“For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group — or, at best, one who collaborates, with secret reservations.”

Source: Art & Other Serious Matters, (1985), p. 271, "Being Outside"

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Harold Rosenberg29

American writer and art critic 1906–1978

William Baziotes (1912–1963) American painter

from Baziote's text for a symposium in 1954; as quoted in William Baziotes – paintings and drawings, ed. Michael Preble, Peggy Guggenheim Collection, Venice, 2004, p. 18
1950s

“The art of 'figuring' or 'picturing' is not a fine art. An artist who is lobbying as a 'creature of circumstances' or log rolling as a 'victim of fate' is not a fine master artist. No one ever forces an artist to be pure.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), pp. 156-157

“EVERY HUMAN BEING IS AN ARTIST who -
from his state of freedom -
the position of freedom that he experiences at first-hand -
learns to determine the other positions in the TOTAL ARTWORK OF THE FUTURE SOCIAL ORDER!”

Joseph Beuys (1921–1986) German visual artist

1970's, I Am Searching For Field Character,' 1973/74

“The modernist thirst for originality makes the mediocre artist believe that the secret of originality consists simply in being different.”

Nicolás Gómez Dávila (1913–1994) Colombian writer and philosopher

Sucesivos Escolios a un Texto Implícito (1992)

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one…”

Federico Fellini (1920–1993) Italian filmmaker

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.

“[on w:Diego Rivera:].. the one artist on this continent who is in the class of the old masters.”

John Sloan (1871–1951) American painter

Source: Brooks, Van Wyck. John Sloan: a Painter's Life. New York: E.P. Dutton & Co, 1955, p. 170

“Being an artist is being an isolated individual. But the development of the creative foundation of the encumbers the individual artists more and more with the prevailing problems. You are of your time whether you like it or not. Developing ones foundation to an artist means continually revising it. The artistic formulae wear thin quickly and yet daily the artist — when developing his own foundation — must enter his own time and the problems of other contemporary artists. Paths cross and the soil of time is starting to be turned.”

Asger Jorn (1914–1973) Danish artist

Quote in the late 1960s, as cited in Asger Jorn (2002) by Arken Museum of Modern Art, p. 28
1959 - 1973, Various sources

“To arrive at understanding from being one's true self is called nature, and to arrive at being one's true self from understanding is called culture. He who is his true self has thereby understanding, and he who has understanding finds thereby his true self.
Only those who are their absolute true selves in the world can fulfil their own nature; only those who fulfil their own nature can fulfil the nature of others; only those who fulfil the nature of others can fulfil the nature of things; those who fulfil the nature of things are worthy to help Mother Nature in growing and sustaining life; and those who are worthy to help Mother Nature in growing and sustaining life are the equals of heaven and earth.”

Zisi (-481–-402 BC) Chinese philosopher

Source: The Doctrine of the Mean, p. 123

“When an individual wishes to stand in opposition to authority, he does best to find support for his position from others in his group.”

Stanley Milgram (1933–1984) Social psychologist

Source: Obedience to Authority : An Experimental View (1974), p. 121
Context: When an individual wishes to stand in opposition to authority, he does best to find support for his position from others in his group. The mutual support provided by men for each other is the strongest bulwark we have against the excesses of authority. (Not that the group is always on the right side of the issue. Lynch mobs and groups of predatory hoodlums remind us that groups may be vicious in the influence they exert.)

“The artist is obliged to invent the self who will paint his pictures.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 191, "Saul Steinberg"

“For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group — or, at best, one who collaborates, with secret reservations.”

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