Quotes about literate

A collection of quotes on the topic of literate, use, people, doing.

Quotes about literate

Paul Watson photo

“It's dangerous & humiliating. The whalers killed whales while green peace watched. Now, you don't walk by a child that is being abused, you don't walk by a kitten that is being kicked to death and do nothing. So I find it abhorrent to sit there and watch a whale being slaughtered and do nothing but "bear witness" as they call it. I think it was best illustrated a few years ago, the contradictions that we have, when a ranger in Zimbabwe shot and killed a poacher that was about to kill a black rhinoceros and uh human rights groups around the world said "how dare you? Take a human life to protect an animal". I think the rangers' answer to that really illustrated a hypocrisy. He said "Ya know, if I lived in, If I was a police officer in Herrari and a man ran out of Bark Place Bank with a bag of money and I shot him in the head in front of everybody and killed him, you'd pin a medal on me and call me a national hero. Why is that bag of paper more valued than the future heritage of this nation?" This is our values. WE fight, WE kill, WE risk our lives for things we believe in… Imagine going into Mecca, walk up to the black stone and spit on it. See how far you get. You’re not going to get very far. You’re going to be torn to pieces. Walk into Jerusalem, walk up to that wailing wall with a pick axe, start whacking away. See how far you’re going to get, somebody is going to put a bullet in your back. And everybody will say you deserved it. Walk into the Vatican with a hammer, start smashing a few statues. See how far you’re going to get. Not very far. But each and every day, ya know, people go into the most beautiful, most profoundly sacred cathedrals of this planet, the rainforests of the Amazonia, the redwood forests of California, the rainforests of Indonesia, and totally desecrate & destroy these cathedrals with bulldozers, chainsaws and how do we respond to that? Oh, we write a few letters and protest; we dress up in animal costumes with picket signs and jump up and down; but if the rainforests of Amazonia and redwoods of California, were as, or had as much value to us as a chunk of old meteorite in Mecca, a decrepit old wall in Jerusalem or a piece of old marble in the Vatican, we would literally rip those pieces limb from limb for the act of blasphemy that we’re committing but we won’t do that because nature is an abstraction, wilderness is an abstraction. It has no value in our anthropocentric world where the only thing we value is that which is created by humans.”

Paul Watson (1950) Canadian environmental activist
Dante Alighieri photo

“When we understand this we see clearly that the subject round which the alternative senses play must be twofold. And we must therefore consider the subject of this work [the Divine Comedy] as literally understood, and then its subject as allegorically intended. The subject of the whole work, then, taken in the literal sense only is "the state of souls after death" without qualification, for the whole progress of the work hinges on it and about it. Whereas if the work be taken allegorically, the subject is "man as by good or ill deserts, in the exercise of the freedom of his choice, he becomes liable to rewarding or punishing justice."”
Hiis visis, manifestum est quod duplex oportet esse subiectum circa quod currant alterni sensus. Et ideo videndum est de subiecto huius operis, prout ad litteram accipitur; deinde de subiecto, prout allegorice sententiatur. Est ergo subiectum totius operis, litteraliter tantum accepti, status animarum post mortem simpliciter sumptus. Nam de illo et circa illum totius operis versatur processus. Si vero accipiatur opus allegorice, subiectum est homo, prout merendo et demerendo per arbitrii libertatem iustitie premiandi et puniendi obnoxius est.

Dante Alighieri (1265–1321) Italian poet

Letter to Can Grande (Epistle XIII, 23–25), as translated by Charles Singleton in his essay "Two Kinds of Allegory" published in Dante Studies 1 (Harvard University Press, 1954), p. 87.
Epistolae (Letters)

Alexis Karpouzos photo
Sunisa Lee photo

“I was just telling myself to do nothing more and nothing less, and just telling myself to breathe because in that moment I literally felt like I was going to puke, I was so nervous. My normal is good enough, so I don't do anything more or anything less, I just have to do what I normally do.”

Sunisa Lee (2003) American artistic gymnast; first Hmong American Olympic gold medalist

"Suni Lee talks gold medal win, 'cherished' backyard balance beam she trained on as a kid" in Today (30 July 2021) https://www.today.com/news/suni-lee-talks-gold-medal-win-i-still-can-t-t226952

George Orwell photo
George Orwell photo
Heath Ledger photo
Daryl Hannah photo
Eugene Cernan photo
Vladimir Nabokov photo
Theodore Roosevelt photo
Tim Burton photo
Cassandra Clare photo
Isaac Newton photo
James Allen photo

“A man is literally what he thinks, his character being the complete sum of all his thoughts.”

As A Man Thinketh (1902)
Source: As a Man Thinketh

Elias James Corey photo
Bhakti Tirtha Swami photo

“If your love and devotion are sufficient, you can literally liberate that soul from its state of bondage or incoherence. […] As a spiritual warrior and light bearer, a loving person can fight such an entity in order to release its soul and send it on its way.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 23

Origen photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Aurelius Augustinus photo
Theodore Roosevelt photo
H.P. Lovecraft photo

“My theological beliefs are likely to startle one who has imagined me as an orthodox adherent of the Anglican Church. My father was of that faith, and was married by its rites, yet, having been educated in my mother's distinctively Yankee family, I was early placed in the Baptist sunday school. There, however, I soon became exasperated by the literal Puritanical doctrines, and constantly shocked my preceptors by expressing scepticism of much that was taught me. It became evident that my young mind was not of a religious cast, for the much exhorted "simple faith" in miracles and the like came not to me. I was not long forced to attend the Sunday school, but read much in the Bible from sheer interest. The more I read the Scriptures, the more foreign they seemed to me. I was infinitely fonder on the Graeco-Roman mythology, and when I was eight astounded the family by declaring myself a Roman pagan. Religion struck me so vague a thing at best, that I could perceive no advantage of any one system over any other. I had really adopted a sort of Pantheism, with the Roman gods as personified attributes of deity.... My present opinions waver betwixt Pantheism and rationalism. I am a sort of agnostic, neither affirming nor denying anything.”

H.P. Lovecraft (1890–1937) American author

Letter to Maurice W. Moe (16 January 1915), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 10
Non-Fiction, Letters

Virginia Woolf photo
Cate Blanchett photo

“I think we should see whether we are wise trying to educate everybody to a high standard the way we are trying to do now. There has to be a high level of education so everybody is literate, but whether university education is necessary for everyone is open to question.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"College Master Looks at His World: Author Davies Finds Youth Little Changed".
Conversations with Robertson Davies (1989)

Barack Obama photo
Stella Vine photo

“I didn't think anyone really liked what I was doing and I literally have the bailiffs at my door.”

Stella Vine (1969) English artist

Richard Alleyen, "First blood to Saatchi as a star is born", http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2004/02/24/nsaat24.xml The Daily Telegraph, (2004-02-24)
On her situation before Saatchi's purchase.

Vladimir Nabokov photo
Jared Lee Loughner photo

“In conclusion, my ambition is for informing literate dreamers about a new currency… in a few days, you'll know I'm conscience dreaming.”

Jared Lee Loughner (1988) Charged with 2011 Tucson shooting

December 8, 2010, video posting — www.kgun9.com, 9OYS Investigates: Who is Jared Loughner?, KGUN9, January 8, 2011, 2011-01-10 http://www.kgun9.com/Global/story.asp?S=13809065,

Slavoj Žižek photo
John Ronald Reuel Tolkien photo
Pablo Picasso photo

“On August 2, 1914, I took Braque and Derain to the Gare d'Avignon [drafted as a soldier for World war 1. ] I never saw them again [not literally a fact, but the close relation between Picasso and Braque ended].”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quote in My Galleries and Painters, Daniel-Henry Kahnweiler, New York Viking Press, 1971, p. 46
Picasso in a talk c. 1955, with Daniel-Henry Kahnweiler
Quotes, 1950's

Bernard Malamud photo

“I think I said "All men are Jews except they don't know it." I doubt I expected anyone to take the statement literally. But I think it's an understandable statement and a metaphoric way of indicating how history, sooner or later, treats all men.”

Bernard Malamud (1914–1986) American author

"An Interview with Bernard Malamud", in Leslie A. Field and Joyce W. Field (eds.) Bernard Malamud: A Collection of Critical Essays (London: Prentice-Hall, 1975) p. 11

Nicholas Murray Butler photo
Kanye West photo

“I’m just giving of my body on the stage and putting my life at risk, literally. […] And I think about it. I think about my family and I’m like, wow, this is like being a police officer or something, in war or something.”

Kanye West (1977) American rapper, singer and songwriter

Interview for Saturday Night Online [3:12]. http://www.saturdaynightonline.com/media/play/24063493/

Novalis photo

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

Thomas Mann photo
Anthony de Mello photo
Fanny Kemble photo
Theodore Roosevelt photo
Theodore Roosevelt photo
Vladimir Nabokov photo

“The clumsiest literal translation is a thousand times more useful than the prettiest paraphrase.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Problems of translation (1955).

Theodore Roosevelt photo
Anastacia photo
Gregory of Nyssa photo
Peter Thiel photo

“[The media] never takes [Trump] seriously, but it always takes him literally. I think a lot of the voters who vote for Trump take Trump seriously, but not literally.”

Peter Thiel (1967) American entrepreneur, venture capitalist, and hedge fund manager

Speech at the National Press Club http://www.press.org/sites/default/files/20161031_thiel.pdf (October 31, 2016)

Origen photo
Galileo Galilei photo
Harbhajan Singh Yogi photo

“You can literally wake up another person with your glow.”

Harbhajan Singh Yogi (1929–2004) Indian-American Sikh Yogi

The Eight Human Talents (2001)
Context: You can literally wake up another person with your glow. When you are with somebody, that person should feel comfortable.

Abraham Lincoln photo

“My father, at the death of his father, was but six years of age, and he grew up literally without education. He removed from Kentucky to what is now Spencer County, Indiana, in my eighth year.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, Autobiographical Sketch Written for Jesse W. Fell (1859)
Context: My father, at the death of his father, was but six years of age, and he grew up literally without education. He removed from Kentucky to what is now Spencer County, Indiana, in my eighth year. We reached our new home about the time the State came into the Union. It was a wild region, with many bears and other wild animals still in the woods. There I grew up.<!--p.33

Heinz Barwich photo

“literally: All our misery comes from a deficiency in civil courage.”

Heinz Barwich (1911–1966) German physicist

Unser ganzes Elend kommt vom Mangel an Zivilcourage.
adapted translation: All our suffering comes from a deficiency to stand up for our beliefs.
explaining why he defected the Soviet Bloc, as quoted by Egon Vacek in Die Flucht des Atomforschers, Die Zeit, October 29, 1965, Nr. 44.

Rollo May photo

“Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 91
Context: Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth. This aspect points ahead. It is integrative. It is a progressive revealing of structure in our relation to nature and our own existence, as the French philosopher Paul Ricoeur so well states. It is a road to universals beyond discrete personal experience.

Sam Harris photo

“People are literally dying over ancient literature.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris. Harris, Sam, and Reza Aslan. 2007. “Religion Reason Debate, Jan 25 2007 | Video | C-SPAN.Org.” January 25. https://www.c-span.org/video/?196385-1/religion-reason-debate.
2000s
Context: We have Christians against Muslims against Jews. They're making incompatible claims on real estate in the Middle East as though God were some kind of omniscient real estate broker parsing out parcels of land to his chosen flock. People are literally dying over ancient literature.

Roland Barthes photo

“A work has two levels of meaning: literal and concealed.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist

Proposition 3
Variant translation: The Text can be approached, experienced, in reaction to the sign. The work closes on a signified. There are two modes of signification which can be attributed to this signified: either it is claimed to be evident and the work is then the object of a literal science, of philology, or else it is considered to be secret, ultimate, something to be sought out, and the work then falls under the scope of a hermeneutics, of an interpretation
From Work to Text (1971)
Context: A work has two levels of meaning: literal and concealed.
A Text, on the other hand is engaged in a movement … a deferral … a dilation of meaning … the play of signification.
Metonymy — the association of part to whole — characterized the logic of the Text.
In this sense the Text is "radically symbolic" and lacks closure.

Horace Mann photo

“I affirm, in words as true and literal as any that belong to geometry, that the man who withholds knowledge from a child not only works diabolical miracles for the destruction of good, but for the creation of evil also.”

Horace Mann (1796–1859) American politician

Congressional speech (1849)
Context: I affirm, in words as true and literal as any that belong to geometry, that the man who withholds knowledge from a child not only works diabolical miracles for the destruction of good, but for the creation of evil also. He who shuts out truth, by the same act opens the door to all the error that supplies its place. Ignorance breeds monsters to fill up all the vacuities of the soul that are unoccupied by the verities of knowledge. He who dethrones the idea of law, bids chaos welcome in its stead. Superstition is the mathematical complement of religious truth; and just so much less as the life of a human being is reclaimed to good, just so much more is it delivered over to evil. The man or the institution, therefore, that withholds knowledge from a child, or from a race of children, exercises the awful power of changing the world in which they are to live, just as much as though he should annihilate all that is most lovely and grand in this planet of ours, or transport the victim of his cruelty to some dark and frigid zone of the universe, where the sweets of knowledge are unknown, and the terrors of ignorance hold their undisputed and remorseless reign.

Quentin Tarantino photo

“Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Source: Interview with The London Paper about Inglourious Basterds http://www.thelondonpaper.com/going-out/whats-new/quentin-tarantino-the-big-interview

Tessa Thompson photo

“I had all but decided to take a break and do some plays, and to see plays and read books and not work – literally not work – until I was going to burn for something.”

Tessa Thompson (1983) American actresse

On turning down the roles Hollywood was offering to her in “Tessa Thompson: ‘I decided not to work until I burned for something’” https://www.theguardian.com/film/2018/feb/16/tessa-thompson-interview-decided-not-to-work-until-i-burned-for-something in The Guardian (2018 Feb 16)

Joseph Campbell photo

“When you translate the Bible with excessive literalism, you demythologize it. The possibility of a convincing reference to the individual's own spiritual experience is lost. (111)”

Joseph Campbell (1904–1987) American mythologist, writer and lecturer

Source: Thou Art That: Transforming Religious Metaphor

Edward Gorey photo

“I've never had any intentions about anything. That's why I am where I am today, which is neither here nor there, in a literal sense.”

Edward Gorey (1925–2000) American writer, artist, and illustrator

Source: Ascending Peculiarity: Edward Gorey on Edward Gorey

Paul McCartney photo
Antonin Artaud photo

“No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Van Gogh, the Man Suicided by Society (1947)

Nora Ephron photo
David Foster Wallace photo
William James photo
Rick Riordan photo
Cassandra Clare photo
James Patterson photo
Ellen DeGeneres photo

“So be who you really are. Embrace who you are. Literally. Hug yourself. Accept who you are. Unless you're a serial killer.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Marianne Williamson photo
Peter Singer photo
Grant Morrison photo
Terence McKenna photo
Eoin Colfer photo
China Miéville photo
Christopher Hitchens photo
Terence McKenna photo
Derek Landy photo
Suzanne Collins photo
Cassandra Clare photo
David Foster Wallace photo

“[T]o really try to be informed and literate today is to feel stupid nearly all the time, and to need help.”

David Foster Wallace (1962–2008) American fiction writer and essayist

Source: The Best American Essays 2007

Rick Riordan photo
Alan Moore photo

“To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.”

Alan Moore (1953) English writer primarily known for his work in comic books

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html
Context: If I write a crappy comic book, it doesn't cost the budget of an emergent Third World nation. When you've got these kinds of sums involved in creating another two hours of entertainment for Western teenagers, I feel it crosses the line from being merely distasteful to being wrong. To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

Cecelia Ahern photo
Michael Pollan photo

“Were the walls of our meat industry to become transparent, literally or even figuratively, we would not long continue to raise, kill, and eat animals the way we do.”

Source: The Omnivore's Dilemma: A Natural History of Four Meals (New York: The Penguin Press, 2006), p. 333.
Context: The industrialization — and brutalization — of animals in America is a relatively new, evitable, and local phenomenon: No other country raises and slaughters its food animals quite as intensively or as brutally as we do. No other people in history has lived at quite so great a remove from the animals they eat. Were the walls of our meat industry to become transparent, literally or even figuratively, we would not long continue to raise, kill, and eat animals the way we do.

Christopher Hitchens photo
James Patterson photo
Brian Friel photo
Jacques Lacan photo
Joseph Campbell photo

“All religions are true but none are literal.”

Joseph Campbell (1904–1987) American mythologist, writer and lecturer
Nassim Nicholas Taleb photo
James Patterson photo