“Apparently an "art"—which almost by definition cannot be put into words—is probably best communicated by approaching it from many sides and doing so repeatedly, hoping thereby students will finally master enough of the art, or if you wish, style, to significantly increase their future contributions to society.”

The Art of Doing Science and Engineering: Learning to Learn (1991)

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Richard Hamming90

American mathematician and information theorist 1915–1998

Richard Hamming (1915–1998) American mathematician and information theorist

The Art of Doing Science and Engineering: Learning to Learn (1991)

“One cannot, however, avoid saying a few words about individuals who lay down the law to art in the name of art history. Art criticism today is beset by art historians turned inside out to function as prophets of so-called inevitable trends. A determinism similar to that projected into the evolution of past styles is clamped upon art in the making. In this parody of art history, value judgments are deduced from a presumed logic of development, and an ultimatum is issued to artists either to accommodate themselves to these values or be banned from the art of the future.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 147, "Criticism and Its Premises"

“Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?”

Edith Wharton (1862–1937) American novelist, short story writer, designer

Nadine Gordimer, "The Essential Gesture: Writers and Responsibility" http://www.tannerlectures.utah.edu/lectures/gordimer85.pdf, The Tanner Lectures on Human Values, University of Michigan (12 October 1984), p. 9 <br class="br">Misattributed

“My wish [c. 1911].... of compiling a book (a kind of Almanac) in which all the contributions should be written by artists. I dreamt primarily of painters and musicians. The ruinous separation of the arts from each other, and of 'Art' from folk-art and from children's art, the distinction between 'Art' and 'Ethnography' [folk-art].... the solid walls erected between phenomena that in my eyes were so closely related, even identical: in a word, the potentialities for synthesis left me no peace. It may well seem strange today [1930] that for a long time I could not find any co-workers or any means to promote this idea..”

Wassily Kandinsky (1866–1944) Russian painter

as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 102
1920 - 1930

“Pop Art is the use of commercial art as a subject matter in painting, I suppose. It was hard to get a painting that was despicable enough so that no one would hang it – everybody was hanging everything. It was almost acceptable to hang a dripping paint rag, everybody [in America, mainly in New York, 1950s] was accustomed to this. The one thing everyone hated was commercial art; and apparently they didn’t hate that enough either.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

“I also often hear the word 'evolution'. Repeatedly I am asked to explain how my painting evolved. To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was. Art does not evolve by itself, the ideas of people change and with them their mode of expression.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

“Apparently, he’d killed so many family members that he must have significantly affected the Lore’s population. Doing my part for the environment.”

Kresley Cole American writer

Source: Lothaire

“A common defect of modern art study is that too many students do not know why they draw.”

Robert Henri (1865–1929) American painter

“I love art, and I love history, but it is living art and living history that I love... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?”

William Morris (1834–1896) author, designer, and craftsman

"The History of Pattern-Designing" lecture (1882) The Collected Works of William Morris (1910 - 1915) Vol. 22

“In art the best is good enough.”

Johann Wolfgang von Goethe book Italian Journey

In der Kunst ist das Beste gut genug.
Italian Journey (March 3, 1787)

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