Quotes about monster
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Colin Wilson photo
Mary McCarthy photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

T.S. Eliot photo
Marshall McLuhan photo

“In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 211

Dana Gioia photo
Ishirō Honda photo
Peter Kropotkin photo
Elfriede Jelinek photo
Robert Fisk photo
Ilana Mercer photo

“Hidden or in plain sight, The State is geared toward increasing or maintaining its sphere of influence, never reducing it. Voters are paid lip service, provided their wishes coincide with the aims of this unelected, entrenched apparatus. But when the popular will defies Deep State, that monster breathes fire.”

Ilana Mercer South African writer

"Elon Musk, Et al.: The Corporate Arm Of The Deep State," https://townhall.com/columnists/ilanamercer/2017/06/03/elon-musk-et-al-the-corporate-arm-of-the-deepstate-n2335618 Townhall.com, June 3, 2017
2010s, 2017

Donald J. Trump photo
George Eliot photo

“Every man who is not a monster, a mathematician, or a mad philosopher, is the slave of some woman or other.”

"The Sad Fortunes of the Rev. Amos Barton" Ch. 4
Scenes of Clerical Life (1858)

Claude McKay photo
Haruo Nakajima photo
Griff Furst photo
Thomas Wolfe photo
Paul Krugman photo

“It is a bit funny, but also quite sad: Those who preach the doctrine of global glut are tilting at windmills, when there are some real monsters out there that need slaying.”

Paul Krugman (1953) American economist

"Is Capitalism Too Productive?", Foreign Affairs (September/October 1997)

Enoch Powell photo
Louis Antoine de Saint-Just photo

“Most arts have produced miracles, while the art of government has produced nothing but monsters.”

Louis Antoine de Saint-Just (1767–1794) military and political leader

Tous les arts ont produit des merveilles: l'art de gouverner n'a produit que des monstres.
Discours sur la Constitution à donner à la France http://www.royet.org/nea1789-1794/archives/discours/stjust_constitution_24_04_93.htm, speech to the National Convention (April 24, 1793).

Margaret Atwood photo
Alex Kurtzman photo
Walter Scott photo
Tom Morello photo
John Ashcroft photo

“Frankenstein, he makes a friend, he wants a wife… That’s the one that I think cemented the creature as an icon, because all of the sudden you got to know the creature as a full-fledged person, and you felt sympathy for it, and not just, “Oh, it’s a monster.””

TRICK 'R TREAT DIRECTOR MICHAEL DOUGHERTY ON THE FILM’S RISE TO CULT CLASSIC STATUS http://www.ign.com/articles/2013/10/17/trick-r-treat-director-michael-dougherty-on-the-films-rise-to-cult-classic-status?page=2 (October 17, 2013)

Edmund Spenser photo

“A monster, which the Blatant beast men call,
A dreadfull feend of gods and men ydrad.”

Canto 12, stanza 37
The Faerie Queene (1589–1596), Book V

“Our media are completely lost in a wilderland of moral equivalence, eagerly prostituting themselves to monsters and terrorists.”

Charles Foster Johnson (1953) American musician

July 10, 2007 http://littlegreenfootballs.com/weblog/?entry=26199_What_the_Hell_is_Wrong_with_the_Los_Angeles_Times&only

Richard Cobden photo
Ryū Murakami photo
David Berg photo

“They ravage and sweep away my banquet, and befoul and upset the cups, there is a violent stench and a sorry battle arises, for the monsters are as famished as I. What all have scorned or polluted with their touch, or what has fallen from their filthy claws, helps me to linger thus among the living.”
Diripiunt verruntque dapes foedataque turbant pocula, saevit odor surgitque miserrima pugna parque mihi monstrisque fames. sprevere quod omnes pollueruntque manu quodque unguibus excidit atris has mihi fert in luce moras.

Source: Argonautica, Book IV, Lines 454–456

José Martí photo

“I have lived in the monster and I know its insides; and my sling is the sling of David.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Of the United States, in a letter to Manuel Mercado (1895), as quoted in Research : The Student's Guide to Writing Research Papers (1998) by Richard Veit, p. 143

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Max Barry photo
John Ogilby photo

“A horrid Monster, huge, deform'd, and blind.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Ernst Kaltenbrunner photo

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

Ray Bradbury photo

“The monster cried out at the tower. The foghorn blew. The monster roared again. The foghorn blew. The monster opened its great toothed mouth, and the sound that came from it was the sound of the foghorn itself.”

The Foghorn, first published in The Saturday Evening Post (1951) with the title "The Beast from 20,000 Fathoms"
The Golden Apples of the Sun (1953)

Shane Black photo

“It would be interesting to have two movies - one The Monster Squad, and one The Monster Squad and they're 30 years apart and so are the kids; the characters have aged. As long as people understood that's what we're doing, I think that could be fun. That's a good idea”

Shane Black (1961) American actor, screenwriter and film director

SHANE BLACK THINKS A MONSTER SQUAD SEQUEL “COULD BE FUN” https://www.ign.com/articles/2016/08/15/shane-black-thinks-a-monster-squad-sequel-acould-be-funa (August 15 2016)

Brian W. Aldiss photo
Roger Manganelli photo
Michael Sheen photo
Marine Le Pen photo
Joseph Hayne Rainey photo
David Cameron photo

“They are killing and slaughtering thousands of people… they boast of their brutality… they claim to do this in the name of Islam, that is nonsense, Islam is a religion of peace. They are not Muslims, they are monsters.”

David Cameron (1966) Former Prime Minister of the United Kingdom

On ISIS; https://www.gov.uk/government/news/pm-reaction-to-murder-of-aid-worker-david-haines (14 September 2014)]
2010s, 2014

Max Frisch photo
Octavia E. Butler photo
Orson Scott Card photo

“You have created a monster and it will destroy you.”

Garrett Fort (1900–1945) screenwriter

Frankenstein, when it becomes apparent that the monster has run amok
Frankenstein (1931)

Friedrich Kellner photo
John Carpenter photo
Clive Barker photo
Joseph Strutt photo

“Our rulers (both here and in Great Britain) will now have leisure to attend to every part of our American polity; and, among other things, to the state of Indians: … they have been looked upon as untamed and untameable monsters; whom, like the devoted nations around Judea, it was a kind of religion with white men to exterminate. We have treated them with a rigour and severity equally unsuitable to the genius of our government, and the mild spirit of our religion.”

Jonathan Boucher (1738–1804) English minister

[In later footnotes, Boucher notes that by "white men" the native Americans mean the English; they call the French and Spanish by their proper names. He also gives examples of atrocities committed by colonists against native Americans, and expresses sarcastic surprise that "all such circumstances have failed to attract the attention of the writers of American history"].
"A View of the Causes and Consequences of the American Revolution" (London, Robinson, 1797)

Winston S. Churchill photo
Linus Torvalds photo
John Sheffield, 1st Duke of Buckingham and Normanby photo

“There's no such thing in Nature; and you'll draw
A faultless monster which the world ne’er saw.”

John Sheffield, 1st Duke of Buckingham and Normanby (1648–1721) English poet and notable Tory politician of the late Stuart period

Essay on Poetry (published 1723).
Compare:
"'High characters,' cries one, and he would see/ Things that ne’er were, nor are, nor e’er will be", John Suckling, The Goblins, Epilogue.
"Whoever thinks a faultless piece to see,/ Thinks what ne’er was, nor is, nor e’er shall be", Alexander Pope, An Essay on Criticism (1711), Part II, line 53.

Joseph Smith, Jr. photo
William S. Burroughs photo
Jerry Coyne photo
Adam Roberts photo
Chuck Palahniuk photo
Norman Mailer photo
Learned Hand photo
Mary Wollstonecraft Shelley photo
Philip K. Dick photo
William Cobbett photo

“But what is to be the fate of the great wen of all? The monster, called, by the silly coxcombs of the press, "the metropolis of the empire?"”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Cobbett's Weekly Political Register (5 January 1822).

Homér photo
Richard D. Ryder photo
Adam Mickiewicz photo

“Monsters merge and welter through the water's mounting
Din. All hands, stand fast! A sailor sprints aloft,
Hangs, swelling spider-like, among invisible nets,
Surveys his slowly undulating snares, and waits.”

Adam Mickiewicz (1798–1855) Polish national poet, dramatist, essayist, publicist, translator, professor of Slavic literature, and polit…

"The Crossing" http://www.ap.krakow.pl/nkja/literature/polpoet/mic_crim.htm.
Crimean Sonnets

Haruo Nakajima photo
Laurie Penny photo
Halle Berry photo
Clement Attlee photo
Andrea Dworkin photo
Daniel Webster photo
Roger Ebert photo

“What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/monster-2003 of Monster (1 January 2004)
Reviews, Four star reviews
Context: What Charlize Theron achieves in Patty Jenkins' Monster isn't a performance but an embodiment. With courage, art and charity, she empathizes with Aileen Wuornos, a damaged woman who committed seven murders. She does not excuse the murders. She simply asks that we witness the woman's final desperate attempt to be a better person than her fate intended.

Andrew Sullivan photo

“Monsters remain human beings. In fact, to reduce them to a subhuman level is to exonerate them of their acts of terrorism and mass murder — just as animals are not deemed morally responsible for killing. Insisting on the humanity of terrorists is, in fact, critical to maintaining their profound responsibility for the evil they commit.”

Andrew Sullivan (1963) Journalist, writer, blogger

"The Abolition of Torture" http://www.tnr.com/doc.mhtml?pt=dcGGvZpeEnhgPCp2PwTGAy%3D%3D, The New Republic (19 December 2005)
Context: Monsters remain human beings. In fact, to reduce them to a subhuman level is to exonerate them of their acts of terrorism and mass murder — just as animals are not deemed morally responsible for killing. Insisting on the humanity of terrorists is, in fact, critical to maintaining their profound responsibility for the evil they commit.
And, if they are human, then they must necessarily not be treated in an inhuman fashion. You cannot lower the moral baseline of a terrorist to the subhuman without betraying a fundamental value. That is why the Geneva Conventions have a very basic ban on "cruel treatment and torture," and "outrages upon personal dignity, in particular humiliating and degrading treatment" — even when dealing with illegal combatants like terrorists. That is why the Declaration of Independence did not restrict its endorsement of freedom merely to those lucky enough to find themselves on U. S. soil — but extended it to all human beings, wherever they are in the world, simply because they are human.

China Miéville photo

“So I want to have monsters as a metaphor but I also want monsters because monsters are cool.”

China Miéville (1972) English writer

interview with 3am
Context: The thing about good pulp is that you trust the reader and you know that the mind is a machine to process metaphors so of course all those connections will be there. But you've also granted the fantastic its own dynamic and allowed that awe. There's no contradiction. So I want to have monsters as a metaphor but I also want monsters because monsters are cool. There's no contradiction.

“Brother Francis visualized a Fallout as half-salamander, because, according to tradition, the thing was born in the Flame Deluge, and as half-incubus who despoiled virgins in their sleep, for, were not the monsters of the world still called "children of the Fallout"? That the demon was capable of inflicting all the woes which descended upon Job was recorded fact, if not an article of creed.”

Ch 1
A Canticle for Leibowitz (1959), Fiat Homo
Context: He had never seen a "Fallout," and he hoped he'd never see one. A consistent description of the monster had not survived, but Francis had heard the legends. He crossed himself and backed away from the hole. Tradition told that the Beatus Leibowitz himself had encountered a Fallout, and had been possessed by it for many months before the exorcism which accompanied his Baptism drove the fiend away.
Brother Francis visualized a Fallout as half-salamander, because, according to tradition, the thing was born in the Flame Deluge, and as half-incubus who despoiled virgins in their sleep, for, were not the monsters of the world still called "children of the Fallout"? That the demon was capable of inflicting all the woes which descended upon Job was recorded fact, if not an article of creed.

Mary McCarthy photo

“Calling someone a monster does not make him more guilty; it makes him less so by classing him with beasts and devils”

Mary McCarthy (1912–1989) American writer

"The Hue and Cry," The Writing on the Wall (1970)
Context: Calling someone a monster does not make him more guilty; it makes him less so by classing him with beasts and devils (“a person of inhuman and horrible cruelty or wickedness,” OED, Sense 4). Such an unnatural being is more horrible to contemplate than an Eichmann — that is, aesthetically worse — but morally an Ilse Koch was surely less culpable than Eichmann since she seems to have had no trace of human feeling and therefore was impassable to conscience.

Alan Moore photo

“Maybe the world.. has run out of room.. for monsters.”

Alan Moore (1953) English writer primarily known for his work in comic books

Swamp Thing (1983–1987)

Abraham Joshua Heschel photo

“Existence without transcendence is a way of living where things become idols and idols become monsters.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Source: Who Is Man? (1965), Ch. 5<!-- Existence and expediency, p. 86 -->
Context: Authentic existence involves exaltation, sensitivity to the holy, awareness of indebtedness.
Existence without transcendence is a way of living where things become idols and idols become monsters.
Denial of transcendence contradicts the essential truth of being human. Its roots can be traced either to stolidity of self-contentment or to superciliousness of contempt, to moods rather than to comprehensive awareness of the totality and mystery of being.
Denial of transcendence which claims to unveil the truth of being is an inner contradiction, since the truth of being is not within being or within our consciousness of being but rather a truth that transcends our being.

William Morris photo

“So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.”

William Morris (1834–1896) author, designer, and craftsman

The Earthly Paradise (1868-70), Apology
Context: Folk say, a wizard to a northern king
At Christmas-tide such wondrous things did show,
That through one window men beheld the spring,
And through another saw the summer glow,
And through a third the fruited vines a-row,
While still, unheard, but in its wonted way,
Piped the drear wind of that December day.
So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.

Alan Moore photo
Joel Barlow photo

“Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee. Say then, fraternal family divine,
Whom mutual wants and mutual aids combine,
Say from what source the dire delusion rose,
That souls like ours were ever made for foes;
Why earth's maternal bosom, where we tread,
To rear our mansions and receive our bread,
Should blush so often for the face she bore,
So long be drench'd with floods of filial gore;
Why to small realms for ever rest confin'd
Our great affections, meant for all mankind.
Though climes divide us; shall the stream or sea,
That forms a barrier 'twixt my friend and me,
Inspire the wish his peaceful state to mar,
And meet his falchion in the ranks of war? Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.

“Corporations are in a sense moral monsters; we say they behave as such and we are disposed to treat them as such. The standard of international morality, particularly in matters of commercial intercourse, is on a still lower level.”

J.A. Hobson (1858–1940) English economist, social scientist and critic of imperialism

The Morals of Economic Irrationalism (1920)
Context: Corporations are in a sense moral monsters; we say they behave as such and we are disposed to treat them as such. The standard of international morality, particularly in matters of commercial intercourse, is on a still lower level. <!--p.3