Quotes about letter
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Leon Trotsky photo

“During his illness, Lenin repeatedly addressed letters and proposals to the leading bodies and congresses of the party. It must be definitely stated that all these letters and suggestions were invariably delivered to their destination and they were all brought to the knowledge of the delegates to the Twelfth and Thirteenth Congresses, and have invariably exercised their influence on the decisions of the party. If all of these letters have not been published, it is because their author did not intend them to be published. Comrade Lenin has not left any “Testament”; the character of his relations to the party, and the character of the party itself, preclude the possibility of such a “Testament.” The bourgeois and Menshevik press generally understand under the designation of “Testament” one of Comrade Lenin’s letters (which is so much altered as to be almost unrecognizable) in which he gives the party some organizational advice. The Thirteenth Party Congress devoted the greatest attention to this and to the other letters, and drew the appropriate conclusions. All talk with regard to a concealed or mutilated “Testament” is nothing but a despicable lie, directed against the real will of Comrade Lenin and against the interests of the party created by him.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

https://www.marxists.org/archive/trotsky/1925/07/lenin.htm,Letter on Max Eastman's Book, July 1, 1925

Bertrand Russell photo
Lewis Carroll photo
Claude Monet photo

“I won't be here long, I am working as hard as I can, as I told you [in a letter] yesterday, I am very happy to be here Etretat, Normandy] and I hope to come up with something good, in any case I will bring lots of studies back with me so I can work on some big things at home.”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter from Etretat to his second [future] wife Alice Hoschedé, 1883; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
1870 - 1890

Emile Zola photo

“But this letter is long, Sir, and it is time to conclude it.
I accuse Lt. Col. du Paty de Clam of being the diabolical creator of this miscarriage of justice — unwittingly, I would like to believe — and of defending this sorry deed, over the last three years, by all manner of ludricrous and evil machinations.
I accuse General Mercier of complicity, at least by mental weakness, in one of the greatest inequities of the century.
I accuse General Billot of having held in his hands absolute proof of Dreyfus’s innocence and covering it up, and making himself guilty of this crime against mankind and justice, as a political expedient and a way for the compromised General Staff to save face.
I accuse Gen. de Boisdeffre and Gen. Gonse of complicity in the same crime, the former, no doubt, out of religious prejudice, the latter perhaps out of that esprit de corps that has transformed the War Office into an unassailable holy ark.
I accuse Gen. de Pellieux and Major Ravary of conducting a villainous enquiry, by which I mean a monstrously biased one, as attested by the latter in a report that is an imperishable monument to naïve impudence.
I accuse the three handwriting experts, Messrs. Belhomme, Varinard and Couard, of submitting reports that were deceitful and fraudulent, unless a medical examination finds them to be suffering from a condition that impairs their eyesight and judgement.
I accuse the War Office of using the press, particularly L’Eclair and L’Echo de Paris, to conduct an abominable campaign to mislead the general public and cover up their own wrongdoing.
Finally, I accuse the first court martial of violating the law by convicting the accused on the basis of a document that was kept secret, and I accuse the second court martial of covering up this illegality, on orders, thus committing the judicial crime of knowingly acquitting a guilty man.”

J'accuse! (1898)

Lucy Lawless photo
Abraham Lincoln photo

“You know what a poor correspondent I am. Ever since I received your very agreeable letter of the 22nd. of May I have been intending to write you in answer to it. You suggest that in political action now, you and I would differ. I suppose we would; not quite as much, however, as you may think. You know I dislike slavery; and you fully admit the abstract wrong of it. So far there is no cause of difference. But you say that sooner than yield your legal right to the slave — especially at the bidding of those who are not themselves interested, you would see the Union dissolved. I am not aware that any one is bidding you to yield that right; very certainly I am not. I leave that matter entirely to yourself. I also acknowledge your rights and my obligations, under the constitution, in regard to your slaves. I confess I hate to see the poor creatures hunted down, and caught, and carried back to their stripes, and unrewarded toils; but I bite my lip and keep quiet. In 1841 you and I had together a tedious low-water trip, on a Steam Boat from Louisville to St. Louis. You may remember, as I well do, that from Louisville to the mouth of the Ohio, there were, on board, ten or a dozen slaves, shackled together with irons. That sight was a continued torment to me; and I see something like it every time I touch the Ohio, or any other slave-border. It is hardly fair for you to assume, that I have no interest in a thing which has, and continually exercises, the power of making me miserable. You ought rather to appreciate how much the great body of the Northern people do crucify their feelings, in order to maintain their loyalty to the Constitution and the Union.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, Letter to Joshua F. Speed (1855)

Claude Monet photo

“.. learn to draw: that's where most of you [Troyon's pupils] are falling down today…. draw with all your might; you can never learn to much. However, don’t neglect painting, go to the country from time to time and make studies and above all develop them..' [Monet is quoting in his letter Troyon, a friend of Boudin in Paris]”

Claude Monet (1840–1926) French impressionist painter

in a letter to , 1859; as quoted in Discovering Art, – The life time and work of the World's greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 11
1850 - 1870

Alberto Manguel photo
David Mitchell photo

“Whoever said money can't buy you happiness… obviously didn't have enough of the stuff. (cf. "Letters from Zedelghem", p. 78”

Nook Edition)
"Half-Lives: The First Luisa Rey Mystery", p. 342 (Nook edition)
Cloud Atlas (2004)

Theodore Roosevelt photo

“Let the man of learning, the man of lettered leisure, beware of that queer and cheap temptation to pose to himself and to others as a cynic, as the man who has outgrown emotions and beliefs, the man to whom good and evil are as one. The poorest way to face life is to face it with a sneer. There are many men who feel a kind of twisted pride in cynicism; there are many who confine themselves to criticism of the way others do what they themselves dare not even attempt. There is no more unhealthy being, no man less worthy of respect, than he who either really holds, or feigns to hold, an attitude of sneering disbelief toward all that is great and lofty, whether in achievement or in that noble effort which, even if it fails, comes to second achievement. A cynical habit of thought and speech, a readiness to criticize work which the critic himself never tries to perform, an intellectual aloofness which will not accept contact with life's realities — all these are marks, not as the possessor would fain to think, of superiority but of weakness. They mark the men unfit to bear their part painfully in the stern strife of living, who seek, in the affection of contempt for the achievements of others, to hide from others and from themselves in their own weakness. The role is easy; there is none easier, save only the role of the man who sneers alike at both criticism and performance.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Citizenship in a Republic (1910)

Rabindranath Tagore photo

“All the great utterances of man have to be judged not by the letter but by the spirit — the spirit which unfolds itself with the growth of life in history.”

Rabindranath Tagore (1861–1941) Bengali polymath

Preface
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)

Charan Singh photo
Lewis Carroll photo
Bertrand Russell photo
Henri Barbusse photo

“There'll be a day when I shall begin something that I shan't finish — a walk, or a letter, or a sentence, or a dream.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face
Context: When you look straight on, you end by seeing the immense event — death. There is only one thing which really gives the meaning of our whole life, and that is our death. In that terrible light may they judge their hearts who will one day die. Well I know that Marie's death would be the same thing in my heart as my own, and it seems to me also that only within her of all the world does my own likeness wholly live. We are not afraid of the too great sincerity which goes the length of these things; and we talk about them, beside the bed which awaits the inevitable hour when we shall not awake in it again. We say: —
"There'll be a day when I shall begin something that I shan't finish — a walk, or a letter, or a sentence, or a dream.".

John Tyndall photo

“The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete.”

John Tyndall (1820–1893) British scientist

"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.

John Marshall photo

“Let the end be legitimate, let it be within the scope of the constitution, and all means which are appropriate, which are plainly adapted to that end, which are not prohibited, but consist with the letter and spirit of the constitution, are constitutional.”

John Marshall (1755–1835) fourth Chief Justice of the United States

17 U.S. (4 Wheaton) 316, 421. Regarding the interpretation of the Necessary and Proper Clause.
McCulloch v. Maryland (1819)
Context: We admit, as all must admit, that the powers of the Government are limited, and that its limits are not to be transcended. But we think the sound construction of the Constitution must allow to the national legislature that discretion with respect to the means by which the powers it confers are to be carried into execution which will enable that body to perform the high duties assigned to it in the manner most beneficial to the people. Let the end be legitimate, let it be within the scope of the constitution, and all means which are appropriate, which are plainly adapted to that end, which are not prohibited, but consist with the letter and spirit of the constitution, are constitutional.

Voltaire photo

“The most surprising circumstance is that this letter, though written by an obscure person, was so happy in its effect as to put a stop to the persecution.”

Voltaire (1694–1778) French writer, historian, and philosopher

The History of the Quakers (1762)
Context: This new patriarch Fox said one day to a justice of peace, before a large assembly of people. "Friend, take care what thou dost; God will soon punish thee for persecuting his saints." This magistrate, being one who besotted himself every day with bad beer and brandy, died of apoplexy two days after; just as he had signed a mittimus for imprisoning some Quakers. The sudden death of this justice was not ascribed to his intemperance; but was universally looked upon as the effect of the holy man's predictions; so that this accident made more Quakers than a thousand sermons and as many shaking fits would have done. Cromwell, finding them increase daily, was willing to bring them over to his party, and for that purpose tried bribery; however, he found them incorruptible, which made him one day declare that this was the only religion he had ever met with that could resist the charms of gold.
The Quakers suffered several persecutions under Charles II; not upon a religious account, but for refusing to pay the tithes, for "theeing" and "thouing" the magistrates, and for refusing to take the oaths enacted by the laws.
At length Robert Barclay, a native of Scotland, presented to the king, in 1675, his "Apology for the Quakers"; a work as well drawn up as the subject could possibly admit. The dedication to Charles II, instead of being filled with mean, flattering encomiums, abounds with bold truths and the wisest counsels. "Thou hast tasted," says he to the king, at the close of his "Epistle Dedicatory," "of prosperity and adversity: thou hast been driven out of the country over which thou now reignest, and from the throne on which thou sittest: thou hast groaned beneath the yoke of oppression; therefore hast thou reason to know how hateful the oppressor is both to God and man. If, after all these warnings and advertisements, thou dost not turn unto the Lord, with all thy heart; but forget Him who remembered thee in thy distress, and give thyself up to follow lust and vanity, surely great will be thy guilt, and bitter thy condemnation. Instead of listening to the flatterers about thee, hearken only to the voice that is within thee, which never flatters. I am thy faithful friend and servant, Robert Barclay."
The most surprising circumstance is that this letter, though written by an obscure person, was so happy in its effect as to put a stop to the persecution.

Friedrich Nietzsche photo

“It is a matter of honor with me to be absolutely clean and unequivocal in relation to anti-Semitism, namely, opposed to it, as I am in my writings. I have recently been persecuted with letters and Anti-Semitic Correspondence Sheets. My disgust with this party (which would like the benefit of my name only too well!) is as pronounced as possible”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Objecting to his sister Elisabeth, about her marriage to the anti-semite Bernhard Förster, in a Christmas letter (1887) http://www.geocities.com/thenietzschechannel/nlett1887.htm in Friedrich Nietzsche's Collected Letters, Vol. V, #479
Context: You have committed one of the greatest stupidities — for yourself and for me! Your association with an anti-Semitic chief expresses a foreignness to my whole way of life which fills me again and again with ire or melancholy. … It is a matter of honor with me to be absolutely clean and unequivocal in relation to anti-Semitism, namely, opposed to it, as I am in my writings. I have recently been persecuted with letters and Anti-Semitic Correspondence Sheets. My disgust with this party (which would like the benefit of my name only too well!) is as pronounced as possible, but the relation to Förster, as well as the aftereffects of my former publisher, the anti-Semitic Schmeitzner, always brings the adherents of this disagreeable party back to the idea that I must belong to them after all. … It arouses mistrust against my character, as if publicly I condemned something which I have favored secretly — and that I am unable to do anything against it, that the name of Zarathustra is used in every Anti-Semitic Correspondence Sheet, has almost made me sick several times.

“I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!"”

David Hockney (1937) British artist

Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)
2000s
Context: He [Hockney's father] hardly ever left Bradford. He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet. He would have gone mad for email because he was always sending letters to world leaders — Eisenhower, Mao, Stalin — telling them what was what. I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!"

Epictetus photo
Sergey Lavrov photo

“I don't want to use four-letter words.”

Sergey Lavrov (1950) Russian politician and Foreign Minister
Mark Twain photo
Aryabhata photo

“His work, called Aryabhatiya, is composed of three parts, in only the first of which use is made of a special notation of numbers. It is an alphabetical system in which the twenty-five consonants represent 1-25, respectively; other letters stand for 30, 40, …., 100 etc. The other mathematical parts of Aryabhatiya consists of rules without examples. Another alphabetic system prevailed in Southern India, the numbers 1-19 being designated by consonants, etc.”

Aryabhata (476–550) Indian mathematician-astronomer

Florian Cajori in: A History of Mathematical Notations http://books.google.co.in/books?id=_byqAAAAQBAJ&pg=PT961&dq=Notations&hl=en&sa=X&ei=Wz65U5WYDIKulAW1qIGYDA&ved=0CBwQ6AEwAA#v=onepage&q=Notation&f=false, Courier Dover Publications, 26 September 2013, p. 47.

Juvenal photo

“If your stars go against you, the fantastic size of your cock will get you precisely nowhere, however much Virro may have drooled at the spectacle of your naked charms, though love-letters come in by the dozen, imploring your favors.”

Nam si tibi sidera cessant,
nil faciet longi mensura incognita nervi,
quamvis te nudum spumanti Virro labello
viderit et blandae adsidue densaeque tabellae
sollicitent, autos gar ephelketai andra kinaidos.
IX, line 33.
Satires, Satire IX

Voltaire photo

“Thus, almost everything is imitation. The idea of The Persian Letters was taken from The Turkish Spy. Boiardo imitated Pulci, Ariosto imitated Boiardo. The most original minds borrowed from one another. Miguel de Cervantes makes his Don Quixote a fool; but pray is Orlando any other? It would puzzle one to decide whether knight errantry has been made more ridiculous by the grotesque painting of Cervantes, than by the luxuriant imagination of Ariosto. Metastasio has taken the greatest part of his operas from our French tragedies. Several English writers have copied us without saying one word of the matter. It is with books as with the fire in our hearths; we go to a neighbor to get the embers and light it when we return home, pass it on to others, and it belongs to everyone”

"Lettre XII: sur M. Pope et quelques autres poètes fameux," Lettres philosophiques (1756 edition)
Variants:
He looked on everything as imitation. The most original writers, he said, borrowed one from another. Boyardo has imitated Pulci, and Ariofio Boyardo. The instruction we find in books is like fire; we fetch it from our neighbour, kindle it as home, communicate it to others, and it becomes the property of all.
Historical and Critical Memoirs of the Life and Writings of M. de Voltaire (1786) by Louis Mayeul Chaudon, p. 348
What we find in books is like the fire in our hearths. We fetch it from our neighbors, we kindle it at home, we communicate it to others, and it becomes the property of all.
As translated in Geary's Guide to the World's Great Aphorists (2008), by James Geary, p. 373
Original: (fr) Ainsi, presque tout est imitation. L’idée des Lettres persanes est prise de celle de l’Espion turc. Le Boiardo a imité le Pulci, l’Arioste a imité le Boiardo. Les esprits les plus originaux empruntent les uns des autres. Michel Cervantes fait un fou de son don Quichotte; mais Roland est-il autre chose qu'un fou? Il serait difficile de décider si la chevalerie errante est plus tournée en ridicule par les peintures grotesques de Cervantes que par la féconde imagination de l'Arioste. Métastase a pris la plupart de ses opéras dans nos tragédies françaises. Plusieurs auteurs anglais nous ont copiés, et n'en ont rien dit. Il en est des livres comme du feu de nos foyers; on va prendre ce feu chez son voisin, on l’allume chez soi, on le communique à d’autres, et il appartient à tous.

Gabriel García Márquez photo
Victor Hugo photo
Dorothy Parker photo
Sylvia Plath photo

“But writing poems and letters doesn't seem to do much good.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Carlos Ruiz Zafón photo
Maria Dahvana Headley photo
Haruki Murakami photo
Richelle Mead photo
Jenny Han photo
Gabriel García Márquez photo
Chuck Palahniuk photo
Stephen King photo
Ernest Hemingway photo

“Don't you like to write letters? I do because it's such a swell way to keep from working and yet feel you've done something.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to F. Scott Fitzgerald (1 July 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
Context: Write me at the Hotel Quintana, Pamplona, Spain. Or don't you like to write letters. I do because it's such a swell way to keep from working and yet feel you've done something

Jane Austen photo
Mary Karr photo
Woody Allen photo

“Why are our days numbered and not, say, lettered?”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician
Cornelia Funke photo
Cecelia Ahern photo
Pablo Neruda photo

“Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.”

¿Quién escribe tu nombre con letras de humo entre las estrellas del sur?
Ah déjame recordarte cómo eras entonces, cuando aún no existías.
"Every Day You Play" (Juegas Todos los Días), XIV, p. 35.
Source: Veinte Poemas de Amor y una Canción Desesperada (Twenty Love Poems and a Song of Despair) (1924)

Lurlene McDaniel photo
Cassandra Clare photo
A.A. Milne photo

“Because my spelling is Wobbly. It's good spelling but it Wobbles, and the letters get in the wrong places.”

Source: Winnie-the-Pooh (1926), Chapter Six - Pooh.

Eudora Welty photo
Haruki Murakami photo
Jasper Fforde photo
Jonathan Safran Foer photo
John Donne photo

“Sir, more than kisses, letters mingle souls;
For, thus friends absent speak.”

John Donne (1572–1631) English poet

Verse Letter to Sir Henry Woton, written before April 1598, line 1
Variant: More than kisses, letters mingle souls.

F. Scott Fitzgerald photo

“If I knew words enough, I could write the longest love letter in the world and never get tired”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Source: The Best Early Stories of F. Scott Fitzgerald

David Nicholls photo

“This isn't a letter, it's a gift.”

Source: One Day

Cassandra Clare photo
Cassandra Clare photo

“First, the candy and flowers, then the apology letters, then the ravenous demon hordes. In that order." -Jace Wayland”

Variant: It wouldn't be my move," Jace agreed. "First the candy and flowers, then the apology letters, then the ravenous demon hordes. In that order.
Source: City of Bones

Edna St. Vincent Millay photo

“Please give me some good advice in your next letter. I promise not to follow it. (in a letter written while she was in college)”

Edna St. Vincent Millay (1892–1950) American poet

Variant: Please give me some good advice in your next letter. I promise not to follow it.

Stephen King photo

“Why' is a crooked letter and can't be made straight.”

Source: The Gunslinger

Jordan Sonnenblick photo
Nathaniel Hawthorne photo
Dr. Seuss photo
Jeffrey Eugenides photo

“Every letter was a love letter.”

Source: The Marriage Plot

Cassandra Clare photo
Jane Austen photo

“Let us never underestimate the power of a well-written letter.”

Source: Persuasion

Philip Larkin photo
Elizabeth Kostova photo
Derek Walcott photo
Edna St. Vincent Millay photo
Haruki Murakami photo
Stephen King photo

“If,' Roland said. 'An old teacher of mine used to call it the only word a thousand letters long.”

Stephen King (1947) American author

Source: Wolves of the Calla

Arundhati Roy photo
Gail Carson Levine photo
Charles Bukowski photo
Arthur Schopenhauer photo
Kate DiCamillo photo
Cassandra Clare photo
Courtney Love photo

“The language of love letters is the same as suicide notes.”

Source: Dirty Blonde: The Diaries of Courtney Love

Sherrilyn Kenyon photo
Jenny Han photo
Harper Lee photo
Daniel Handler photo
Haruki Murakami photo
P.G. Wodehouse photo
Michelangelo Buonarroti photo
Jane Austen photo

“You deserve a longer letter than this; but it is my unhappy fate seldom to treat people so well as they deserve.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1798-12-24) [Letters of Jane Austen -- Brabourne Edition]
Letters