Quotes about mystery
page 7

George Eliot photo

“the rich ate and drank freely, accepting gout and apoplexy as things that ran mysteriously in respectable families...”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 3 (at page 23)

Warren Buffett photo
Anastacia photo

“I'm not that deep, I'm not that mysterious. Don't try to figure me out. I'm a very open book. What you see is what you get.”

Anastacia (1968) American singer-songwriter

p. 18 Dues Paid, Anastacia reapproches to U.S. https://books.google.it/books?id=Ug8EAAAAMBAJ&pg=PA18, Billboard, June 1, 2002.
General Quotes

Antonin Scalia photo

“The main business of a lawyer is to take the romance, the mystery, the irony, the ambiguity out of everything he touches.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Speech at the Juilliard School http://www.nytimes.com/2005/09/23/nyregion/23juilliard.html (22 September 2005).
2000s

Piet Mondrian photo

“[the double line in his paintings] is still one line, as in the case of your grooves [= the wide sunken lines in the relief's, the artist Gorin made then]... In my last things the double line widens to form a plane, and yet it remains a line. Be that as it may, I believe that this question is one of those which lie beyond the realm of theory, and which are of such subtlety that they are rooted in the mystery of 'art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

But all that is not yet clear in my mind.
Quote in Mondrian's letter to artist Gorin, [who stated that the double line broke the necessary symmetry], 31 January, 1934; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 215
1930's

Robert G. Ingersoll photo
Henry St John, 1st Viscount Bolingbroke photo

“The second proposition admits and encourages the very practice we censure so justly, for which the saint [ Augustine of Hippo ] was so famous, and by which he contributed so much to promote contentions in his own days, and to perpetuate them to ours. The practice of deducing doctrines from the scriptures that are not evidently contained in them… Who does not see that the direct tendency of this practice is exactly the same as the event has proved it to be? It composes and propagates a religion, seemingly under the authority of God, but really under that of man. The principles of revelation are lost in theology, or disfigured by it: and whilst some men are impudent enough to pretend, others are silly enough to believe, that they adhere to the gospel, and maintain the cause of God against infidels and heretics, when they do nothing better, nor more, than espouse the conceits of men, whom enthusiasm, or the ambition of forming sects, or of making a great figure in them, has inspired. If you ask now what the practice of the christian fathers, and of other divines, should have been, in order to preserve the purity of faith, and to promote peace and charity, the answer is obvious… They should have adhered to the word of God: they should have paid no regard to heathen philosophy, jewish cabala, the sallies of enthusiasm, or the refinements of human ingenuity: they should have embraced, and held fast the articles of faith and doctrine, that were delivered in plain terms, or in unequivocal figures: they should not have been dogmatical where the sense was doubtful, nor have presumed even to guess where the Holy Ghost left the veil of mystery undrawn.”

Henry St John, 1st Viscount Bolingbroke (1678–1751) English politician and Viscount

Lord Bolingbroke's Philosophical Works http://books.google.com/books?id=E6ATAAAAQAAJ (1754) Vol.III, Essay IV, Sect XVI

Margaret Mead photo
William J. Brennan photo

“Sex, a great and mysterious motive force in human life, has indisputably been a subject of absorbing interest to mankind through the ages.”

William J. Brennan (1906–1997) American judge

Writing for the court, Roth v. United States, 354 U.S. 476 (1957).

Vincent Van Gogh photo
William Adams photo
Amit Chaudhuri photo
Albert Einstein photo
Paul Kurtz photo

“The meaning of life is not to be discovered only after death in some hidden, mysterious realm; on the contrary, it can be found by eating the succulent fruit of the Tree of Life and by living in the here and now as fully and creatively as we can.”

Paul Kurtz (1925–2012) American professor of philosophy

Paul Kurtz, ‎Vern L. Bullough, ‎Tim Madigan (eds.). Toward a New Enlightenment: The Philosophy of Paul Kurtz. (1994) p. 20

David Bowie photo
Thomas Hardy photo
Osbert Sitwell photo
James Russell Lowell photo

“Along A River-Side, I Know Not Where,
I walked one night in mystery of dream;
A chill creeps curdling yet beneath my hair,
To think what chanced me by the pallid gleam
Of a moon-wraith that waned through haunted air.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Washers of the Shroud http://www.bartleby.com/102/129.html, st. 1 (October 1861)

Halldór Laxness photo
Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Claude Lévi-Strauss photo
Richard Feynman photo
Robert W. Service photo

“Mud is mankind in the moulding,
Heaven's mystery unfolding.”

Robert W. Service (1874–1958) Canadian poet

Source: Mud http://plagiarist.com/poetry/4084/

William Grey Walter photo

“The mechanism of learning is of course one of the most enthralling and baffling mysteries in the field of biology.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: A machine that learns (1951), p. 60.

Richard Feynman photo
Mark Pattison photo
Benjamin Peirce photo
Hugh Blair photo

“Anxiety is the poison of human life; the parent of many sins and of more miseries. – In a world where everything is doubtful, and where we may be disappointed, and be blessed in disappointment, why this restless stir and commotion of mind? – Can it alter the cause, or unravel the mystery of human events?”

Hugh Blair (1718–1800) British philosopher

Quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, Both Ancient and Modern, https://books.google.com/books?id=zlMxAAAAIAAJ ed. Tryon Edwards, F. B. Dickerson Company (1908), p. 23.

Rajiv Malhotra photo

“It is important for Pollock that Muslims not be blamed for the decline of Sanskrit. He writes that any theory 'can be dismissed at once' if it 'traces the decline of Sanskrit culture to the coming of Muslim power'… Trying to prove the timing of Sanskrit's decline prior to the Turkish invasions enables him to absolve these invasions of any blame… I get the impression that Pollock does not want to dwell on whether Muslim invasions had debilitated the Hindu political and intellectual institutions in the first place… Throughout Pollock's analysis, hardly any Muslim ruler gets blamed for the destruction of Indian culture. He simply avoids discussing the issue of Muslim invasions and their destructive influence on Hindu institutions… The impact of various invasions in Kashmir was so enormous that it cannot be ignored in any historical analysis… The contradiction between his two accounts, published separately, is serious: Muslim invasions created a traumatic enough shockwave to cause Hindu kings to mobilize the 'cult of Rama' and therefore the Hindus funded the production of extensive Ramayana texts for this agenda. And yet, the death of Sanskrit taking place at the same time had little relation to the arrival of Muslims. When Hindus are to be blamed for their alleged hatred towards Muslims, the Muslims are shown to have an important presence; but when Muslims are to be protected from being assigned any responsibility for destruction, they are mysteriously made to disappear from the scene.”

The Battle for Sanskrit (2016)

Patrick Swift photo
Hans Ruesch photo
Albert Einstein photo

“One may say "the eternal mystery of the world is its comprehensibility."”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

From the article "Physics and Reality" (March 1936), reprinted in Out of My Later Years (1956). The quotation marks may just indicate that he wants to present this as a new aphorism, but it could possibly indicate that he is paraphrasing or quoting someone else — perhaps Immanuel Kant, since in the next sentence he says "It is one of the great realizations of Immanuel Kant that the setting up of a real external world would be senseless without this comprehensibility."
Other variants:
The eternally incomprehensible thing about the world is its comprehensibility.
In the endnotes to Einstein: His Life and Universe by Walter Isaacson, note 46 on p. 628 http://books.google.com/books?id=cdxWNE7NY6QC&lpg=PP1&pg=PA628#v=onepage&q&f=false says that "Gerald Holton says that this is more properly translated" as the variant above, citing Holton's essay "What Precisely is Thinking?" on p. 161 of Einstein: A Centenary Volume edited by Anthony Philip French.
The most incomprehensible thing about the world is that it is comprehensible.
This version was given in Einstein: A Biography (1954) by Antonina Vallentin, p. 24, and widely quoted afterwards. Vallentin cites "Physics and Reality" in Journal of the Franklin Institute (March 1936), and is possibly giving a variant translation as with Holton.
The most incomprehensible thing about the world is that it is at all comprehensible.
As quoted in Speaking of Science (2000) by Michael Fripp
The eternal mystery of the world is its comprehensibility … The fact that it is comprehensible is a miracle.
As quoted in Einstein: His Life and Universe by Walter Isaacson, p. 462 http://books.google.com/books?id=cdxWNE7NY6QC&lpg=PP1&pg=PA462#v=onepage&q&f=false. In the original essay "The fact that it is comprehensible is a miracle" appears at the end of the paragraph that follows the paragraph in which "The eternal mystery of the world is its comprehensibility" appears.
1930s

E. Lee Spence photo
Gerard Bilders photo

“The moon appeared for some time [in the Savoy, Switzerland] and the rocks seemed to be much bigger than they were. The mountains were silvery illuminated and appeared gently against the mysterious blue of the sky - that blue color with moonlight, that has such an indefinable, deep tone; actually it is not a blue.”

Gerard Bilders (1838–1865) painter from the Netherlands

Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 19 - quote of Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switzerland, September 1858

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Joseph Lewis photo
Mark Kac photo
Dorothy Parker photo

“A lady … with all the poise of the Sphinx though but little of her mystery.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Concerning a child actress in A. A. Milne's play Give Me Yesterday; in her review of same, "Just Around Pooh Corner" in The New Yorker (14 March 1931)

William Cowper photo

“God moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

The opening statement is often paraphrased: God moves in mysterious ways his wonders to perform.
No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)

William Pfaff photo

“The frontier that remains is is the interior one, the most forbidding and mysterious frontier.”

William Pfaff (1928–2015) American journalist

Source: Barbarian Sentiments - How The American Century Ends (1989), Chapter 7, The Possibility of Extravagant Waste, p. 189.

William Stubbs photo

“Froude informs the Scottish youth
That parsons do not care for truth.
The Reverend Canon Kingsley cries
History is a pack of lies.
What cause for judgements so malign?
A brief reflexion solves the mystery –
Froude believes Kingsley a divine,
And Kingsley goes to Froude for History.”

William Stubbs (1825–1901) English historian and clergyman

Letter to John Richard Green, December 17, 1871; cited from William Holden Hutton (ed.) Letters of William Stubbs (London: Archibald Constable, 1904) p. 162.

Will Eisner photo
Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

Fyodor Dostoyevsky photo

“It's the great mystery of human life that old grief passes gradually into quiet tender joy.”

Fyodor Dostoyevsky (1821–1881) Russian author

The Brothers Karamazov (1879–1880)

David Brewster photo
Stephen Wolfram photo
Li Hongzhi photo

“I've talked to him on the phone, received notes through the mail, but I've never seen him face to face. I sent him my last LP and I understand that he turned his head away as he took the disc out, saying, "I don't want to see what he looks like. I have this image and I don't want to destroy it." So there's a certain amount of mystery involved. I suppose if he knew I were a gray-haired, older guy with a big paunch, he might say, "Oh, that ruins it."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On his working relationship with Prince, as quoted in "He Arranges, Composes, Performs: Fischer: A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer by Zan Stewart, in The Los Angeles Times (May 14, 1987)

Varadaraja V. Raman photo
Barbara W. Tuchman photo
Ursula Goodenough photo
Letitia Elizabeth Landon photo
Willem de Kooning photo
Paul Gauguin photo
Tim O'Brien photo
H. G. Wells photo
Michael Moorcock photo
Raymond Chandler photo
Bill Gates photo
Abraham Joshua Heschel photo
H. G. Wells photo
Daniel Dennett photo
H.L. Mencken photo
Hermann Hesse photo
Robert Kuttner photo
Luther Burbank photo
George Steiner photo

“God reveals himself to those who wait for that revelation and who don't try to "tear at the hem of a mystery" forcing disclosure.”

Catherine Doherty (1896–1985) Religious order founder; Servant of God

Source: Poustinia (1975), Ch. 3

H. G. Wells photo
Karl Kraus photo
Robert Charles Wilson photo
Robert Olmstead photo
Perry Anderson photo
Francis Parkman photo
Leonhard Euler photo

“Although to penetrate into the intimate mysteries of nature and thence to learn the true causes of phenomena is not allowed to us, nevertheless it can happen that a certain fictive hypothesis may suffice for explaining many phenomena.”
Quanquam nobis in intima naturae mysteria penetrare, indeque veras caussas Phaenomenorum agnoscere neutiquam est concessum: tamen evenire potest, ut hypothesis quaedam ficta pluribus phaenomenis explicandis aeque satisfaciat, ac si vera caussa nobis esset perspecta.

Leonhard Euler (1707–1783) Swiss mathematician

§1
A conjecture about the nature of air (1780)

Hermann Hesse photo
Corneliu Zelea Codreanu photo
W. S. Gilbert photo
Marie-Louise von Franz photo
John Constable photo

“The mysterious monument of Stonehenge, standing remote on a bare and boundless heath, as much unconnected with the events of past ages as it is with the uses of the present, carries you back beyond all historical records into the obscurity of a totally unknown period.”

John Constable (1776–1837) English Romantic painter

quote from his exhibition-text of 1836; as quoted in: Ronald Parkinson: John Constable: The Man and His Art, V&A, London, 1998 (ISBN: 1-85177-243-X), p. 89 (taken from Wikipedia)
When Constable exhibited his watercolor 'Stonehenge' (he painted in 1835) one year later, he appended this short text to the title of his famous watercolor
1830s

Henry Adams photo
Pope Benedict XVI photo
Mark Pesce photo
William Crookes photo
Richard Rodríguez photo
John Jay Chapman photo

“Every generation is a secret society and has incommunicable enthusiasms, tastes and interests which are a mystery both to its predecessors and to posterity.”

John Jay Chapman (1862–1933) American author

Memories and Milestones, Ch. 12: "President Eliot" HTTP://BOOKS.GOOGLE.COM/books?id=gFEPAAAAMAAJ&q=%22every+generation+is+a+secret+society+and+has+incommunicable+enthusiasms+tastes+and+interests+which+are+a+mystery+both+to+its+predecessors+and+to+posterity%22&pg=PA184#v=onepage (1915)