Quotes about mix

A collection of quotes on the topic of mix, other, likeness, use.

Quotes about mix

Hunter S. Thompson photo
José Baroja photo
Karl Lagerfeld photo
"Weird Al" Yankovic photo
Babur photo
Mahavatar Babaji photo
Arthur Rimbaud photo

“Eternity is the sun
mixed
with the sea”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet
Bobby Fischer photo
Bobby Fischer photo
Begum Rokeya photo

“I am forced to say that you have not made the right choice. I have been locked up in the socially oppressive iron casket of 'porda' for all my life. I have not been able to mix very well with people – as a matter of fact, I do not even know what is expected of a chairperson. I do not know if one is supposed to laugh, or to cry.”

Begum Rokeya (1880–1932) Bengali feminist writer and social worker

When she was asked, in 1926, to chair the Bengal women's educational conference. https://www.theguardian.com/books/2011/may/28/rokeya-sakhawat-hossain-hero-tahmima-anam
Context: Although I am grateful to you for the respect that you have expressed towards me by inviting me to preside over the conference, I am forced to say that you have not made the right choice. I have been locked up in the socially oppressive iron casket of 'porda' for all my life. I have not been able to mix very well with people – as a matter of fact, I do not even know what is expected of a chairperson. I do not know if one is supposed to laugh, or to cry.

Rumi photo

“Good and bad are mixed. If you don't have both,
you don't belong with us.”

Rumi (1207–1273) Iranian poet

Source: The Essential Rumi (1995), Ch. 19 : Jesus Poems
Context: The cure for pain is in the pain.
Good and bad are mixed. If you don't have both,
you don't belong with us.

Pierre Joseph Proudhon photo
Fernando Pessoa photo

“No intelligent idea can gain general acceptance unless some stupidity is mixed in with it.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Não há nenhuma ideia inteligente que possa ganhar aceitação geral sem ser misturada antes com um pouco de estupidez.
The Book of Disquietude, trans. Richard Zenith, text 104

George Orwell photo
Yi-Fu Tuan photo
Muhammad Ali photo
Aga Khan IV photo

“I think you have to be patient, careful, analytical, thoughtful, prudent, and build step-by-step. I don't think it can be done like mixing a glass of Nescafé.”

Aga Khan IV (1936) 49th and current Imam of Nizari Ismailism

Interview with the Aga Khan, BBC World News America, (13 November 2007) http://www.nanowisdoms.org/nwblog/10384/
Context: You start with an idea, and then you let it grow. I think at the moment, there is a tendency to want to see political change occur in the developing world very rapidly, and I think this notion of consultation and democracy is all excellent, but I simply don't believe that Western forms of democracy are necessarily replicable throughout the developing world that I know, and indeed I would go so far as to say that, at the moment, one of our risks is to see democracies fail. … I think you have to be patient, careful, analytical, thoughtful, prudent, and build step-by-step. I don't think it can be done like mixing a glass of Nescafé.

William Shakespeare photo
Katherine Paterson photo
C.G. Jung photo

“For two personalities to meet is like mixing two chemical substances: if there is any combination at all, both are transformed.”

p. 49 http://books.google.com/books?id=U6lMnx8AQsYC&q=%22The+meeting+of+two+personalities+is+like+the+contact+of+two+chemical+substances+if+there+is+any+reaction+both+are%22+%22transformed%22&pg=PA49#v=onepage
Modern Man in Search of a Soul (1933)
Variant: The meeting of two personalities is like the contact of two chemical substances: if there is any reaction, both are transformed.
Source: Psychological Reflections: A New Anthology of His Writings 1905-61

Robert Frost photo

“I'm not confused. I'm just well mixed.”

Robert Frost (1874–1963) American poet

Variant: I am not confused, I'm just well mixed.

Paul Sweeney photo
Barack Obama photo
Saul Bellow photo
Virginia Woolf photo
Philip Stanhope, 4th Earl of Chesterfield photo

“Religion is by no means a proper subject of conversation in a mixed company.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

Letter to his godson, No.112 (undated)

Osamu Tezuka photo
Terry Pratchett photo
Vladimir Nabokov photo

“I hastened to quench a thirst that had been burning a hole in the mixed metaphor of my life ever since I had fondled a quite different Dolly thirteen years earlier.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Look at the Harlequins! (1974).

Tomas Tranströmer photo

“My total experience of school was mixed, with more darkness than light. Just as my image of society has become.”

Tomas Tranströmer (1931–2015) Swedish poet, psychologist and translator

42.
För levande och döda (For the Living and the Dead) 1996

Huey Long photo

“Don't liken me to that [SOB]. Anybody that lets his public policies be mixed up with religious prejudice is a plain [GD] fool.”

Huey Long (1893–1935) American politician, Governor of Louisiana, and United States Senator

Huey Long on Adolph Hitler and fascism.(Williams p. 761P)

Edward O. Wilson photo

“The toxic mix of religion and tribalism has become so dangerous as to justify taking seriously the alternative view, that humanism based on science is the effective antidote, the light and the way at last placed before us.”

Edward O. Wilson (1929) American biologist

Can biology do better than faith?, NewScientist.com, 2 November 2005, 2010-10-26 http://www.newscientist.com/article/dn8254-can-biology-do-better-than-faith.html,

Benjamin Disraeli photo
Leonardo Da Vinci photo
Tacitus photo
H.P. Lovecraft photo

“Of the complete biological inferiority of the negro there can be no question—he has anatomical features consistently varying from those of other stocks, & always in the direction of the lower primates... Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro... In dealing with these two black races, there is only one sound attitude for any other race (be it white, Indian, Malay, Polynesian, or Mongolian) to take—& that is to prevent admixture as completely & determinedly as it can be prevented, through the establishment of a colour-line & the rigid forcing of all mixed offspring below that line. I am in accord with the most vehement & vociferous Alabaman or Mississippian on that point … Other racial questions are wholly different in nature—involving wide variations unconnected with superiority or inferiority. Only an ignorant dolt would attempt to call a Chinese gentleman—heir to one of the greatest artistic & philosophic traditions in the world—an "inferior" of any sort... & yet there are potent reasons, based on wide physical, mental, & cultural differences, why great numbers of the Chinese ought not to mix into the Caucasian fabric, or vice versa. It is not that one race is any better than any other, but that their whole respective heritages are so antipodal as to make harmonious adjustment impossible. Members of one race can fit into another only through the complete eradication of their own background-influences—& even then the adjustment will always remain uneasy & imperfect if the newcomer's physical aspect froms a constant reminder of his outside origin. Therefore it is wise to discourage all mixtures of sharply differentiated races—though the color-line does not need to be drawn as strictly as in the case of the negro, since we know that a dash or two of Mongolian or Indian or Hindoo or some such blood will not actually injure a white stock biologically.... As a matter of fact, most of the psychological race-differences which strike us so prominently are cultural rather than biological. If one could take a Japanese infant, alter his features to the Anglo-Saxon type through plastic surgery, & place him with an American family in Boston for rearing—without telling him that he is not an American—the chances are that in 20 years the result would be a typical American youth with very few instincts to distinguish him from his pure Nordic college-mates. The same is true of other superior alien races including the Jew—although the Nazis persist in acting on a false biological conception. If they were wise in their campaign to get rid of Jewish cultural influences (& a great deal can be said for such a campaign, when the dominance of the Aryan tradition is threatened as in Germany & New York City), they would not emphasize the separatism of the Jew but would strive to make him give up his separate culture & lose himself in the German people. It wouldn't hurt Germany—or alter its essential physical type—to take in all the Jews it now has.”

H.P. Lovecraft (1890–1937) American author

However, that wouldn't work in Poland or New York City, where the Jews are of an inferior strain, & so numerous that they would essentially modify the physical type.
Letter to Natalie H. Wooley (22 November 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 77
Non-Fiction, Letters

Chuck Dixon photo
Leonardo Da Vinci photo

“And if you should say that the shells were carried by the waves, being empty and dead, I say that where the dead went they were not far removed from the living; for in these mountains living ones are found, which are recognisable by the shells being in pairs; and they are in a layer where there are no dead ones; and a little higher up they are found, where they were thrown by the waves, all the dead ones with their shells separated, near to where the rivers fell into the sea, to a great depth; like the Arno which fell from the Gonfolina near to Monte Lupo, where it left a deposit of gravel which may still be seen, and which has agglomerated; and of stones of various districts, natures, and colours and hardness, making one single conglomerate. And a little beyond the sandstone conglomerate a tufa has been formed, where it turned towards Castel Florentino; farther on, the mud was deposited in which the shells lived, and which rose in layers according to the levels at which the turbid Arno flowed into that sea. And from time to time the bottom of the sea was raised, depositing these shells in layers, as may be seen in the cutting at Colle Gonzoli, laid open by the Arno which is wearing away the base of it; in which cutting the said layers of shells are very plainly to be seen in clay of a bluish colour, and various marine objects are found there. And if the earth of our hemisphere is indeed raised by so much higher than it used to be, it must have become by so much lighter by the waters which it lost through the rift between Gibraltar and Ceuta; and all the more the higher it rose, because the weight of the waters which were thus lost would be added to the earth in the other hemisphere. And if the shells had been carried by the muddy deluge they would have been mixed up, and separated from each other amidst the mud, and not in regular steps and layers — as we see them now in our time.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XVI Physical Geography

Benjamin Disraeli photo
Mike Shinoda photo
Raymond Chandler photo
Thomas Gainsborough photo

“I wish you would recollect that Painting and Punctuality mix like Oil and Vinegar, and that Genius and regularity are utter Enemies.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote of Gainsborough in a 'Letter to Edward Stratford' (a patron), 1 May 1772
1770 - 1788

Hippocrates photo
Leonardo Da Vinci photo

“All the elements will be seen mixed together in a great whirling mass, now borne towards the centre of the world, now towards the sky; and now furiously rushing from the South towards the frozen North, and sometimes from the East towards the West, and then again from this hemisphere to the other.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

"Of Water, which flows turbid and mixed with Soil and Dust; and of Mist, which is mixed with the Air; and of Fire which is mixed with its own, and each with each."
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings

A.C. Bhaktivedanta Swami Prabhupada photo
Carl Gustav Jacob Jacobi photo
Thomas Mann photo

“I have read your book and its terrible documentation with deepest emotion. I cannot describe the mixed feeling of abhorrence and loathing which has filled my heart while perusing these records of human degradation and abominable cruelty.. . . To keep quiet would serve only the moral indifference of the world. . . You have done your duty in publishing this book and bringing these facts to light.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Cited in Awake! magazine, 1995, 8/22; article: The Evils of Nazism Exposed.
In 1933, The Golden Age carried the first of many reports of the existence of concentration camps in Germany. In 1938, Jehovah’s Witnesses published the book Crusade Against Christianity, in French, German, and Polish. It carefully documented the vicious Nazi attacks on the Witnesses and included diagrams of the Sachsenhausen and Esterwegen concentration camps.

Jean Jacques Rousseau photo

“At first our pupil had merely sensations, now he has ideas; he could only feel, now he reasons. For from the comparison of many successive or simultaneous sensations and the judgment arrived at with regard to them, there springs a sort of mixed or complex sensation which I call an idea. The way in which ideas are formed gives a character to the human mind. The mind which derives its ideas from real relations is thorough; the mind which relies on apparent relations is superficial. He who sees relations as they are has an exact mind; he who fails to estimate them aright has an inaccurate mind; he who concocts imaginary relations, which have no real existence, is a madman; he who does not perceive any relation at all is an imbecile. Clever men are distinguished from others by their greater or less aptitude for the comparison of ideas and the discovery of relations between them. Simple ideas consist merely of sensations compared one with another. Simple sensations involve judgments, as do the complex sensations which I call simple ideas. In the sensation the judgment is purely passive; it affirms that I feel what I feel. In the percept or idea the judgment is active; it connects, compares, it discriminates between relations not perceived by the senses. That is the whole difference; but it is a great difference. Nature never deceives us; we deceive ourselves.”

Emile, or On Education (1762), Book III

Claude Monet photo
Friedrich Schleiermacher photo
H.P. Lovecraft photo

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long

Mwanandeke Kindembo photo
Sophie Kinsella photo
Henry Rollins photo

“I'm screwed up, mixed up, messed around, dive-bombing, crashing and burning.”

Jaclyn Moriarty (1968) Australian writer

Source: The Year of Secret Assignments

Cornelia Funke photo
Cassandra Clare photo
Po Bronson photo
Cinda Williams Chima photo
Dr. Seuss photo

“Just never forget to be dexterous and deft.
And never mix up your right foot with your left.
And will you succeed?
Yes! You will, indeed!
(98 and 3/4 percent guaranteed.)”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

Source: Oh, The Places You'll Go!

Jack Kerouac photo
Rob Sheffield photo

“There are all kinds of mix tapes. there is always a reason to make one.”

Rob Sheffield (1966) American music journalist

Source: Love Is a Mix Tape

“Pritkin and Mircea mixed like oil and water, only not so well.”

Karen Chance American writer

Source: Hunt the Moon

Douglas Adams photo
Carl Sandburg photo
P.G. Wodehouse photo
D.H. Lawrence photo

“One could laugh at the world better if it didn't mix tender kindliness with its brutality.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter
Brandon Sanderson photo
Joan Didion photo
Pat Conroy photo
Cassandra Clare photo
Sherrilyn Kenyon photo
Jodi Picoult photo
Daniel Handler photo
Sherrilyn Kenyon photo
Charles Bukowski photo

“I was fairly poor
but most of my money went
for wine and
classical music.
I loved to mix the two
together.”

Charles Bukowski (1920–1994) American writer

Source: The Last Night of the Earth Poems

Ernest Hemingway photo
Anaïs Nin photo
Anne Sexton photo
Craig Ferguson photo
Carrie Fisher photo
Cassandra Clare photo
Max Brooks photo
Rob Sheffield photo

“Every mix tape tells a story. Put them together, and they add up to the story of life.”

Rob Sheffield (1966) American music journalist

Source: Love Is a Mix Tape

Karl Lagerfeld photo
Barbara Kingsolver photo