Quotes about muscle

A collection of quotes on the topic of muscle, likeness, use, man.

Quotes about muscle

Sylvester Stallone photo

“Remember the mind is your best muscle …BIG ARMS can move rocks, but BIG WORDS can move mountains… Ride the brain train for success….”

Sylvester Stallone (1946) American actor, screenwriter, and film director

http://twitter.com/TheSlyStallone/status/27158992333

Smedley D. Butler photo
Pablo Picasso photo
Socrates photo
Andrea Dworkin photo
Leonardo Da Vinci photo
Marcus Tullius Cicero photo
Lewis Carroll photo
Nick Carter photo
Terry Pratchett photo
Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

William Empson photo

“It is the pain, it is the pain, endures.
Your chemic beauty burned my muscles through.
Poise of my hands reminded me of yours.”

William Empson (1906–1984) English literary critic and poet

"Villanelle" (1928), line 1; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 33.
The Complete Poems

Malcolm X photo

“Last but not least, I must say this concerning the great controversy over rifles and shotguns. The only thing that I’ve ever said is that in areas where the government has proven itself either unwilling or unable to defend the lives and the property of Negroes, it’s time for Negroes to defend themselves. Article number two of the constitutional amendments provides you and me the right to own a rifle or a shotgun. It is constitutionally legal to own a shotgun or a rifle. This doesn’t mean you’re going to get a rifle and form battalions and go out looking for white folks, although you’d be within your rights—I mean, you’d be justified; but that would be illegal and we don’t do anything illegal. If the white man doesn’t want the black man buying rifles and shotguns, then let the government do its job. […] If he’s not going to do his job in running the government and providing you and me with the protection that our taxes are supposed to be for, since he spends all those billions for his defense budget, he certainly can’t begrudge you and me spending $12 or $15 for a single-shot, or double-action. I hope you understand. Don’t go out shooting people, but any time—brothers and sisters, and especially the men in this audience; some of you wearing Congressional Medals of Honor, with shoulders this wide, chests this big, muscles that big—any time you and I sit around and read where they bomb a church and murder in cold blood, not some grownups, but four little girls while they were praying to the same God the white man taught them to pray to, and you and I see the government go down and can’t find who did it.”

Malcolm X (1925–1965) American human rights activist

The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)

Umberto Boccioni photo

“I work a lot but don't seem to finish. That is, I hope what I am doing means something because I don't know what I am doing. It's strange and terrible but I feel calm. Today I worked non-stop for six hours on a sculpture and I don't know what the result is... Planes upon planes, sections of muscles, of a face and then? And the total effect? Does what I create live? Where will I end up?”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's quote, from an undated letter to Gino Severini (probably July or August 1912, or November); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.
1912

Jane Fonda photo

“It's not about how you look, it's about how you feel. I can do more with ease and grace now at 52 than I could when I was 20. I can ride my bike 60 miles, I can handle stress, I have good muscle tone. That's what it's about. Not about being thin but about being healthy”

Jane Fonda (1937) American actress and activist

Telephone interview quoted by Carol Krucoff. Why Jane's Fonda Exercise;Stress-Busting Workouts and Other News About Staying in Shape. Washington Post, 13 March 1990

Juan Antonio Villacañas photo

“Thought
is a flower from other worlds, a tale
that is torn in each written word.
……………I go outdoors
to give rest
to the soul’s tired muscles.”

Juan Antonio Villacañas (1922–2001) Spanish poet, essayist and critic

“Literaturaliae”, from Theme of My Biography (2000)

Nikola Tesla photo
Socrates photo

“How grievously I was disappointed! …I found my philosopher altogether forsaking mind and any other principle of order, but having recourse to air, and ether, and water, and other eccentricities. I might compare him to a person that began by maintaining generally that mind is the cause of the actions of Socrates, but who, when endeavored to explain the causes of my several actions in detail, went on to show that I sit here because my body is made up of bones and muscles; and the bones he would say, are hard and have ligaments which divide them, and the muscles are elastic, and they cover the bones, which also have a covering or environment of flesh and skin which contains them; and as the bones are lifted at their joints by the contraction or relaxation of the muscles, I am able to bend my limbs, and this is why I an sitting here in a curved posture… and he would have a similar explanation of my talking to you, which he would attribute to sound, and air, and hearing, and he would assign ten thousand other causes of the same sort, forgetting to mention the true cause, which is that Athenians have thought fit to condemn me, and accordingly I have thought it better and more right to remain here and undergo my sentence; for I am inclined to think that these muscles and bones of mine would have gone off to Megara or Boeotia… if they had been guided only by their idea of what was best, and if I had not chosen as the better and nobler part… to undergo any punishment that the State inflicts.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Smedley D. Butler photo
Bertrand Russell photo

“A great deal of work is sedentary, and most manual work exercises only a few specialized muscles. When crowds assemble in Trafalgar Square to cheer to the echo an announcement that the government has decided to have them killed, they would not do so if they had all walked twenty-five miles that day. This cure for bellicosity is, however, impracticable, and if the human race is to survive – a thing which is, perhaps, undesirable – other means must be found for securing an innocent outlet for the unused physical energy that produces love of excitement. This is a matter which has been too little considered, both by moralists and by social reformers. The social reformers are of the opinion that they have more serious things to consider. The moralists, on the other hand, are immensely impressed with the seriousness of all the permitted outlets of the love of excitement; the seriousness, however, in their minds, is that of Sin. Dance halls, cinemas, this age of jazz, are all, if we may believe our ears, gateways to Hell, and we should be better employed sitting at home contemplating our sins. I find myself unable to be in entire agreement with the grave men who utter these warnings. The devil has many forms, some designed to deceive the young, some designed to deceive the old and serious. If it is the devil that tempts the young to enjoy themselves, is it not, perhaps, the same personage that persuades the old to condemn their enjoyment? And is not condemnation perhaps merely a form of excitement appropriate to old age? And is it not, perhaps, a drug which – like opium – has to be taken in continually stronger doses to produce the desired effect? Is it not to be feared that, beginning with the wickedness of the cinema, we should be led step by step to condemn the opposite political party, dagoes, wops, Asiatics, and, in short, everybody except the fellow members of our club? And it is from just such condemnations, when widespread, that wars proceed. I have never heard of a war that proceeded from dance halls.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, What Desires Are Politically Important? (1950)

Leonardo Da Vinci photo
Dag Hammarskjöld photo

“The breaking wave and the muscle as it contracts obey the same law.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

Statement inspired by the work of British sculptor Barbara Hepworth, quoted in The Christian Science Monitor (18 Jun 1964)
Context: The breaking wave and the muscle as it contracts obey the same law. Delicate line gathers the body's total strength in a bold balance. Shall my soul meet so severe a curve, journeying on its way to form?

Maria Montessori photo

“The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.

“inclusion + engagement = execution muscle”

Fierce Leadership: A Bold Alternative to the Worst "Best" Practices of Business Today

Rick Riordan photo
Thomas Carlyle photo
Stephen Chbosky photo
Rachel Caine photo
Richard Brautigan photo
Rick Riordan photo
Elizabeth Wurtzel photo
Chuck Palahniuk photo
Arundhati Roy photo

“I love muscle cars.”

One Sweet Ride

Frank Miller photo
Djuna Barnes photo

“We are adhering to life now with our last muscle — the heart.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

Quoted in "The Way of Transition : Embracing Life's Most Difficult Moments" (2002) by William Bridges, p. 204

Brandon Sanderson photo
Albert Einstein photo

“But you can't muscle through a five-hour run that way; you have to relax into it like easing your body into a hot bath, until it no longer resists the shock and begins to enjoy it.”

Christopher McDougall (1962) American journalist and writer

Source: Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen

David Levithan photo
Swami Vivekananda photo
Candace Bushnell photo
Meg Cabot photo

“The golden rays of the moon paid him absolute tribute. He was a buffet of muscles and corded strength.”

Gena Showalter (1975) American writer

Source: Playing with Fire

E.E. Cummings photo

“I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more.”

E.E. Cummings (1894–1962) American poet

Source: Selected Poems

Jane Yolen photo
Rick Riordan photo
Haruki Murakami photo
Frank Herbert photo
Djuna Barnes photo
Philip José Farmer photo
Elizabeth Wurtzel photo
Woody Allen photo

“The heart is a very, very resilient little muscle. It really is.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Source: Hannah and Her Sisters

James Wilks photo
Edgar Rice Burroughs photo

“Tarzan of the Apes had decided to mark his evolution from the lower orders in every possible manner, and nothing seemed to him a more distinguishing badge of manhood than ornaments and clothing.
To this end, therefore, he collected the various arm and leg ornaments he had taken from the black warriors who had succumbed to his swift and silent noose, and donned them all after the way he had seen them worn.
About his neck hung the golden chain from which depended the diamond encrusted locket of his mother, the Lady Alice. At his back was a quiver of arrows slung from a leathern shoulder belt, another piece of loot from some vanquished black.
About his waist was a belt of tiny strips of rawhide fashioned by himself as a support for the home-made scabbard in which hung his father's hunting knife. The long bow which had been Kulonga's hung over his left shoulder.
The young Lord Greystoke was indeed a strange and war-like figure, his mass of black hair falling to his shoulders behind and cut with his hunting knife to a rude bang upon his forehead, that it might not fall before his eyes.
His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed.”

Source: Tarzan of the Apes (1912), Ch. 13 : His Own Kind

Talib Kweli photo
Amber Benson photo

“Spike: I had a muscle cramp. Buffy was, uh, helping.
Tara: A muscle cramp… in your pants?
Spike: What? It's a thing.”

Amber Benson (1977) actress from the United States

I Was Made to Love You [5.15]
Willow & Tara (2000-2002)

Margaret Caroline Anderson photo
Henry Wadsworth Longfellow photo

“But patience can't be acquired overnight. It's just like building up a muscle. Every day you need to work on it, to push its limits.”

Eknath Easwaran (1910–1999) spiritual teacher, author of books on meditation and spiritual practice, and translator and interpreter of …

[Your life is your message: Finding harmony with yourself, others, and the earth, Easwaran, Eknath, w:Eknath Easwaran, 1997, Hyperion, New York, 0786882662, http://books.google.com/books?id=xKlCo3suzTkC&pg=PA42&dq=Patience+can%27t+be+acquired+overnight.+It+is+just+like+building+up+a+muscle.+Every+day+you+need+to+work+on+it+inauthor:eknath+inauthor:easwaran&hl=en&ei=9UCVTqyUKuKsiAKB1oy6CQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDEQ6AEwAA#v=onepage&q=Patience%20can%27t%20be%20acquired%20overnight.%20It%20is%20just%20like%20building%20up%20a%20muscle.%20Every%20day%20you%20need%20to%20work%20on%20it%20inauthor%3Aeknath%20inauthor%3Aeaswaran&f=false] (p. 42) (work originally published 1992)

Théodore Rousseau photo

“Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867

Calvin Coolidge photo
Kanō Jigorō photo

“Generally speaking, if we look at sports we find that their strong point is that because they are competitive they are interesting, and young people are likely to be attracted to them. No matter how valuable the method of physical education, if it is not put into practice, it will serve no purpose — therein lies the advantage of sports. But, in this regard there are matters to which we must also give a great deal of consideration. First, so-called sports were not created for the purpose of physical education; one competes for another purpose, namely, to win. Accordingly, the muscles are not necessarily developed in a balanced way, and in some cases the body is pushed too far or even injured. For that reason, while there is no doubt that sports are a good thing, serious consideration must be given to the selection of the sport and the training method. Sports must not be undertaken carelessly, over-zealously, or without restraint. However, it is safe to say that competitive sports are a form of physical education that should be promoted with this advice in mind. The reason I have worked to popularize sports for more than twenty years and that I have strived to bring the Olympic Games to Japan is entirely because I recognize these merits. However, in times like these, when many people are enthusiastic about sports, I would like to remind them of the adverse effects of sports as well. I also urge them to keep in mind the goals of physical education—to develop a sound body that is useful to you in your daily life — and be sure to consider whether or not the method of training is in keeping with the concept of”

Kanō Jigorō (1860–1938) Japanese educator and judoka

http://www.judoinfo.com/seiryoku2.htm seiryoku zenyo
"Judo and Physical Training" in Mind Over Muscle : Writings from the Founder of Judo (2006) edited by Naoki Murata, p. 57

James Russell Lowell photo
Bill Bryson photo
Thomas Eakins photo

“I have never discovered that the nude could be studied in any way except the way I have adopted. All the muscles must be pointed out. To do this all the drapery must be removed.”

Thomas Eakins (1844–1916) American painter

Said to art critic Riter Fitzgerald, who quoted Eakins in an article in the Philadelphia Item (1895); from Sylvan Schendler, Eakins (1967), ch. 10.

Kofi Annan photo
Edgar Rice Burroughs photo
Robert Cheeke photo
James Braid photo
N. Gregory Mankiw photo
Kazimir Malevich photo
Gregory Scott Paul photo

“The dinosaur world I grew up in was classical. They were universally seen as scaley herps that inhabited the immobile continents. There was no hint that birds were their direct descendents. Being reptiles, dinosaurs were cold-blooded and rather sluggish except perhaps for the smaller more bird-like examples. They all dragged their tails. Forelimbs were often sprawling. Leg muscles were slender in the reptilian manner. Intellectual capacity was minimal, as were social activity and parenting; the Knight painting of a Triceratops pair watching over a baby threatened by the Tyrant King was a notable exception. Hadrosaurs and especially sauropods were dinosaurian hippos, the latter perhaps too titanic to even emerge on land, and if they did so were limited by their bulk to lifting one foot of the ground at a time. Suitable only for the lush, warm and sunny tropical climate that enveloped the world from pole to pole before the Cenozoic, a cooling climate and new mountain chains did the obsolete archosaurs in, leaving only the crocodilians. Dinosaurs and the bat-winged pterosaurs were merely an evolutionary interlude, a period of geo-biological stasis before things got really interesting with the rise of the energetic and quick witted birds and especially mammals, leading with inexorable progress to the apex of natural selection: Man. It was pretty much all wrong. Deep down I sensed something was not quite right. Illustrating dinosaurs I found them to be much more reminiscent of birds and mammals than of the reptiles they were supposed to be. I was primed for a new view.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part I http://gspauldino.com/part1.html, gspauldino.com

Walt Disney photo
Robert E. Howard photo

“R&D/good times and bad times. R&D may have to take its lumps in tough times … But beware of cutting too much muscle.”

Tom Peters (1942) American writer on business management practices

08 January 2018
Tom Peters Daily, Weekly Quote

Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Ryū Murakami photo
Lewis Mumford photo
Robert Baden-Powell photo
William Wordsworth photo
Mark Tobey photo
Max Scheler photo

“The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 54-55