Quotes about master
page 6

Daniel Levitin photo
Ursula K. Le Guin photo
Benedict of Nursia photo
Anton Chekhov photo
J.M. Coetzee photo
Anne Brontë photo
Rembrandt van Rijn photo

“Choose only one master — Nature.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

As quoted in Rembrandt Drawings (1975) by Paul Némo, as translated by David Macrae
undated quotes

Seneca the Younger photo

“Whether we believe the Greek poet, "it is sometimes even pleasant to be mad", or Plato, "he who is master of himself has knocked in vain at the doors of poetry"; or Aristotle, "no great genius was without a mixture of insanity"; the mind cannot express anything lofty and above the ordinary unless inspired. When it despises the common and the customary, and with sacred inspiration rises higher, then at length it sings something grander than that which can come from mortal lips. It cannot attain anything sublime and lofty so long as it is sane: it must depart from the customary, swing itself aloft, take the bit in its teeth, carry away its rider and bear him to a height whither he would have feared to ascend alone.”

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

In Latin, nullum magnum ingenium sine mixtura dementiae fuit (There is no great genius without some touch of madness). This passage by Seneca is the source most often cited in crediting Aristotle with this thought, but in Problemata xxx. 1, Aristotle says: 'Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholic?' The quote by Plato is from the Dialogue Phaedrus (245a).
On Tranquility of the Mind

Adolphe Quetelet photo
Hunter S. Thompson photo
Phil Ochs photo

“The American Politician has developed into the gutless master of procrastination with a maximum of non-committal statement and the barest minimum of action. This moral vacuum is exceeded only by the apathetic public who allows him to stay in power.”

Phil Ochs (1940–1976) American protest singer and songwriter

As quoted off the blurb for the song "Days of Decision" on the back of the album https://en.wikipedia.org/wiki/I_Ain%27t_Marching_Anymore I Ain't Marching Anymore.

Hisham Matar photo
Wallace Stevens photo

“Perhaps,
The man-hero is not the exceptional monster,
But he that of repetition is most master.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

Sri Aurobindo photo

“There are moments when the Spirit moves among men and the breath of the Lord is abroad upon the waters of our being; there are others when it retires and men are left to act in the strength or the weakness of their own egoism. The first are periods when even a little effort produces great results and changes destiny; the second are spaces of time when much labour goes to the making of a little result. It is true that the latter may prepare the former, may be the little smoke of sacrifice going up to heaven which calls down the rain of God's bounty…. Unhappy is the man or the nation which, when the divine moment arrives, is found sleeping or unprepared to use it, because the lamp has not been kept trimmed for the welcome and the ears are sealed to the call. But thrice woe to them who are strong and ready, yet waste the force or misuse the moment; for them is irreparable loss or a great destruction…. In the hour of God cleanse thy soul of all self-deceit and hypocrisy and vain self-flattering that thou mayst look straight into thy spirit and hear that which summons it. All insincerity of nature, once thy defence against the eye of the Master and the light of the ideal, becomes now a gap in thy armour and invites the blow. Even if thou conquer for the moment, it is the worse for thee, for the blow shall come afterwards and cast thee down in the midst of thy triumph. But being pure cast aside all fear; for the hour is often terrible, a fire and a whirlwind and a tempest, a treading of the winepress of the wrath of God; but he who can stand up in it on the truth of his purpose is he who shall stand; even though he fall, he shall rise again; even though he seem to pass on the wings of the wind, he shall return. Nor let worldly prudence whisper too closely in thy ear; for it is the hour of the unexpected, the incalculable, the immeasurable. Mete not the power of the Breath by thy petty instruments, but trust and go forward…. But most keep thy soul clear, even if for a while, of the clamour of the ego. Then shall a fire march before thee in the night and the storm be thy helper and thy flag shall wave on the highest height of the greatness that was to be conquered.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

1918 (The Hour of God)
India's Rebirth

Henry Adams photo
Yukihiro Matsumoto photo
John Ralston Saul photo
Max Scheler photo

“This “sublime revenge” of ressentiment (in Nietzsche's words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to be enviable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be."”

Max Scheler (1874–1928) German philosopher

Variant: The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death. This “sublime revenge” of ressentiment (in Nietzsche’s words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to been viable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be.
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 76-77

Jack Vance photo

“The less a writer discusses his work—and himself—the better. The master chef slaughters no chickens in the dining room; the doctor writes prescriptions in Latin; the magician hides his hinges, mirrors, and trapdoors with the utmost care.”

Jack Vance (1916–2013) American mystery and speculative fiction writer

Afterword to "The Bagful of Dreams" in The Jack Vance Treasury (2007). First appeared in Epoch (1775), ed. Robert Silverberg and Roger Elwood.

Huldrych Zwingli photo

“Grace and peace from God to you, respected, honoured, wise clement, gracious and beloved Masters: An exceedingly unfortunate affair has happened to me, in that I have been publicly accused before your worships of having reviled you in unseemly words and, be it said with all respect, of having called you heretics, my gracious rulers of the State. I am so far from applying this name to you, that I should as soon think of calling heaven hell. For all my life I have thought and spoken of you in terms of praise and honour, gentlemen of Abtzell, as I do to-day, and, as God favours me, shall do to the end of my days. But it happened not long ago when I was preaching against the Catabaptists that I used these words: 'The Catabaptists are now doing so much mischief to the upright citizens of Abtzell and are showing so great insolence, that nothing could be more infamous. You see, gentle sirs, with what modesty I grieved on your account, because the turbulent Catabaptists caused you so much trouble. Indeed I suspect that the Catabaptists are the very people who have set this sermon against me in circulation among you, for they do many of those things which do not become true Christians. Therefore, gentle and wise sirs, I beg most earnestly that you will have me exculpated before the whole community, and, if occasion arise, that you will have this letter read in public assembly. Sirs, I assure you in the name of God our Saviour, in these perilous times you have never been our of my thoughts and my solicitious anxiety; and if in any way I shall be able to serve you I will spare no pains to do so. In addition to the fact that I never use such terms even against my enemies, let me say that it never entered my mind to apply such insulting epithets to you, pious and wise sirs. Sufficient of this. May God preserve you in safety, and may He put a curb on these unbridled falsehoods which are being scattered everywhere, which is an evidence of some great peril - and may He hold your worships and the whole state in the true faith of Christ@ Take this letter of mine in good part, for I could not suffer that so base a falsehood against me should lie uncontradicted.”

Huldrych Zwingli (1484–1531) leader of the Protestant Reformation in Switzerland, and founder of the Swiss Reformed Churches

Letter to Abtzell February 12, 1526 (vi., 473), ibid, p.250-251

André Maurois photo
Sarada Devi photo

“Does one get faith by mere studying of books? Too much reading creates confusion. The Master used to say that one should learn from the scriptures that God alone is real and the world illusory.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 348]

Mahmud of Ghazni photo
Edsger W. Dijkstra photo
Barbara Hepworth photo

“He [Giovanni Ardini, Italian master-carver] opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.”

Barbara Hepworth (1903–1975) English sculptor

Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946

Larry Wall photo

“P. S. Perl's master plan (or what passes for one) is to take over the world like English did. Er, *as* English did…”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199705201832.LAA28393@wall.org, 1997]
Usenet postings, 1997

Edward Payson photo
H. G. Wells photo
Aldous Huxley photo
Ernest Flagg photo

“A master in art need not go into the highways and byways for affects; he knows the straight course and follows it.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Mario Vargas Llosa photo
Richard Cobden photo
Jean-Baptiste Say photo
George Frideric Handel photo
Calvin Coolidge photo
Vanna Bonta photo

“I wished to dub as Masters: Love, Truth, Serenity. They'd feed and house and teach me with total sovereignty.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"On the Avenue"
Rewards of Passion (Sheer Poetry) (1981)

George Fitzhugh photo
Averroes photo
Kurt Lewin photo
Frederick Douglass photo

“It was once said by Abraham Lincoln that this Republic could not long endure half slave and half free; and the same may be said with even more truth of the black citizens of this country. They cannot remain half slave and half free. They must be one thing or the other. And this brings me to consider the alternative now presented between slavery and freedom in this country. From my outlook, I am free to affirm that I see nothing for the negro of the South but a condition of absolute freedom, or of absolute slavery. I see no half-way place for him. One or the other of these conditions is to solve the so-called negro problem. There are forces at work in both of these directions, and for the present that which aims at the re-enslavement of the negro seems to have the advantage. Let it be remembered that the labor of the negro is his only capital. Take this from him, and he dies from starvation. The present mode of obtaining his labor in the South gives the old master-class a complete mastery over him. I showed this in my last annual celebration address, and I need not go into it here. The payment of the negro by orders on stores, where the storekeeper controls price, quality, and quantity, and is subject to no competition, so that the negro must buy there and nowhere else–an arrangement by which the negro never has a dollar to lay by, and can be kept in debt to his employer, year in and year out–puts him completely at the mercy of the old master-class. He who could say to the negro, when a slave, you shall work for me or be whipped to death, can now say to him with equal emphasis, you shall work for me, or I will starve you to death… This is the plain, matter-of-fact, and unexaggerated condition of the plantation negro in the Southern States today.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

Jean Froissart photo

“Consider for a moment what it is like when the people are roused to revolt and get the upper hand of their master, and especially in England. Then there is no stopping it, for they are the most dangerous common people in the world, the most violent and presumptuous. And of all the commons in England the Londoners are the ringleaders.”

Jean Froissart (1337–1405) French writer

Considerés que c'est de pueple, quant il s'esmuet et esliève et il a puissance contre son seigneur, et par especial en Angleterre. Là n'y a-il nul remède, car c'est le plus périlleus poeuple commun qui soit au monde et le plus oultrageux et orgueilleux. Et de tous ceulx d'Angleterre Londriens sont chiefs.
Book 4, pp. 454-5.
Chroniques (1369–1400)

Sofia Samatar photo
Gerald Durrell photo
George Bernard Shaw photo
Yasunari Kawabata photo
Robert Hunter photo

“The storyteller makes no choice, soon you will not hear his voice, his job is to shed light, and not to master”

Robert Hunter (1941–2019) American musician

"Lady With a Fan"
Song lyrics, (1977)

Charles Darwin photo
Oliver Wendell Holmes photo

“Love is the master-key that opens the gates of happiness, of hatred, of jealousy, and, most easily of all, the gate of fear. How terrible is the one fact of beauty!”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

A Mortal Antipathy (1885) This statement is often misquoted as "Love is the master-key that opens the gates of happiness".

Zakir Hussain (politician) photo
Philip Roth photo
Andrew Linzey photo
Giacomo Casanova photo
Friedrich Engels photo
Bram van Velde photo
Chinmayananda Saraswati photo
David Cameron photo

“One of the tasks that we clearly have is to rebuild trust in our political system. Yes, that's about cleaning up expenses, yes, that's about reforming parliament, and yes, it's about making sure people are in control and that the politicians are always their servants and never their masters.
But I believe it's also something else — it's about being honest about what government can achieve. Real change is not what government can do on its own, real change is when everyone pulls together, comes together, works together, when we all exercise our responsibilities to ourselves, our families, to our communities and to others. And I want to help try and build a more responsible society here in Britain, one where we don't just ask what are my entitlements but what are my responsibilities, one where we don't ask what am I just owed but more what can I give, and a guide for that society that those that can should and those who can't we will always help.
I want to make sure that my Government always looks after the elderly, the frail, the poorest in our country.
We must take everyone through us on some of the difficult decisions that we have ahead.
Above all it will be a Government that is built on some clear values, values of freedom, values of fairness and values of responsibility. I want us to build an economy that rewards work, I want us to build a society with stronger families and stronger communities and I want a political system that people can trust and look up to once again.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2010, First speech as UK Prime Minister (2010)

Lewis M. Branscomb photo
Ralph Waldo Emerson photo

“In the vaunted works of Art
The master-stroke is Nature's part. 5.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Art
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: In the vaunted works of Art
The master-stroke is Nature's part. 5.

Malcolm Muggeridge photo
John Sloan photo

“[on w:Diego Rivera:].. the one artist on this continent who is in the class of the old masters.”

John Sloan (1871–1951) American painter

Source: Brooks, Van Wyck. John Sloan: a Painter's Life. New York: E.P. Dutton & Co, 1955, p. 170

“They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea.”

Henry Kuttner (1915–1958) American author

Zend explaining the Spawn of Dagon to Elak
Short fiction, The Spawn Of Dagon (1938)
Context: "They dare'd not invade the palace while the globe shone, for the light-rays would have killed them. … This island-continent would have gone down beneath the sea long ago if I hadn't pitted my magic and my science against that of the children of Dagon. They are masters of the earthquake, and Atlantis rests on none too solid a foundation. Their power is sufficient to sink Atlantis forever beneath the sea. But within that room" — Zend nodded toward the curtain that hid the sea-bred horrors — "in that room there is power far stronger than theirs. I have drawn strength from the stars, and the cosmic sources beyond the universe. You know nothing of my power. It is enough — more than enough — to keep Atlantis steady on its foundation, impregnable against the attacks of Dagon's breed. They have destroyed other lands before Atlantis."

James Whitbread Lee Glaisher photo
Washington Gladden photo

“O Master, let me walk with Thee
In lowly paths of service free;
Tell me Thy secret; help me bear
The strain of toil, the fret of care.”

Washington Gladden (1836–1918) American pastor

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 124.

Aurangzeb photo

“No age is wanting in able men; it is the duty of wise masters to find them out, win them over, and get work done by means of them, without listening to the calumnies of selfish men against them.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Ruqat-i-Alamgiri, as quoted in Later Mughals : Volume II : 1719-1739 (1922) by Irvine William Irvine http://www.archive.org/details/latermughals02irviuoft
Quotes from late medieval histories

Janeane Garofalo photo

“Among Noah's sons was one who covered the shame of his father, but the Hegelians are still tearing away the cloak which time and oblivion had sympathetically thrown over the shame of their Master.”

Heinrich Christian Friedrich Schumacher (1757–1830) Danish scientist

In a letter to Gauss. As quoted in Carl Friedrich Gauss: Titan of Science (2004) by Guy Waldo Dunnington. p. 361-362
Quoted

Gregory of Nyssa photo
Winston S. Churchill photo
Leo Tolstoy photo
Edgar Rice Burroughs photo

“I have been strongly influenced by the Mahabharata, discourses of the Buddha, Sri Aurobindo and Plato. My masters have been Vyasa, Buddha and Sri Aurobindo, as elucidated by Ram Swarup. … Paganism was a term of contempt invented by Christianity for people in the countryside who lived close to and in harmony with Nature, and whose ways of worship were spontaneous as opposed to the contrived though-categories constructed by Christianity’s city-based manipulators of human minds. In due course, the term was extended to cover all spiritually spontaneous culture of the world – Greek, Roman, Iranian, Indian, Chinese, native American. It became a respectable term for those who revolted against Christianity in the modern West. But it has yet to recover its spiritual dimension which Christianity had eclipsed. For me, Hinduism preserves ancient Paganism in all its dimensions. In that sense, I am a Pagan. The term "Polytheism' comes from Biblical discourse, which has the term 'theism' as its starting point. I have no use for these terms. They create confusion. I dwell in a different universe of discourse which starts with 'know thyself' and ends with the discovery, 'thou art that'…
I met her [Mother Theresa] briefly in Calcutta in 1954 or 1955 when she was unknown. I had gone to see an American journalist who was a friend and had fallen ill, when she came to his house asking for money for her charity set-up. The friend went inside to get some cash, leaving his five or six year old daughter in the drawing room. Teresa told her, "He is not your real father. Your real father is in heaven." The girl said, "He is very ill." Theresa commented, "If he dies, your father does not die. For your real father who is in heaven never 'dies."”

Sita Ram Goel (1921–2003) Indian activist

The girl was in tears.
Interview, The Observer. Date : February 22, 1997. http://sathyavaadi.tripod.com/truthisgod/Articles/goel.htm https://egregores.blogspot.com/2009/10/buddha-sri-aurobindo-and-plato.html https://egregores.wordpress.com/2009/11/16/hindus-and-pagans-a-return-to-the-time-of-the-gods/

Samuel Johnson photo

“Knowledge is more than equivalent to force. The master of mechanicks laughs at strength.”

Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 13; variant with modernized spelling: Knowledge is more than equivalent to force. The master of mechanics laughs at strength.

Henry James photo
Julius Streicher photo

“When one listens to your speeches it sounds as if you had always fought against capitalism. The truth is that it was you who gave all the power to capitalism. In this republic capitalism has grown as it had never before. You can think about the old state as you will, one thing is certain: it was not as rotten as the one you brought about! …
What shall one say when Reich president Ebert in his letters addresses the Jewish scoundrel Barmat as "My dear Barmat" and closes with the greeting "Yours Ebert"? Despite all the veneration that I feel for this man, whom by the way I respect more as a master saddle-maker than as a Reich president, I simply have to be astonished. Gentlemen, where is the "beauty and dignity?"”

Julius Streicher (1885–1946) German politician

Wenn man Euch reden hört, dann habt Ihr immer den Kapitalismus bekämpft. In Wirklichkeit habt Ihr den Kapitalismus erst in den Sattel gehoben. In dieser Republik hat sich der Kapitalismus ausgewachsen wie niemals zuvor. Mag man über den alten Staat denken wir man will, eines steht fest: so verlumpt war er nicht wie der, den Ihr uns gebracht habt! …
Was soll man dazu sagen, wenn ein Reichspräsident Ebert den jüdischen Schurken Barmat in Briefen mit "Mein lieber Barmat" anredet und ihn am Schlusse mit "Dein Ebert" grüßt? Bei aller Ehrfurcht, die ich vor dem Mann habe, den ich übrigens als Sattlermeister weit mehr schätze denn als Reichspräsident, muss ich mich doch sehr wundern. Meine Herren, wo ist da "Schönheit und Würde"?
01/23/1925, speech in the Bavarian regional parliament ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

Yoshida Kenkō photo
Dejan Stojanovic photo

“Different languages, the same thoughts; servant to thoughts and their masters.”

Dejan Stojanovic (1959) poet, writer, and businessman

“Hidden Words,” p. 58
The Sun Watches the Sun (1999), Sequence: “A Stone and a Word”

Theo van Doesburg photo

“.. the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.... to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Towards elementary plastic expression', in 'Material zur elementaren Gestaltung', G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

Giorgio Vasari photo
Pierre-Auguste Renoir photo
Muammar Gaddafi photo