Quotes about interior
page 2

“Only a small part of the interior of the memex is devoted to storage, the rest to mechanism. Yet if the user inserted 5000 pages of material a day it would take him hundreds of years to fill the repository, so he can be profligate and enter material freely.”

Vannevar Bush book As We May Think

As We May Think (1945)

Parting

“Veronika brought her interior monologue to a close and made a promise to herself: she would not leave Villete alive. It was best to put an end to everything now, while she was still brave and healthy enough to die.”

Paulo Coelho (1947) Brazilian lyricist and novelist

Veronika Decides to Die (1998)

“Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not “a faithful image of an already realized interior being, but the very means by which it is realized.””

Maurice Merleau-Ponty (1908–1961) French phenomenological philosopher

Source: In Praise of Philosophy (1963), p. 8

Books, Faith, Thinking

“But it is not only of the space in the Church which we ought to be jealous, but also of the interiors of the house of God in us, so that it might not become a house of merchandise, or a den of robbers.”
Sed non solum locum Ecclesiae zelare debemus, sed hanc quoque interiorem in nobis domum Dei; ne sit domus negotiationis, aut spelunca latronum.

Ambrose (339–397) bishop of Milan; one of the four original doctors of the Church

Commentary on John 2:16, Exposition of the Psalms of David 118 (PL 15 1457B)

God, Housing

“The interior of the earth is extremely hot - several million degrees.”

Al Gore (1948) 45th Vice President of the United States

From interview he gave to Conan O'Brien in The Tonight Show http://www.youtube.com/watch?v=Ns_4pzfOSTc on 11th November 2009. The real temperature in the inner core is about 9032 - 10832 ºF (5000-6000 ºC). Quotes from Interviews

“I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!”

Marc Chagall (1887–1985) French artist and painter

c. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 101
1920's

Food, Wedding, Dance, Flying

“There has been great difficulty in getting able bodied negroes to fill up the colored regiments in consequence of the rebel cavalry runing off all that class to Georgia and Texas. This is especially the case for a distance of fifteen or twenty miles on each side of the river. I am now however sending two expeditions into Louisiana, one from Natchez to Harrisonburg and one from Goodriche's Landing to Monroe, that I expect will bring back a large number. I have ordered recruiting officers to accompany these expeditions. I am also having a Brigade of Cavalry from Tennessee to Vicksburg which will enable me to move troops to a greater distance into the interior and will facilitate materially the recruiting service.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1860s, Letter to Abraham Lincoln (1863)

Color

“As a young man, Bill Clinton was one of thousands of leftist students who benefited from KGB funds, earning one of those trips to the USSR which were the preferred means for the recruitment of Soviet agents in the universities of the West. In the 60s, that would be deterrent enough for any application for town mayor of the interior. In the 90s, after three decades of Gramscian cultural revolution, the dangerous links did not prevent Clinton from being elected US president with the support of the American Communist Party. Thanks to a well-calculated "politically correct" speech, the new ruler became an idol of the left, which moved heaven and earth to keep him in office despite a range of charges, including sexual frivolities, financial imbroglios and a multitude of small Watergates, including something perfectly serious and terrifying: the suspicion of favoring Chinese nuclear espionage. The well-thinking press resisted any investigation of the matter.”

Olavo de Carvalho (1947) Brazilian journalist, essayist and professor of philosophy

Censored article, originally to República Magazine - Clinton, a guerra e a China http://www.olavodecarvalho.org/textos/clinton.htm (2 May 1999)

Support, Thinking, Universe

“Sonny sits by his window and thinks to himself,
How it's strange that some rooms are like cages,
Sonny's yearbook from high school is down from the shelf,
And he idly thumbs through the pages,
Some have died, some have fled from themselves,
On a struggle from here to get there,
Sonny wanders beyond his interior walls,
Runs his hands through his thinning brown hair.”

Paul Simon (1941) American musician, songwriter and producer

The Obvious Child
Song lyrics, The Rhythm of the Saints (1990)

School, Thinking

“Does the interiorization of media such as letters alter the ratio among our senses and change mental processes?”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 28

Sense, Change

“You should stay away from your potential. I mean, that is something you should leave absolutely alone! You’ll mess it up! It’s potential, leave it! And anyway, it’s like your bank balance, you know: you always have much less than you think. […] Leave it as the locked door within yourself and then at least, in your mind, the interior will always be palatial. Wonderful gleaming marble floors, brocaded drapes. Mullioned windows, covered in mullions, whatever they are. Flamingos serving drinks. Pianos shooting out canapés into the mouths of elegant men and women who are exchanging witticisms… "Oh yes, this reminds me of the time I was in BudaPESHT with Binky… We were trying to steal a goose from the casino, muahahaha…" But it wont be like that[…] You don't want to find out that the most you could possibly achieve, if you gave it your all, if you harvested every screed of energy within you, and devoted yourself to improving yourself, that all you would get to, would be maybe eating less cheesy snacks.”

Dylan Moran (1971) Irish actor and comedian

Monster (2004)

Women, Men, Drink, Thinking

“The unknown mountain nests in the inhospitable interior of southern Calabria are usually connected only by a mule track with the railway that runs close to the coast: whoever wants to go there has to walk on foot if he has no donkey at his disposal. I think back to that warm afternoon in the month of May when we the four of us, after a long, tiring ride in the harsh sun, packed with the heavy burden of our backpacks, sweat-dripping and a little gasping, entered the city gate of Palizzi..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): De onbekende bergnesten in het onherbergzame binnenland van Zuid-Calabrië zijn meestal slechts door een muilezelpad met den spoorweg, die vlak langs de kust loopt, verbonden: wie er heen wil, dient te voet te gaan zoo hij geen ezel tot zijn beschikking heeft. Ik denk terug aan dien warmen namiddag in de maand Mei toen wij met ons vieren, na een lange, vermoeiende tocht in de barre zon, bepakt met de zware last onzer rugzakken, zweetdruppelend en een beetje hijgend de stadspoort van Palizzi binnentraden.. Quote from Escher's article about his Calabria trip, in the Dutch magazine 'De Groene Amsterdammer', 23 April, 1932, p 18 – No 2864 (translation of museum 'Escher in the Palais', the Hague) In the following Autumn and Winter Escher used the many sketches and photos from this trip to make series of woodcuts and lithography https://www.escherinhetpaleis.nl/story-of-escher/from-photo-to-fantasy/?lang=en 1940's

Mountain, Thinking, Sun

“Even if it were clear what was meant, this sort of treatment would seem closer to describing what is taking place than to explaining it. I do not want to deny the value of describing a phenomenon; rich descriptions facilitate theorizing, and there is no more astute observer than Piaget. But in my view explanations of cognitive phenomena should specify the ways in which functional capacities operate. Piaget and Inhelder’s account is more on the level of intentionality, and hence is open to multiple interpretations at the level of the function of the brain. The do not specify how interiorized imitation operates, nor have they specified the format or content of the image. This level of discourse will never produce process adequacy, and hence seems of limited value.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 411

Way

“However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Color, Painting

“The very existence of the Nation was threatened. Threatened on all sides, from the interior and exterior.
From the interior, by the sterile conflicts of politicians who sacrificed the country and their compatriots to their own interests.
Nothing counted for them but power…and what the exercise of power could bring them. Fill their own pockets, exploit the Congo and the Congolese, this was their trademark.
Given such examples, both national and provincial administrations were mired in inertia, inefficiency, and worse yet, corruption.
At all levels, many of those in our country who held a morsel of public power allowed themselves to be corrupted, served individuals and companies who paid bribes and neglected the others…
…certain politicians, to maintain themselves in power or to regain it, did not hesitate to seek help from foreign powers…
…the social, economic and financial situation of the country is catastrophic.”

Mobutu Sésé Seko (1930–1997) President of Zaïre

Mobutu explaining the reasons behind his November 1965 coup. Young and Turner, p. 42

Exercises, Help, Country

“Relations between the United States and the Third Reich opened in 1939 on a distinctly sour and strident note. It began when Harold L. Ickes, the Secretary of the Interior, speaking to a Zionist Society dinner in Cleveland at the end of 1938, declared Hitler had taken Germany back to "a period when man was unlettered, benighted, and brutal." The November pogrom demonstrated Hitler counted "the day lost when he can commit no crime against humanity." Ickes attacked Ford and Lindbergh for accepting decorations from the "same hand" that was "robbing and torturing thousands of fellow human beiongs."”

Harold L. Ickes (1874–1952) American politician

Zionist Society Dinner Speech, Cleveland, OH (Dec. 1938) as quoted by Michael Zalampas, Adolf Hitler and the Third Reich in American Magazines, 1923-1939 (1989) p.171

“His [Diego Rivera's] supposed mythomania is in direct relation to his tremendous imagination. That is to say, he is as much of a liar as the poets or as the children who have not yet been turned into idiots by school or mothers. I have heard him tell all kinds of lies: from the most innocent, to the most complicated stories about people whom his imagination combined in a fantastic situation or actions, always with a great sense of humor and a marvelous critical sense; but I have never heard him say a single stupid or banal lie. Lying, or playing at lying, he unmasks many people, he learns the interior mechanism of others, who are much more ingenuously liars than he, and the most curious thing about the supposed lies of Diego, is that in the long and short of it, those who are involved in the imaginary combination become angry, not because of the lie, but because of the truth contained in the lie, that always comes to the surface.”

Frida Kahlo (1907–1954) Mexican painter

Frida's quote On Diego Rivera, in 'Portrait of Diego' [Retrato de Diego] (22 January 1949), first published in Hoy (Mexico City) and posthumously (17 July 1955) in Novedades (Mexico City): "México en la Cultura"
1946 - 1953

Children, People, Truth, Lie

“The adaptation observed in men, animals and plants… one part of this adaptation is explained from a thought-process in the interior of these bodies… another part, however, the adaptation of the organism, by a thought-process in a greater whole.”

Bernhard Riemann (1826–1866) German mathematician

Gesammelte Mathematische Werke (1876)

Men, Animals, Parting

“What wonderful things [Renoir is reacting on Corot's painting 'Interior of Chartres Cathedral' and Delacroix's 'Interior of M. de Mornay’s house', – he saw in 1919 from his wheelchair, in the reopened painting-rooms of the Louvre]. There isn’t a single big picture worth any more than these two little ones... The Director [of the Louvre] was so charming to me. I wish I could have thanked him properly. If you meet him, tell him how much I enjoyed my visit. If I'd presented myself at the Louvre in my wheelchair thirty years ago, they'd have shot me out fast enough! You see, one has to live a long time to see such changes. I've been one of the lucky ones.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

December 1919, Renoir died
late quote of Renoir, c. 1919, in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 237
after 1900

Change, Time, Painting, Housing

“In Fall, October, November, I'm usually at work in Heeze, for interior studies. That is a beautiful, and the most quite time; the leaf of the trees [dropped! ], what gives in summer such a strong green light into the domestic interiors. It was in the lodging of the good Saskia [Ciska].... that I always got very special care.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) In 't najaar, october, November ben ik gemeenlijk in nl:Heeze aan 't werk, voor interieurstudies. Dat is een mooie, en de rustigste tijd; 't blad van de bomen [af!], waardoor zomers zoo'n groen licht in de binnenhuizen valt. In 't logement van de goede Saskia [Ciska].. ..ondervond ik dan altijd heel bizondere zorgen.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34

Beauty, Tree, Study, Light

“No, I have already said it elsewhere. This earth has had all the exoticism washed out of it. If in a hundred years we have not established contact with some other planet (but we will), or, next best, with the earth's interior, humanity is finished. There is no longer a means of living, we explode, we go to war, we perpetrate evil of all sorts; we are, in a word, incapable of remaining any longer on this rind. We are in mortal pain; both from the dimensions as they now stand, and from the lack of any future dimension to which we can turn, now that our tour of the earth has been done to death.”

Henri Michaux (1899–1984) painter, poet, writer

These opinions, I know, are quite sufficient to have me looked down upon as a mind of the fourth order.
Ecuador (1929)

Death, Pain, War, Evil

“I had centered myself, learning of the existence of an interior motion, a shift in the levels from isolation to solitude to wordlessness to immobility. When Opel occupied that center I became the thing that swirled.”

Don DeLillo book Great Jones Street

Source: Great Jones Street (1974), Ch. 11

Solitude, Learning

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

People, Beauty, Sea, Country

“Approaching it in one way, I see no essential difference between a line one calls 'abstract' and a 'fish'. But rather an essential likeness. This isolated line and the isolated fish alike are living beings with forces peculiar to them, though latent. They are forces of expression for these beings and of expression on human beings, because each has an impressive 'look' which manifests itself by its expression. But the voice of these latent forces is faint and limited. It is the environment of the line and the fish that brings about a miracle: the latent forces awaken, the expression becomes radiant… The environment is the composition. The composition is the organized sum of the interior functions (expressions) of every part of the work.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, in Paris, March 1935; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 451
1930 - 1944

Way, Fish, Parting

“No prophet ever encountered God without withdrawing into solitude and silence. Moses, Elijah, and John the Baptist encountered God in the great silence of the desert. Today, too, monks seek God in solitude and silence. I am speaking, not just about geographical solitude or movement, but about an interior state. It is not enough to be quiet, either. It is necessary to become silence. For, even before the desert, the solitude and the silence, God is already in man. The true desert is within us, in our soul. Strengthened with this knowledge, we can understand how silence is indispensable if we are to find God. The Father waits for his children in their own hearts.”

Robert Sarah (1945) Roman Catholic bishop

The Power of Silence: Against the Dictatorship of Noise (2017)

God, Children, Soul, Understanding

“We underestimate the distance between ourselves and others. Not just inferential distance, but distances of temperament and ability, distances of situation and resource, distances of unspoken knowledge and unnoticed skills and luck, distances of interior landscape.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Beware of Other-Optimizing (April 2009) http://lesswrong.com/lw/9v/beware_of_otheroptimizing/

Knowledge

“.. that my drawings which offer - also by variety of genre - a greater variety [compared to his paintings], especially after 1863, when my late friend jr. CCA Ridder van Rappard urged me to reserve especially for him all the new works I would make and such including the freedom not to limit myself exclusively to my main genre [churches]. In the environment around his estate in the Sticht where he stayed, it became therefore the treshing-floors of the farms and the house-interiors which immediately attracted and inspired me to achieve a new personal interpretation of these subjects.”

Johannes Bosboom (1817–1891) Dutch painter

citaat van Johannes Bosboom, in origineel Nederlands: ..dat mijner teekeningen, die ook door verscheidenheid van genre een grooter afwisseling aanbieden [dan zijn schilderijen] vooral na 1863, toen wijlen mijn vriend jhr. C. C. A. Ridder van Rappard er bij mij op aandrong om wat ik verder zou leveren voor hem te bestemmen en zulks met de vrijheid mij niet uitsluitend te houden bij mijn hoofdgenre [de kerken]. In den omtrek van het door hem betrokken landgoed in het Sticht waren het dan ook de boerendeelen en binnenhuizen, die mij dadelijk aantrokken en inspireerden tot een nieuwe eigen opvatting daarvan.
Source: 1880's, Een en ander betrekkelijk mijn loopbaan als schilder, p. 13-14

Freedom, Drawing, Painting, Housing

“It is true that we were cautious in our planning. There were many uncertainties about how well our Lunar module systems and our Pressure suit and backpack would match the engineering predictions in the hostile lunar environment. We were operating in a near perfect vacuum with the temperature well above 200 degrees Fahrenheit with the local gravity only one sixth that of Earth. That combination cannot be duplicated here on Earth, but we tried as best we could to test our equipment for those conditions. For example, because normal air conditioning is inadequate for lunar conditions, we were required to use cold water to cool the interior of our suits. We did not have any data to tell us how long the small water tank in our backpacks would suffice. NASA officials limited our surface working time to 2 and 3/4 hours on that first surface exploration to assure that we would not expire of hyperthermia.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

Letter to Robert Krulwich (2010)

Hostility, Water, Time, Perfection

“Data management housekeeping is not the only problem to plague oversimplified approaches to high speed computation. The physical problems which are of practical interest tend to have rather significant complications. Examples of these complications are as follows: boundaries are likely to be irregular; interiors are likely to be inhomogeneous; computations required may be dependent on the states of the variables at each point; propagation rates of different physical effects may be quite different; the rate of convergence, or convergence at all, may be strongly dependent on sweeping through the array along different axes on succeeding passes; etc. The effect of each of these complications is very severe on any computer organization based on geometrically related processors in a paralleled processing system.”

Gene Amdahl (1922–2015) American physicist

Source: Validity of the single processor approach... (1967), p. 483

Problem, Dependency, Speed

“In the religious traditions of humankind there are at least four ways in which people have encountered the divine. First of all, there is the experience of God in nature, as the power behind natural phenomena. Such an experience usually leads to belief in nature gods. This is clearly seen in Hinduism. Secondly, there is the experience of God in the depths of one’s being. God-ward movement often takes an inward direction. This leads to the cultivation of interiority. The Upanishads bear witness to this kind of an experience of God. It is also found among the Christian mystics. Thirdly, there is the experience of God mediated through the rites and doctrines of religions. This is probably the most valued form of God-experience in popular Catholicism, in which the frequent reception of the sacraments is highly esteemed. Such an approach to the experience of God is found also among the followers of other religions. Finally, there is the experience of God in inter-human relationships and socio-political involvements. This form of God-experience is, I believe, typical of the biblical tradition.”

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, K. (ed) (2006) Life in Abundance: Indian Christian Reflections on Spirituality. Mumbai: St Pauls
On Spirituality

God, People, Religion, Way

“Preflight planners wanted us to stay in TV range so that they could learn from our results how they could best plan for future missions. I candidly admit that I knowingly and deliberately left the planned working area out of TV coverage to examine and photograph the interior crater walls for possible bedrock exposure or other useful information.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

Letter to Robert Krulwich (2010)

Learning, Future

“The increase of visual stress among the Greeks alienated them from the primitive art that the electronic age now reinvents after interiorizing the “unified field” of electric all-at-onceness.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 72

Age, Art

“The Phrygians… select a natural hillock, run a trench through the middle of it, dig passages, and extend the interior space as widely as the site admits. Over it they build a pyramidal roof of logs fastened together, and this they cover with reeds and brushwood, heaping up very high mounds of earth above their dwellings. Thus their fashion in houses makes their winters very warm and their summers very cool.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 5

Fashion, Nature, Winter, Summer

“amen said a beetle who had
preceded him into the
interior that is the way i
feel myself is it not
wonderful when one arrives
at the place
where he can give up his
ambitions and resignedly
nay even with gladness
recognize that it is a far
far better thing to be
merged harmoniously
in the cosmic all
and this confortable situation
in his midst
so affected the marauding
robin that he perched
upon a blooming twig
and sang until the
blossoms shook with ecstacy
he sang
i have a good digestion
and there is a god after all
which i was wicked
enough to doubt
yesterday when it rained”

Don Marquis (1878–1937) American writer

the robin and the worm

God, Way, Feeling

“Now Euxenus realized that he was attached to a lofty ideal, and asked him at what point he would begin it. Apollonius answered: "At the point at which physicians begin, for they, by purging the bowels of their patients prevent some from being ill at all, and heal others." And having said this he declined to live upon a flesh diet, on the ground that it was unclean, and also that it made the mind gross; so he partook only of dried fruits and vegetables, for he said that all the fruits of the earth are clean. And of wine he said that it was a clean drink because it is yielded to men by so well-domesticated a plant as the vine; but he declared that it endangered the mental balance and system and darkened, as with mud, the ether which is in the soul. After then having thus purged his interior, he took to walking without shoes by way of adornment and clad himself in linen raiment, declining to wear any animal product.”

Philostratus book Life of Apollonius of Tyana

Book 1, § 8.
Life of Apollonius of Tyana

Men, Shoe, Way, Soul

“Terrorists are insane people, clothes also can change one's thoughts sometimes. When we were searching for prisoners who had escaped a detention centre, Melis Turganbayev (the former interior minister) came to me and said that they had been eavesdropping on telephone conversations of wives and mistresses of criminals. Their wives and mistresses wore sacks on their heads and they wanted to organise bombings. If you do not like Kyrgyzstan you can leave our country and go wherever you want. We can pay your travel expenses, even to Syria.”

Almazbek Atambayev (1956) President of Kyrgyzstan

Speaking at a press conference — Kyrgyzstan president: 'Women in mini skirts don't become suicide bombers' http://www.bbc.com/news/blogs-trending-36846249, BBC (13 August 2016)

People, Travel, Search, Change

“All things, all circumstances that occur outside ourselves, on the stage of this world, are exclusively the reflection of what we carry within. With good reason then, we can solemnly declare that the 'exterior is the reflection of the interior.' When someone changes internally and if that change is radical, then circumstances, life and the external also change.”

Samael Aun Weor (1917–1977) Colombian writer

Treatise of Revolutionary Psychology

Life, World, Change

“In any case, raw aggression is thought to be the peculiar province of men, as nurturing is the peculiar province of women… The psychologist Erik Erikson discovered that, while little girls playing with blocks generally create pleasant interior spaces and attractive entrances, little boys are inclined to pile up the blocks as high as they can and then watch them fall down: "the contemplation of ruins," Erikson observes, "is a masculine specialty."”

Joyce Carol Oates (1938) American author

On Boxing (1987)

Women, Men, Girl, Boy

“The form of a coast, the configuration of the interior of a country, the existence and extent of lakes, valleys, and mountains, can often be traced to the former prevalence of earthquakes and volcanoes in regions which have long been undisturbed. To these remote convulsions the present fertility of some districts the sterile character of others, the elevation of land above the sea, the climate, and various peculiarities, may be distinctly referred.”

Charles Lyell book Principles of Geology

Chpt.1, p. 2
Principles of Geology (1832), Vol. 1

Mountain, Sea, Country

“We know that this animal [the giraffe], the tallest of mammals, dwells in the interior of Africa, in places where the soil, almost always arid and without herbage, obliges it to browse on trees and to strain itself continuously to reach them. This habit sustained for long, has had the result in all members of its race that the forelegs have grown longer than the hind legs and that its neck has become so stretched, that the giraffe, without standing on its hind legs, lifts its head to a height of six meters.”

Jean-Baptiste Lamarck book Philosophie Zoologique

On sait que cet animal, le plus grand des mammifères, habite l'intérieur de l'Afrique, et qu'il vit dans des lieux où la terre, presque toujours aride et sans herbage, l'oblige de brouter le feuillage des arbres, et de s'efforcer continuellement d'y atteindre. Il est résulté de cette habitude soutenue depuis longtemps, dans tous les individus de sa race, que ses jambes de devant sont devenues plus longues que celles de derrière, et que son col s'est tellement allongé, que la girafe, sans se dresser sur ses jambes de derrière, élève sa tête et atteint à six mètres de hauteur
Philosophie Zoologique, Vol. I (1809), pp. 256–257; translation taken from The Classics of Science: A Study of Twelve Enduring Scientific Works (1984) by Derek Gjertsen, p. 316.

Tree, Animals

“to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone... I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life... My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them.”

Alfred Stieglitz (1864–1946) American photographer

'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922

Life, Tree, Learning, Success

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Children, Lie, Age, World

“Right now, because of the byzantine nature of the way that we regulate in this country, if you have a cheese pizza — you make a cheese pizza — that is governed by the United States Department of Agriculture. No, it’s the other way around. I always get these backwards. If you make a cheese pizza, it’s governed by the Food and Drug Administration. If you put a pepperoni on it, that’s governed by the USDA. If you have a chicken, it’s governed by the USDA. If that chicken lays an egg, it’s governed by the FDA. But if you break the egg and make it into an omelet, that is now covered again by the USDA.
If you have open-face roast beef sandwich, that’s one or the other. But you put the bread on top of it, it’s the other one. A hotdog — the hotdog meat is governed by one. You put it in a bun, it’s governed by another. One of my favorites: If you have a saltwater fish — you have a salmon, and it’s in the ocean, it’s governed by the Department of Commerce. Once it swims up river, it’s governed by the Department of Interior. And to get there, it has to go up a fish ladder governed by the U. S. Army Corps of Engineers. This is stupid. This is just — this makes no sense.”

Mick Mulvaney (1967) Director of the Office of Management and Budget

21 June 2018 https://www.whitehouse.gov/briefings-statements/remarks-president-trump-cabinet-meeting-9/

Stupidity, Food, Way, Nature

“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacoba van Heemskerck, in het Nederlands: Over het geheel [de afstemming van een serie aan Jacoba opgedragen glasramen met het interieur van een villa in Den Haag] heb ik steeds loopen denken.. ..ik wil mij veel meer op de architectuur van het binnenhuis in het algemeen toeleggen en dat moeten wij samen doen [met architect Buys].. .Nu heb ik al gedacht het enorme kleur-effekt dat het raam zal maken en dat zal zeker machtig werken, moet gedragen worden door sterke kleuren - de hal - anders staat het teveel alleen; zou de trap b.v. in de verf een sterke kleur kunnen krijgen en niet [in] eikenhout.. ..diep ultramarijn blauw of groen en dan een prachtige kleurige loper.. ..ik voel dat ik ontwerpen voor tapijten moet maken om zoo met het glas in lood een mooi geheel te hebben.
Quote in een brief van Jacoba aan architect J. Buys, 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
1920's

Beauty, Color, Way, Feeling

“Christ prayed that He should be in us, and we in Him. This we find in many passages in the Gospel. And this is the union that is without intermediary, for the love of God is not only out-flowing, but it is also drawing into unity. And those who feel and experience this become interior, enlightened men. There the faculties are raised above all practices to the bareness of their very essence. There the faculties become simplified above reason in their essence and because of this they are filled and overflowing. For in this simplicity the spirit finds itself united with God without intermediary. And this union, together with the exercise, which is proper to it, will endure eternally, as I have already said.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love, Men, God, Feeling

“When technology extends one of our senses, a new translation of culture occurs as swiftly as the new technology is interiorized.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 47

Sense

“The commitment I have made is terrible and the plastic means appear and disappear at the moment of implementation. It's terrible... And the chaos of will? What law? It’s terrible... Then I struggle with sculpture: I work, work and work and I don't know what I give. Is it interior? Is it exterior? Is it sensation? Is it delirium? Is it brain? Analysis? Synthesis? I don't know what the f… it is! Forms on forms.. confusion... The Cubists are wrong. Picasso is wrong. The academics are wrong. We're all a bunch of d.. heads.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

1912
Source: an 2nd undated letter to Gino Severini (probably July or August 1912, or November); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.

Law, Appearance

“I am a believer and a conformist. Anyone can revolt; it is more difficult silently to obey our own interior promptings, and to spend our lives finding sincere and fitting means of expression for our temperaments and our gifts — if we have any. I do not say "neither God, nor Master," only in the end to substitute myself for the God I have excommunicated…"”

Georges Rouault (1871–1958) French painter

Rouault, Georges. "Climat pictural." La Renaissance. XX, no. 10-12. (1937)
Variant translation: Anybody can rebel. But to obey in silence, an inner calling to search lifelong without impatience for the means of expression adequate to us... that is much more difficult.
Quotes, 1930-1940

God, Sincerity

“The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 144 (1985)

“In the first stage, that of jubilatio, a person becomes intensely aware of the dear signs of his love that god has marvelously given us in the heavens and on earth, how marvelously much good he has done for us and all creatures, how everything blossoms, sprouts forth, and is filled with God, and how unimaginable the generosity of God has inundated all creatures with his great gifts and how God has gone searching for him, showered him with gifts, carried him, advised him, waited for him, cared for him…and to what inexpressible nearness he has invited him, and how the most Holy God has expectantly awaited him eternally so that he might be filled with joy forever. And when a person experiences this fully through loving insight, The Lord leads a person out of himself into himself there is born in him great genuine joy. The person who perceives these things with genuine love is so flooded with an interior joy that his frail body cannot contain this joy and erupts in its own way…And in this way our Lord showers him with great sweetness and gives him inwardly an embrace and palpable union. Thus does God lure, pull and yank a person, first of all out of himself, and then out of all dissimilarity to himself…”

Johannes Tauler (1300–1361) German theologian

Sermons, Sermon 3

Love, God, Way, Search

“He is like a stone, a pebble that, having lain around quietly minding its own business since the dawn of time, is now suddenly picked up and tossed randomly from hand to hand. A hard little stone, barely aware of its surroundings, enveloped in itself and its interior life. He passes through these institutions and camps and hospitals and God knows what else like a stone. Through the intestines of war. An unbearing, unborn creature.”

J.M. Coetzee book Life & Times of Michael K

Life & Times of Michael K (1983)

Life, God, War, Business

“Yesterday Paris gave a sad spectacle which contrasts with the sang-froid of these last days and with the sang-froid of the whole of France. There were many incidents of pillaging of shops. The dairies of the Maggi company were widely plundered; it is true that the cause of this violence is competition between this company and small milk suppliers. But, on top of this, German and Austrian shops were looted; and the police stood passively by these scenes of disorder: officers even watched them with a certain complicity. I instructed Malvy [Minister of the Interior] to ask Hennion [Prefect of Police] to be merciless and to maintain public order at all costs. The fomenters will appear before a war tribunal.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Diary entry (3 August 1914), quoted in John Keiger, 'France' in Keith Wilson (ed.), Decisions for War 1914 (London: University College London Press, 1995), p. 137.

War, Sadness, Appearance

“I don't know what it's like to be God — obviously …until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. … Suddenly I got a very good idea of what it must feel like. I went: "I'm writing it now this scene in the Tardis. I'm writing it!"”

Neil Gaiman (1960) English fantasy writer

And that was amazing, it was wonderful. On writing the script for the episode of Doctor Who, "The Doctor's Wife" (originally titled "House of Nothing"), as quoted in "Neil Gaiman reveals power of writing Doctor Who" by Tim Masters at BBC News (24 May 2010) http://www.bbc.co.uk/news/10146657

God, Feeling, Idea

“Art can only be truly art by presenting an adequate outward symbol of some fact in the interior life.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Part II, Things and Thoughts of Europe, p. 198.
At Home And Abroad (1856)

Life, Art

“One should make movies innocently — the way Adam and Eve named the animals, their first day in the garden…Learn from your own interior vision of things, as if there had never been a D. W. Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted in The Orson Welles Story.

Way, Learning, Animals

“But more than that, no unloving words were ever spoken, and everything was held up as another small piece of proof that it can be this way, it doesn't have to be that way; if there is no love in the world, we will make a new world, and we will give it heavy walls, and we will furnish it with soft red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweler's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.”

Jonathan Safran Foer book Everything Is Illuminated

Everything Is Illuminated (2002)

Love, World, Way

“My first essay at making a steam engine was when I was fifteen. I then made a real working; steam-engine, 1 3/4 diameter cylinder, and 8 in. stroke, which not only could act, but really did some useful work; for I made it grind the oil colours which my father required for his painting. Steam engine models, now so common, were exceedingly scarce in those days, and very difficult to be had; and as the demand for them arose, I found it both delightful and profitable to make them; as well as sectional models of steam engines, which I introduced for the purpose of exhibiting the movements of all the parts, both exterior and interior. With the results of the sale of such models I was enabled to pay the price of tickets of admission to the lectures on natural philosophy and chemistry delivered in the University of Edinburgh. About the same time (1826) I was so happy as to be employed by Professor Leslie in making models and portions of apparatus required by him for his lectures and philosophical investigations, and I had also the inestimable good fortune to secure his friendship. His admirably clear manner of communicating a knowledge of the fundamental principles of mechanical science rendered my intercourse with him of the utmost importance to myself. A hearty, cheerful, earnest desire to toil in his service, caused him to take pleasure in instructing me by occasional explanations of what might otherwise have remained obscure.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

James Nasmyth in: Industrial Biography: Iron-workers and Tool-makers https://books.google.nl/books?id=ZMJLAAAAMAAJ, Ticknor and Fields, 1864. p. 337

Friendship, Happiness, Pleasure, Communication

“I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.”

Joanna Newsom (1982) American musician

dustedmagazine.com, 19 April 2004

“Then on a certain day I went out [from Amsterdam, c. 1881-82]. I traveled to Dongen, brought some interior studies back, to try to make something good of them.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) Toen ben ik er op 'n goeden dag eens op uit getrokken [c. 1880], naar buiten. Ik ging naar nl:Dongen, bracht er enkele interieur-studies uit mee, om te proberen daar wat van te maken.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 32

Travel, Study

“About one-fifth of all the heat that enters the average house comes through windows. …external shading is by far the most efficient method for controlling interior heat build-up. The air-wash between the shading screen and the window is also very effective. The screen should have a light-colored finish… Insulation boards placed next to the window pane at night, will help prevent heat losses through glazed openings. Overhangs and horizontal sunshades placed above south-facing windows serve effectively as heat reducers.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Color, Light, Loss, Help

“Her complexion seemed slowly to be losing its olive color, and the set of her mouth hardened as though interior shifts were taking place she herself didn't know about but which had already corrected her outlook toward the rest of the world.”

Richard Ford (1944) American novelist and short story writer

Source: A Piece of My Heart (1976), p. 262

World, Color

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Death, Youth, World, Way

“Sometimes I look at the battered exteriors of apartment buildings in New York and think how these sorry shells have housed such a long procession of styles. The money! The effort! One tenant mirrors everything, the next panels the walls, the third lines them with mylar, the fourth turns to toile de Jouy, the fifth to pegboard or handblocked rice paper. The expensive if often shoddy interiors installed only to be dismantled, the exterior left untouched as it turns yet another shade sootier — this transience seems a fitting emblem for the way we stay up-to-date without ever changing.”

Edmund White (1940) American novelist and LGBT essayist

New York City (p. 260).
States of Desire: Travels in Gay America (1980)

Money, Way, Thinking, Effort

“True, he had been living a lively interior life today: he had dreamed something, he had awoken with an erection, and while shaving he had been dogged by a feeling that today he needed to decide, though he could not see clearly what it was he needed to decide, besides which he was all too aware of his own inability to make any decisions.
Despite that, the thought did cross Kingbitter's mind that he ought to do something about finding a theater to do the play, the comedy (or tragedy?) "Liquidation."
He was now in the ninth year of considering that.
Indeed, Kingbitter was now in the ninth year of considering whether he was handling the literary estate with due diligence.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Life, Dogs, Dreams, Feeling

“In the interior of the atom, Bohr had tried the plan of retaining the particle-electron and modifying the classical mechanics. Heisenberg took the opposite course, his procedure amounting in effect to retaining the classical mechanics, at least in form, and modifying the electron. Actually, the electron dropped out all together, because it exists only as a matter of inference and not of direct observation. For the same reason, the new theory contains no mention of atoms, nuclei, protons, or of electricity in any shape or form. The existences of all these are matters of inference, and Heisenberg's purely mathematical theory could no more make contact with them than with the efficiency of a turbine or with the price of wheat.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Mathematics

“Bucky: "Hello, Caller, Do you have an interior decorating problem I can help you with?"”

Darby Conley (1970) American cartoonist

Groovitude, page 172
Bucky Katt, Dialogue

Problem, Help

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Way, Exercises, Rage, Time

“We show that it is natural to introduce the concept of black-hole entropy as the measure of information about a black-hole interior which is inaccessible to an exterior observer. Considerations of simplicity and consistency, and dimensional arguments indicate that the black-hole entropy is equal to the ratio of the black-hole area to the square of the Planck length times a dimensionless constant of order unity. A different approach making use of the specific properties of Kerr black holes and of concepts from information theory leads to the same conclusion, and suggests a definite value for the constant.”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

[Black Holes and Entropy, Phys. Rev. D, 7, 8, 2333–2346, 15 April 1973, 10.1103/PhysRevD.7.2333]

Nature, Time

“Let us explain again by examples. In painting a person on a balcony, seen from inside the room do not limit the scene to what the square of the window renders visible; we try to render the sum total of visual sensations which the person on the balcony has experienced; the sun-baked throng in the street, the double row of houses which stretch to right and left, the beflowered balconies etc. This implies the simultaneity of the ambient, and, therefore, the dislocation and the dislocation and dismemberment of objects, the scattering and fusion of details, freed from accepted logic and independent from one another. In order to make the spectator live in the center of the picture, as we express it in our manifesto the picture must be the synthesis of what one remembers and what one sees. You must render the invisible which stirs lives beyond intervening obstacles, what we have on the right, or the left, or behind us, and not merely the small square of life artificially compressed, as it were, by the wings of a stage set. We have declared in our manifesto that what must be rendered is the dynamic sensation, that is to say, the particular rhythm of each object, its inclination, its movement, or more exactly, its interior force.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912

Life, Sun, Painting, Housing

“Zeus, n. The chief of Grecian gods, adored by the Romans as Jupiter and by the modern Americans as God, Gold, Mob and Dog. Some explorers who have touched upon the shores of America, and one who professes to have penetrated a considerable distance to the interior, have thought that these four names stand for as many distinct deities, but in his monumental work on Surviving Faiths, Frumpp insists that the natives are monotheists, each having no other god than himself, whom he worships under many sacred names.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

God, Faith, Dogs

“These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds.”

Bono (1960) Irish rock musician, singer of U2

On Songs of Innocence and Songs of Experience
Bono: The Rolling Stone Interview (2017)
Context: These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds. The biggest fucker, the biggest asshole, the biggest, the most sexist we can be, the most selfish, mean, cunning, all those characters you are going to see them in the mirror. And that is where the job of transformation has to start first. Is that not what experience tells us?

World, Problem, Personality

“Moreover, it must be confessed that perception and that which depends upon it are inexplicable on mechanical grounds, that is to say, by means of figures and motions. And supposing there were a machine, so constructed as to think, feel, and have perception, it might be conceived as increased in size, while keeping the same proportions, so that one might go into it as into a mill. That being so, we should, on examining its interior, find only parts which work one upon another, and never anything by which to explain a perception. Thus it is in a simple substance, and not in a compound or in a machine, that perception must be sought for.”

Gottfried Leibniz (1646–1716) German mathematician and philosopher

La monadologie (17).
The Monadology (1714)

Dependency

“Global consciousness is not an objective belief that can be taught to anybody and everybody, but a subjective transformation in the interior structures that can hold belief in the first place”

Ken Wilber book Sex, Ecology, Spirituality

Sex, Ecology, Spirituality (1995, 2000)
Context: Global consciousness is not an objective belief that can be taught to anybody and everybody, but a subjective transformation in the interior structures that can hold belief in the first place, which itself is the product of a long line of inner consciousness development.

“This doctrine, it is true, had been laid down in terms almost equally explicit by Strabo, to explain the occurrence of fossil shells in the interior of continents, and to that geographer, and other writers of antiquity, Hooke frequently refers; but the revival and development of the system was an important step in the progress of modern science.”

Charles Lyell book Principles of Geology

Chpt.3, p. 38
Principles of Geology (1832), Vol. 1
Context: His [Hooke's] principal object was to account for the manner in which shells had been conveyed into the higher parts of 'the Alps, Apennines, and Pyrenean hills, and the interior of continents in general.' These and other appearances, he said, might have been brought about by earthquakes, 'which have turned plains into mountains, and mountains into plains, seas into land, and land into seas, made rivers where there were none before, and swallowed up others that formerly were, &c. &c.; and which, since the creation of the world, have wrought many great changes on the superficial parts of the earth, and have been the instruments of placing shells, bones, plants, fishes, and the like, in those places, where, with much astonishment, we find them.' This doctrine, it is true, had been laid down in terms almost equally explicit by Strabo, to explain the occurrence of fossil shells in the interior of continents, and to that geographer, and other writers of antiquity, Hooke frequently refers; but the revival and development of the system was an important step in the progress of modern science.

Science

“In this life we never behold the true state of our interior”

Jean Baptiste Massillon (1663–1742) French Catholic bishop and famous preacher

On the Last Day
Context: In this life we never behold the true state of our interior: our attention is engaged by the few serious sentiments with which we are occasionally animated; and the judgment which we form of ourselves is generally influenced by the last impressions which are made upon our minds.

Life

“In other words, the real problem is not exterior. The real problem is interior.”

Ken Wilber book Sex, Ecology, Spirituality

Sex, Ecology, Spirituality (1995, 2000)
Context: In other words, the real problem is not exterior. The real problem is interior. The real problem is how to get people to internally transform, from egocentric to sociocentric to worldcentric consciousness, which is the only stance that can grasp the global dimensions of the problem in the first place, and thus the only stance that can freely, even eagerly, embrace global solutions.

Problem

“From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it. That the starry vault shall surcharge the heart with all rapturous marvelings, is only because we ourselves are greater miracles, and superber trophies than all the stars in universal space.”

Herman Melville book Pierre: or, The Ambiguities

Bk. III, ch. 1
Pierre: or, The Ambiguities (1852)
Context: From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it. That the starry vault shall surcharge the heart with all rapturous marvelings, is only because we ourselves are greater miracles, and superber trophies than all the stars in universal space. Wonder interlocks with wonder; and then the confounding feeling comes. No cause have we to fancy, that a horse, a dog, a fowl, ever stand transfixed beneath yon skyey load of majesty. But our soul's arches underfit into its; and so, prevent the upper arch from falling on us with unsustainable inscrutableness.

Star, Universe, Heart

“This is that Wayless Being which all fervent interior spirits have chosen above all things, that dark stillness in which all lovers lose their way.”

John Ruysbroeck (1293–1381) Flemish mystic

If we could prepare ourselves through virtue in the ways I have shown, we would at once strip ourselves of our bodies and flow into the wild waves of the Sea, from which no creature could ever draw us back.
The Spiritual Espousals (c. 1340)

Way, Lovers

“In future… we shall look upon those regions into which we may now penetrate by means of such large telescopes, as a naturalist regards a rich extent of ground or chain of mountains containing strata variously inclined and directed, as well as consisting of very different materials. The surface of a globe or map therefore will but ill delineate the interior parts of the heavens.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" from a memoir (1784).

Mountain, Future, Parting

“My volition shrinks from the painful task of recalling my humiliation; yet, like a second Prometheus, I will endure this and worse, if by any means I may arouse in the interiors of Plane and Solid Humanity a spirit of rebellion against the Conceit which would limit our Dimensions to Two or Three or any number short of Infinity.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 19. How, Though the Sphere Showed Me Other Mysteries of Spaceland, I Still Desired More; and What Came of It
Context: p>Were I to give the Sphere's explanation of these matters, succinct and clear though it was, it would be tedious to an inhabitant of Space, who knows these things already. Suffice it, that by his lucid statements, and by changing the position of objects and lights, and by allowing me to feel the several objects and even his own sacred Person, he at last made all things clear to me, so that I could now readily distinguish between a Circle and a Sphere, a Plane Figure and a Solid.This was the Climax, the Paradise, of my strange eventful History. Henceforth I have to relate the story of my miserable Fall: — most miserable, yet surely most undeserved! For why should the thirst for knowledge be aroused, only to be disappointed and punished? My volition shrinks from the painful task of recalling my humiliation; yet, like a second Prometheus, I will endure this and worse, if by any means I may arouse in the interiors of Plane and Solid Humanity a spirit of rebellion against the Conceit which would limit our Dimensions to Two or Three or any number short of Infinity. Away then with all personal considerations! Let me continue to the end, as I began, without further digressions or anticipations, pursuing the plain path of dispassionate History. The exact facts, the exact words, — and they are burnt in upon my brain, — shall be set down without alteration of an iota; and let my Readers judge between me and Destiny.</p

Pain

“There, before my ravished eye, a Cube, moving in some altogether new direction, but strictly according to Analogy, so as to make every particle of his interior pass through a new kind of Space, with a wake of its own — shall create a still more perfect perfection than himself, with sixteen terminal Extra-solid angles, and Eight solid Cubes for his Perimeter. And once there, shall we stay our upward course? In that blessed region of Four Dimensions, shall we linger on the threshold of the Fifth, and not enter therein?”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 19. How, Though the Sphere Showed Me Other Mysteries of Spaceland, I Still Desired More; and What Came of It
Context: p>Those who have thus appeared — no one knows whence — and have returned — no one knows whither — have they also contracted their sections and vanished somehow into that more Spacious Space, whither I now entreat you to conduct me?SPHERE (MOODILY). They have vanished, certainly — if they ever appeared. But most people say that these visions arose from the thought — you will not understand me — from the brain; from the perturbed angularity of the Seer.I. Say they so? Oh, believe them not. Or if it indeed be so, that this other Space is really Thoughtland, then take me to that blessed Region where I in Thought shall see the insides of all solid things. There, before my ravished eye, a Cube, moving in some altogether new direction, but strictly according to Analogy, so as to make every particle of his interior pass through a new kind of Space, with a wake of its own — shall create a still more perfect perfection than himself, with sixteen terminal Extra-solid angles, and Eight solid Cubes for his Perimeter. And once there, shall we stay our upward course? In that blessed region of Four Dimensions, shall we linger on the threshold of the Fifth, and not enter therein? Ah, no! Let us rather resolve that our ambition shall soar with our corporal ascent. Then, yielding to our intellectual onset, the gates of the Sixth Dimension shall fly open; after that a Seventh, and then an Eighth —How long I should have continued I know not. In vain did the Sphere, in his voice of thunder, reiterate his command of silence, and threaten me with the direst penalties if I persisted. Nothing could stem the flood of my ecstatic aspirations. Perhaps I was to blame; but indeed I was intoxicated with the recent draughts of Truth to which he himself had introduced me. However, the end was not long in coming. My words were cut short by a crash outside, and a simultaneous crash inside me, which impelled me through space with a velocity that precluded speech. Down! down! down! I was rapidly descending; and I knew that return to Flatland was my doom. One glimpse, one last and never-to-be-forgotten glimpse I had of that dull level wilderness — which was now to become my Universe again — spread out before my eye. Then a darkness. Then a final, all-consummating thunder-peal; and, when I came to myself, I was once more a common creeping Square, in my Study at home, listening to the Peace-Cry of my approaching Wife.</p

Perfection

“I must go over into the interior valleys. … There are five thousand families starving to death over there, not just hungry but actually starving.”

John Steinbeck (1902–1968) American writer

Letter to Elizabeth Otis (1938), as quoted in Conversations with John Steinbeck (1988) edited by Thomas Fensch, p. 37
Context: I must go over into the interior valleys. … There are five thousand families starving to death over there, not just hungry but actually starving. The government is trying to feed them and get medical attention to them, with the Fascist group of utilities and banks and huge growers sabotaging the thing all along the line, and yelling for a balanced budget. In one tent there were twenty people quarantined for small pox and two of the women are to have babies in that tent this week. I've tied into the thing from the first and I must get down there and see it and see if I can do something to knock these murderers on the heads.
Do you know what they're afraid of? They think that if these people are allowed to live in camps with proper sanitary facilities they will organize, and that is the bugbear of the large landowner and the corporate farmer. The states and counties will give them nothing because they are outsiders. But the crops of any part of this state could not be harvested without them. … The death of children by starvation in our valleys is simply staggering. … I'll do what I can. … Funny how mean and little books become in the face of such tragedies.

Death, Family

“God is more interior to us than we are to ourselves.”

John Ruysbroeck (1293–1381) Flemish mystic

John of Ruysbroeck Spiritual Espousals, complete works, Mechelen 1934, vol. 1, p. 148. English version New York 1953.
Context: God is more interior to us than we are to ourselves.
His acting in us is nearer and more inward than our own actions.
God works in us from inside outwards;
creatures work on us from the outside.

God

“I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it.”

Claude Debussy (1862–1918) French composer

As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 226
Context: I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it. I shall do nothing to create adversaries, but neither shall I do anything to turn enmities into friendships. I must endeavour to be a great artist so that I may dare to be myself and suffer for my faith. Those who feel as I do will only appreciate me more. The others will shun and hate me. I shall make no effort to appease them. On that distant day — I trust it is still very far off — when I shall no longer be a cause of strife, I shall feel bitter self-reproach. For that odious hypocrisy which enables one to please all mankind will inevitably have prevailed in those last works.

People, Dreams, Music, Singing

“Success, I would find out, is interior. It has to do with self-fulfillment and the joy of living.”

Sophia Loren (1934) Italian actress

Success, Joy, Self-confidence

“In the fuzzball paradigm, the black hole microstates have no interior, and radiate unitarily from their surface through quanta of energy E ∼ T. But quanta with E ≫ T impinging on the fuzzball create large collective excitations of the fuzzball surface. The dynamics of such excitations must be studied as an evolution in superspace, the space of all fuzzball solution |Fi⟩.”

Samir D. Mathur Indian physicist

[A model with no firewall, arXiv preprint arXiv:1506.04342, 2015, https://arxiv.org/abs/1506.04342]

Study

“Interiorizing this notion, Tilak then went on to develop fanciful interpretations of Vedic verses so as to make them fit the scenario of a non-Indian, indeed Arctic setting of the oldest layer of Vedic literature. Perfectly innocuous verses about the dawn or the seasons, always read in their natural meaning by one or two hundred generations of Brahmins, were suddenly contrived to reveal references to the Arctic. It is this highly artificial and totally untraditional reading of the Vedic hymns which became and remains the sheet-anchor of Aryan invasion lore in European far-rightist and new-rightist circles. Tilak was no authority on Indo-European expansion history...”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

About Tilaks influential book on the Rigveda. Elst, Koenraad. Return of the Swastika: Hate and Hysteria versus Hindu Sanity (2007)

Making love, History, Literature, Nature

“With each step forwards we become ever more aware that we are not alone on this pathway to the gods. Others have been over the path before us: a long procession of the greatest spirits and minds of the past ages; yet they are still our companions, because joined to us by interior spiritual bonds. They are watching over us even now.”

Gottfried de Purucker (1874–1942) Author, Theosophist

Source: The Esoteric Tradition (1935), Chapter 22

God, Age, Past

“We do our characters a disservice by allowing them to be flat. Our role as novelists is to do our best to portray the nuance of a whole range of life experiences. It’s one of the things that fiction is uniquely positioned to do, to bring the reader into the interior life of people’s experiences that are wildly different than our own…”

Carolina de Robertis (1975) American writer

On creating rounded characters in “A Conversation with Carolina De Robertis on Immigration, Sexuality, and the True Origins of the Tango” https://lareviewofbooks.org/article/conversation-carolina-de-robertis-immigration-sexuality-true-origins-tango/ in Los Angeles Review of Books (2016 Apr 20)

Life, People

“No particular experiences are linked with any particular statements in the interior of the field, except indirectly through considerations of equilibrium affecting the field as a whole.”

Willard van Orman Quine Two Dogmas of Empiricism

"Two Dogmas of Empiricism"
From a Logical Point of View: Nine Logico-Philosophical Essays (1953)

“We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional breakthrough only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself.”

Ernest Becker (1924–1974) American anthropologist

Source: The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man (1962), p. 27

People, Art, Feeling, Communication

“A minister of interior who knew not even what went on in the interior of his own office, much less the interior of his own department, and nothing at all about the interior of Germany.”

Wilhelm Frick (1877–1946) German Nazi official

Robert H. Jackson

“Consequently if our work embodies these beliefs, it must insult anyone who is spiritually attuned to interior decoration; pictures for the home…”

Barnett Newman (1905–1970) American artist

Barnett Newman, Mark Rothko and Adolph Gottlieb in thier common 'Manifesto', New York Times, 13 June 13, 1943; republished in: Stella Paul (1999), Twentieth-Century Art at the Metropolitan Museum of Art. p. 159
1940 - 1950

Home

“The first step, then, is the most important: to realize you have a remarkable social tool that you are not cultivating. The best way to see this is to try it out. Stop your incessant interior monologue and pay deeper attention to people. Attune yourself to the shifting moods of individuals and the group. Get a read on each person’s particular psychology and what motivates them. Try to take their perspective, enter their world and value system. You will suddenly become aware of an entire world of nonverbal behavior you never knew existed, as if your eyes could now suddenly see ultraviolet light. Once you sense this power, you will feel its importance and awaken to new social possibilities.”

Robert Greene (1959) American author

Chap. 2 : Transform Self-love into Empathy
The Laws of Human Nature (2018)

People, World, Way, Behavior

“I find it a sufficient embarrassment that our Establishment Clause jurisprudence regarding holiday displays has come to 'require[e] scrutiny more commonly associated with interior decorators than with the judiciary.'”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

But interior decorating is a rock hard science compared to psychology practiced by amateurs.

Lee v. Weisman (1992, dissenting); decided June 24, 1992.
1990s

Holiday

“The interiorization of beauty presupposes nobility of soul and at the same time produces it.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2016, La conscience de l’Absolu, Hozhoni, 59, 978-2-37241-020-5]
God, Beauty

Beauty, Soul, Time

“The desert reveals its secrets; the great mystery of interior Africa is revealed day by day.”

Émile Banning (1836–1898) academic, civil servant

All the King's Men' A search for the colonial ideas of some advisers and "accomplices" of Leopold II (1853-1892). (Hannes Vanhauwaert), Emile Banning (1836-1898): The Don Quichotte of the ‘liberal civilization’ in Congo, Emile Banning's Colonial Career. http://www.ethesis.net/leopold_II/leopold_II.htm#_ftn194 On January 17, February 14 and 15, 1876, Emile Banning wrote three articles in L'Echo du Parliament on the new developments in the discovery and exploration of Central Africa. See ARAB. Papiers Banning, VII, 118, Les voyages de découverte dans l'Afrique, February 15, 1876.

Secret