Quotes about image
page 9

“Taste is the intermediate faculty which connects the active with the passive powers of our nature, the intellect with the senses; and its appointed function is to elevate the images of the latter, while it realizes the ideas of the former.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On the Principles of Genial Criticism (1814)

Idea, Nature, Sense

“Hardly is there anywhere in the United States a church possessing originality which has been built after 1840. The houses of God are usually misplaced gothic or romanesque imitations squeezed in between dismal railway stations or surging skyscrapers. It is even more shocking to see the abortive efforts of town planning, or the utopian habit of naming streets after mere numbers or letters. A cultured man cannot possibly live in room 6489 on the sixty-fourth floor of a house on the corner of 109th Street and 10th Avenue. This may be fitting for one of the unfortunate creatures in Huxley's Brave New World but not for man created in the image of God.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 268-269
The Menace of the Herd (1943)

God, World, Effort, Housing

“So he prayed to the Almighty for aid, and left Ghazni on the 10th of Sha'ban 414 H., with 30,000 horse besides volunteers, and took the road to Multan which place he reached in the middle of Ramazan. The road from thence to India was through a barren desert, where there were neither inhabitants or food. So he collected provisions for the passage, and loading 30,000 camels with water and corn, he started for Anhilwara. After he had crossed the desert, he perceived on one side a fort full of people, in which there were wells. people came down to conciliate him, but he invested the place, and God gave him victory over it, for the hearts of the inhabitants failed them through fear. So he brought the place under the sway of Islam, killed the inhabitants, and broke in pieces their images. His men carried away water with them from thence and marched for Anhalwara, where they arrived at the begging of Zi-l Ka'da.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Ali ibn al-Athir: Kamilu’t-Tawarikh, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 469
Quotes from The History of India as told by its own Historians

Men, God, People, Fear

“It is in some respect greater love in Jesus to sanctify than to justify, for He maketh us most like Himself, in His own essential portraiture and image in sanctifying us.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 530.

Love

“I am completely passive about my poetry, unless I sense the rhythms, see the images and hear the words spontaneously, I am helpless.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Sense

“Free will is critical in a loving relationship because there cannot be love without the opportunity to oppose that love. There cannot be an appreciation without the opportunity to express it through choice. If we are made in the image of the Divine, then just as God has free will, we must also have it. The difficulty arises in our inability to understand, or accept, that it is not beneficial to try to use our free will separate from God. This is because we are part and parcel of God, a tiny fragment of the whole, but we are not the complete whole. As part of the whole, our function is to serve the whole. The whole is certainly not meant to serve the part. For example, imagine if your stomach tried to eat on its own and told your mouth, "I'm tired of you always taking the food first. I think I should get it first."”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

This would be impossible. A part cannot properly function separately from the whole. This is the natural order of the universe.
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 4: Fire and Brimstone, Horns and Tail, p. 66-67

Love, God, Food, Imagination

“There are ambiguities in the art of painting but they are the ambiguities of a fine precision: the discovered fact of the image containing at the same time the reverberations of the unknown, the truly mysterious… I would take this further and add that painting is itself precise in its ideas. In the sense that the image is the idea in its purist form.* [*“The image is a principal of our knowledge. It is that from which our intellectual activity begins, not as a passing stimulus but as an enduring foundation””

Patrick Swift (1927–1983) British artist

St. Thomas Aquinas, Opus XVI]
X magazine (1959-62)

Art, Idea, Knowledge, Sense

“All those years that my image on the screen as "sex goddess"—well that makes me laugh. Sex was never important to me. I'm sorry if that disappoints you, but it's true. Romance, yes. Romance was very important. But I never liked being rushed into bed, and I never allowed it. I'd put it off as long as I could and I gave in only when I was in love, or thought I was. It was always the courtship, the cuddling, and the closeness that I cared about, never the act of sex itself—with some exceptions of course. I'm not masquerading as a prude, but I've always been portrayed as a sexy woman, and that's wrong. Sensuous, yes. When I'm involved with someone I care for deeply, I can feel sensual. But that's a private matter.”

Lana Turner (1921–1995) American actress

On her sexuality, p. 309
Autobiography

Love, Sex, Disappointment, Feeling

“To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect.”

Dion Fortune (1890–1946) British occultist and author

Dion Fortune, Spiritualism and Occultism

People, Imagination, Reality, Parting

“When theoretical physicists censor the public's spontaneous visualizing response by warning us we must not try to picture the underlying nature of the world, whether atoms or quarks or preons, they are drawing upon an intellectual discipline devised by Calvin. Reality is beyond the senses; only the rigorously logical mind, leaping bravely into the intangible, can grasp it. No images.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.10 The Black Madonna

World, Nature, Reality, Sense

“The Polish society is not composed solely of entrepreneurial and energetic young people. I can't image pensioners who get ZL600 or ZL800 a month getting even less than that. That'd be immoral.”

Lech Kaczyński (1949–2010) Polish politician, president of Poland

Rzeczpospolita interview (March 2005)

People

“We have a Gujarat State Wide Area Network. The optical fibre network. We are [the] largest in Asia, number one. We are number one in Asia. And we are second largest in the world. Can you image how we are using the technology?”

Narendra Modi (1950) Prime Minister of India

2008, Speech, 14 January 2008

World

“Modern 3D cinema technology works by ensuring your left eye sees one image while your right sees another. But they could, presumably, issue one pair of specs comprising two left-eye lenses (for children to wear), and another with two right-eye lenses (for adults). This would make it possible for parents to take their offspring to the cinema and watch two entirely different films at the same time. So while the kiddywinks are being placated by an animated CGI doodle about rabbits entering the Winter Olympics or something, their parents will be bearing witness to some apocalyptically degrading pornography. The tricky thing would be making the soundtracks match. Those cartoon rabbits would have to spend a lot of time slapping their bellies and moaning.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 15 February 2010. http://www.guardian.co.uk/commentisfree/2010/feb/15/charlie-brooker-ebook-convert Guardian columns

Children, Parent, Winter, Time

“The essays in simulation of [Paul] Eluard and [Andre] Breton, Breton's recent poem-objects, the latest images of Rene Magritte, the "method" of the latest sculpture of Picasso and the theoretic and pictorial activity of Salvador Dali prove this need of concrete materialisation in current reality, of giving objective value on the real plane to the delirious unknown world of our irrational experiences. Against the remembrance of dreams and the virtual and impossible images of purely receptive states, "that can only be recounted", there are the physical facts of "objective" irrationality, with which one can already actually wound oneself.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 14-15

World, Dreams, Reality

“Ancient portraits are symbolic images without any immediate relation to the individuals represented; they are not portraits as we understand them. …It is remarkable that philologists who are capable of carrying accuracy to the extremes in the case of words are as credulous as babies when it comes to "images," and yet an image is so full of information that ten thousands words would not add up to it.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.2 Hellenistic Science and Culture in the Last Three Centuries B.C. (1959)

Understanding, Baby

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Men, Dreams, Way, Home

“I have a definite feeling for the West, the vast horizontality of the land, for instance... I have always been very impressed with the plastic qualities of American Indian art. The Indians have the true painter's approach in their capacity to get hold of appropriate images, and in their understanding of what constitutes painterly subject-matter. Their colour is essentially Western, their vision has the basic universality of all real art. Some people find references to American Indian art and calligraphy in parts of my pictures. That wasn't intentional; probably [it] was the result of early memories and enthusiasm.”

Jackson Pollock (1912–1956) American artist

Quote of Pollock, from Twentieth-century American painting, Gail Levin, The Thyssen-Bornemisza collection. London, 1987, p. 267
1940's, Art and Architecture (1944)

People, Art, Feeling, Understanding

“Our family histories are like fairy tales we're told from a very early age. In the tale, we're cast as hero or victim, as the infant rescued or abandoned, discounted or deified. From this we form an image of ourselves and our relationship to the world. Often it's a story we act out over and over again, trying to make the ending come out right instead of the way it did.”

Sue Grafton (1940–2017) American writer

A Conversation with Sue Grafton http://www.suegrafton.com/interview.htm (1996)

Age, World, Family, Way

“It is essential that we raise the image of sex, which is currently seen as a purely biological affair and often portrayed in its worst manifestations, to that of a spiritually based activity”

Stanislav Grof (1931) Czech pychiatrist

The Cosmic Game - Explorations of the Frontiers of Human Consciousness (1997), ISBN 0-7914-3876-7, p. 154.

Sex

“We are a people captivated by the power and romance of metaphor, forever seeking the invisible through the image of the visible.”

Lewis H. Lapham (1935) American journalist

Balzac's Garret, p. 88
Waiting For The Barbarians (1997)

People

“28 Proposition. The image of the Beast, is these degenerate Princes, that in name onely were called Roman Emporours, and were neither Romans of blood, nor Emperours of Magnanimitie.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise

“I am upset I am very much disappointed when I see within myself a wrong image of myself…. A man can live without fingers, but he cannot live without self-respect…. That is why I took up leprosy work. Not to help anyone but to overcome that fear in my life. That it worked out good for others is a byproduct. But the fact is I did it to overcome fear.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

On his motivation to treat leprosy patients, Page=9
Baba Amte: A Vision of New India

Life, Fear, Disappointment, Help

“I can’t die, [he most famously liked to say]. It would ruin my image.”

Jack LaLanne (1914–2011) American exercise instructor

In "Jack LaLanne, Founder of Modern Fitness Movement, Dies at 96, New York Times."

“"I am but as others: I am but what I was born to be."
"Do you recognize what you were born to be? Not only a nobleman, but a gentleman; not only a gentleman, but a man — man, made in the image of God. How can you, how dare you, give the lie to your Creator?"
"What has He given me? What have I to thank Him for?"
"First, manhood; the manhood His Son disdained not to wear; worldly gifts, such as rank, riches, influence, things which others have to spend half an existence in earning; life in its best prime, with much of youth yet remaining — with grief endured, wisdom learnt, experience won. Would to Heaven, that by any poor word of mine I could make you feel all that you are — all that you might be!"
A gleam, bright as a boy's hope, wild as a boy's daring, flashed from those listless eyes — then faded.
"You mean, Mr. Halifax, what I might have been. Now it is too late."
"There is no such word as 'too late,' in the wide world — nay, not in the universe. What! shall we, whose atom of time is but a fragment out of an ever-present eternity — shall we, so long as we live, or even at our life's ending, dare to cry out to the Eternal One, 'It is too late!'"”

Dinah Craik book John Halifax, Gentleman

Source: John Halifax, Gentleman (1857), Chapter 36

Life, Wisdom, God, Lie

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Love, Life, Men, God

“The sublime title "Christ" is an adjective which only receives its specific value from the specificity of the noun, Jesus of Nazareth. If Jesus is forgotten, then it becomes possible to fill the adjective with whatever suits at the time, without checking whether Jesus was like that or not, or whether this means leaving the world sunk in its wretchedness or not; or worse still, without asking if this image legitimates the tragedy of the world or brings liberation from it.”

Jon Sobrino (1938) Spanish theologian

Source: Jesus the Liberator (1991), p. 15

World, Time, Christ

“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

Hope, Communication, Question, Study

“I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working. ”

Peter Sellers (1925–1980) British film actor, comedian and singer

Mr. Strangelove (1999)

Thinking

“There's a leveling homogeneity in America today created by television. Each day it passes over the vast land mass, over the states nudging each other like the sovereignties of the Balkans, creating a unifying cloud of aesthetic properties and experience. East and West, North and South are wrapped in a sort of over-soul of images, facts, happenings, celebrities. This debris is as sacred to our current fiction as gossip about the new vicar was to Trollope. And there it is on the page, informing the domestically restless households, father off somewhere, mother chagrined. Sons and daughters writing the books.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Locations: An Introduction" (pp. xix-xx)
American Fictions (1999)

Books, Soul, Daughters

“The temple of Somnath was demolished early in my reign and idol worship (there) put down. It is not known what the state of things there is at present. If the idolaters have again taken to the worship of images at the place, then destroy the temple in such a way that no trace of the building may be left, and also expel them (the worshippers) from the place.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Somnath (Gujarat) Kalimat-i-Tayyibat, quoted in Sarkar, Jadu Nath, History of Aurangzeb, Vol. III, pp. 185-86. https://archive.org/details/in.ernet.dli.2015.62677/page/n295 Quotes from late medieval histories

Way

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Way, Quotes, Sleep, Memory

“For me, a male image that I'm really moved by is somewhere between of Oscar Wilde type of a male: the fop, the long hair, the suits, too witty for his own good, incredibly smart, scathingly funny - all that. But then my other ideal is more like the Buddhist monk - the shaved head, actually someone who sublimates their sexuality.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

“To opine that, unknown to humans, God had hitherto created some people to be homosexuals and lesbians (i. e., sexual orientations) is tantamount to creating God in our own image and introducing a cancerous element into the fabric of the African understanding of marriage and family.”

Peter Akinola (1944) Anglican Primate of the Church of Nigeria

God, Marriage, People, Family

“Compliments can be very useful, they give a people a good image about themselves thus enabling them to face their struggles”

Ali Al-Wardi (1913–1995) Iraqi sociologist

People

“President Obama once said he wants everybody in America to go to college. What a snob! There are good, decent men and women who go out and work hard every day and put their skills to test that aren't taught by some liberal college professor and trying to indoctrinate them. Oh, I understand why he wants you to go to college: he wants to remake you in his image. I want to create jobs so people can remake their children into their image, not his.”

Rick Santorum (1958) American politician

speech at Americans for Prosperity Tea Party event at Troy, Michigan,
referring to President Obama saying, in his first address to Congress in , "Tonight, I ask every American to commit to at least one year or more of higher education or career training. This can be a community college or a four-year school, vocational training or an apprenticeship. But whatever the training may be, every American will need to get more than a high school diploma."
2012-02-25
Rick Santorum: Obama Is ‘A Snob’ For Wanting Everyone To Go To College
James
Crugnale
Mediaite
http://www.mediaite.com/tv/rick-santorum-obama-is-a-snob-for-wanting-everyone-to-go-to-college/

Women, Men, Children, People

“Q. Can you give us more information concerning the name Ruburt?
A. That was Jane's name long ago as yours was Joseph. Both represented high points for your entities, images in the mental genes, blueprints for the spirit to follow. Joseph and Ruburt represent the full scope of your earthly personalities, towards which you must grow. But in another sense, you are already Joseph and Ruburt, since the blueprint exists. Through each life the individual tries to follow his. The pattern is not imposed, but is the entity's own outline.”

Jane Roberts (1929–1984) American Writer

Source: How To Develop Your ESP Power (1966), p. 19

Life, Sense, Personality

“Oh, If I had been able to realize you with my hand. If the painted canvas was able to give me your dear image. The labor was you ['The Unknown'] the work of art was me – I have kissed your head, I have looked elsewhere… You are neither good, nor charitable. You do not know how to love. – You are only great and beautiful. I sacrificed to tenderness and still, my self, you do not know how to love.”

Marianne von Werefkin (1860–1938) expressionist painter

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love, Beauty, Art, Kiss

“In this period of the building of socialism we can see the new man and woman being born. The image is not yet completely finished — it never will be, since the process goes forward hand in hand with the development of new economic forms.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

“I find that many men and women are troubled by the thought that they are too small and inconsequential in the scheme of things. But that is not our real trouble—we are actually too big and too complex, for God made us in His image and we are too big to be satisfied with what the world offers us! … Man is bored, because he is too big to be happy with that which sin is giving him. God has made him too great, his potential is too mighty.”

Aiden Wilson Tozer (1897–1963) American missionary

Who Put Jesus on the Cross, p. 170

Women, Men, God, World

“Everyone is a mirror image of yourself—your own thinking coming back at you.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Thinking

“After the reduction of Gualiar, the King marched his army towards Malwa, reduced the fort of Bhilsa, and took the city of Oojein, where he destroyed a magnificent temple dedicated to Mahakaly, formed upon the same plan with that of Somnat. This temple is said to have occupied three hundred years in building, and was surrounded by a wall one hundred cubits in height. The image of Vikramaditya, who had been formerly prince of this country, and so renowned, that the Hindoos have taken an era from his death, as also the image of Mahakaly, both of stone, with many other figures of brass, were found in the temple. These images the King caused to be conveyed to Dehly, and broken at the door of the great mosque.”

Firishta (1560–1620) Indian historian

Sultãn Shamsu’d-Dîn Iltutmish (AD 1210-1236) Ujjain (Madhya Pradesh)
Tãrîkh-i-Firishta

Death, Country

“Thought based on images can be neither abstract nor critical. … again in this case intellectuals have worked out theories to justify the inevitable. For unconsciously, they could not avoid being subjected to the enormous weight of billions of images (just like other people). Yet consciously, they were well aware that maintaining the demands of critical and independent thought involves a complete break with the rest of humankind. This would make it impossible for them to play their role as genuine intellectuals. They must think like everyone else if they expect to be at all believed by the masses. Thus their conscious and unconscious minds agree in taking them down the path of thought that involves images, evidence, and emotivity.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 214
The Humiliation of the Word (1981)

People, Thinking

“After thirty years of looking at new work in galleries and even newer work in studios, I am very familiar with the experience of being completely at a loss when confronting a new idea or image.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Idea, Loss

“Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory: nothing can come of nothing.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 2, delivered on December 11, 1769; vol. 1, p. 28.
Discourses on Art

Memory

“On June 20, 2009, twenty-six-year-old Neda Agha-Soltan was shot to death in Iran while participating in a peaceful demonstration in Tehran. Her death became a “galvanizing symbol, both within Iran and increasingly around the world,” Rachel Maddow said on MSNBC. Video images of her plight circled the globe. The same day Roger Cohen denounced the killing on the editorial page of the New York Times. Only fifteen days later, nineteen-year-old Isis Obed Murillo was shot dead by the Honduran military during a peaceful protest in Honduras. Like Agha-Soltan’s, his death was recorded in video images that circulated on the Internet. The differential media interest in US newspaper coverage was 736-8 in favor of Agha-Soltan; the TV differential was 231-1 in favor of Agha-Soltan. The dramatic video images of Murillo’s killing never caught hold in the world beyond Honduras. The social media, which had displayed such potential for organizing protest in Iran, failed to come to life in Honduras. The Propaganda Model is as strong and applicable as it was thirty years ago. […] the performance of the MSM [mainstream media] in treating the run-up to the Iraq War, the conflict with Iran, and Russia’s alleged election “meddling” and “aggression” in Ukraine and Crimea, offer case studies of biases as dramatic as those offered in the 1988 edition of Manufacturing Consent. The Propaganda Model lives on.”

Edward S. Herman (1925–2017) American journalist

the last published words in Herman’s lifetime
Herman (2017), “Still Manufacturing Consent: The Propaganda Model at Thirty” in Roth and Huffman, eds., Censored 2018. p. 221.
2010s

Life, Death, War, World

“The key point today is to establish the universal validity of individual mythology... The artistic moment is therefore that in which the discovery of pre-conscious universal myths comes about, and in the reduction of these into the form of images. It is clear that if the artist is to be able to bring to light zones of myth that are authentic and virginal he must have both an extreme degree of self-awareness and the gifts of iron precision and logic.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

Light, Universe

“My father Giannino Castiglioni was a sculptor. His was a realistic sculpture, always linked to the human image, not fantastic and unreal, had an attitude of continuous analysis of the characteristics of people”

Achille Castiglioni (1918–2002) Italian designers and architect

Giannino Castiglioni. Milano, 1884 - Lierna (Lago di Como), 1971. Scultore. in: II personaggi pubblici., p. 42 ( online http://www.alessandraubertazzi.eu/wp-content/pdf/monumentale/personaggipubblici.pdf)

People

“They are trying as directly as possible to sell you experiences, i. e. what you are able to do with the car, not the car as a product itself. An extreme example of this is this existing economic marketing concept, which basically evaluates the value of you as a potential consumer of your own life. Like how much are you worth, in the sense of all you will spend to buy back your own life as a certain quality life. You will spend so much in doctors, so much in beauty, so much in transcendental meditation, so much for music, and so on. What you are buying is a certain image and practice of your life. So what is your market potential, as a buyer of your own life in this sense?”

Slavoj Žižek (1949) Slovene philosopher

Interview in The Believer magazine, (July 2004) http://www.believermag.com/issues/200407/?read=interview_zizek

Life, Beauty, Music, Cars

“Formerly a lamb was offered, a calf was offered. Christ is offered today…and he offers himself as priest in order that he may remit our sins: here in image, there in truth where, as our advocate, he intercedes for us before the Father.”
Ante agnus offerebatur, offerebatur et vitulus, nunc Christus offertur...et offert se ipse quasi sacerdos, ut peccata nostra dimittat. Hic in imagine, ibi in veritate, ubi apud Patrem pro nobis quasi advocatus intervenit.

Ambrose (339–397) bishop of Milan; one of the four original doctors of the Church

De officiis ministrorum ("On the Offices of Ministers" or, "On the Duties of the Clergy"), Book I, ch. 48. http://books.google.com/books?id=ZIwXAAAAIAAJ&pg=PA114&dq=%22ante+agnus+offerebatur%22&hl=en&ei=pTDSTcflDsrZ0QHjxKHYCw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDgQ6AEwAzgy#v=onepage&q=%22ante%20agnus%20offerebatur%22&f=false In, The Eucharist in the West: History and Theology, Edward J. Kilmartin, SJ, Robert J. Daly, SJ, Editor, 1998, The Liturgical Press, ISBN 0814662048 ISBN 9780814662045, p. 19 http://books.google.com/books?id=WI2gC7lFmC4C&pg=PA19&lpg=PA19&dq=%22Christ+is+offered+today%22&source=bl&ots=MoKJXo6d2u&sig=8k0xytaJpidX3wg5RpQQKHwDxzw&hl=en&ei=hi_STbuzOYq_0AHwxKXKCw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CBwQ6AEwAQ#v=onepage&q=%22Christ%20is%20offered%20today%22&f=false Alternate translation: In old times a lamb, a Calf was offered; now Christ is offered. But He is offered as man and as enduring suffering. And He offers Himself as a priest to take away our sins, here in an image, there in truth, where with the Father He intercedes for us as our Advocate. http://www.newadvent.org/fathers/34011.htm

Truth, Christ

“Our task as image-bearing, God-loving, Christ-shaped, Spirit-filled Christians, following Christ and shaping our world, is to announce redemption to a world that has discovered its fallenness, to announce healing to a world that has discovered its brokenness, to proclaim love and trust to a world that knows only exploitation, fear and suspicion…The gospel of Jesus points us and indeed urges us to be at the leading edge of the whole culture, articulating in story and music and art and philosophy and education and poetry and politics and theology and even--heaven help us--Biblical studies, a worldview that will mount the historically-rooted Christian challenge to both modernity and postmodernity, leading the way…with joy and humor and gentleness and good judgment and true wisdom. I believe if we face the question, "if not now, then when?" if we are grasped by this vision we may also hear the question, "if not us, then who?"”

N.T. Wright (1948) Anglican bishop

And if the gospel of Jesus is not the key to this task, then what is?
The Challenge of Jesus: Rediscovering Who Jesus Was and Is (2000)

Love, Wisdom, God, World

“No one, to my knowledge, has suggested that the image must accelerate and decelerate or that the relation among torque, angular momentum, and angular velocity has a,1 analogue in the mental rotation case. Of course it may tum our that it takes subjects longer to rotate an object that they imagine to be heavier, thus increasing the predictive value of the metaphor. But in that case it seems clearer that, even if it was predictive, the metaphor could nor be explanatory (surely, no one believes that some images are heavier than others and the heavier ones accelerate more slowly).”

Zenon Pylyshyn (1937) Canadian philosopher

Zenon W. Pylyshyn, "The rate of “mental rotation” of images: A test of a holistic analogue hypothesis." Memory & Cognition 7.1 (1979): 19-28; p. 19-20

Imagination, Knowledge

“No graven images may be
Worshipped, except the currency.”

Arthur Hugh Clough (1819–1861) English poet

The Latest Decalogue http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/misc/lastdecalogue.html, l. 3-4 (1862).

“The vision and the core values inspire the creation of the image, but the core ideas are the "stuff" of which the image is made. The core ideas that designers generated in the course of using the framework will have to be arranged in sets that enhance the creation of the image and the design of the system.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Systems Design of Education (1991), p. 126

Idea

“It’s amazing to me that not only can we put a probe around Saturn and get images of its moons, but our math and physics are so freaking accurate we can say, "Hey, you know what? On this date at this time if we turn Cassini that way we’ll see a moon over 2 million kilometers away pass in front of another one nearly 3 million kilometers away."Every morning, I have a 50/50 chance of finding my keys. That kinda puts things in perspective.”

Philip Plait (1964) astronomer, skeptic

"A marvelous night for a (Saturn) moon dance" (10 February 2010) http://blogs.discovermagazine.com/badastronomy/2010/02/10/a-marvelous-night-for-a-saturn-moon-dance/ Bad Astronomy blog

Way, Chance, Time

“The mingling of object and image in collage, of given fact and conscious artifice, corresponds to the illusion-producing processes of contemporary civilization. In advertisements, news stories, films, and political campaigns, lumps of unassailable data are implanted in preconceived formats in order to make the entire fabrication credible. Documents waved at hearings by Joseph McCarthy to substantiate his fictive accusations were a version of collage, as is the corpse of Lenin, inserted by Stalin into the Moscow mausoleum to authenticate his own contrived ideology. Twentieth-century fictions are rarely made up of the whole cloth, perhaps because the public has been trained to have faith in "information."”

Harold Rosenberg (1906–1978) American writer and art critic

Collage is the primary formula of the aesthetics of mystification developed in our time.
Source: Art on the Edge, (1975), p. 178, "Collage: Philosophy of Put-Togethers"

Faith, Time, Training, Clothes

“We must therefore look with grave misgivings upon the psychology of the ‘crusade’ or on the notion that we can make the world over in our own image either by persuasion or by coercion.”

Henry Steele Commager (1902–1998) American historian

Source: Freedom, Loyalty, Dissent (1954), pp. 70-71

World

“The role of the artist, of course, has always been that of image-maker. Different times require different images. Today when our aspirations have been reduced to a desperate attempt to escape from evil, and times are out of joint, our obsessive, subterranean and pictographic images are the expression of the neurosis which is our reality. To my mind certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time.”

Adolph Gottlieb (1903–1974) American artist

The Ideas of Art, Tiger's Eye, Vol. 1, nr 2, December 1947, p. 43.
1940s

Reality, Evil, Time

“First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.”

Abraham Polonsky (1910–1999) American politician

as quoted in Directing the Film, Ed Sherman, 1976.

World, Idea, Personality

“Like pictures, images seem to depict information about interval spatial extents. The scanning experiments support the claim that portions of images depict corresponding portions of the represented objects, and that the spatial relations between portions of the image index the spatial relations between the corresponding portions of the imaged objects.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 51

Support

“Tutor'd by thee, hence Poetry exalts
Her voice to ages; and informs the page
With music, image, sentiment, and thought,
Never to die! the treasure of mankind!
Their highest honour, and their truest joy!”

James Thomson (poet) The Seasons

Source: The Seasons (1726-1730), Summer (1727), l. 1752.

Age, Music, Joy

“Today, the Israelis tightened the noose on the mass media in northern occupied Palestine and occupied Palestine. No one can report any news or broadcast any footage. [News reports] are subject to the Israeli censorship which permits and disseminates them. Even you at Al-Jazeera Channel were subjected to arrests, interrogation, restricted activities, and the like. Why do the Israelis resort to concealing the truth on the other side? Why? Do they do that only because they accuse the media outlets of setting the coordinates? This is nonsense. We have the coordinates of these Israeli settlements and military positions in the north, centre, or in any part of occupied Palestine. We do not need anybody to give us information, images, or the like. In that case, they want to conceal the true scene of the war on the other side because it will have definite impact on the Israeli street and media and the morale of the Israelis.”

Hassan Nasrallah (1960) Secretary General of Hezbollah

Hassan Nasrallah, Al-Jazeera interviews Hezbollah chief http://www.globalresearch.ca/index.php?context=viewArticle&code=AL-20060722&articleId=2790 Al-Jazeera 20 July 2006 Quote, 2006

War, Truth, Parting

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Sadness, Feeling, Learning, Time

“Suppose the reasoning centers of the brain can get their hands on the mechanisms that plop shapes into the array and that read their locations out of it. Those reasoning demons can exploit the geometry of the array as a surrogate for keeping certain logical constraints in mind. Wealth, like location on a line, is transitive: if A is richer than B, and B is richer than C, then A is richer than C. By using location in an image to symbolize wealth, the thinker takes advantage of the transitivity of location built into the array, and does not have to enter it into a chain of deductive steps. The problem becomes a matter of plop down and look up. It is a fine example of how the form of a mental representation determines what is easy or hard to think.”

Steven Pinker book How the Mind Works

Source: How the Mind Works (1997), p. 291

Problem, Thinking, Reading, Wealth

“For genuine omniscience and omnipotence are only to be realised in the control of free beings, and in inducing the divine image in them by moral influences instead of metaphysical and physical agencies: that is, by final instead of efficient causation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Modern Science and Pantheism, p.65

“What he had been talking about all the time as Quality was here the Tao, the great central generating force of all religions, Oriental and Occidental, past and present, all knowledge, everything.
Then his mind's eye looked up and caught his own image and realized where he was and what he was seeing and…I don't know what really happened…but the slippage that Phædrus had felt earlier, the internal parting of his mind, suddenly gathered momentum, as do the rocks at the top of a mountain. Before he could stop it, the sudden accumulated mass of awareness began to grow and grow into an avalanche of thought and awareness out of control; with each additional growth of the downward tearing mass loosening hundreds of times its volume, and then that mass uprooting hundreds of times its volume more, and then hundreds of times that; on and on, wider and broader, until there was nothing left to stand.
No more anything.
It all gave way from under him.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 20

Religion, Way, Mountain, Knowledge

“Look forward to epic images of heavy equipment barreling toward the Southern border. The sight of a gold-plated structure going up, as sections of the borderland along Mexico start to resemble Liberace's backyard: This is sure to warm the cockles of your heart, and make America's monomaniacal media go berserk.”

Ilana Mercer South African writer

"Let Milo Design The Wall" http://www.thelibertyconservative.com/let-milo-design-wall/ The Liberty Conservative, March 3, 2017 2010s, 2017

Heart

“Forbes magazine has named Mel Gibson this year's most powerful celebrity. … Forbes' least powerful celebrity? [Miller displayed the widely circulated image from the Lynndie England photographs of a hooded Iraqi prisoner with wires attached to his outstretched arms] You're looking at him. Screw this guy. … [He's a] bad guy.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

22 June 2004
Dennis Miller

Guy

“I think there is a danger with young people of being dependent in the sense that they don't acquire any identity or self-image of themselves as thinkers. They just go and look it up or they just chat with someone. In other words, relying on something rather than saying: "Okay, I've got the information, how do I create value from it?"”

Edward de Bono (1933) Maltese physician

When asked "Have we become too reliant on computers?"
[Hamish, Mackintosh, http://www.guardian.co.uk/technology/1999/sep/23/onlinesupplement2, Deep thought, The Guardian, 1999-09-23, 2008-10-15]

People, Thinking, Sense, Dependency

“I saw you then not only as the symbol of your people and its greatness, but as the voice of the invincible and uncompromising conscience of the human race at a time of danger to the dignity of man, created in the image of God. It was not only the liberties and the honor of your own people that you saved.”

David Ben-Gurion (1886–1973) Israeli politician, Zionist leader, prime minister of Israel

Letter to Winston Churchill on his leadership during World War II (1961), as quoted in "Churchill and the Jewish state" by Colin Shindle in The Jerusalem Post (27 December 2007) http://www.jpost.com/servlet/Satellite?cid=1198517221673&pagename=JPost%2FJPArticle%2FShowFull

God, People, Time

“Mo: The man's clearly a sex addict. He's out of control. Lying, suborning perjury…
Sydney: It's this puritanical culture that's the problem. Do people really expect someone with the ruthless lust for power it takes to become president to spend evenings at home with his stamp collection?
Mo: Oh, please! You wouldn't be quite so indulgent if it was Newt Gingrich getting blowjobs in the Oval Office.
Sydney: Thank you for that image.”

Alison Bechdel book Dykes to Watch Out For

#282, "Divert & Conquer" (1998), collected in Split-Level DTWOF (1998).
Dykes to Watch Out For

People, Sex, Home, Lying

“There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 35 (p. 577)

Time

“Borderline Personality Disorder* An essential feature of this disorder is a pervasive pattern of instability of self-image, interpersonal relationships, and mood, beginning in early adulthood and present in a variety of contexts. A marked and persistent identity disturbance is almost invariably present. This is often pervasive, and is manifested by uncertainty about several life issues, such as self-image, sexual orientation, long-term goals or career choice, types of friends or lovers to have, and which values to adopt.”

Susanna Kaysen book Girl, Interrupted

Girl, Interrupted (1994)

Life, Lovers, Mood, Personality

“For me it is the WORD that produces all images. It is the key sign for all processes of moulding and organizing. When I use language, I try to induce the impulses of this power.... the power of evolution.
But language is not to be understood simply in terms of speech and words. That is our current, drastically reduced, understanding of language... Beyond language as verbalization lies a world of sound and form impulses, a language of primary sound without semantic content, but laden with completely different levels of information.”

Joseph Beuys (1921–1986) German visual artist

Quote of Caroline Tisdall, 1979, p. 210; as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 180
1970's

World, Understanding

“Well, I think that the image is a part of me. I wear the baggy pants, the hats, the whole nine. And you know, I may add a little for the excitement and the intrigue in the videos, but my family has told me that little air of mystery that surrounds me is for real.”

Aaliyah (1979–2001) American singer, actress and model

Attributed

Family, Thinking, Parting

“Awareness of ideal values is the first step in the conscious creation of images of the future… for a value is by definition that which guides a ‘valued’ future.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 10 as cited in: Rowena Morrow (2006) "Hope, entrepreneurship and foresight". In: Regional frontiers of entrepreneurship research

Future

“He had not stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with his own death.”

Gabriel García Márquez book One Hundred Years of Solitude

Source: One Hundred Years of Solitude (1967), p. 148, referring to Aureliano José

Death, War, Way, Suffering

“An image does not matter for me. I always break an image that I have created. I don't want to stick to one particular thing and just keep doing it.”

Karanvir Bohra (1982) Indian actor

Always break an image that I have created: Karanvir Bohra http://timesofindia.indiatimes.com/entertainment/hindi/tv/news/Always-break-an-image-that-I-have-created-Karanvir-Bohra/articleshow/30334292.cms, Feb 13, 2014

“Literary criticism should arise out of a debt of love. In a manner evident and yet mysterious, the poem or the drama or the novel seizes upon our imaginings. We are not the same when we put down the work as we were when we took it up. To borrow an image from another domain: he who has truly apprehended a painting by Cézanne will thereafter see an apple or a chair as he had not seen them before. Great works of art pass through us like storm-winds, flinging open the doors of perception, pressing upon the architecture of our beliefs with their transforming powers. We seek to record their impact, to put our shaken house in its new order. Through some primary instinct of communion we seek to convey to others the quality and force of our experience. We would persuade them to lay themselves open to it. In this attempt at persuasion originate the truest insights criticism can afford.”

George Steiner (1929–2020) American writer

Source: Tolstoy or Dostoevsky (1960), Ch. 1.

Love, Art, Imagination, Painting

“And we have so much work to do in America, because all across America, there are walls … There's a wall around Washington, D. C. The American people are, today, on the outside of that wall. And on the inside are the big corporations and the lobbyists who are working to protect a system that takes care of them. … There is another wall that divides us. It's the moral shame of 37 million of our own people who wake up in poverty every single day This is not OK. And for eight long, long years, this wall has gotten taller And there's also a wall that's divided our image in the world. The America as the beacon of hope is behind that wall. And all the world sees now is a bully. They see Iraq, Guantanamo, secret prison and government that argues that water boarding is not torture. This is not OK. That wall has to come down for the sake of our ideals and our security. We can change this. We can change it. Yes we can. If we stand together, we can change it. … This is not going to be easy. It's going to be the fight of our lives. But we're ready, because we know that this election is about something bigger than the tired old hateful politics of the past. This election is about taking down these walls that divide us, so that we can see what's possible -- what's possible, that one America that we can build together.”

John Edwards (1953) American politician

Endorsement of Senator Barack Obama on May 14, 2008. http://www.washingtonpost.com/wp-dyn/content/article/2008/05/14/AR2008051403533.html http://www.youtube.com/watch?v=BzkAjd3xQ7w

Hate, People, Secret, World

“Visiting a museum is a matter of going from void to void. Hallways lead the viewer to things once called 'pictures' and 'statues." Anachronisms hang and protrude from every angle. Themes without meaning press on the eye. Multifarious nothings permute into false windows (frames) that open up into a variety of blanks. Stale images cancel one's perception and deviate one's motivation. Blind and senseless, one continues wandering around the remains of Europe, only to end in that massive deception 'the art history of the recent past'”

Robert Smithson (1938–1973) American artist

Smithson, Robert. " Some void thoughts on museums http://www.robertsmithson.com/essays/void.htm." Flam, Robert Smithson 42 (1996).

Art, History, Motivation, Past

“I got me slaves and slave-girls.' For what price, tell me? What did you find in existence worth as much as this human nature? What price did you put on rationality? How many obols did you reckon the equivalent of the likeness of God? How many staters did you get for selling that being shaped by God? God said, Let us make man in our own image and likeness. If he is in the likeness of God, and rules the whole earth, and has been granted authority over everything on earth from God, who is his buyer, tell me? Who is his seller? To God alone belongs this power; or, rather, not even to God himself. For his gracious gifts, it says, are irrevocable. God would not therefore reduce the human race to slavery, since he himself, when we had been enslaved to sin, spontaneously recalled us to freedom. But if God does not enslave what is free, who is he that sets his own power above God's?”

Gregory of Nyssa (335–395) bishop of Nyssa

Homilies on Ecclesiastes; Hall and Moriarty, trs., de Gruyter (New York, 1993) p. 74 https://books.google.com/books?id=BReXJwwE_D8C&pg=PA74&lpg=PA74.

God, Girl, Nature, Freedom

“Tomasz Vetulani's work balances between two fascinating axes, producing an image of an artist juggling various means of expression. From intriguing and expressive objects, made by him from, say, hot white glue or black silicon, with strong social and political connotations - to subtle images-objects, evoking fleeting states, where the sensitive eye of the artist touches the sublimation of certain senses.”

Tomasz Vetulani (1965) Polish artist

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

Sense, Strong

“But yet another thing is necessary, Purity of spirit; for an intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life, where none can err; for the pure spirit expands ceaselessly and follows rapidly in purified love, the enlightened intelligence towards its Cause.”

John Ruysbroeck (1293–1381) Flemish mystic

Source: The Seven Steps of the Ladder of Spiritual Love, p. 150

Love, Life, God, Intelligence

“Certain artists and critics attacked me for painting the 'Women' [series of paintings, De kooning started in 1950], but I felt that this was their problem, not mine. I don’t really feel like a non-objective painter at all... It's really absurd to make an image, like a human image. With paint, today, when you think about it, since we have this problem of doing it or not doing it. But then all of a sudden it was even more absurd not to do it. So I fear I have to follow my desires.”

Willem de Kooning (1904–1997) Dutch painter

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 45.
1960's

Women, Fear, Feeling, Problem

“No, the Great Man does not boast himself sincere, far from that; perhaps does not ask himself if he is so: I would say rather, his sincerity does not depend on himself; he cannot help being sincere! The great Fact of Existence is great to him. Fly as he will, he cannot get out of the awful presence of this Reality. His mind is so made; he is great by that, first of all. Fearful and wonderful, real as Life, real as Death, is this Universe to him. Though all men should forget its truth, and walk in a vain show, he cannot. At all moments the Flame-image glares in upon him; undeniable, there, there!—I wish you to take this as my primary definition of a Great Man. A little man may have this, it is competent to all men that God has made: but a Great Man cannot be without it.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Life, Death, Men, God

“It is a bit unsettling, at first, to think of Apple as a control freak, because it is completely at odds with their corporate image. Weren't these the guys who aired the famous Super Bowl ads showing suited, blindfolded executives marching like lemmings off a cliff? Isn't this the company that even now runs ads picturing the Dalai Lama (except in Hong Kong) and Einstein and other offbeat rebels?
It is indeed the same company, and the fact that they have been able to plant this image of themselves as creative and rebellious free-thinkers in the minds of so many intelligent and media-hardened skeptics really gives one pause. It is testimony to the insidious power of expensive slick ad campaigns and, perhaps, to a certain amount of wishful thinking in the minds of people who fall for them. It also raises the question of why Microsoft is so bad at PR, when the history of Apple demonstrates that, by writing large checks to good ad agencies, you can plant a corporate image in the minds of intelligent people that is completely at odds with reality.”

Neal Stephenson (1959) American science fiction writer

"Class Struggle on the Desktop"
In the Beginning... was the Command Line (1999)

People, Guy, History, Intelligence

“Despite the fact that Martha Stewart has disgraced herself too much to hold an official position at Omnimedia, the company may still use her name and images to sell their products. You know, sort of like Clinton and the Democrats.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/03/03oupdate.phtml

“To me, therefore, that Thracian Orpheus, that Theban, and that Methymnaean,--men, and yet unworthy of the name,--seem to have been deceivers, who, under the pretence of poetry corrupting human life, possessed by a spirit of artful sorcery for purposes of destruction, celebrating crimes in their orgies, and making human woes the materials of religious worship, were the first to entice men to idols; nay, to build up the stupidity of the nations with blocks of wood and stone,--that is, statues and images,--subjecting to the yoke of extremest bondage the truly noble freedom of those who lived as free citizens under heaven by their songs and incantations. But not such is my song, which has come to loose, and that speedily, the bitter bondage of tyrannizing demons; and leading us back to the mild and loving yoke of piety, recalls to heaven those that had been cast prostrate to the earth. It alone has tamed men, the most intractable of animals; the frivolous among them answering to the fowls of the air, deceivers to reptiles, the irascible to lions, the voluptuous to swine, the rapacious to wolves. The silly are stocks and stones, and still more senseless than stones is a man who is steeped in ignorance. As our witness, let us adduce the voice of prophecy accordant with truth, and bewailing those who are crushed in ignorance and folly: "For God is able of these stones to raise up children to Abraham;" and He, commiserating their great ignorance and hardness of heart who are petrified against the truth, has raised up a seed of piety, sensitive to virtue, of those stones--of the nations, that is, who trusted in stones. Again, therefore, some venomous and false hypocrites, who plotted against righteousness, he once called "a brood of vipers."”

Clement of Alexandria (150–215) Christian theologian

But if one of those serpents even is willing to repent, and follows the Word, he becomes a man of God.
Exhortation to the Heathen

Love, Life, Men, God

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life, God, Peace, Faith

“.. the wall, the window or the door — and so many other images that parade in my canvases — are indeed there and I am far from trying to hide the fact. With this I mean that I do not think that images, in my works, should be considered as indifferent excuses to prop visual elements, as the 'subject-matters' were said to be for Impressionists and Fauves. From those 'subject-matters', it is further said, the ensuing abstractionists or Informalists liberated themselves. My walls, windows or doors — or at least my suggestions of them — do not avoid their responsibility and hold their full archetypal or symbolic weight.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Thinking, Indifference

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life, God, War, Health

“Richard Burton is now my epitaph, my cross, my title, my image. I have achieved a kind of diabolical fame. It has nothing to do with my talents as an actor. That counts for little now. I am the diabolically famous Richard Burton.”

Richard Burton (1925–1984) Welsh actor

Interview in 1963 quoted In Robert Andrews The New Penguin Dictionary of Modern Quotations http://books.google.com/books?id=VK0vR4fsaigC&pg=PT250, Penguin UK, 30 October 2003, p. 259