Quotes about interior

A collection of quotes on the topic of interior, use, making, other.

Quotes about interior

Marek Żukow-Karczewski photo

“The history of the castle at Wiśnicz Nowy is enlivened by many legends. Many well-known artists visited the castle in centuries past. Till now, many elements of old architecture (towers, chapel) have survived, together with some details of interior design.”

Marek Żukow-Karczewski (1961) Polish historian, journalist and opinion journalist

The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE

Francisco Palau photo

“God's great work in man takes place in the Interior.”

Francisco Palau (1811–1872) Beatified Spanish Discalced Carmelite friar and priest

Letter to Juana Gratia (1857)
Context: God's great work in man takes place in the Interior. The order that appears and is shown outside is the work and effect of the order inside.

Fabio Lanzoni photo
Catherine of Genoa photo
Edvard Munch photo

“I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895

John of the Cross photo
Jules Verne photo

“Everybody knows that the great reversed triangle of land, with its base in the north and its apex in the south, which is called India, embraces fourteen hundred thousand square miles, upon which is spread unequally a population of one hundred and eighty millions of souls. The British Crown exercises a real and despotic dominion over the larger portion of this vast country, and has a governor-general stationed at Calcutta, governors at Madras, Bombay, and in Bengal, and a lieutenant-governor at Agra.

But British India, properly so called, only embraces seven hundred thousand square miles, and a population of from one hundred to one hundred and ten millions of inhabitants. A considerable portion of India is still free from British authority; and there are certain ferocious rajahs in the interior who are absolutely independent.”

<p>Personne n'ignore que l'Inde — ce grand triangle renversé dont la base est au nord et la pointe au sud — comprend une superficie de quatorze cent mille milles carrés, sur laquelle est inégalement répandue une population de cent quatre-vingts millions d'habitants. Le gouvernement britannique exerce une domination réelle sur une certaine partie de cet immense pays. Il entretient un gouverneur général à Calcutta, des gouverneurs à Madras, à Bombay, au Bengale, et un lieutenant-gouverneur à Agra.</p><p>Mais l'Inde anglaise proprement dite ne compte qu'une superficie de sept cent mille milles carrés et une population de cent à cent dix millions d'habitants. C'est assez dire qu'une notable partie du territoire échappe encore à l'autorité de la reine; et, en effet, chez certains rajahs de l'intérieur, farouches et terribles, l'indépendance indoue est encore absolue.</p>
Source: Around the World in Eighty Days (1873), Ch. X: In Which Passepartout Is Only Too Glad to Get Off with the Loss of His Shoes

Edvard Munch photo

“No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote from Munch's text (1889) 'Impressions from a ballroom, New Year's Eve in St. Cloud' - also known as 'The St. Cloud Manifesto'
1880 - 1895

Pope Gregory I photo
Stefan Zweig photo
Clarice Lispector photo
Heinrich Hertz photo

“When a constant electric current flows along a cylindrical wire, its strength is the same at every part of the section of the wire. But if the current is variable, self-induction produces a deviation from this… induction opposes variations of the current in the centre of the wire more strongly than at the circumference, and consequently the current by preference flows along the outer portion of the wire. When the current changes its direction… this deviation increases rapidly with the rate of alternation; and when the current alternates many million times per second, almost the whole of the interior of the wire must, according to theory, appear free from current, and the flow must confine itself to the very skin of the wire. Now in such extreme cases… preference must be given to another conception of the matter which was first presented by Messrs. 0. Heaviside and J. H. Poynting, as the correct interpretation of Maxwell's equations as applied to this case. According to this view, the electric force which determines the current is not propagated in the wire itself, but under all circumstances penetrates from without into the wire, and spreads into the metal with comparative slowness and laws similar to those which govern changes of temperature in a conducting body.
…Inasmuch as I made use of electric waves in wires of exceedingly short period in my experiments on the propagation of electric force, it was natural to test by means of these the correctness of the conclusions deduced. As a matter of fact the theory was found to be confirmed by the experiments…”

Heinrich Hertz (1857–1894) German physicist

"On the Propagation of Electric Waves by Means of Wires" (1889) Wiedemann's Annalen. 37 p. 395, & pp.160-161 of Electric Waves
Electric Waves: Being Researches on the Propagation of Electric Action with Finite Velocity Through Space (1893)

The Mother photo
Francisco Palau photo

“God's great work in man takes place in the Interior. The order that appears and is shown outside is the work and effect of the order inside.”

Francisco Palau (1811–1872) Beatified Spanish Discalced Carmelite friar and priest

Letter to Juana Gratia (1857)

Ambrose Bierce photo
Anthony Doerr photo
Ernest Hemingway photo

“Prose is architecture, not interior decoration, and the Baroque is over.”

Source: Death in the Afternoon (1932), Ch. 16

Jane Austen photo
Carl Sagan photo
Orson Welles photo
Douglas Adams photo
Grant Morrison photo

“The interior of our skulls contains a portal to infinity.”

Grant Morrison (1960) writer

Source: Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

Tim Burton photo
F. Scott Fitzgerald photo
Jonathan Lethem photo
Zadie Smith photo
Victor Hugo photo
André Maurois photo
Steven Pinker photo

“Genes are a play within a play, not the interior monologue of the players.”

Source: How the Mind Works (1997), p. 44

Michel Foucault photo

“Homosexuality appears as one of the forms of sexuality when it was transposed from the practice of sodomy onto a kind of interior androgyny, a hermaphroditism of the soul. The sodomite had been a temporary aberration; the homosexual was now a species.”

Michel Foucault (1926–1984) French philosopher

Vol I: La volonté de savoir
An Introduction. NY: Pantheon. Translated from French by Robert Hurley. Page 43
History of Sexuality (1976–1984)

Salvador Dalí photo
Suze Robertson photo

“Dear Richard, I was just coming home from [painting] an interior [with people! ]. It was terribly dark today and yesterday, but today I made a pretty good study. I still sleep badly and feel nervous because of that... I don't need to come to The Hague for my drawing lessons... How long we will stay here [in nl:Heeze ], I don't know. I will write you at least in advance. If I don't start sleeping better I will not stay much longer, I think.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Lieve Richard, Zo eeven kom ik thuis van een interieur [met mensen!]. Het was vandaag en gisteren vreeslijk donker toch heb ik vandaag nogal een goede studie gemaakt. Ik slaap altijd nog slecht en voel me daardoor zenuwachtig.. .Ik hoef nu niet voor lessen [tekenlessen die ze geeft] naar Den Haag te komen.. .hoe lang we hier [in Heeze] blijven, weet ik niet. Ik schrijf het je in elk geval vooruit. Als ik niet beter slaap denk ik voor mij niet lang meer.
Quote of a letter of Suze Robertson from Heeze, July/August 1904, to her husband Richard Bisschop in The Hague; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 11
1900 - 1922

Alan Rusbridger photo
Robert Venturi photo
William Morris photo
Vitruvius photo

“There will be no propriety in the spectacle of an elegant interior approached by a low mean entrance.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 6

Marshall McLuhan photo

“The Greeks invented both their artistic and scientific novelties after the interiorization of the alphabet.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 66

Gregory of Nyssa photo
John Ruysbroeck photo
Bouck White photo
Rita Rudner photo
Jozef Israëls photo

“I take advantage of a painting that I now have at the Paris' exhibition. 3 orphan girls who are sewing in an interior room. I have sold [it] there for a nice price and have heard some interesting reviews published about it. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Ik heb nogal plaizier van eene schilderij die ik thans op de parijsche tentst. Heb. 3 weesmeisjes die in een binnekamer zitten te naaijen. Ik heb [het] daar voor een mooije prijs verkocht en hier en daar interessante kritieken over hooren uitbrengen.
In a letter to A.C. Vosmaer, June 1866; ARA - Tweede afdeling, Archief Vosmaer, input no. 249
Quotes of Jozef Israels, 1840 - 1870

Julius Evola photo
Jeremy Clarkson photo

“Funnily enough, Daihatsu are one of the better interior stylists. God knows how they do it.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Source: Clarkson on Cars (1996), p. 62

Tina Fey photo
Marshall McLuhan photo

“Every technology contrived and “outered” by man has the power to numb human awareness during the period of its first interiorization.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 174

Marshall McLuhan photo

“The world of the Greeks illustrates why visual appearances cannot interest people before the interiorization of alphabetic technology.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 61

Evagrius Ponticus photo
Ulysses S. Grant photo
Miguel de Unamuno photo
P.G. Wodehouse photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Paul Cézanne photo
William Pfaff photo

“The frontier that remains is is the interior one, the most forbidding and mysterious frontier.”

William Pfaff (1928–2015) American journalist

Source: Barbarian Sentiments - How The American Century Ends (1989), Chapter 7, The Possibility of Extravagant Waste, p. 189.

Anish Kapoor photo

“Red is a colour I’ve felt very strongly about. Maybe red is a very Indian colour, maybe it’s one of those things that I grew up with and recognise at some other level. Of course, it is the colour of the interior of our bodies. Red is the centre.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish kapoor in conversation with John Tusa, 2003 in "Anish Kapoor" by Royal Academy Organization.

Philippe Starck photo
André Maurois photo
Calvin Coolidge photo
Jozef Israëls photo
Piet Mondrian photo

“The surface of things gives enjoyment, their interiority gives life.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Written note in Mondrian's sketchbook around 1911; quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co.,1964, p. 11
1910's

Marshall McLuhan photo

“The interiorization of the technology of the phonetic alphabet translates man from the magical world of the ear to the neutral visual world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 21

Alexander H. Stephens photo

“Again, the subject of internal improvements, under the power of Congress to regulate commerce, is put at rest under our system. The power, claimed by construction under the old constitution, was at least a doubtful one; it rested solely upon construction. We of the South, generally apart from considerations of constitutional principles, opposed its exercise upon grounds of its inexpediency and injustice. Notwithstanding this opposition, millions of money, from the common treasury had been drawn for such purposes. Our opposition sprang from no hostility to commerce, or to all necessary aids for facilitating it. With us it was simply a question upon whom the burden should fall. In Georgia, for instance, we have done as much for the cause of internal improvements as any other portion of the country, according to population and means. We have stretched out lines of railroads from the seaboard to the mountains; dug down the hills, and filled up the valleys at a cost of not less than $25,000,000. All this was done to open an outlet for our products of the interior, and those to the west of us, to reach the marts of the world. No State was in greater need of such facilities than Georgia, but we did not ask that these works should be made by appropriations out of the common treasury. The cost of the grading, the superstructure, and the equipment of our roads was borne by those who had entered into the enterprise. Nay, more not only the cost of the iron no small item in the aggregate cost was borne in the same way, but we were compelled to pay into the common treasury several millions of dollars for the privilege of importing the iron, after the price was paid for it abroad. What justice was there in taking this money, which our people paid into the common treasury on the importation of our iron, and applying it to the improvement of rivers and harbors elsewhere? The true principle is to subject the commerce of every locality, to whatever burdens may be necessary to facilitate it. If Charleston harbor needs improvement, let the commerce of Charleston bear the burden. If the mouth of the Savannah river has to be cleared out, let the sea-going navigation which is benefited by it, bear the burden. So with the mouths of the Alabama and Mississippi river. Just as the products of the interior, our cotton, wheat, corn, and other articles, have to bear the necessary rates of freight over our railroads to reach the seas. This is again the broad principle of perfect equality and justice, and it is especially set forth and established in our new constitution.”

Alexander H. Stephens (1812–1883) Vice President of the Confederate States (in office from 1861 to 1865)

The Cornerstone Speech (1861)

Jozef Israëls photo

“Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Zorg voor zuiverheid in de verf en niet zoo stinkerig dik van smeerderij, dun, dun, dun, en zo op het licht hier en daar een zetje dik[ke verf].. ..dikke binnenhuizen zijn onaangenaam - lang teekenen voor je begint en het prettig bij elkaar arrangeren voor gij aan het verwen gaat - als het geld u niet begroot, is het altijd nuttig om eens naar Rott. [Rotterdam!?] te gaan.
Quote of a letter by Jozef Israels to painter David de la Mar, 1867; as cited in Mythen van het Atelier, ed. Mayken Jonkman & Eva Geudeker; d'jonge Hond, Zwolle/The Hague, 2010 – ISBN 9789089102065 ( source online http://delamar.bntours.nl/!mad1832-bronnen.html)
Israels' painting technique did develop only rather slowly. In 1867 he still gave this rather traditional academic advice to the young painter nl:David de la Mar
Quotes of Jozef Israels, 1840 - 1870

Philippe Starck photo
Pope Benedict XVI photo
Frances Kellor photo

“A first proposition, therefore, in Americanization is to find a way to satisfy the creative instinct in men and their sense of home, by giving them and their native-born sons the widest possible knowledge of America, including a pictorial geography, a simple history of the United States, the stories of successful Americans including those of foreign-born origin; a knowledge of American literature, of our political ideals and institutions, and of oiy: free educational opportunities. A systematic effort should be made to give them a land interest and a home stake and to get them close to the soil, not alone in the day's work but also in their cultural life. The men most likely to desert America at the close of the war will be workers with job stakes and wage rates, and not those with a home stake and investments. I would carry this campaign of information into every foreign language publication, every newspaper, every shop, and every racial center in America. The land interpreter of the future will be the government, and Franklin K. Lane, Secretary of the Interior, has foreseen this in his appeal for the use of the land for the rehabilitation of men returning from the front. It is the land that will make the life of the maimed livable and will connect the past with the future. This will not be achieved by forced "back-to-the-land movements" and colonization. Each individual American who interprets the beauty of America and its meaning, and who, wherever he can, personally puts the foreign-born in touch with the soil and helps him to a plot of ground which he can call his own, is doing effective Americanization. Loyalty and efficiency are inherent in this land sense, and they are the strength of a nation.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Ken Wilber photo
Rafael Sabatini photo
John Ruysbroeck photo
Johannes Bosboom photo

“The same year [1835] I made my debut at the Exposition in Rotterdam with [his painting] "the St. Janskerk in ’s Hertogenbosch, the interior", which immediately found a merchant... The approval by this, [and] the renewed appreciation I got in Felix 38, now concerning a 'church with incident sunlight', together with my personal characteristic tendency to reproduce the impressions which church buildings gave me, led me gradually to choose and prefer this genre [church-interiors], [and to visit] Belgium in '37 and repeatedly to return there, attracted by the abundance of study [many churches], that this country offered me..”

Johannes Bosboom (1817–1891) Dutch painter

citaat van Johannes Bosboom, in orogineel Nederlands: In hetzelfde jaar [1835] had ik op de Expositie te Rotterdam gedebuteerd met 'de St. Janskerk te 's Hertogenbosch van binnen', die terstond een kooper vond.. .De bijval hiermee behaald, [en] de hernieuwde bekrooning in Felix 38) nu voor eene 'kerk met inVallend zonlicht', gevoegd bij mijn bijzondere neiging om de indrukken weer te geven, die kerkgebouwen op mij maakten, leidde er mij gaandeweg toe dit genre [schilderijen van kerk-interieurs] bij voorkeur te kiezen; [en om] in '37 in Belgie te gaan bezoeken en herhaaldelijk daar weer te keeren, aangetrokken door den overvloed van studie [veel kerken], dien dat land mij aanbood..
Source: 1880's, Een en ander betrekkelijk mijn loopbaan als schilder, p. 11

James G. Watt photo
Dylan Moran photo
Eudora Welty photo
Henri Matisse photo
Antonin Scalia photo
Piet Mondrian photo
H. G. Wells photo
Augustus De Morgan photo
Jennifer Beals photo

“Inside every woman there is a Kali. [Hindu goddess who morphed into seven hidden beings to win a battle] Do not mistake the exterior for the interior.”

Jennifer Beals (1963) American actress and a former teen model

Interview with Canadian Press (17 February 2011) http://ca.news.yahoo.com/flashdance-force-beals-top-cop-chicago-code-20110217-102915-894.html.

John of St. Samson photo
El Lissitsky photo
Richard Rorty photo
Anton Mauve photo

“.. the longer I am here Laren, the more beautiful it becomes for me and now that I feel myself more comfortable, I can judge it better... It is touching beautiful here [ Laren ], with a delicacy of lines and lovely poetry radiates from everywhere, interior houses, roads, fields, beautiful heath and bushes, and people are of the sweetest kind to imagine... Usually after dinner we make a little walk, what I enjoy a lot. I don't know how to say it, but I would like to live here for ever.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

Marshall McLuhan photo

“Until now a culture has been a mechanical fate for societies, the automatic interiorization of their own technologies.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 86

Joseph Dietzgen photo
Edgar Rice Burroughs photo
Anthony Watts photo
Theo van Doesburg photo

“The new architecture has 'opened' the walls so that the separateness of interior and exterior is suppressed. Walls no longer sustain since the system of construction is based upon the use of columns. This results in a new type of ground plan, an open ground plan, which is totally different from classical ones, since interior space and exterior space are interrelated.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

Angela Davis photo
Edgar Rice Burroughs photo
Adam Gopnik photo
Gideon Mantell photo
Adolf Eichmann photo
Henry Suso photo
Frank Wilczek photo