody on an interest which is levied again on us through the medium of commerce. And they are so ready still to deal out their liberalities to us, that they are now willing to let themselves run in our debt ninety millions more, on our paying them the same premium of six or eight per cent interest, and on the same legal exemption from the repayment of more than thirty millions of the debt, when it shall be called for.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

ME 13:420
1810s, Letters to John Wayles Eppes (1813)

Nathaniel Hawthorne photo
George Berkeley photo
Lucius Shepard photo
Bruce Timm photo
Anthony Trollope photo
Nicolas Steno photo

“There are those among us who would have us say that the mysteries of the brain are completely solved and little needs to be added to its knowledge. It is as if these fortunate persons had been present when this magnificent organ was created.”

Nicolas Steno (1638–1686) Pioneer in anatomy and geology, bishop

quoted in Minds Behind the Brain. A History of the Pioneers and Their Discoveries by S. Finger, 2000

John Shelby Spong photo

“True religion is not about possessing the truth. No religion does that. It is rather an invitation into a journey that leads one toward the mystery of God. Idolatry is religion pretending that it has all the answers.”

John Shelby Spong (1931) American bishop

"Q&A on The Parliament of the World's Religions," weekly mailing, 2007-SEP-05, as reported on Religious Tolerance.org http://www.religioustolerance.org/reltrue.htm

Henry Wadsworth Longfellow photo
Milton Friedman photo

“One reason why money is a mystery to so many is the role of myth or fiction or convention.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Source: Money Mischief (1992), Ch. 2 The Mystery of Money

Albert Camus photo
John Napier photo

“Here then (belove reader) thou hast this work devided into two treatises, the first is the said introduction and reasoning, for investigation of the true sense of every cheife Theological tearme and date contained in the Revelation, whereby, not onely is it opened, explained and interpreted, but also that same explanation and interpretation is proved, confirmed and demonstrated, by evidente proofe and coherence of scriptures, agreeable with the event of histories. The seconde is, the principall treatise, in which the whole Apocalyps, Chapter by chapter, Verse by verse, and Sentence by sentence, is both Paraphrastically expounded and Historically applyed. …And because this whole work of Revelation concerneth most the discoverie of the Antichristian and Papisticall kingdome, I have therefore (for removing of all suspition) in al histories and prophane matters, taken my authorities and cited my places either out of Ethnick auctors, or then papistical writers, whose testimonies by no reason can be refuted against themselves. But in matters of divinitie, doctrine & interpretation of mysteries (leaving all opinions of men) I take me onely to the interpretation and discoverie thereof, by coherence of scripture, and godly reasons following thereupon; which also not only no Papist, but even no Christian may justly refuse. And forasmuch as our scripturs herein are of two fortes, the one our ordinary text, the other extraordinary citations; In our ordinary text, I follow not altogether the vulgar English translation, but the best learned in the Greek tong, so that (for satisfying the Papists) I differ nothing from their vulgar text of S. Jerome, as they cal it, except is such places, where I prove by good reasons, that hee differeth from the Original Greek. In the extraordinary texts of other scriptures cited by me, I followe ever Jeromes latine translation, where any controverse stands betwixt us and the Papists, and that moveth me in divers places to insert his very latine text, for their cause, with the just English thereof, for supply of the unlearned.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593)

Helena Petrovna Blavatsky photo

“Evidently Proclus does not advocate here simply a superstition, but science; for notwithstanding that it is occult, and unknown to our scholars, who deny its possibilities, magic is still a science. It is firmly and solely based on the mysterious affinities existing between organic and inorganic bodies, the visible productions of the four kingdoms, and the invisible powers of the universe. That which science calls gravitation, the ancients and the mediaeval hermetists called magnetism, attraction, affinity. It is the universal law, which is understood by Plato and explained in Timaeus as the attraction of lesser bodies to larger ones, and of similar bodies to similar, the latter exhibiting a magnetic power rather than following the law of gravitation. The anti-Aristotelean formula that gravity causes all bodies to descend with equal rapidity, without reference to their weight, the difference being caused by some other unknown agency, would seem to point a great deal more forcibly to magnetism than to gravitation, the former attracting rather in virtue of the substance than of the weight. A thorough familiarity with the occult faculties of everything existing in nature, visible as well as invisible; their mutual relations, attractions, and repulsions; the cause of these, traced to the spiritual principle which pervades and animates all things; the ability to furnish the best conditions for this principle to manifest itself, in other words a profound and exhaustive knowledge of natural law — this was and is the basis of magic.”

Source: Isis Unveiled (1877), Volume I, Chapter VII

Marston Morse photo

“Discovery in mathematics is not a matter of logic. It is rather the result of mysterious powers which no one understands, and in which unconscious recognition of beauty must play an important part. Out of an infinity of designs, a mathematician chooses one pattern for beauty's sake and pulls it down to earth.”

Marston Morse (1892–1977) American mathematician

Attributed in Princeton & Mathematics: A Notable Record, Chaplin, Virginia, Princeton Alumni Weekly, May 9, 1958 http://www.princeton.edu/~mudd/finding_aids/mathoral/pmcxpaw.htm,

Nadine Gordimer photo
Janna Levin photo
Charlotte Brontë photo

“Have you yet read Miss Martineau’s and Mr. Atkinson’s new work, Letters on the Nature and Development of Man? If you have not, it would be worth your while to do so. Of the impression this book has made on me, I will not now say much. It is the first exposition of avowed atheism and materialism I have ever read; the first unequivocal declaration of disbelief in the existence of a God or a future life I have ever seen. In judging of such exposition and declaration, one would wish entirely to put aside the sort of instinctive horror they awaken, and to consider them in an impartial spirit and collected mood. This I find difficult to do. The strangest thing is, that we are called on to rejoice over this hopeless blank — to receive this bitter bereavement as great gain — to welcome this unutterable desolation as a state of pleasant freedom. Who could do this if he would? Who would do this if he could? Sincerely, for my own part, do I wish to know and find the Truth; but if this be Truth, well may she guard herself with mysteries, and cover herself with a veil. If this be Truth, man or woman who beholds her can but curse the day he or she was born. I said however, I would not dwell on what I thought; rather, I wish to hear what some other person thinks,--someone whose feelings are unapt to bias his judgment. Read the book, then, in an unprejudiced spirit, and candidly say what you think of it. I mean, of course, if you have time — not otherwise.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Letters on the Nature and Development of Man (1851), by Harriet Martineau. Letter to James Taylor (11 February 1851) The life of Charlotte Brontë

Robert G. Ingersoll photo
Albert Einstein photo

“Don't think about why you question, simply don't stop questioning. Don't worry about what you can't answer, and don't try to explain what you can't know. Curiosity is its own reason. Aren't you in awe when you contemplate the mysteries of eternity, of life, of the marvelous structure behind reality? And this is the miracle of the human mind—to use its constructions, concepts, and formulas as tools to explain what man sees, feels and touches. Try to comprehend a little more each day. Have holy curiosity.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant transcription from "Death of a Genius" in Life Magazine: "Then do not stop to think about the reasons for what you are doing, about why you are questioning. The important thing is not to stop questioning. Curiosity has its own reasons for existence. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery each day. Never lose a holy curiosity."
Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 138

Letitia Elizabeth Landon photo
Frederick William Robertson photo
Lois Duncan photo

“I understand the craft of writing, because it’s who and what I am. The commercial world of publishing, both in the past and today, is an ongoing mystery to me. Fads are constantly changing.”

Lois Duncan (1934–2016) American young-adult and children's writer

On writing and publishing, interview with Megan Abbott (2011)
2003–2016

Letitia Elizabeth Landon photo
Jane Jacobs photo
Edward Young photo

“There is something in Poetry beyond Prose-reason; there are Mysteries in it not to be explained, but admired.”

Edward Young (1683–1765) English poet

Conjectures on Original Composition (1759) p. 28.

Anton Mauve photo

“. never in my life I have seen such a truly sad thing [an atmosphere at Wolfheze ]. A mother heartbroken about the loss of her only child is nothing compared to this. A broad streak or strip in front of you, which becomes blacker and blacker towards the horizon. a mysterious ticking and hissing of rain drops which keep hanging halfway the heather plant on each twig and sprout..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..zoo iets waar droevigs [een atmosfeer bij nl:Wolfheze ] heb ik nimmer gezien. Een diepbedroefde moeder over het verlies van haar eenige kind is er niets bij. Een breede streep of strook vóór u, welke naar de horizon toe langer hoe zwarter wordt. een geheimzinnig getik en gesis van regendroppels welke halverwege de hei plant aan elk takje en uitspreitseltje blijft hangen..
In a letter of Anton Mauve to Willem Maris, 1860's; as cited in Anton Mauve, (exhibition catalog of Teylers Museum, Haarlem / Laren, Singer), ed. De Bodt en Plomp, 2009, p. 33
1860's

Elisha Gray photo

“Women's desire is a mysterious, feral thing, and if you think you've got it figured out because you've looked at a few Georgia O'Keeffe paintings, you're not even close.”

Stephanie Zacharek (1963) American film critic

Fifty Shades Freed Is a Pleasure. Just Don’t Call It a Guilty One, Time.com, 2018-02-09, 2018-02-09, http://time.com/5139117/fifty-shades-freed-review-movie/, 2018-02-09 http://time.com/5139117/fifty-shades-freed-review-movie/,

“The concepts of purposive behavior and teleology have long been associated with a mysterious, self-perfecting or goal-seeking capacity or final cause, usually of superhuman or super-natural origin. To move forward to the study of events, scientific thinking had to reject these beliefs in purpose and these concepts of teleological operations for a strictly mechanistic and deterministic view of nature. This mechanistic conception became firmly established with the demonstration that the universe was based on the operation of anonymous particles moving at random, in a disorderly fashion, giving rise, by their multiplicity, to order and regularity of a statistical nature, as in classical physics and gas laws. The unchallenged success of these concepts and methods in physics and astronomy, and later in chemistry, gave biology and physiology their major orientation. This approach to problems of organisms was reinforced by the analytical preoccupation of the Western European culture and languages. The basic assumptions of our traditions and the persistent implications of the language we use almost compel us to approach everything we study as composed of separate, discrete parts or factors which we must try to isolate and identify as potential causes. Hence, we derive our preoccupation with the study of the relation of two variables. We are witnessing today a search for new approaches, for new and more comprehensive concepts and for methods capable of dealing with the large wholes of organisms and personalities.”

Lawrence K. Frank (1890–1968) American cyberneticist

L.K. Frank (1948) "Foreword". In L. K. Frank, G. E. Hutchinson, W. K. Livingston, W. S. McCulloch, & N. Wiener, Teleological mechanisms. Ann. N. Y. Acad. Sc., 1948, 50, 189-96; As cited in: Ludwig von Bertalanffy (1968) "General System Theory: Foundations, Development, Applications". p. 16-17

John Banville photo
Arundhati Roy photo

“It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.”

page 229.
The God of Small Things (1997)
Variant: It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.

“Time is the central mystery of our existence. It confines and defines us in many ways.”

Stephen R. Lawhead (1950) American writer

Source: The Bone House (2011), p. 178

“You know how sailors love to create mystery where there is none.”

Douglas Reeman (1924–2017) British author

A Tradition of Victory, Cap 2 "No Looking Back"

Václav Havel photo
Florbela Espanca photo

“My love! My lover! Beloved Friend!
Grab this wondrous, fleeting moment,
Drink it inside me,
Let’s drink it together to the end!
[…]
And upon returning, love…
Taking mysterious paths along the meadows
On grassy carpets on the forest floor,
We will make a star of our two shadows.”

Florbela Espanca (1894–1930) Portuguese poet

Meu amor! Meu amante! Meu amigo!
Colhe a hora que passa, hora divina,
Bebe-a dentro de mim, bebe-a comigo!
Sinto-me alegre e forte! Sou menina!
[...]
E à volta, Amor... tornemos, nas alfombras
Dos caminhos selvagens e escuros,
Num astro só as nossas duas sombras!...
Quoted in Florbela Espanca (1995), p. 81
Translated by John D. Godinho
The Flowering Heath (1931), "Passeio ao Campo"

Marianne Moore photo

“Yes, I believe in prayer, as a mystery which can endow one with more power perhaps than any other spiritual mystery, yet a mystery that cannot be exposited to a point where it is not a mystery.”

Marianne Moore (1887–1972) American poet and writer

I Believe in Prayer - - How Prayer helps me The Dial Press 1955
Prose

“Vetulani is a rebellious artist: when we admire beautiful faces, forms, wide-framed Dutch landscapes, he says "and now for something you haven’t expected." The spectator is awakened from a reverie and confronted with an object of mysterious ugliness, like silicone heads of the pope.”

Tomasz Vetulani (1965) Polish artist

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Marcus du Sautoy photo
Báb photo

“In the Name of God, the Most Exalted, the Most Holy. All praise and glory befitteth the sacred and glorious court of the sovereign Lord, Who from everlasting hath dwelt, and unto everlasting will continue to dwell within the mystery of His Own divine Essence, Who from time immemorial hath abided and will forever continue to abide within His transcendent eternity, exalted above the reach and ken of all created beings. The sign of His matchless Revelation as created by Him and imprinted upon the realities of all beings, is none other but their powerlessness to know Him. The light He hath shed upon all things is none but the splendour of His Own Self. He Himself hath at all times been immeasurably exalted above any association with His creatures. He hath fashioned the entire creation in such wise that all beings may, by virtue of their innate powers, bear witness before God on the Day of Resurrection that He hath no peer or equal and is sanctified from any likeness, similitude or comparison. He hath been and will ever be one and incomparable in the transcendent glory of His divine being and He hath ever been indescribably mighty in the sublimity of His sovereign Lordship. No one hath ever been able befittingly to recognize Him nor will any man succeed at any time in comprehending Him as is truly meet and seemly, for any reality to which the term ‘being’ is applicable hath been created by the sovereign Will of the Almighty, Who hath shed upon it the radiance of His Own Self, shining forth from His most august station. He hath moreover deposited within the realities of all created things the emblem of His recognition, that everyone may know of a certainty that He is the Beginning and the End, the Manifest and the Hidden, the Maker and the Sustainer, the Omnipotent and the All-Knowing, the One Who heareth and perceiveth all things, He Who is invincible in His power and standeth supreme in His Own identity, He Who quickeneth and causeth to die, the All-Powerful, the Inaccessible, the Most Exalted, the Most High. Every revelation of His divine Essence betokens the sublimity of His glory, the loftiness of His sanctity, the inaccessible height of His oneness and the exaltation of His majesty and power. His beginning hath had no beginning other than His Own firstness and His end knoweth no end save His Own lastness.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

I, 1
The Persian Bayán

Tom Petty photo

“Yeah runnin' down a dream
That never would come to me.
Workin' on a mystery, goin' wherever it leads.
I'm runnin' down a dream.”

Tom Petty (1950–2017) American musician

Runnin' Down a Dream, written with Jeff Lynne and Mike Campbell
Lyrics, Full Moon Fever (1989)

Joseph Campbell photo
T.S. Eliot photo
Bono photo

“It's alright, it's alright, it's alright
She moves in mysterious ways.”

Bono (1960) Irish rock musician, singer of U2

"Mysterious Ways"
Lyrics, Achtung Baby (1991)

Alain de Botton photo
Charles Darwin photo
Oliver Wendell Holmes photo
Norman Mailer photo

“Mysteries are irritated by facts.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Mary Wollstonecraft Shelley photo
Tanith Lee photo
John C. Eccles photo
Michael Moorcock photo
Joseph Conrad photo
Robert Lanza photo
Dinah Craik photo
Raymond Chandler photo

“The solution, once revealed, must seem to have been inevitable. At least half of all the mystery novels published violate this law.”

Raymond Chandler (1888–1959) Novelist, screenwriter

"Casual Notes on the Mystery Novel" (essay, 1949), first published in Raymond Chandler Speaking (1962)

Aldous Huxley photo
Woodrow Wilson photo
Mahmoud Ahmadinejad photo
Frida Kahlo photo
John Buchan photo
Jean Cocteau photo

“Mystery has its own mysteries, and there are gods above gods. We have ours, they have theirs. That is what’s known as infinity.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

"Anubis" to the Sphinx, in Act 2 of The Infernal Machine (1932); Collected Works Vol. 5 (1948)

Christopher Hitchens photo
Caitlín R. Kiernan photo

“If there must be resolution and explanation, it must be something worth its weight in mystery. Most times, I'd be content with the mystery.”

Caitlín R. Kiernan (1964) writer

12 December 2006
Unfit for Mass Consumption (blog entries), 2006

Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

“Arms trade. If there was a legitimate trade, they'd sell those things - guns and bombs - in a supermarket. It would be like a cosmetics demonstration, and you'd have a little bit of shopping music in the background. And so, here's our arms trade demonstrator. 'Hello, and welcome to our new "Twilight of the World" range - our stunning new collection for nuclear winter. Now, for those persistent racial problems, why not try our new ethnic cleanser, "Pogrom"? Apply vigorously to the affected area, and then wipe off the face of the earth. For persistent outbreaks, to eliminate those last spots of resistance, why not try our new "I Can't Believe It's Not a Kalashnikov"? Go on, leaders, treat yourself. Tell yourself "I want it, I need it, I'll have it". Now, for those particularly sensitive areas, why not try our new range, "U. N."? It's entirely cosmetic; it does nothing. Apply half-heartedly with our new hand-wringing cream. Now, people often come up to me and say "Can you save my face?" Well, I can. So for those secret little deals - those secret little Iraqi liaisons - why not try "Embargo", the mark of the middleman? Now, for a touch of mystery, why not visit the "Missing Body Shop"? Collect your free nail remover and watch your problems disappear. Now, you're probably sitting there thinking "Oh, I'm such a hideous old blood-soaked dictator of a thing; nobody will deal with me". How wrong you are! We are sole suppliers to the US government of "Turn-a-Blind-Eye Liner" - use always in conjunction with "Oil of Kuwaiti", a touch of "Massacre" and blusher. Oh, you won't need that. I'm Marlene from the House of Charnel. Thank you for your time and patience. And for that finishing touch - for those romantic evenings when you really want to take the enemy out - why not try our stunning new nerve gas, "Paralyse" by Calvin Klein.' (Linda Live 1993)”

Linda Smith (1958–2006) comedian

Stand-up

Noel Gallagher photo
Stanley Baldwin photo
Katrina Trask photo
John Napier photo
David Brewster photo
Louis Pasteur photo
Ray Bradbury photo
Marco Rubio photo
Mark Kac photo
E.M. Forster photo
Cotton Mather photo

“Your Knowledge has Qualified You to make those Reflections on the following Relations, which few can Think, and tis not fit that all should See. How far the Platonic Notions of Demons which were, it may be, much more espoused by those primitive Christians and Scholars that we call The Fathers, than they see countenanced in the ensuing Narratives, are to be allowed by a serious man, your Scriptural Divinity, join'd with Your most Rational Philosphy, will help You to Judge at an uncommon rate. Had I on the Occasion before me handled the Doctrin of Demons, or launced forth into Speculations about magical Mysteries, I might have made some Ostentation, that I have read something and thought a little in my time; but it would neither have been Convenient for me, nor Profitable for those plain Folkes, whose Edification I have all along aimed at. I have therefore here but briefly touch't every thing with an American Pen; a Pen which your Desert likewise has further Entitled You to the utmost Expressions of Respect and Honor from. Though I have no Commission, yet I am sure I shall meet with no Crimination, if I here publickly wish You all manner of Happiness, in the Name of the great Multitudes whom you have laid under everlasting Obligations. Wherefore in the name of the many hundred Sick people, whom your charitable and skilful Hands have most freely dispens'd your no less generous than secret Medicines to; and in the name of Your whole Countrey, which hath long had cause to believe that you will succeed Your Honourable Father and Grandfather in successful Endeavours for our Welfare; I say, In their Name, I now do wish you all the Prosperity of them that love Jerusalem. And whereas it hath been sometimes observed, That the Genius of an Author is commonly Discovered in the Dedicatory Epistle, I shall be content if this Dedicatory Epistle of mine, have now discovered me to be,
(Sir) Your sincere and very humble Servant,
C. Mather.”

Cotton Mather (1663–1728) American religious minister and scientific writer
P. D. Ouspensky photo
Alexander Maclaren photo
Percy Bysshe Shelley photo
Hermann Hesse photo