But let us hope that such a descendant is in a charitable mood, and might add: "And yet they managed to ask a few of the right questions."
Source: Enigmas and Mysteries (1976), p. 142
Quotes about monster
page 5
“Worlds self made are so full of monsters and demons.”
House of Incest (1936)
"The Hue and Cry"
The Writing on the Wall and Other Literary Essays (1970)
Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)
Source: 1970s, Take Today : The Executive as Dropout (1972), p. 211
As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)
Source: Law and Authority (1886), I
The monster of Baghdad is now the hero of Arabia http://www.robert-fisk.com/articles202.htm, April 1, 2003
2003
Source: Dragon Magic (1972), Chapter 3, “Sirrush-Lau” (p. 64)
"Elon Musk, Et al.: The Corporate Arm Of The Deep State," https://townhall.com/columnists/ilanamercer/2017/06/03/elon-musk-et-al-the-corporate-arm-of-the-deepstate-n2335618 Townhall.com, June 3, 2017
2010s, 2017
https://www.theatlantic.com/international/archive/2017/05/trump-manchester-losers/527745/
2010s, 2017, May
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
SLIFF 2016 Interview: Griff Furst – Director of COLD MOON http://www.wearemoviegeeks.com/2016/10/slif-2016-interview-cold-moon-director-griff-furst/ (October 31, 2016)
"Is Capitalism Too Productive?", Foreign Affairs (September/October 1997)
Ch 2
A Canticle for Leibowitz (1959), Fiat Homo
The Sunday Express (4 February 1982), from Simon Heffer, Like the Roman. The Life of Enoch Powell (Phoenix, 1999), p. 853.
1980s
“Most arts have produced miracles, while the art of government has produced nothing but monsters.”
Tous les arts ont produit des merveilles: l'art de gouverner n'a produit que des monstres.
Discours sur la Constitution à donner à la France http://www.royet.org/nea1789-1794/archives/discours/stjust_constitution_24_04_93.htm, speech to the National Convention (April 24, 1793).
Filmaker Alex Kurtzman on Resurrecting Universal's Classic Monsters and Building a Shared Uvinverse http://www.ign.com/articles/2016/12/05/the-mummy-filmmaker-alex-kurtzman-on-resurrecting-universals-classic-monsters-and-building-a-shared-universe (December 4, 2016)
Canto V, stanza 30.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)
Source: How Europe Underdeveloped Africa (1972), p. 316.
Source: Never Again: Securing America and Restoring Justice (2006), p. 265-266
TRICK 'R TREAT DIRECTOR MICHAEL DOUGHERTY ON THE FILM’S RISE TO CULT CLASSIC STATUS http://www.ign.com/articles/2013/10/17/trick-r-treat-director-michael-dougherty-on-the-films-rise-to-cult-classic-status?page=2 (October 17, 2013)
“A monster, which the Blatant beast men call,
A dreadfull feend of gods and men ydrad.”
Canto 12, stanza 37
The Faerie Queene (1589–1596), Book V
July 10, 2007 http://littlegreenfootballs.com/weblog/?entry=26199_What_the_Hell_is_Wrong_with_the_Los_Angeles_Times&only
Speech in London (8 February 1844), quoted in John Bright and J. E. Thorold Rogers (eds.), Speeches on Questions of Public Policy by Richard Cobden, M.P. Volume I (London: T. Fisher Unwin, 1908), p. 59.
1840s
“They ravage and sweep away my banquet, and befoul and upset the cups, there is a violent stench and a sorry battle arises, for the monsters are as famished as I. What all have scorned or polluted with their touch, or what has fallen from their filthy claws, helps me to linger thus among the living.”
Diripiunt verruntque dapes foedataque turbant
pocula, saevit odor surgitque miserrima pugna
parque mihi monstrisque fames. sprevere quod omnes
pollueruntque manu quodque unguibus excidit atris
has mihi fert in luce moras.
Source: Argonautica, Book IV, Lines 454–456
A Voice from the Attic (1960)
“I have lived in the monster and I know its insides; and my sling is the sling of David.”
Of the United States, in a letter to Manuel Mercado (1895), as quoted in Research : The Student's Guide to Writing Research Papers (1998) by Richard Veit, p. 143
she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199
“A horrid Monster, huge, deform'd, and blind.”
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis
To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277
SHANE BLACK THINKS A MONSTER SQUAD SEQUEL “COULD BE FUN” https://www.ign.com/articles/2016/08/15/shane-black-thinks-a-monster-squad-sequel-acould-be-funa (August 15 2016)
The Never-Ending Wrong (1977)
Review http://www.reelviews.net/php_review_template.php?identifier=58 of Godzilla (1998).
One-and-a-half star reviews
Four Minute Essays Vol. 5 (1919), The Human Heart
Interview with Andrew Mueller, The Independent 10 December 2003 http://www.andrewmueller.net/display.lasso?id=245
Writer Chris Morgan on ‘Fate of the Furious’, the Franchise’s Future, Universal’s Monster Universe & More http://collider.com/chris-morgan-fate-of-the-furious-interview/#the-mummy (April 28, 2017)
Interview with Marine Le Pen: 'I Don't Want this European Soviet Union', Spiegel (3 June 2014) http://www.spiegel.de/international/europe/interview-with-french-front-national-leader-marine-le-pen-a-972925.html
1871, Speech on the the Ku Klux Klan Bill of 1871 (1 April 1871)
On ISIS; https://www.gov.uk/government/news/pm-reaction-to-murder-of-aid-worker-david-haines (14 September 2014)]
2010s, 2014
"Moral Disorder & Sexual Identity," July 28, 2009 https://libcom.org/library/moral-disorder-gilles-dauv%C3%A9
“You have created a monster and it will destroy you.”
Frankenstein, when it becomes apparent that the monster has run amok
Frankenstein (1931)
March 28, 1945; Vol. 2, p. 922.
Diary (1939 - 1945)
John Carpenter Q&A: Why ‘Halloween’ Didn’t Need Sequels & What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)
pg. xlix
The Sports and Pastimes of the People of England (1801), Public entertainment
[In later footnotes, Boucher notes that by "white men" the native Americans mean the English; they call the French and Spanish by their proper names. He also gives examples of atrocities committed by colonists against native Americans, and expresses sarcastic surprise that "all such circumstances have failed to attract the attention of the writers of American history"].
"A View of the Causes and Consequences of the American Revolution" (London, Robinson, 1797)
“There's no such thing in Nature; and you'll draw
A faultless monster which the world ne’er saw.”
Essay on Poetry (published 1723).
Compare:
"'High characters,' cries one, and he would see/ Things that ne’er were, nor are, nor e’er will be", John Suckling, The Goblins, Epilogue.
"Whoever thinks a faultless piece to see,/ Thinks what ne’er was, nor is, nor e’er shall be", Alexander Pope, An Essay on Criticism (1711), Part II, line 53.
Preface to a collection of short stories about monsters, now lost, as quoted in Arthur Waley's introduction to the American edition of Monkey (New York: Grove Press, 1943)
Superman Comes to the Supermarket (1960)
"Class-Day Oration" (1893).
Extra-judicial writings
Cobbett's Weekly Political Register (5 January 1822).
"The Crossing" http://www.ap.krakow.pl/nkja/literature/polpoet/mic_crim.htm.
Crimean Sonnets
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
Amy Longsdorf (April 15, 2007) "Berry dares to leave drama queen behind her", Courier-Post, Section: B, p. 15G.
Speech in Chesterfield (13 June 1941), quoted in The Times (14 June 1941), p. 2.
1940s
Source: The Skin Map (2010), p. 65
" Andrea Dworkin Has Died http://susiebright.blogs.com/susie_brights_journal_/2005/04/andrea_dworkin_.html" by Susie Bright, Susie Bright's Journal (blog), April 11, 2005.
About
On the Old Man of the Mountain
“What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment.”
Review http://www.rogerebert.com/reviews/monster-2003 of Monster (1 January 2004)
Reviews, Four star reviews
Context: What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment. With courage, art and charity, she empathizes with Aileen Wuornos, a damaged woman who committed seven murders. She does not excuse the murders. She simply asks that we witness the woman's final desperate attempt to be a better person than her fate intended.
"The Abolition of Torture" http://www.tnr.com/doc.mhtml?pt=dcGGvZpeEnhgPCp2PwTGAy%3D%3D, The New Republic (19 December 2005)
Context: Monsters remain human beings. In fact, to reduce them to a subhuman level is to exonerate them of their acts of terrorism and mass murder — just as animals are not deemed morally responsible for killing. Insisting on the humanity of terrorists is, in fact, critical to maintaining their profound responsibility for the evil they commit.
And, if they are human, then they must necessarily not be treated in an inhuman fashion. You cannot lower the moral baseline of a terrorist to the subhuman without betraying a fundamental value. That is why the Geneva Conventions have a very basic ban on "cruel treatment and torture," and "outrages upon personal dignity, in particular humiliating and degrading treatment" — even when dealing with illegal combatants like terrorists. That is why the Declaration of Independence did not restrict its endorsement of freedom merely to those lucky enough to find themselves on U. S. soil — but extended it to all human beings, wherever they are in the world, simply because they are human.
“So I want to have monsters as a metaphor but I also want monsters because monsters are cool.”
interview with 3am
Context: The thing about good pulp is that you trust the reader and you know that the mind is a machine to process metaphors so of course all those connections will be there. But you've also granted the fantastic its own dynamic and allowed that awe. There's no contradiction. So I want to have monsters as a metaphor but I also want monsters because monsters are cool. There's no contradiction.
Ch 1
A Canticle for Leibowitz (1959), Fiat Homo
Context: He had never seen a "Fallout," and he hoped he'd never see one. A consistent description of the monster had not survived, but Francis had heard the legends. He crossed himself and backed away from the hole. Tradition told that the Beatus Leibowitz himself had encountered a Fallout, and had been possessed by it for many months before the exorcism which accompanied his Baptism drove the fiend away.
Brother Francis visualized a Fallout as half-salamander, because, according to tradition, the thing was born in the Flame Deluge, and as half-incubus who despoiled virgins in their sleep, for, were not the monsters of the world still called "children of the Fallout"? That the demon was capable of inflicting all the woes which descended upon Job was recorded fact, if not an article of creed.
"The Hue and Cry," The Writing on the Wall (1970)
Context: Calling someone a monster does not make him more guilty; it makes him less so by classing him with beasts and devils (“a person of inhuman and horrible cruelty or wickedness,” OED, Sense 4). Such an unnatural being is more horrible to contemplate than an Eichmann — that is, aesthetically worse — but morally an Ilse Koch was surely less culpable than Eichmann since she seems to have had no trace of human feeling and therefore was impassable to conscience.
“Maybe the world.. has run out of room.. for monsters.”
Swamp Thing (1983–1987)
Source: Who Is Man? (1965), Ch. 5<!-- Existence and expediency, p. 86 -->
Context: Authentic existence involves exaltation, sensitivity to the holy, awareness of indebtedness.
Existence without transcendence is a way of living where things become idols and idols become monsters.
Denial of transcendence contradicts the essential truth of being human. Its roots can be traced either to stolidity of self-contentment or to superciliousness of contempt, to moods rather than to comprehensive awareness of the totality and mystery of being.
Denial of transcendence which claims to unveil the truth of being is an inner contradiction, since the truth of being is not within being or within our consciousness of being but rather a truth that transcends our being.
The Earthly Paradise (1868-70), Apology
Context: Folk say, a wizard to a northern king
At Christmas-tide such wondrous things did show,
That through one window men beheld the spring,
And through another saw the summer glow,
And through a third the fruited vines a-row,
While still, unheard, but in its wonted way,
Piped the drear wind of that December day.
So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.
Swamp Thing (1983–1987)
The Conspiracy of Kings (1792)
Context: In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee. Say then, fraternal family divine,
Whom mutual wants and mutual aids combine,
Say from what source the dire delusion rose,
That souls like ours were ever made for foes;
Why earth's maternal bosom, where we tread,
To rear our mansions and receive our bread,
Should blush so often for the face she bore,
So long be drench'd with floods of filial gore;
Why to small realms for ever rest confin'd
Our great affections, meant for all mankind.
Though climes divide us; shall the stream or sea,
That forms a barrier 'twixt my friend and me,
Inspire the wish his peaceful state to mar,
And meet his falchion in the ranks of war? Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.
The Morals of Economic Irrationalism (1920)
Context: Corporations are in a sense moral monsters; we say they behave as such and we are disposed to treat them as such. The standard of international morality, particularly in matters of commercial intercourse, is on a still lower level. <!--p.3