
1920s, Speech on the Anniversary of the Declaration of Independence (1926)
1920s, Speech on the Anniversary of the Declaration of Independence (1926)
Source: Outsiders: Studies in the Sociology of Deviance (1963), p. 34.
Interview in Metaphors No. 7, (1983)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 216.
As quoted by the interviewer from the introduction to an Italian publlication of Antonioni's screenplays.
Encountering Directors interview (1969)
Quote of Mondrian before 1930; as cited in 'The New Art – The New Life', Piet Mondrian, op. cit. Introd. Note 1., 1931
1930's
Scotland in the World Forum (February 4, 2008)
Obergefell v. Hodges http://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf (26 June 2015), pp. 16-17.
2010s
2010s, 2017, Speech at "Spirit of Liberty: At Home, In the World" event (2017)
Quote from Cézanne's letter to Émile Bernard, 23 October 1905; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 180
Quotes of Paul Cezanne, after 1900
"Thank you, America", New York Post (April 15, 2003)
Emil Sinclair
Neverness (1988)
The Aristos (1964)
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 94 as cited in: Richard Arena, Agnés Festrè, Nathalie Lazaric (2012) Handbook of Economics and Knowledge. p. 138
Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
The Education of Henry Adams (1907)
http://kremlin.ru/eng/speeches/2007/01/18/0726_type82914type82916_117126.shtml
2006- 2010
Letter to Fr. Pastells (4 April 1893)
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), p. 98
1978, according to 26 February 2014 article by The Guardian https://www.theguardian.com/society/2014/feb/26/lobbying-paedophile-campaign-revealed-hewitt
J. Hanks, trans. (1985), p. 212
The Humiliation of the Word (1981)
"The Role of Law in Progressive Politics" in Keeping Faith: Philosophy and Race in America (1993)
Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925
“In a word, godhead; to remake ourselves in the divine image.”
Thoughts and Glimpses (1916-17)
Source: Sayings of Sri Ramakrishna (1960), p. 325
The Nature of Slavery. Extract from a Lecture on Slavery, at Rochester, December 1, 1850
1850s, My Bondage and My Freedom (1855)
The West (1996)
Source: Take The Risk (2008), p. 130
Pierce Brosnan talks about his deep Catholic faith http://www.irishcentral.com/culture/entertainment/pierce-brosnan-talks-about-his-deep-catholic-faith-118983269-237736371 (March 31, 2011)
2008 edition, p. 248
Competitive strategy, 1980
1970's, The Untroubled Mind', 1971
Clarification of previous statement http://momentmagazine.wordpress.com/2009/06/03/a-statement-from-rabbi-friedman/
On the Israeli-Arab conflict
“I write scripts to serve as skeletons awaiting the flesh and sinew of images.”
The New York Times (22 January 1978).
"They're always telling me I'm too angry" (1995)
Source: Practical Pictorial Photography, 1898, Printing methods and their bearing on pictorial photography, p. 72
“The world is a mirror into which we look, and see our own image.”
Source: Aphorisms and Reflections (1901), p. 31
Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
Quote by Barbara Rose, in Frankenthaler (New York: Harry N. Abrams, Inc. 1975, p. 85
1970s - 1980s
Quote in a writing of Jorn on modern art in Paris, 1947; as cited on the website of the Jorn Museum. 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255,
1940 - 1948, Various sources
Development
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books
Thoughts and Aphorisms (1913), Bhakti
Quitting the paint factory: On the virtues of idleness
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
Solon, 10.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 1: The Seven Sages
Naipaul, V. S. (1981). Among the believers: An Islamic journey. New York: Knopf.
“Money is a corporate image depending on society for its institutional status.”
Source: 1960s, Understanding Media (1964), p. 133
From his edition of Swift's Works, as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), p. 168.
Quote in a letter to his wife, 12 June, 1906; as cited in Paul Klee. Das Frühwerk 1883-1922, p. 50.
1903 - 1910
1960s, A Christmas Sermon (1967)
J. Hanks, trans. (1985), p. 210
The Humiliation of the Word (1981)
The historian who witnessed this scene himself expresses his satisfaction by saying, “Behold the Sultan’s strict adherence to law and rectitude, how he would not deviate in the least from its decrees.”
Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231
" Conversation with Vladimir Igorevich Arnol’d http://link.springer.com/article/10.1007/BF03023727" (Arnold interviewed by Smilka Zdravkovska), The Mathematical Intelligencer, December 1987, Volume 9, Issue 4, pp 28–32.
Deborah J. Terry, Michael A. Hogg. Attitudes, Behavior, and Social Context: The Role of Norms and Group Membership. 1999
“Those things are inextricable bound up in my mind, with words I make an image and vice versa.”
As quoted in Boekgrrls (8 March 2004) http://www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_schilderijen.htm
Source: The Passion from Within (1981), p. 81
“Sensation is a subjective image of the objective world.”
Source: Materialism and Empirio-Criticism (1908), p. 116
Source: Break-Out from the Crystal Palace (1974), p. 39
Said to Pierre Bertaux in 1944, as recounted in The Atlantic, November 1960
Fifth Republic and other post-WW2
Örn Úlfar
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75
Muslim Separatism – Causes and Consequences (1987)
Source: H.W. Nevison, The New Spirit in India, London, 1908, p. 192 and 193. Sita Ram Goel: Muslim Separatism - Causes and Consequences.
Source: The Band That Played On (Thomas Nelson, 2011), p. 7
Source: The War of Gods: Religion and Politics in Latin America (1996), p. 23 http://books.google.com/books?id=gyOHaZFpvL8C&pg=PA23
The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33
"Uniformity and Catastrophe", p. 147
Ever Since Darwin (1977)
Source: Rite of Passage (1968), Chapter 20 (p. 241).
Jussi Halla-aho (2006), published in the blog Gates of Vienna Multicultural Discourse in Finland and Sweden http://gatesofvienna.blogspot.ch/2006/08/multicultural-discourse-in-finland-and.html, August 30, 2006
2005-09
Source: Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali, p. unknown
Page 22.
See also Martin Amis himself.
Boating For Beginners (1985)
Source: The German State on a National and Socialist Foundation (1923), p. 58
"A Few Notes on The Martian Chronicles", in Rhodomagnetic Digest (May 1950)
'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)
The Good Sea-Captain.
The Holy State and the Profane State (1642)
Source: The Animal Welfare Movement and the Foundations of Ethics, p. 93
Source: Young Mussolini and the Intellectual Origins of Fascism, (1979), p. 99
Encountering Directors interview (1969)
Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69