Quotes about lady
page 9

Samuel Taylor Coleridge photo
Alan Charles Kors photo
Sinclair Lewis photo
Richard Monckton Milnes, 1st Baron Houghton photo
Titus Salt photo

“Ladies and gentlemen, it is with no ordinary feelings, I assure you, that I rise on this occasion to thank you for the very flattering manner in which you have received the last toast, and for the good wishes expressed therein. I cannot look around me, and see this vast assemblage of my friends and workpeople, without being moved. I feel gratified at this day's proceedings; I also feel greatly honoured by the presence of the nobleman at my side. I am more than all delighted at the presence of this vast assemblage of my workpeople. Perhaps it may be permitted me to remark that ten or twelve years ago I was looking forward to this day (on which I complete my his fiftieth year) as the period when I hoped to retire from business and enjoy myself in agricultural pursuits, which would be quite congenial to my mind and inclination. As the time drew near, looking at my large family (five of them being sons) I reversed that decision, and resolved to proceed a little longer and remain at the head of the firm. Having thus determined, I at once made up my mind to leave Bradford. I did not like to be a party to increasing that already overcrowded borough, but I looked around for a site suitable for a large manufacturing establishment, and I fixed upon this, as offering every capability for a first rate manufacturing and commercial establishment. It is also, from the beauty of its situation, and the salubrity of the air, a most desirable place for the erection of dwellings. Far be it from me to do anything to pollute the air or the water of the district. I shall do my utmost to avoid these evils, and I have no doubt of being successful. I hope to draw around me a population that will enjoy the beauties of this neighbourhood—a population of well paid, contented, happy operatives. I have given instructions to my architects (who are competent to carry them out) that nothing shall be spared to render the dwellings of the operatives a pattern to the country, and if my life is spared by Divine Providence, I hope to see satisfaction, contentment, and happiness around me.”

Titus Salt (1803–1876) English industrialist and philanthropist

The speech he made to the 3,500 guests (including his workers) at the banquet on 1853-09-20, which he held to celebrate both his fiftieth birthday and the opening of his new factory at Saltaire. [Inauguration of the works at Saltaire, The Bradford Observer, 1853-09-22, 8, http://find.galegroup.com/bncn/retrieve.do?sgHitCountType=None&orientation=&scale=0.33&sort=DateAscend&docLevel=FASCIMILE&prodId=BNCN&tabID=T012&subjectParam=Locale%2528en%252C%252C%2529%253ALQE%253D%2528jn%252CNone%252C17%2529Bradford%2BObserver%253AAnd%253ALQE%253D%2528da%252CNone%252C10%252909%252F22%252F1853%2524&resultListType=RESULT_LIST&searchId=R2&searchType=BasicSearchForm&currentPosition=11&qrySerId=Locale%28en%2C%2C%29%3ALQE%3D%28jn%2CNone%2C17%29Bradford+Observer%3AAnd%3ALQE%3D%28da%2CNone%2C10%2909%2F22%2F1853%24&subjectAction=DISPLAY_SUBJECTS&retrieveFormat=MULTIPAGE_DOCUMENT&enlarge=&bucketSubId=&inPS=true&userGroupName=brad&hilite=y&docPage=article&nav=prev&sgCurrentPosition=0&docId=R3207957429, 2012-06-07 (subscription site)]
A slightly edited version (in the third person) appears in [Holroyd, Abraham, 1873, 2000, Saltaire and its Founder, Piroisms Press, ISBN 0-9538601-0-8, 14-15]

Gloria Estefan photo

“There are certain people in our business that are known as ladies, that are known to be classy and intelligent... I found out that [Gloria is] all of the above.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comments by singer Naomi Judd, Hallmark Channel (January 29, 2006)
2007, 2008

Johannes Warnardus Bilders photo

“Nothing has happened since two or three days.... nothing special, only the Ladies van Loon have visited me this morning, I have shown them a few of my studies, and talked a lot about [Huis] 't Velde and {[w|nl:Vorden|Vorden}}. Now I could tell you further, how little I still feel at home, how a certain nostalgia or quiet sorrow plunges me down, and how an indefinite hurry for an even more uncertain future dominates my whole [being? ]; but why should I bother You by telling You my inner life..”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands): Er is sedert de twee of drie dagen.. ..niets bijzonders voorgevallen, alleen de freules van Loon zijn heden morgen bij mij geweest, ik heb paar mijn studies laten zien, en verder veel over 't Velde en Vorden met hen gesproken; nu zou ik UE nog verder kunnen zeggen, hoe weinig ik mij nog te huis gevoel, hoe een zeker heimwee, of stil verdriet mij ter nederdrukt, en, hoe een onbestemd jagen, naar een nog onbestemder toekomst mijn gehele [aanschijn[?] beheerst; maar waar om zou ik UE vermoeijen; door UE mijn innerlijk leven mede te delen..
J.W. Bilders, in his letter [including a pencil-sketch of trees along a water] to Georgina van Dijk van 't Velde, from Castle Voorst in Warnsveld, 22 Oct. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751208 in the RKD-Archive, The Hague
In 1868 Bilders traveled to the North of The Netherlands, to make sketches
1860's + 1870's

Joseph Addison photo

“There is not so variable a thing in Nature as a lady's head-dress.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 98 (22 June 1711).
The Spectator (1711–1714)

Giraut de Bornelh photo

“Fair, gentle friend, I’ve found so dear a home
I wish that dawn might never come again;
The loveliest lady ever born of woman
Lies in my arms, and I care not a straw
For jealous fool or dawn!”

Giraut de Bornelh (1138–1220) French writer

Bel dous companh, tan sui en ric sojorn
Qu'eu no volgra mais fos l'alba ni jorn,
Car la gensor que anc nasques de maire
Tenc et abras, per qu'eu non prezi gaire
Lo fol gilos ni l'alba.
"Reis glorios", line 31; translation from Peter Dronke The Medieval Lyric (1996) p. 176.

Eino Leino photo
Henry Wadsworth Longfellow photo
Henry James photo
Hillary Clinton photo

“We used to say in the White House that if a place is too dangerous, too small or too poor, send the First Lady.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Iowa stump speech. http://www.rollingstone.com/nationalaffairs/index.php/2008/03/11/sinbad-on-his-and-hillarys-red-phone-moments-in-bosnia/
Presidential campaign (January 20, 2007 – 2008)

Michael Moorcock photo
Anne Brontë photo
Michael Moorcock photo

“Economic responsibility goes with military strength and an undue share in the costs of peacekeeping. Free riders are perhaps more noticeable in this area than in the economy, where a number of rules in trade, capital movements, payments and the like have been evolved and accepted as legitimate. Free ridership means that disproportionate costs must be borne by responsible nations, which must on occasion take care of the international or system interest at some expense in falling short of immediate goals. This is a departure from the hard­ nosed school of international relations in political science, represented especially perhaps by Hans Morgenthau and Henry Kissinger, who believe that national interest and the balance of power constitute a stable system. Leadership, moreover, had overtones of the white man's burden, father knows best, the patronizing attitude of the lady of the manor with her Christmas baskets. The requirement, moreover, is for active, and not merely passive responsibility of the German—Japanese variety. With free riders, and the virtually certain emergency of thrusting newcomers, passivity is a recipe for disarray. The danger for world stability is the weakness of the dollar, the loss of dedication of the United States to the international system's interest, and the absence of candidates to fill the resultant vacua.”

Charles P. Kindleberger (1910–2003) American economic historian

"Economic Responsibility", The Second Fred Hirsch Memorial Lecture, Warwick University, 6 March 1980, republished in Comparative Political Economy: A Retrospective (2003)

Sandra Fluke photo

“We talk often about choice. Well, ladies and gentlemen, it’s time to choose.”

Sandra Fluke (1981) American women's rights activist and lawyer

2012 Democratic National Convention

Dante Gabriel Rossetti photo
Georges Bernanos photo
Alfred Brendel photo
Luis Buñuel photo
Paul Simon photo

“"The universe loves a drama," you know. And ladies and gentlemen this is the show.”

Paul Simon (1941) American musician, songwriter and producer

I Don't Believe; Simon here quotes a comment by his wife, Edie Brickell, on the 2004 US presidential election.
Song lyrics, Surprise (2006)

Davey Havok photo

“Usually, old ladies tell me to find Jesus. Look, I'm just trying to find some chai and a good vegan muffin.”

Davey Havok (1975) American singer

Rolling Stone, March 2003 http://web.archive.org/web/20050507192246/http://www.rollingstone.com/news/story/_/id/5937492

Thomas Gainsborough photo
John Dryden photo
Daniel Dennett photo

“Since September 11, 2001, I have often thought that perhaps it was fortunate for the world that the attackers targeted the World Trade Center instead of the Statue of Liberty, for if they had destroyed our sacred symbol of democracy I fear we as Americans would have been unable to keep ourselves from indulging in paroxysms of revenge of a sort the world has never seen before. If that had happened, it would have befouled the meaning of the Statue of Liberty beyond any hope of subsequent redemption — if there were any people left to care. I have learned from my students that this upsetting thought of mine is subject to several unfortunate misconstruals, so let me expand on it to ward them off. The killing of thousands of innocents in the World Trade Center was a heinous crime, much more evil than the destruction of the Statue of Liberty would have been. And, yes, the World Trade Center was a much more appropriate symbol of al Qaeda's wrath than the Statue of Liberty would have been, but for that very reason it didn't mean as much, as a symbol, to us. It was Mammon and Plutocrats and Globalization, not Lady Liberty. I do suspect that the fury with which Americans would have responded to the unspeakable defilement of our cherished national symbol, the purest image of our aspirations as a democracy, would have made a sane and measured response extraordinarily difficult. This is the great danger of symbols — they can become too "sacred."”

An important task for religious people of all faiths in the twenty-first century will be spreading the conviction that there are no acts more dishonorable than harming "infidels" of one stripe or another for "disrespecting" a flag, a cross, a holy text.
Breaking the Spell (2006)

Cesare Borgia photo
Scott Ritter photo

“One of the big problems is — and here goes the grenade — Israel. The second you mention the word "Israel," the nation Israel, the concept Israel, many in the American press become very defensive. We’re not allowed to be highly critical of the state of Israel. And the other thing we’re not allowed to do is discuss the notion that Israel and the notion of Israeli interests may in fact be dictating what America is doing, that what we’re doing in the Middle East may not be to the benefit of America’s national security, but to Israel’s national security. But, see, we don’t want to talk about that, because one of the great success stories out there is the pro-Israeli lobby that has successfully enabled themselves to blend the two together, so that when we speak of Israeli interests, they say, "No, we’re speaking of American interests."It’s interesting that AIPAC and other elements of the Israeli Lobby don’t have to register as agents of a foreign government. It would be nice if they did, because then we’d know when they’re advocating on behalf of Israel or they’re advocating on behalf of the United States of America.I would challenge The New York Times to sit down and do a critical story on Israel, on the role of Israel’s influence, the role that Israel plays in influencing American foreign policy. There’s nothing wrong with Israel trying to influence American foreign policy. Let me make that clear. The British seek to influence our foreign policy. The French seek to influence our foreign policy. The Saudis seek to influence our foreign policy. The difference is, when they do this and they bring American citizens into play, these Americans, once they take the money of a foreign government and they advocate on behalf of that foreign government, they register themselves as an agent of that government, so we know where they’re coming from. That’s all I ask the Israelis to do. Let us know where you’re coming from, because stop confusing the American public that Israel’s interests are necessarily America’s interests.I have to tell you right now, Israel has a viable, valid concern about Hezbollah in southern Lebanon. If I were an Israeli, I would be extremely concerned about Hezbollah, and I would want to do everything possible to nullify that organization. As an American, I will tell you, Hezbollah does not threaten the national security of the United States of America one iota. So we should not be talking about using American military forces to deal with the Hezbollah issue. That is an Israeli problem. And yet, you’ll see The New York Times, The Washington Post and other media outlets confusing the issue. They want us to believe that Hezbollah is an American problem. It isn’t, ladies and gentleman. Hezbollah was created three years after Israel invaded Lebanon, not three years after the United States invaded Lebanon. And Hezbollah’s sole purpose was to liberate southern Lebanon from Israeli occupation. I’m not here to condone or sing high praises in virtue for Hezbollah. But I’m here to tell you right now, Hezbollah is not a terrorist organization that threatens the security of the United States of America.”

Scott Ritter (1961) American weapons inspector and writer

October 16, 2006
2006

Margaret Thatcher photo
Michelle Obama photo

“A modest young lady with her head the same size as it was when she was a child.”

Jimmy Magee (1935–2017) Gaelic games commentatot

Commenting on Katie Taylor's lack of a big head despite her success. irishtimes.com http://www.irishtimes.com/newspaper/ireland/2012/0811/1224321996178.html
Olympic Games

William Wordsworth photo
Alice Meynell photo

“She walks—the lady of my delight—
A shepherdess of sheep.
Her flocks are thoughts. She keeps them white;
She keeps them from the steep”

Alice Meynell (1847–1922) English publisher, editor, writer, poet, activist

Opening stanza of "The Shepherdess" https://www.poemhunter.com/poem/the-shepherdess/ in Later Poems (London: John Lane, 1902).

John Knox photo
Charles Dickens photo
G. K. Chesterton photo
John Vanbrugh photo
Thomas Eakins photo

“My figures at least are not a bunch of clothes with a head and hands sticking out but more nearly resemble the strong living bodies that most pictures show. And in the latter end of a life so spent in study, you at least can imagine that painting is with me a very serious study. That I have but little patience with the false modesty which is the greatest enemy to all figure painting. I see no impropriety in looking at the most beautiful of Nature's works, the naked figure. If there is impropriety, then just where does such impropriety begin? Is it wrong to look at a picture of a naked figure or at a statue? English ladies of the last generation thought so and avoided the statue galleries, but do so no longer. Or is it a question of sex? Should men make only the statues of men to be looked at by men, while the statues of women should be made by women to be looked at by women only? Should the he-painters draw the horses and bulls, and the she-painters like Rosa Bonheur the mares and cows? Must the poor old male body in the dissecting room be mutilated before Miss Prudery can dabble in his guts?Such indignities anger me. Can not anyone see into what contemptible inconsistencies such follies all lead? And how dangerous they are? My conscience is clear, and my suffering is past.”

Thomas Eakins (1844–1916) American painter

Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).

Ben Croshaw photo
Harriet Harman photo

“Hague: I'd like to congratulate the Leader of the House on being the first female Labour member ever to answer Prime Minister's Questions. She must be proud, three decades on, to be following in the footsteps of Margaret Thatcher, who we on this side of the House and the Prime Minister so admire.
Harman: Well I thank him for his congratulations but I would ask him, why is he asking the questions today? Because he is not the Shadow Leader of the House - the Shadow Leader of the House is sitting next to him! Is this the situation in the modern Conservative Party; that women should be seen but not heard? And if I may, perhaps I could offer the Shadow Leader of the House a bit of sisterly advice: she should not let him get away with it!
Hague: Turning to domestic issues, I was going to be nice to the Rt. Hon. Lady - she has had a difficult week and she had to explain yesterday that she dresses in accordance with wherever she goes; she wears a helmet to a building site; wears Indian clothes to Indian parts of her constituency; presumably, when she goes to a Cabinet meeting, she dresses as a clown.
Harman: Well I would just start by saying that if I'm looking for advice on what to wear and what not to wear, the very last man I would look to for advice would be the man in the baseball cap!”

Harriet Harman (1950) British politician

During Prime Minister's Questions, 2 April 2008 http://www.youtube.com/watch?v=-AsiKI7uCog&feature=related, with Deputy Conservative Party Leader, William Hague

Walter de la Mare photo
Oscar Levant photo

“It's an advantage having a limited output. When George Gershwin is asked to play his repertoire, he plays all evening. I just play "Lady Play Your Mandolin" and I'm through.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

As quoted in Dancing in the Dark (1974), p. 61

Russell Brand photo

““I believe in God,” says my nan, in a way that makes the idea of an omnipotent, unifying frequency of energy manifesting matter from pure consciousness sound like a chore. An unnecessary chore at that, like cleaning under the fridge. I tell her, plucky little seven-year-old that I was, that I don’t. This pisses her off. Her faith in God is not robust enough to withstand the casual blasphemy of an agnostic tot. “Who do you think made the world, then?” I remember her demanding as fiercely as Jeremy Paxman would later insist I provide an instant global infrastructure for a post-revolutionary utopia. “Builders,” I said, thinking on my feet. This flummoxed her and put her in a bad mood for the rest of the walk. If she’d hit back with “What about construction at a planetary or galactic level?” she’d’ve had me on the ropes. At that age I wouldn’t’ve been able to riposte with “an advanced species of extraterrestrials who we have been mistakenly ascribing divine attributes to due to our own technological limitations” or “a spontaneous cosmic combustion that contained at its genesis the code for all subsequent astronomical, chemical, and biological evolution.” I probably would’ve just cried. Anyway, I’m supposed to be explaining the power of forgiveness, not gloating about a conflict in the early eighties in which I fared well against an old lady. Since getting clean from drugs and alcohol I have been taught that I played a part in the manufacture of all the negative beliefs and experiences from my past and I certainly play a part in their maintenance. I now look at my nan in another way. As a human being just like me, trying to cope with her own flaws and challenges. Fearful of what would become of her sick daughter, confused by the grandchild born of a match that she was averse to. Alone and approaching the end of her life, with regret and lacking a functioning system of guidance and comfort. Trying her best. Taking on the responsibility of an unusual little boy with glib, atheistic tendencies, she still behaved dutifully. Perhaps this very conversation sparked in me the spirit of metaphysical inquiry that has led to the faith in God I now have.”

Revolution (2014)

Joseph Strutt photo
G. K. Chesterton photo
Bernard Cornwell photo
Muhammad photo

“Jabir B. Abdillah reported that once he was on an expedition with the Prophet salla Allahu ʿalayhi wa sallam, and when they were close to the city of Madinah, he sped on his mount. The Prophet salla Allahu ʿalayhi wa sallam asked him why he was in such a hurry to return home. Jabir replied, “I am recently married!” The Prophet salla Allahu ʿalayhi wa sallam asked, “To an older lady or a younger one?” [the Arabic could also read: “To a widow or a virgin?”], to which he replied, “A widow.” The Prophet salla Allahu ʿalayhi wa sallam said, “But why didn’t you marry a younger girl, so that you could play with her, and she could play with you, and you could make her laugh, and she could make you laugh?”He said, “O Messenger of Allah! My father died a martyr at Uhud, leaving behind daughters, so I did not wish to marry a young girl like them, but rather an older one who could take care of them and look after them.” The Prophet salla Allahu ʿalayhi wa salam replied, “You have made the correct choice.”Jabir continues, “So when we were about to enter the city, the Prophet salla Allahu ʿalayhi wa sallam said to me, "Slow down, and enter at night, so that she who has not combed may comb her hair, and she who has not shaved may shave her private area."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Then he said to me, "When you enter upon her, then be wise and gentle.”
Narrated Jabir bin 'Abdullah [Reported by al-Bukhari and Muslim, with various wordings, in their two Sahihs]
Sunni Hadith

Rudyard Kipling photo

“A fool there was and he made his prayer
(Even as you and I!)
To a rag and a bone and a hank of hair
We called her the woman who did not care),
But the fool he called her his lady fair”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Even as you and I!
The Vampire http://www.readprint.com/work-973/The-Vampire-Rudyard-Kipling, Stanza 1.
Departmental Ditties and other Verses (1886)

George W. Bush photo
Silvio Berlusconi photo
Henry Stephens Salt photo
Aristotle Onassis photo

“Sometimes, to please the ladies, we drop down our weapons pretending we are civilized.”

Aristotle Onassis (1906–1975) Greek shipping magnate

Quoted in Peter Evans, Ari: Life and Times of Aristotle Socrates Onassis, (1978),
During his wedding (Terrace Room - Plaza) with Tina Livanos about [Stavros Niarchos]

Phil Hartman photo
Madame de La Fayette photo
Emma Lazarus photo

“A lady 'twixt two knights' stone effigies,
And every day in dusky glory steeps
Their sculptured slumber of five centuries.”

Emma Lazarus (1849–1887) American poet

St Michael's Chapel http://www.poemhunter.com/poem/st-michael-s-chapel/

Balasaraswati photo
Anne Brontë photo

“I do believe a young lady can't be too careful who she marries.”

Source: The Tenant of Wildfell Hall (1848), Ch. XXII : Traits of Friendship; Rachel to Helen

Irene Dunne photo
Garth Nix photo
George Bernard Shaw photo

“I wouldn't have ate it, only I'm too lady-like to take it out of my mouth.”

George Bernard Shaw (1856–1950) Irish playwright

Act II
1910s, Pygmalion (1912)

Marc Connelly photo
John of Damascus photo
Lois McMaster Bujold photo
Alfred, Lord Tennyson photo
Alice Cooper photo

“I used to be such a sweet, sweet thing
'Til they got a hold of me.
I opened doors for little old ladies,
I helped the blind to see.”

Alice Cooper (1948) American rock singer, songwriter and musician

"No More Mr. Nice Guy" (co-written with Michael Owen Bruce) - Full lyrics online http://www.songfacts.com/detail.php?id=3596 - YouTube video http://www.youtube.com/watch?v=XZnhuOEUFXA.
Billion Dollar Babies (1973)
Context: I used to be such a sweet, sweet thing
'Til they got a hold of me.
I opened doors for little old ladies,
I helped the blind to see.
I got no friends 'cause they read the papers.
They can't be seen with me and I'm gettin' real shot down
And I'm feeling mean. No more Mister Nice Guy,
No more Mister Clean,
No more Mister Nice Guy,
They say he's sick, he's obscene.

“People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms…”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)
Context: I live in Victorian Gothic castle in Killiney that I was so bold as to rename Manderley, because Daphne du Maurier 's Rebecca is one of my favourite books.... People have this image of me as an ethereal Lady of Shalott, floating across the battlements, but it's a very small castle as castles go — with no big ballrooms... I don't write my music in my home, only in the studio; I want as normal life as possible at home, with dinner parties and entertaining.

Nélson Rodrigues photo
Peter Cook photo

“Vote for EL Wisty and lovely nude ladies will come and dance with you.”

Peter Cook (1937–1995) British architect

"The World Domination League" (1964)
E. L. Wisty
Context: I've had some wonderful ideas for getting the dominating going. I've got some extremely subtle advertising slogans that should get the public behind us. Things like "Vote for EL Wisty and lovely nude ladies will come and dance with you." It's a complete lie, of course, but you can't afford to be too scrupulous if you're going to dominate the world.

“Also worthy of mention is a clique among the suicidal for whom the meaning of their act is a darker thing. Frustrated as perpetrators of an all-inclusive extermination, they would kill themselves only because killing it all is closed off to them. They hate having been delivered into a world only to be told, by and by, “This way to the abattoir, Ladies and Gentlemen.” They despise the conspiracy of Lies for Life almost as much as they despise themselves for being a party to it. If they could unmake the world by pushing a button, they would do so without a second thought. There is no satisfaction in a lonesome suicide.”

Thomas Ligotti (1953) American horror author

The Conspiracy Against the Human Race: A Contrivance of Horror
Context: Also worthy of mention is a clique among the suicidal for whom the meaning of their act is a darker thing. Frustrated as perpetrators of an all-inclusive extermination, they would kill themselves only because killing it all is closed off to them. They hate having been delivered into a world only to be told, by and by, “This way to the abattoir, Ladies and Gentlemen.” They despise the conspiracy of Lies for Life almost as much as they despise themselves for being a party to it. If they could unmake the world by pushing a button, they would do so without a second thought. There is no satisfaction in a lonesome suicide. The phenomenon of “suicide euphoria” aside, there is only fear, bitterness, or depression beforehand, then the troublesomeness of the method, and nothingness afterward. But to push that button, to depopulate this earth and arrest its rotation as well—what satisfaction, as of a job prettily done. This would be for the good of all, for even those who know nothing about the conspiracy against the human race are among its injured parties.

Bill Bailey photo
Alfred, Lord Tennyson photo
Alfred, Lord Tennyson photo
Alan Watts photo

“Now it is symptomatic of our rusty-beer-can type of sanity that our culture produces very few magical objects. Jewelry is slick and uninteresting. Architecture is almost totally bereft of exuberance, obsessed with erecting glass boxes. Children's books are written by serious ladies with three names and no imagination, and as for comics, have you ever looked at the furniture in Dagwood's home? The potentially magical ceremonies of the Catholic Church are either gabbled away at top speed, or rationalized with the aid of a commentator. Drama or ritual in everyday behavior is considered affectation and bad form, and manners have become indistinguishable from manerisms—where they exist at all. We produce nothing comparable to the great Oriental carpets, Persian glass, tiles, and illuminated books, Arabian leatherwork, Spanish marquetry, Hindu textiles, Chinese porcelain and embroidery, Japanese lacquer and brocade, French tapestries, or Inca jewelry. (Though, incidentally, there are certain rather small electronic devices that come unwittingly close to fine jewels.)
The reason is not just that we are too much in a hurry and have no sense of the present; not just that we cannot afford the type of labor that such things would now involve, nor just that we prefer money to materials. The reason is that we have scrubbed the world clean of magic. We have lost even the vision of paradise, so that our artists and craftsmen can no longer discern its forms. This is the price that must be paid for attempting to control the world from the standpoint of an "I" for whom everything that can be experienced is a foreign object and a nothing-but.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85

T.S. Eliot photo

“Lady of silences
Calm and distressed
Torn and most whole”

T.S. Eliot (1888–1965) 20th century English author

Ash-Wednesday (1930)
Context: Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Alaska Thunderfuck 5000 photo

“At the end of the day and at the beginning of the day, I am a man who dresses up like a lady who is from outer space. Not everyone is going to get that.”

Alaska Thunderfuck 5000 (1985) American Drag queen

Advocate interview (2015)
Context: At the end of the day and at the beginning of the day, I am a man who dresses up like a lady who is from outer space. Not everyone is going to get that. Not everyone is going to be on board with that. And not everyone is going to be able to swallow that.

Hoyt Axton photo

“Well, I never been to Spain
But I kinda like the music
Say the ladies are insane there
And they sure know how to use it”

Hoyt Axton (1938–1999) American country singer

Never Been to Spain · Three Dog Night performance http://www.youtube.com/watch?v=TKSrHMqQTEI · Elvis Presley performance http://www.youtube.com/watch?v=62s5QIB3WXE
Joy To The World (1971)
Context: Well, I never been to Spain
But I kinda like the music
Say the ladies are insane there
And they sure know how to use it
They don't abuse it, never gonna lose it
I can't refuse it.

Alfred, Lord Tennyson photo
Alfred, Lord Tennyson photo
Alfred, Lord Tennyson photo
Upton Sinclair photo

“I just put on what the lady says. I've been married three times, so I've had lots of supervision.”

Upton Sinclair (1878–1968) American novelist, writer, journalist, political activist

Interview in The New York Times (7 September 1962)

Alfred, Lord Tennyson photo

“The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.”

Pt. III, st. 5
The Lady of Shalott (1832)
Context: She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

P. J. O'Rourke photo
Alfred, Lord Tennyson photo
Eleanor Clift photo

“She is without doubt an effective First Lady, and she may yet win our hearts.”

Eleanor Clift (1940) American journalist

Farewell to Hollywood's Great White House Romance (2016)
Context: Nancy Reagan became first lady during the height of the feminist movement, and women who were battling for their rights in a male-dominated world saw her as an anachronism. Reagan said her life began when she met her husband. The adoring look she focused on her Ronnie when they were in public became known as "the gaze," adding to the caricature of her as a rich Hollywood socialite who did not understand the concerns of a generation of women coming into their own as professionals and seeking equality.
What her detractors failed to understand (and I was among them) was the substantive role she played behind the scenes at the White House in keeping her husband's presidency on track. She took the long view in looking after his legacy, intervening through favored surrogates to keep conservative ideologues from driving the agenda. Her insistence that no president could be considered great without reaching out to Soviet leaders trumped resistance from the right wing of the GOP.
She was fiercely protective of her husband's image, less so of her own, and she paid the price. When some of her interventions became known, particularly in the personnel department, she was cast as Lady Macbeth — even though the firings she engineered won praise. … Years later, with the benefit of hindsight and after watching Hillary Clinton's failed effort to achieve health-care reform, I came to believe Nancy Reagan deserved a fairer assessment. I wrote an op-ed piece that appeared in The Washington Post on Jan. 8, 1995, with the headline "Nancy with the centrist face: Derided as an elitist, Mrs. Reagan's impact was unequaled." I made the point that unlike Clinton, who took an office in the West Wing and was upfront about wanting to be a player, Reagan operated undercover, usually through a surrogate, and that she was a force for good. She rarely left fingerprints, but she got the job done, and her job was to play up her husband's strengths and cover for his weaknesses. She did both very well.
The piece concluded with this line: "She is without doubt an effective First Lady, and she may yet win our hearts." Soon after I received a handwritten note from Mrs. Reagan saying, "I don't really know how to say this but when something very nice comes from an unexpected source, it's really appreciated — and if you see me in a different light now, I'm happy. I can only hope one day 'to win the heart.' " Later that same year, she cooperated with a NEWSWEEK cover about her reconciliation with daughter Patti Davis, and how the president's Alzheimer's disease had brought the family together after literally decades of turmoil. Another handwritten note arrived shortly after with the lighthearted comment, "We've got to stop meeting like this!" After sharing her thoughts and emotions on her family's difficult times, Reagan said, "Hopefully I'm close to 'winning the heart.' "
In looking back at these notes, I realize how much it meant to her to gain a measure of affection after being treated so harshly in the public eye.

Francois Rabelais photo

“Patience, if it were our sovereign lady's will, we would be as tall as you; well, we shall when she pleases.”

Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 19 : How we arrived at the queendom of Whims or Entelechy
Context: Aristotle, that first of men and peerless pattern of all philosophy, was our sovereign lady's godfather, and wisely and properly gave her the name of Entelechy. Her true name then is Entelechy, and may he be in tail beshit, and entail a shit-a-bed faculty and nothing else on his family, who dares call her by any other name; for whoever he is, he does her wrong, and is a very impudent person. You are heartily welcome, gentlemen. With this they colled and clipped us about the neck, which was no small comfort to us, I'll assure you.
Panurge then whispered me, Fellow-traveller, quoth he, hast thou not been somewhat afraid this bout? A little, said I. To tell you the truth of it, quoth he, never were the Ephraimites in a greater fear and quandary when the Gileadites killed and drowned them for saying sibboleth instead of shibboleth; and among friends, let me tell you that perhaps there is not a man in the whole country of Beauce but might easily have stopped my bunghole with a cartload of hay.
The captain afterwards took us to the queen's palace, leading us silently with great formality. Pantagruel would have said something to him, but the other, not being able to come up to his height, wished for a ladder or a very long pair of stilts; then said, Patience, if it were our sovereign lady's will, we would be as tall as you; well, we shall when she pleases.

“I was a lonely child though there were children in plenty on our land. But my nurse forbade me to play with them. She guarded my dignity; more than my mother, indeed, who being so great a lady took dignity for granted.”

The Gentle Falcon (1957)
Context: I was a lonely child though there were children in plenty on our land. But my nurse forbade me to play with them. She guarded my dignity; more than my mother, indeed, who being so great a lady took dignity for granted.
But in any case there was little time for them to play. There was work for even the smallest upon our land; some of our peasants had run away, tempted by ever-rising wages. Wages fixed by law were certainly low; but, like many another ruined in the French wars, we had no money to pay a penny more than the law laid down. All over the country men were running away from their masters and the land lost as many laborers as by the Black Death itself. <!-- p. 14

Babe Ruth photo

“Thank you very much ladies and gentlemen. You know how bad my voice sounds. Well, it feels just as bad.”

Babe Ruth (1895–1948) American baseball player

Farewell Address (1947)
Context: Thank you very much ladies and gentlemen. You know how bad my voice sounds. Well, it feels just as bad. You know this baseball game of ours comes up from the youth. That means the boys. And after you've been a boy, and grow up to know how to play ball, then you come to the boys you see representing themselves today in our national pastime.

Joyce Kilmer photo

“It seems appropriate to me to state
According to a venerable and agreeable custom,
That I love a beautiful lady.”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), A Blue Valentine
Context: It seems appropriate to me to state
According to a venerable and agreeable custom,
That I love a beautiful lady.
Her eyes, Monsignore,
Are so blue that they put lovely little blue reflections
On everything that she looks at,
Such as a wall
Or the moon
Or my heart.

Alfred, Lord Tennyson photo
Francois Rabelais photo

“Pray tell me, does your time lie so heavy upon you in your world that you do not know how to bestow it better than in thus impudently talking, disputing, and writing of our sovereign lady?”

Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 19 : How we arrived at the queendom of Whims or Entelechy
Context: There has been here from other countries a pack of I know not what overweening self-conceited prigs, as moody as so many mules and as stout as any Scotch lairds, and nothing would serve these, forsooth, but they must wilfully wrangle and stand out against us at their coming; and much they got by it after all. Troth, we e'en fitted them and clawed 'em off with a vengeance, for all they looked so big and so grum.
Pray tell me, does your time lie so heavy upon you in your world that you do not know how to bestow it better than in thus impudently talking, disputing, and writing of our sovereign lady?

Violet Trefusis photo

“The following evening John left with Lady Shorne for the south of France, without so much as a word to me.”

Violet Trefusis (1894–1972) English writer and socialite

Author: Violet Trefusis, Translator: Barbara Bray, Broderie Anglaise, published in (1992)
Context: The following evening John left with Lady Shorne for the south of France, without so much as a word to me. Alexa felt as if she were hearing that fateful cliche for the first time. "Without so much as a word." No matter how much she tried to see it from every point of view, its meaning was always clear. John was a coward. Anne was his victim. The roles were the opposite of what she had supposed. It was Anne who had been heroic, not John. John was a coward, a mere puppet into whom both Anne and Alexa had managed to breathe a semblance of life. He was as much the creation of one as of the other.

Abigail Adams photo

“Remember the Ladies, and be more generous and favourable to them than your ancestors. Do not put such unlimited power into the hands of the Husbands. Remember all Men would be tyrants if they could.”

Abigail Adams (1744–1818) 2nd First Lady of the United States (1797–1801)

Letter to John Adams (31 March 1776), published in Familiar Letters of John Adams and his wife Abigail Adams (1875) edited by Charles Francis Adams, p. 147
Context: I long to hear that you have declared an independency. And by the way, in the the new Code of Laws which I suppose it will be necessary for you to make I desire you would Remember the Ladies, and be more generous and favourable to them than your ancestors. Do not put such unlimited power into the hands of the Husbands. Remember all Men would be tyrants if they could. If particular care and attention is not paid to the Ladies we are determined to foment a Rebellion, and will not hold ourselves bound by any Laws in which we have no voice, or Representation.
That your Sex are Naturally Tyrannical is a Truth so thoroughly established as to admit of no dispute, but such of you as wish to be happy willingly give up the harsh title of Master for the more tender and endearing one of Friend. Why, then, not put it out of the power of the vicious and the Lawless to use us with cruelty and indignity with impunity? Men of Sense in all Ages abhor those customs which treat us only as the vassals of your sex; regard us then as Beings placed by Providence under your protection, and in imitation of the Supreme Being make use of that power only for our happiness.