Quotes about lock
page 3

Tim Powers photo

“How old are you, Brian? You ought to know by now that something always breaks up love affairs unless both parties are willing to compromise themselves. And that compromising is harder to do the older and less flexible and more independent you are. It just isn’t in you, Brian. You could no more get married now than you could become a priest, or a sculptor, or a greengrocer.”
Duffy opened his mouth to voice angry denials, then one corner turned up and he closed it. “Damn you,” he said wryly. “Then why do I want to, half the time?”
Aurelianus shrugged. “It’s the nature of the species. There’s a part of a man’s mind that can only relax and go to sleep when he’s with a woman, and that part gets tired of always being tensely awake. It gives orders in so loud a voice that it often drowns out the other components. But when the loud one is asleep at last, the others regain control and chart a new course.” He grinned. “No equilibrium is possible. If you don’t want to put up with the constant seesawing, you must either starve the logical components or bind, gag and lock away in a cellar that one insistent one.”
Duffy grimaced and drank some more brandy. “I’m used to the rocking, and I was never one to get motion-sick,” he said. “I’ll stay on the seesaw.”

Aurelianus bowed. “You have that option, sir.”
Source: The Drawing of the Dark (1979), Chapter 18 (p. 247)

Gloria Estefan photo
Bill Mollison photo
Thomas Jefferson photo
Colm Tóibín photo
Daniel Suarez photo
Bryan Alvarez photo

“They (fans) respond mostly to what WWE trains them to respond to. An ankle lock gets over because Kurt Angle does the ankle lock and everyone submits to it. A triangle by Undertaker doesn't get over because WWE has never trained the fans to accept that as a finish because no one ever taps to it. And it was the same thing when Shamrock was in WWE.”

Bryan Alvarez (1975) Professional wrestler, editor and publisher

Quoted by Corey David LaCroix, " The Fight Network bridging MMA/wrestling gap http://web.archive.org/web/20060113150444/http://slam.canoe.ca/Slam/Wrestling/2005/11/24/1321324.html", SLAM! Wrestling, (2005-11-24)

Jakaya Kikwete photo

“And in this, that philosophy begins in wonder [Plato, Theaetetus 155d], lies the, so to speak, non-bourgeois character of philosophy; for to feel astonishment and wonder is something non-bourgeois (if we can be allowed, for a moment, to use this all-too-easy terminology). For what does it mean to become bourgeois in the intellectual sense? More than anything else, it means that someone takes one's immediate surroundings (the world determined by the immediate purposes of life) so "tightly" and "densely," as if bearing an ultimate value, that the things of experience no longer become transparent. The greater, deeper, more real, and (at first) invisible world of essences is no longer even suspected to exist; the "wonder" is no longer there, it has no place to come from; the human being can no longer feel wonder. The commonplace mind, rendered deaf-mute, finds everything self-explanatory. But what really is self-explanatory? Is it self-explanatory, then, that we exist? Is it self-explanatory that there is such a thing as "seeing"? These are questions that someone who is locked into the daily world cannot ask; and that is so because such a person has not succeeded, as anyone whose senses (like a deaf person) are simply not functioning — has not managed even for once to forget the immediate needs of life, whereas the one who experiences wonder is one who, astounded by the deeper aspect of the world, cannot hear the immediate demands of life — if even for a moment, that moment when he gazes on the astounding vision of the world.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 101–102

Steve Kilbey photo
Michael T. Flynn photo

“Lock her up, that's right. Yeah, that's right, lock her up! I'm going to tell you what, it's unbelievable, it's unbelievable. If I did a tenth, a tenth, of what she did, I would be in jail today.”

Michael T. Flynn (1958) 25th United States National Security Advisor

Speaking at the Republican National Convention https://www.youtube.com/watch?v=tx94428MYcc (18 July 2016)
Public Statements

Mike Tyson photo

“If they lock me up, at least I'll have a place to stay.”

Mike Tyson (1966) American boxer

As quoted in ESPN http://sports.espn.go.com/espn/print?id=2083509&type=story.
Miscellaneous

George William Russell photo
Kent Hovind photo
Dinah Craik photo
Norman Mailer photo
Anaïs Nin photo

“Someday I'll be locked up for love insanity. "She loved too much."”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)

Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Rāmabhadrācārya photo
George Eliot photo
Charles Dickens photo
Piet Hein photo

“A bit beyond perception's reach
I sometimes believe I see
that Life is two locked boxes, each
containing the other's key.”

Piet Hein (1905–1996) Danish puzzle designer, mathematician, author, poet

The Paradox Of Life
Grooks

Thomas Love Peacock photo

“MR. PANSCOPE. (suddenly emerging from a deep reverie.) I have heard, with the most profound attention, everything which the gentleman on the other side of the table has thought proper to advance on the subject of human deterioration; and I must take the liberty to remark, that it augurs a very considerable degree of presumption in any individual, to set himself up against the authority of so many great men, as may be marshalled in metaphysical phalanx under the opposite banners of the controversy; such as Aristotle, Plato, the scholiast on Aristophanes, St Chrysostom, St Jerome, St Athanasius, Orpheus, Pindar, Simonides, Gronovius, Hemsterhusius, Longinus, Sir Isaac Newton, Thomas Paine, Doctor Paley, the King of Prussia, the King of Poland, Cicero, Monsieur Gautier, Hippocrates, Machiavelli, Milton, Colley Cibber, Bojardo, Gregory Nazianzenus, Locke, D'Alembert, Boccaccio, Daniel Defoe, Erasmus, Doctor Smollett, Zimmermann, Solomon, Confucius, Zoroaster, and Thomas-a-Kempis.
MR. ESCOT. I presume, sir, you are one of those who value an authority more than a reason.
MR. PANSCOPE. The authority, sir, of all these great men, whose works, as well as the whole of the Encyclopaedia Britannica, the entire series of the Monthly Review, the complete set of the Variorum Classics, and the Memoirs of the Academy of Inscriptions, I have read through from beginning to end, deposes, with irrefragable refutation, against your ratiocinative speculations, wherein you seem desirous, by the futile process of analytical dialectics, to subvert the pyramidal structure of synthetically deduced opinions, which have withstood the secular revolutions of physiological disquisition, and which I maintain to be transcendentally self-evident, categorically certain, and syllogistically demonstrable.
SQUIRE HEADLONG. Bravo! Pass the bottle. The very best speech that ever was made.
MR. ESCOT. It has only the slight disadvantage of being unintelligible.
MR. PANSCOPE. I am not obliged, Sir, as Dr Johnson remarked on a similar occasion, to furnish you with an understanding.
MR. ESCOT. I fear, Sir, you would have some difficulty in furnishing me with such an article from your own stock.
MR. PANSCOPE. 'Sdeath, Sir, do you question my understanding?
MR. ESCOT. I only question, Sir, where I expect a reply, which from what manifestly has no existence, I am not visionary enough to anticipate.
MR. PANSCOPE. I beg leave to observe, sir, that my language was perfectly perspicuous, and etymologically correct; and, I conceive, I have demonstrated what I shall now take the liberty to say in plain terms, that all your opinions are extremely absurd.
MR. ESCOT. I should be sorry, sir, to advance any opinion that you would not think absurd.
MR. PANSCOPE. Death and fury, Sir!
MR. ESCOT. Say no more, Sir - that apology is quite sufficient.
MR. PANSCOPE. Apology, Sir?
MR. ESCOT. Even so, Sir. You have lost your temper, which I consider equivalent to a confession that you have the worst of the argument.
MR. PANSCOPE. Lightnings and devils!”

Headlong Hall, chapter V (1816).

Bill Engvall photo
Phil Brooks photo

“I really hope that the symbolism isn't lost on you four Superstars in the chamber right now, because it's killing me. Here's four extremely weak individuals that, every day, are locked inside a prison of addiction, like most of these people here today; and now, the four of you are locked inside the Elimination Chamber with me. And be sure, it's not me locked in here with you — it's you locked in here with me. And tomorrow morning, when you're nursing the pain and the wounds that this chamber and myself have caused you, I want you to remember that when your pod door opens and you came out and I defeated you, don't think of it as failure. Think of it as me saving you. [Standing over Rey Mysterio's pod] Think of it as me setting you free.
Punk: [To Undertaker, after elimination R-Truth] You'd better pray that your pod door opens last, 'cause when you come out, I'm gonna make you tap out, just like I did before. [To John Morrison] And I'm gonna prove to you that your decadent rock life will get you nowhere. I'm gonna prove to the world that straight-edge means I'm better than you! For those of you at home, feel free, place your hand on the screen and feel CM Punk flow through you!
Lawler: Matt, did you just put your hand on the screen?
Striker: Yes.
Lawler: Do you feel CM Punk flow through you?
Punk: Nobody can stop me!
Cole: Guys, the sermon's over in [checking the timer] three seconds.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Elimination Chamber - February 21, 2010
Friday Night SmackDown

Sukarno photo
Mr. T photo
Torquato Tasso photo

“The purple morning left her crimson bed,
And donned her robes of pure vermilion hue,
Her amber locks she crowned with roses red,
In Eden's flowery gardens gathered new.”

Torquato Tasso (1544–1595) Italian poet

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

John Cale photo

“When somebody grabs a movement, you're kind of locked into it. It's all par for the course.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

citation needed

Christopher Titus photo
Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

“I'd have to lock the door of the paint room. He wouldn't allow anyone in. I was like a prisoner.”

Margaret Keane (1927) American artist

1999, Cited by Amy M. Spindler

Ayn Rand photo
Scott Lynch photo

“Time’s a river, Locke, and we’ve always drifted farther down it than we think.”

Interlude “Up the River” section 2 (p. 392)
The Lies of Locke Lamora (2006)

James Comey photo
William Julius Mickle photo
Scott Lynch photo

“I never would’ve thought—“
“Don’t think,” said Locke. “I’m paid to do that for you.”

Source: The Republic of Thieves (2013), Chapter 6 “The Five-Year Game: Change of Venue” section 1 (p. 311)

Toby Keith photo
Anton Chekhov photo
Kazimir Malevich photo

“Bacon, Locke, Descartes, Hume, and all the others knew they were giving rights to vulgarity. But in so doing—in addition to caring for man’s well-being—they were providing rights for themselves.”

Allan Bloom (1930–1992) American philosopher, classicist, and academician

“Commerce and Culture,” p. 289.
Giants and Dwarfs (1990)

Elon Musk photo

“A great deal of bargaining power with suppliers. We are never locked in to anyone.”

Elon Musk (1971) South African-born American entrepreneur

Conversation: Elon Musk on Wired Science (2007)

Dave Eggers photo
Jay-Z photo

“Hand gettin the mic. Forgettin all I ever knew, convenient amnesia. I suggest you call my lawyer, I know the procedure
Lock my body, can't trap my mind
easily, explains why we adapt to crime
I'd rather die enormous than live dormant, that's how we on it.”

Jay-Z (1969) American rapper, businessman, entrepreneur, record executive, songwriter, record producer and investor

Can I Live
Reasonable Doubt (1996)

John L. Lewis photo
Bernard Mandeville photo
Robert E. Howard photo

“The King is only a slave like yourself, locked with heavier chains.”

Robert E. Howard (1906–1936) American author

"By This Axe I Rule!" (1967)

Jerome K. Jerome photo
Scott Lynch photo
John Ralston Saul photo
Donald J. Trump photo

“Emails in general are terrible. There's no security. It happens so often. I'm old-fashioned. I put a letter in an envelope and have it hand delivered. My son is 10 years old, and he has grown up computer literate. They start using computers before they can walk. His computer was locked and he unlocked it. And I said, ‘Barron, how did you do that?”

Donald J. Trump (1946) 45th President of the United States of America

And he said, ‘I won't tell you, Dad.
At an interview with The New York Times'<nowiki/> Maureen Dowd. http://www.nytimes.com/2016/07/30/opinion/trumps-thunderbolts.html (July 29, 2016)
2010s, 2016, July

Statius photo

“Raise your half-buried countenance from the sudden shower of dust, Parthenope, and place your locks, singed by the mountains breath, on the tomb and body of your great foster son.”
Exsere semirutos subito de pulvere vultus, Parthenope, crinemque adflato monte sepultum pone super tumulos et magni funus alumni.

iii, line 104
Silvae, Book V

Willa Cather photo
Nina Paley photo
Augustus De Morgan photo
Karl Pilkington photo
Homér photo
Steve Jobs photo

“digital hub (center of our universe) is moving from PC to cloud
- PC now just another client alongside iPhone, iPad, iPod touch, …
- Apple is in danger of hanging on to old paradigm too long (innovator's dilemma)
- Google and Microsoft are further along on the technology, but haven't quite figured it out yet
- tie all of our products together, so we further lock customers into our ecosystem”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

email sent to his managers staff in 2010, which went public during trial against Samsung http://fr.scribd.com/doc/216405190/Apple-outline?_ga=1.21582200.27979217.1396947917
2010s

Michael Moore photo

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

George C. Lorimer photo
Gregory of Nyssa photo

“For the majority, I take it, who live all their lives with such obtuse faculties of thinking, it is a difficult thing to perform this feat of mental analysis and of discriminating the material vehicle from the immanent beauty, … Owing to this men give up all search after the true Beauty. Some slide into mere sensuality. Others incline in their desires to dead metallic coin. Others limit their imagination of the beautiful to worldly honours, fame, and power. There is another class which is enthusiastic about art and science. The most debased make their gluttony the test of what is good. But he who turns from all grosser thoughts and all passionate longings after what is seeming, and explores the nature of the beauty which is simple, immaterial, formless, would never make a mistake like that when he has to choose between all the objects of desire; he would never be so misled by these attractions as not to see the transient character of their pleasures and not to win his way to an utter contempt for every one of them. This, then, is the path to lead us to the discovery of the Beautiful. All other objects that attract men's love, be they never so fashionable, be they prized never so much and embraced never so eagerly, must be left below us, as too low, too fleeting, to employ the powers of loving which we possess; not indeed that those powers are to be locked up within us unused and motionless; but only that they must first be cleansed from all lower longings; then we must lift them to that height to which sense can never reach.”

Gregory of Nyssa (335–395) bishop of Nyssa

On Virginity, Chapter 11

Scott Lynch photo

“Prejudice locks the mind. Nothing can enter. Nothing true can escape.”

Gerry Spence (1929) American lawyer

Source: How to Argue and Win Every Time (1995), Ch. 6 : The Power of Prejudice : Examining the Garment, Bleaching the Stain, p. 74

William James photo
Ernest Hemingway photo
John Constable photo
Aldous Huxley photo
Chris Murphy photo

“We bomb your country, creating a humanitarian nightmare, then lock you inside. That’s a horror movie, not a foreign policy.”

Chris Murphy (1973) American politician

"Do Liberals Have an Answer to Trump on Foreign Policy?" (March 2017)

Immortal Technique photo

“But if you on stage with the DEA, as your hype man, don't get yourself locked up and blame the white man.”

Immortal Technique (1978) American rapper and activist

Out on parole
Albums, The 3rd World (2008)

Johannes Grenzfurthner photo
Han-shan photo
John Theophilus Desaguliers photo
Yuval Noah Harari photo
Hermann Hesse photo
Harry V. Jaffa photo
Lewis H. Lapham photo
Gillian Anderson photo
Wolfram von Eschenbach photo

“Day thrust its brightness through the window-pane.
They, locked together, strove to keep Day out
And could not, whence they grew aware of dread.
She, his beloved, casting her arms about
Her loved one, caught him close to her again.
Her eyes drenched both their cheeks. She said:
"One body and two hearts are we."”

Wolfram von Eschenbach (1170–1220) German knight and poet

Der tac mit kraft al durh diu venster dranc.
vil slôze sie besluzzen.
daz half niht: des wart in sorge kunt.
diu vriundîn den vriunt vast an sich twanc.
ir ougen diu beguzzen
ir beider wangel. sus sprach zim ir munt:
"zwei herze und einen lîp hân wir."
"Den Morgenblic bî Wahtærs Sange Erkôs", line 11; translation in Margaret F. Richey Essays on Mediæval German Poetry (Oxford: Basil Blackwell, 1969) p. 99.

George Bernard Shaw photo

“The Bible is most dangerous book ever written on earth, keep it under lock and key.”

George Bernard Shaw (1856–1950) Irish playwright

From Why You Should Never be a Christian (1987) by Ishaq 'Kunle Sanni and ‎Dawood Ayodele Amoo.
Misattributed

William Cowper photo

“Fleecy locks and black complexion
Cannot forfeit nature's claim;
Skins may differ, but affection
Dwells in white and black the same.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: The Negro's Complaint (1788), Lines 13-16

Charles Simic photo

“It’s never been such a good time to be a crook. In what other country of laws does one enjoy so much freedom to defraud one’s government and fellow citizens without having to worry about cops showing at the door? Small-time crooks sooner or later end up in the slammer, but our big-time con artists, as we’ve come to learn, are now regarded as the untouchables, too well-heeled and powerful to lock up.”

Charles Simic (1938) American poet

"A Thieves' Thanksgiving," http://www.nybooks.com/blogs/nyrblog/2014/nov/26/thieves-thanksgiving/?utm_medium=email&utm_campaign=NYR+Goya+Ferrante+crooks&utm_content=NYR+Goya+Ferrante+crooks+CID_8376c474295b4e263a32522d2bbfd922&utm_source=Email%20marketing%20software&utm_term=A%20Thieves%20Thanksgiving New York Review of Books, November 26, 2014

W. Brian Arthur photo
Guy De Maupassant photo

“His golden locks time hath to silver turned;
O time too swift! O swiftness never ceasing!
His youth ’gainst time and age hath ever spurned,
But spurned in vain; youth waneth by encreasing.”

George Peele (1556–1596) English translator and poet

Polyhymnia (1590), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Vincent Van Gogh photo

“.. Here I am shut up for the livelong day under lock and key and with keepers in a cell.... I will not deny that I would rather have died than have caused and suffered such trouble.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 9 March. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 579), p 25
1880s, 1889

Michael Walzer photo
Letitia Elizabeth Landon photo

“My tears are buried in my heart,
Like cave-locked fountains sleeping.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Song - I pray thee let me weep to-night
The Venetian Bracelet (1829)