
The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)
The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)
“Dragonfly” (p. 199)
Earthsea Books, Tales from Earthsea (2001)
Source: Ten Little Wizards (1988), Chapter 15 (p. 151)
“Choose only one master — Nature.”
As quoted in Rembrandt Drawings (1975) by Paul Némo, as translated by David Macrae
undated quotes
In Latin, nullum magnum ingenium sine mixtura dementiae fuit (There is no great genius without some touch of madness). This passage by Seneca is the source most often cited in crediting Aristotle with this thought, but in Problemata xxx. 1, Aristotle says: 'Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholic?' The quote by Plato is from the Dialogue Phaedrus (245a).
On Tranquility of the Mind
Introductory
A Treatise on Man and the Development of His Faculties (1842)
2000s, Welcome to the Big Darkness (2003)
As quoted off the blurb for the song "Days of Decision" on the back of the album https://en.wikipedia.org/wiki/I_Ain%27t_Marching_Anymore I Ain't Marching Anymore.
“Perhaps,
The man-hero is not the exceptional monster,
But he that of repetition is most master.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Source: Art & Other Serious Matters, (1985), p. 271, "Being Outside"
1918 (The Hour of God)
India's Rebirth
The Education of Henry Adams (1907)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 128.
Yukihiro Matsumoto " The Philosophy of Ruby, A Conversation with Yukihiro Matsumoto, Part I http://www.artima.com/intv/ruby4.html" by Bill Venners on 2003-09-29 (Artima Developer).
Variant: The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death. This “sublime revenge” of ressentiment (in Nietzsche’s words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to been viable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be.
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 76-77
Afterword to "The Bagful of Dreams" in The Jack Vance Treasury (2007). First appeared in Epoch (1775), ed. Robert Silverberg and Roger Elwood.
And all of the noise and the clamor in the library ceased, and there was a hush in the library, for all of the books knew who the real master of the library was.
"Ministers of Justice", Address delivered at the Eighty-Second Annual Convention of the Tennessee Bar Association at Gatlinburg, June 5, 1963; published in 31 Tennessee Law Review 1 (Fall 1963), p. 19.
Letter to Abtzell February 12, 1526 (vi., 473), ibid, p.250-251
Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 3–4
Address opening Fiji's first parliamentary session as an independent nation (excerpts)
[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 348]
Narain (Rajasthan) Narayanpur in Alwar district of Rajasthan. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 36
Quotes from Tarikh Yamini (Kitabu-l Yamini) by Al Utbi
Dijkstra (2000) "Answers to questions from students of Software Engineering" http://www.cs.utexas.edu/users/EWD/transcriptions/EWD13xx/EWD1305.html (EWD 1305).
2000s
Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946
[199705201832.LAA28393@wall.org, 1997]
Usenet postings, 1997
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 466.
Small Houses: Their Economic Design and Construction (1922)
Nobel Lecture (2010)
Modern Painter's World, Robert Motherwell , Dyn, Nov. 1942, p. 13
1940s
Speech http://hansard.millbanksystems.com/commons/1846/may/22/factories-bill in the House of Commons (22 May 1846) against the Factory Act 1847.
1840s
Source: Echoes from the Bottomless Well (1985), p. 8
Pelsaert, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Jahangir’s India
Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter VII, p. 85
Managing, Chapter Nine (The Numbers), p. 151.
1920s, Speech on the Anniversary of the Declaration of Independence (1926)
"On the Avenue"
Rewards of Passion (Sheer Poetry) (1981)
Source: Sociology For The South: Or The Failure Of A Free Society (1854), p. 178
The Decisive Treatise
Source: Jon McGinnis, David C. Reisman (2007) Classical Arabic Philosophy: An Anthology of Sources. p. 310
Source: 1930s, Principles of topological psychology, 1936, p. viii.
Speech http://teachingamericanhistory.org/library/document/the-nations-problem/
Considerés que c'est de pueple, quant il s'esmuet et esliève et il a puissance contre son seigneur, et par especial en Angleterre. Là n'y a-il nul remède, car c'est le plus périlleus poeuple commun qui soit au monde et le plus oultrageux et orgueilleux. Et de tous ceulx d'Angleterre Londriens sont chiefs.
Book 4, pp. 454-5.
Chroniques (1369–1400)
The She-Ancient, in Pt. V
1920s, Back to Methuselah (1921)
Japan, the Beautiful and Myself (1969)
Academiarum Examen, or the Examination of Academies (1654), p. 71; of chemistry.
A Mortal Antipathy (1885) This statement is often misquoted as "Love is the master-key that opens the gates of happiness".
In:p.6.
Uniqueness of Zakir Husain and His Contributions (1997)
Source: Animal Gospel: Christian Faith as if Animals Mattered (1998), p. 12
Euro Trash Cinema magazine interview (March 1996)
Memoirs of J. Casanova de Seingalt (1894)
(1847)
31 October 1966; p. 59
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Source: Knowledge Assets, 1998, p. 124; As cited in: Ortiz et al. (2006)
Quoted in "Forever is in the Now: The Timeless Message of Sri Ramana Maharshi", p. 192
2010s, 2010, First speech as UK Prime Minister (2010)
1994, p. 45
Integrity in Science (1985)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 144.
“In the vaunted works of Art
The master-stroke is Nature's part. 5.”
Art
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: In the vaunted works of Art
The master-stroke is Nature's part. 5.
Well, he has now.
Like It Was, p.255
“[on w:Diego Rivera:].. the one artist on this continent who is in the class of the old masters.”
Source: Brooks, Van Wyck. John Sloan: a Painter's Life. New York: E.P. Dutton & Co, 1955, p. 170
Zend explaining the Spawn of Dagon to Elak
Short fiction, The Spawn Of Dagon (1938)
Context: "They dare'd not invade the palace while the globe shone, for the light-rays would have killed them. … This island-continent would have gone down beneath the sea long ago if I hadn't pitted my magic and my science against that of the children of Dagon. They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea. But within that room" — Zend nodded toward the curtain that hid the sea-bred horrors — "in that room there is power far stronger than theirs. I have drawn strength from the stars, and the cosmic sources beyond the universe. You know nothing of my power. It is enough — more than enough — to keep Atlantis steady on its foundation, impregnable against the attacks of Dagon's breed. They have destroyed other lands before Atlantis."
Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 467 : On the theory of numbers
How I became a Hindu (1982)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 124.
Ruqat-i-Alamgiri, as quoted in Later Mughals : Volume II : 1719-1739 (1922) by Irvine William Irvine http://www.archive.org/details/latermughals02irviuoft
Quotes from late medieval histories
Majority Report, July 12, 2005 broadcast
Majority Report
In a letter to Gauss. As quoted in Carl Friedrich Gauss: Titan of Science (2004) by Guy Waldo Dunnington. p. 361-362
Quoted
quote about 'light' paintings
1960s, Interview with Barbara Rose', Archives - American Art, 1968
Source: The Chronicles of Prydain (1964–1968), Book V : The High King (1968), Chapter 10 (King Math)
The Art of Doing Science and Engineering: Learning to Learn (1991)
The girl was in tears.
Interview, The Observer. Date : February 22, 1997. http://sathyavaadi.tripod.com/truthisgod/Articles/goel.htm https://egregores.blogspot.com/2009/10/buddha-sri-aurobindo-and-plato.html https://egregores.wordpress.com/2009/11/16/hindus-and-pagans-a-return-to-the-time-of-the-gods/
Rabbi Maurice Davis, quoted http://www.cs.cmu.edu/~dst/Library/Shelf/wakefield/us-16.html in Ronald Enroth, Ph.D.'s Youth, brainwashing, and the extremist cults, 1977, Grand Rapids: Zondervan Pub. House.
“Knowledge is more than equivalent to force. The master of mechanicks laughs at strength.”
Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 13; variant with modernized spelling: Knowledge is more than equivalent to force. The master of mechanics laughs at strength.
Letter to Charles Eliot Norton (16 January 1871).
Wenn man Euch reden hört, dann habt Ihr immer den Kapitalismus bekämpft. In Wirklichkeit habt Ihr den Kapitalismus erst in den Sattel gehoben. In dieser Republik hat sich der Kapitalismus ausgewachsen wie niemals zuvor. Mag man über den alten Staat denken wir man will, eines steht fest: so verlumpt war er nicht wie der, den Ihr uns gebracht habt! …
Was soll man dazu sagen, wenn ein Reichspräsident Ebert den jüdischen Schurken Barmat in Briefen mit "Mein lieber Barmat" anredet und ihn am Schlusse mit "Dein Ebert" grüßt? Bei aller Ehrfurcht, die ich vor dem Mann habe, den ich übrigens als Sattlermeister weit mehr schätze denn als Reichspräsident, muss ich mich doch sehr wundern. Meine Herren, wo ist da "Schönheit und Würde"?
01/23/1925, speech in the Bavarian regional parliament ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)
22
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)
“Different languages, the same thoughts; servant to thoughts and their masters.”
“Hidden Words,” p. 58
The Sun Watches the Sun (1999), Sequence: “A Stone and a Word”
Quote from Van Doesburg's article: 'Towards elementary plastic expression', in 'Material zur elementaren Gestaltung', G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926
Source: The Lives of the Painters, Sculptors, and Architects, 1900, p. 5-6
in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille
Source: 1880's, Renoir – his life and work, 1975, p. 169 in a letter to madame Charpentier, l'Estaque, January 1882
Radio broadcast from Benghazi (1 September 1969), quoted in The Libyan Revolution: Its Origins and Legacy (2009) by Nicholas Hagger
Speeches