Quotes about image (1856 quotes, page 8)

“Living with the conditions of slavery and then later segregation, many Negroes lost faith in themselves. Many came to feel that perhaps they were less than human, perhaps they were inferior. But then something happened to the Negro. Circumstances made it possible and necessary for him to travel more. The coming of the automobile, the upheavals of two world wars, the great depression. So his rural plantation background gradually gave way to urban industrial life. His economic life was gradually rising and even his cultural life was gradually rising through the steady decline of crippling illiteracy. All of these forces conjoined to cause the Negro to take a new look at himself. His religion revealed to him that God loves all of his children and that all men are made in His image. That the basic thing about a man is not his specificity but his fundamental. Not the texture of his hair or the color of his skin but his eternal dignity and worth.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

"Social Justice and the Emerging New Age" address at the Herman W. Read Fieldhouse, Western Michigan University (18 December 1963)
1960s

Love , Life , Men , God

“Having one's image — and effectively, life — democratized, dehumanizes and sometimes objectifies it into an entertainment product.”

Jack Gleeson (1992) Irish actor

Speech at Oxford Union (2014)

Life

“People who can readily put on their agenda the foundations of the world they inhabit must be haughty, high-spirited, and even reckless. They must be secure in their inviolable independence. Yet the instruments of this independence must not smother the struggles that constantly offer them visible images of the connection between the forms of their life in common and the activities from which these forms arise and that cultivate the sense of mastery suitable to men and women who are neither masters nor servants.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 134

Life , Women , Men , People

“Thou in thy lake dost see
Thyself: so she
Beholds her image in her eyes
Reflected. Thus did Venus rise
From out the sea.”

James Matthews Legaré (1823–1859) American writer

To a Lily, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Sea

“I have to work hard to not look like a nerd all the time. My friends are the only people I know that don't care about my image. I need to have people who treat me just as Josh, not as Josh the singer.”

Josh Groban (1981) American musician and actor

Bangkok Post-Outlook, 8/27/02

People , Time

“In that regard the Anzac legend – as admirable as it is – has become something of a double-edged sword. Many Australians have an idealised image of the Australian soldier as a rough hewn country lad – invariably white – a larrikin who fights best with a hangover and who never salutes officers, especially the Poms. This is a pantomime caricature. Every soldier is Mel Gibson in Gallipoli and frankly it undermines our recruitment from some segments of society and breeds a dangerous complacency about how professional and sophisticated soldiering really is.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Fight , Country

“Her likeness! why it is a vain endeavour
To image it. Painting or words may never
Say what she was; yet dwell I on the task,
As if that Poesy had a right to ask
From Memory its treasure.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

25th March 1826) Ianthe. A Portrait (under the pen name Iole
(25th March 1826) Moon See The Vow of the Peacock
The London Literary Gazette, 1826

Memory , Painting

“Against this view, it is still possible to identify some cultural continuities. Kitromilides himself alludes to some of them, when he mentions “inherited forms of cultural expression, such as those associated with the Orthodox liturgical cycle and the images of emperors, the commemoration of Christian kings, the evocation of the Orthodox kingdom and its earthly seat, Constantinople, which is so powerfully communicated in texts such as the Akathist Hymn, sung every year during Lent and forming such an intimate component of Orthodox worship...“ (Kitromilides 1998, 31). There are other lines of Greek continuity. Despite the adoption of a new religion, Christianity, certain traditions, such as a dedication to competitive values, have remained fairly constant, as have the basic forms of the Greek language and the contours of the Greek homeland (though its centre of gravity was subject to change). And John Armstrong has pointed to the “precocious nationalism” that took hold of the Greek population of the Byzantine Empire under the last Palaeologan emperors and that was directed as much against the Catholic Latins as against the Muslim Turks—an expression of medieval Greek national sentiment as well as a harbinger of later Greek nationalism. But again, we may ask: was this Byzantine sentiment a case of purely confessional loyalty or of ethnoreligious nationalism?”

Anthony D. Smith (1939–2016) British academic

See Armstrong 1982, I74—8I cf. Baynes and Moss 1969, 119—27, and Carras 1983.
Source: The Nation in History (2000), p. 42-43.

Religion , Communication , Change , Loyalty

“Howbeit, Paul succeeded in stealing the image of Christ crucified for the figure-head of his Salvationist vessel, with its Adam posing as the natural man, its doctrine of original sin, and its damnation avoidable only by faith in the sacrifice of the cross. In fact, no sooner had Jesus knocked over the dragon of superstition than Paul boldly set it on its legs again in the name of Jesus.”

George Bernard Shaw (1856–1950) Irish playwright

Preface, Paul
1910s, Androcles and the Lion (1913)

Faith , Nature , Christ

“Worpswede, I cannot get you out of my mind. There was such atmosphere there – right down to the tips of your toes. Your magnificent pine trees! I call them my men – thick, gnarled, powerful, and tall – and yet with the most delicate nerves and fibers in them. That is my image of the ideal artist. And your birch trees – delicate, slender young virgins who delight the eyes. With that relaxed and dreamy face, as if life had not really begun for them… But then there are some already masculine and bold, with strong and straight trunks. Those are my 'Modern women'. And you willows, with your knotty trunks… You are my old men with silver beards. I have company enough, indeed I do, and it's my own private company. We understand each other well and nod friendly answers back and forth. Life, life, life!”

Paula Modersohn-Becker (1876–1907) German artist

a quote of her Journal, Worpswede 1897; as cited in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 192
1897

Life , Women , Men , Understanding

“Viewers of television, for instance, aren't aware of their own physical vulnerabilities. They get used, manipulated by images of depersonalized sex.”

Vanna Bonta book Flight: A Quantum Fiction Novel

Source: Flight: A Quantum Fiction Novel (1995), Ch. 32

Sex

“It is most important that we should rid art of all that it has contained of ‘recognizable material’ to date, all familiar subject matter, all traditional ideas, all popular symbols must be banished forthwith. More important still, we must hold enormous faith in ourselves; it is essential that the revelation we receive, the conception of an image which embraces a certain thing, which has no sense in itself, which has no subject, which means ‘absolutely nothing’ from the logical point of view.... should speak so strongly in us, evoke such agony or joy, that we feel compelled to paint.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913

Faith , Art , Feeling , Idea

“Get, by six hundred and fifty-eight votes, or by no vote at all, by the silent intimation of your own eyesight and understanding given you direct out of Heaven, and more sacred to you than anything earthly, and than all things earthly,—a correct image of the fact in question, as God and Nature have made it: that is the one thing needful; with that it shall be well with you in whatsoever you have to do with said fact. Get, by the sublimest constitutional methods, belauded by all the world, an incorrect image of the fact: so shall it be other than well with you; so shall you have laud from able editors and vociferous masses of mistaken human creatures; and from the Nature's Fact, continuing quite silently the same as it was, contradiction, and that only. What else?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

God , World , Understanding , Question

“In the first place, in 1950, I had a 'cosmic dream' in which I saw this image in colour and which in my dream represented the 'nucleus of the atom.' This nucleus later took on a metaphysical sense; I considered it 'the very unity of the universe,' the Christ!”

Salvador Dalí (1904–1989) Spanish artist

inscription, 1950; on the bottom of his studies for the painting 'Christ of Saint John of the Cross'; as quotes by Robert Descharnes, Dalí. New York: Harry N. Abrams, Inc., 2003.
Dalí explained his inspiration for the painting 'Christ of Saint John of the Cross'
Quotes of Salvador Dali, 1941 - 1950

Dreams , Sense , Universe , Christ

“History, if viewed as a repository for more than anecdote or chronology, could produce a decisive transformation in the image of science by which we are now possessed.”

Thomas Kuhn book The Structure of Scientific Revolutions

The Structure of Scientific Revolutions (1962), I. Introduction: A Role of History

History , Decision , Science

“You state that the Bureau under the [counter-intelligence program] should not attack programs of community interest such as the [] "Breakfast for Children." … You have obviously missed the point.… This program was formed by the BPP for obvious reasons, including their efforts to create an image of civility, assume community control of Negroes, and to fill adolescent children with their insidious poison.”

J. Edgar Hoover (1895–1972) American law enforcement officer and first director of the FBI

"Racial Intelligence: Black Panther Party (BPP)" (27 May 1969).

Children , Intelligence , Communication , Effort

“Every part of the photographic image carries some information that contributes to its total statement; the viewer's responsibility is to see, in the most literal way, everything that is there and respond to it”

Howard S. Becker (1928) American sociologist

Becker (1986) "Do Photographs Tell the Truth?” and “Aesthetics and Truth" as cited in: Ingolf Erler (2010) Das Buch als soziales Symbol. p. 147.

Way , Parting

“Maybe God is waiting for us to be silent long enough so he may begin painting a new picture in our imaginations, to begin transforming our image of a manageable deity into one that can truly inspire.”

Skye Jethani

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

God , Imagination , Waiting , Painting

“Everything that tends to make it difficult to distinguish youth from age is an act of civilization. The best-mannered age in history invented the wig - a homage rendered by hair to baldness. The effect of powder and rouge is to make young women like their grandmothers, and invalids like healthy people. Clever dressmaking establishments and beauty shops create fashions which make it possible for elderly women to keep hoping. After a certain age, the art of dressing consists of hiding one's shortcomings, and this is another form of politeness. The veil is a marvelous invention for confusing the image and giving its wearers the semblance of beauty. All adornments are veils: they conceal the ravages of time as well as may be.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Women , People , Youth , Age

“Of all nations in the world, the United States was built in nobody's image. It was the land of the unexpected, of unbounded hope, of ideals, of quest for an unknown perfection. It is all the more unfitting that we should offer ourselves in images. And all the more fitting that the images which we make wittingly or unwittingly to sell America to the world should come back to haunt and curse us.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 245.

World , Hope , Perfection

“Geovisualization integrates approaches from visualization in scientific computing (ViSC), cartography, image analysis, information visualization, exploratory data analysis (EDA), and geographic information systems (GISystems) to provide theory, methods, and tools for visual exploration, analysis, synthesis, and presentation of geospatial data”

Alan MacEachren (1952) American geographer

any data having geospatial referencing
Source: Research challenges in geovisualization (2001), p. 3

“Q: Why is it that in all of your commercials you have the image of Latinos? What do you see when you hear, and I quote, "illegal aliens?"
Sharron Angle: I think that you're misinterpreting those commercials. I'm not sure that those are Latinos in that commercial. What it is, is a fence and there are people coming across that fence. What we know is that our northern border is where the terrorists came through. That's the most porous border that we have. We cannot allow terrorists; we cannot allow anyone to come across our border if we don’t know why they're coming. So we have to secure all of our borders and that's what that was about, is border security. Not just our southern border, but our coastal border and our northern border.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

speaking to Rancho High School's Hispanic Student Union
Jon
Ralston
Video: Angle tells Hispanic kids “I’m not sure those are Latinos” in her ad (!), says really about northern border (!!)
2010-10-17
Las Vegas Sun
http://www.lasvegassun.com/blogs/ralstons-flash/2010/oct/17/video-angle-tells-hispanic-kids-im-not-sure-those-/
2010-10-20
Quinn
Bowman
Terence
Burlij
Angle Caught on Tape Again, Tells Latino Students They 'Look a Little More Asian'
2010-10-19
The Rundown
PBS
http://www.pbs.org/newshour/rundown/2010/10/the-morning-line-angle-caught-on-tape-again.html
2010-10-20

People , Quotes , Thinking

“We have ranged over all the main phases of human information processing - from information encoding, storage, retrieval, and transformation to output. We have considered the role of consciousness in the analysis and selection of stimuli, in learning and memory, and in the production of voluntary responses, including those requiring planning and creativity.
In one sense, each of these tasks may be "conscious" (if it is at the focus of attention). We may be conscious of the stimuli that we analyze and select for more detailed attention, conscious of what we learn and commit to memory, and conscious of the responses we make to such stimuli. When the required responses are complex or novel we may be aware of devoting effort to planning and monitoring their execution. In reflective thought or problem solving we may have some awareness of internal processing in the form of thoughts, emotions, images, and so forth. Whether consciousness is necessary for such processing, however, is a different matter.”

Max Velmans (1942) British psychologist

Partly cited in: W.S. Robinson (2006). "Epiphenomenalism." Encyclopedia of Cognitive Science.
Is human information processing conscious?, 1991

Problem , Sense , Effort , Learning

“The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.' I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.”

Alex Miller book The Ancestor Game

Page 18.
The Ancestor Game (1992)

Reality , Sense , Drawing

“In the Middle Ages the king offered protection to his subjects in return for their loyalty, and the subjects were doubly protected, for the church also sheltered them. The need for shelter - for a father image that cares and will hopefully provide and give some meaning to human lives - remains as real as it was in the Middle Ages, but modern technocracy has no place for either the father or the church and provides no substitute.”

Pierre Stephen Robert Payne (1911–1983) British lecturer, novelist, historian, poet and biographer

A Vision of the Uncorrupted Society, p. 292 ( See also: Social contract..)
The Corrupt Society - From Ancient Greece To Present-Day America (1975)

Age , Loyalty

“The image of the whole of Bharatavarsha being a chakravartikshetra is as old as the oldest Vedic literature. The Itihasa-Purana provide glorious accounts of many chakravartins-Ikshvaku, Puru, Prithu Vainya, Sivi Ausinara, Mandhata, Raghu and so on-who accompanied the ašvamedha horse demanding submission from all kingdoms and republics, big and small, spread all over the country. The rãjasûya yajña which was performed at the end of this campaign was more in the nature of a meeting of equals than a durbar held by a despot in order to humble or humiliate subordinate princes and patriarchs. Sri Krishna had demanded death for Jarasandha because the latter had violated this dharmic tradition of empire-building, and kept a hundred kings captive in his castle. The Nandas had won notoriety as an ignoble dynasty because they had also violated the standard code of conduct laid down by the rãjadharma for righteous emperors, destroyed many local dynasties, and reduced other princes to provincial satraps.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Death , Literature , Nature , Horse

“[Cubitt hurling insults at Pinky after he refuses to lend him money] The picture Cubitt drew had got nothing to do with him: it was like the pictures men drew of Christ, the image of their own sentimentality. …He was like a professor describing to a stranger some place he had only read in books:…when all the time it was a country the stranger knew…”

Graham Greene book Brighton Rock

Brighton Rock (1938)

Men , Money , Books , Time

“The Bible predicts that in the last days of man-made regimes on earth, a totally godless, anti-Christ world government will arise, led by a Devil-possessed dictator, Satan incarnate, who will bring a temporary false peace on earth and a counterfeit utopia. Its price will be enforced worship of him as the imitation Messiah. All of his subjects will be branded with a credit number in order to buy or sell or obtain food or employment, and all those who refuse to cooperate will be hunted, persecuted, and slaughtered by his commandment. This will be a time of Great Tribulation.
This anti-Christ government of anti-Christ forces under the leadership of the Antichrist himself, this superhuman world dictator of man's last one-world godless government, will then set up its headquarters in Jerusalem, his capital, and unite all peoples of the world into a one-world worship of this demon-demagogue and his magical image which can speak.
These startling events will immediately precede the Second Coming of Jesus Christ, which is the major endtime event, the grand climax, as the Lord Himself returns and wipes out the Antichrist and his followers and sets up the last and most lasting and only perfect government the world has ever known, and "the meek shall inherit the earth"”

David Berg (1919–1994) Children of God founder

Psalm 37:11
A More Sure Word of Prophecy (2 Peter 1:19)

People , World , Peace , Food

“The idea so possessed my mind, that a thrill of fear ran through me, and I wished to exchange the ghastly image of my fancy for the realities around. I see them still; the very room, the dark parquet, the closed shutters, with the moonlight struggling through, and the sense I had that the glassy lake and white high Alps were beyond.”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

Fear , Idea , Reality , Sense

“Remember three things about censorship. First, it doesn’t work to suppress art or words that you don’t like. Second, trying to censor something just arouses interest in it, as well as resentment towards those who try to tell others what they can or cannot see. Third, exhibiting art or recommending that students read a book does not mean an endorsement of the image or contents.”

Jerry Coyne (1949) American biologist

" National Coalition Against Censorship and PEN defend Met’s showing of a “controversial” painting https://whyevolutionistrue.wordpress.com/2017/12/09/national-coalition-against-censorship-and-pen-defend-mets-showing-of-a-controversial-painting/" December 9, 2017

Books , Art , Reading

“It is not uncommon for intelligent adults to turn into passive observers of their own incompetence in anything but the most elementary mathematics. Individuals may see the direct consequences of this intellectual paralysis in terms of limiting job possibilities. But the indirect, secondary consequences are even more serious. One of the main lessons learned by most people in math class is a sense of having rigid limitations. They learn a balkanized image of human knowledge which they come to see as a patchwork of territories separated by impassable iron curtains.”

Seymour Papert book Mindstorms: Children, Computers, and Powerful Ideas

Source: Mindstorms: Children, Computers, and Powerful Ideas (1980), Chapter 2, Mathophobia: The Fear of Learning

People , Intelligence , Mathematics , Knowledge

“The first is that he must be well-ordered from without in all virtues and unhindered within, just as empty of all outward works as though he were not working. For if he is busy within by any work of virtue, then he is assailed by images. As long as that is going on in him, he cannot contemplate.”

John Ruysbroeck (1293–1381) Flemish mystic

The Spiritual Espousals (c. 1340)

Business

“What are the ingredients of the most creatively meaningful image of human existence that the mind can conceive? Remove human frailty--as grass, as a sigh, as dust, as moth-crushed--and the estimate becomes romantic. Remove grandeur--a little lower than God--and aspiration recedes. Remove sin-the tendency to miss the mark--and sentimentality threatens. Remove freedom--choose ye this day!--and responsibility goes by the board. Remove, finally, divine parentage and life becomes estranged, cut loose and adrift on a cold, indifferent sea. With all that has been discovered about human life in the intervening 2,500 years, it is difficult to find a flaw in this assessment.”

Huston Smith book The World's Religions

On the Torah's take on human existence.
The World's Religions (1991)

Life , God , Freedom , Grass

“Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

World , Appearance , Drawing

“The brain attempts to recognize this odor image by scanning and resolving it into previously stored patterns”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 469 as cited in: Donald A. Wilson, Richard J. Stevenson (2010) Learning to Smell: Olfactory Perception from Neurobiology to Behavior. p. 2

“The standard of judgment is no longer results but the flickering image of seriousness, skillfully crafted to squeeze into 30 seconds on the nightly news. In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

On the national debate, Speech http://www.nytimes.com/1987/06/10/us/biden-joins-campaign-for-the-presidency.html announcing entry into 1988 presidential race, Wilmington, Delaware (June 10, 1987)
1980s

World

“I think [Britney Spears] is a perfect example of an artificial construct -- someone with a decent voice and a very marketable image, that producers and business people turned into a pop star. Unfortunately, I think it took a toll on her, mentally, and I feel bad for the trouble that success has brought onto her. However, her music is pretty disposable, and she doesn't have the intelligence and cultural impact of someone like, say, Madonna.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

People , Music , Feeling , Star

“An underlying characteristic of a person in that it may be a motive, trait, skill, aspect of one’s self-image or social role, or a body of knowledge which he or she uses… a person’s competencies reflect his or her capability. They are describing what he or she can do, not necessarily what he or she does, nor does all the time regardless of the situation and setting.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 23.

Motivation , Knowledge , Time , Personality

“And its seeing is Unconditioned,
Being without manner,
And it is neither thus nor thus,
Neither here nor there;
For that which is Unconditioned hath enveloped all,
And the vision is made high and wide.
It knows not itself where That is which it sees;
and it cannot come thereto, for its seeing is in no wise,
and passes on, beyond, for ever, and without return.
That which it apprehends it cannot realise in full,
Nor wholly attain, for its apprehension is wayless,
and without manner,
And therefore it is apprehended of God in a higher way than it can apprehend Him.
Behold! such a following of the Way that is Wayless,
Is intermediary between contemplation
In images and similitudes of the intellect,
And unveiled contemplation
Beyond all images in the Light of God.”

John Ruysbroeck (1293–1381) Flemish mystic

The Twelve Beguines

God , Way , Light

“If intellection and knowledge were mere passion from without, or the bare reception of extraneous and adventitious forms, then no reason could be given at all why a mirror or looking-glass should not understand; whereas it cannot so much as sensibly perceive those images which it receives and reflects to us.”

Ralph Cudworth (1617–1688) English philosopher

Source: Treatise Concerning Eternal and Immutable Morality (1731), Ch. 1, sct. 3

Understanding , Knowledge , Passion

“Depersonalization is a concept difficult to delineate. It can be regarded as a symptom or as a loosely associated group of symptoms that occurs in psychiatric patients. It can be induced experimentally and also occurs spontaneously in normal subjects. A major obstacle to clearer definition of this concept lies in the fact that it refers to exceedingly private events in the individual's experience. These prove very difficult to describe by a language geared to the description of public (consensually validated) events or private events, such as pain, that occur usually in clearly defined social settings. When it comes to describing and conveying something as ineffable as depersonalization or derealization, the subject resorts to metaphors, "as if" expressions, and figures of speech. The result is semantic confusion. Different authors mean different things when they use the term depersonalization.
The concept of depersonalization merges by imperceptible degrees with the concept derealization, the concept of altered body image and self, deja vu, jamais vu, altered time and space perception and so on - the whole gamut of phenomenological description of the experiences of mental patients. Therefore, it is rather difficult to evaluate and to review objectively the psychiatric literature on the phenomena of depersonalization.”

Thaddus E. Weckowicz (1919–2000) Canadian psychologist

Source: Depersonalization, (1970), p. 171

Pain , Literature , Time

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Life , Men , God , People

“The ultimate reflection of the Creator’s glory will be the redemption and glorification of our bodies, when at the rapture, our bodies are transformed into the image of Christ. (1 Thess. 4:116-17; 1 Cor. 15:51-56).”

Paul P. Enns (1937) American theologian

Source: Heaven Revealed (Moody, 2011), p. 75

Christ

“For the student of visionary art the interesting fact is that an image comes first and takes up residence in the mind long before the artist has any notion why it is there or what it means. Whether visions come from some great reservoir of symbolic images which are eternally there (and if one examines the recurrence of images in history this proposition is not quite as crazy as it sounds) or whether they are due to buried memories, their obsessive power over an artist's mind, and their clear, compulsive emergence in his work depends on a mental condition that can come and go. When, for some reason, they no longer present themselves to the mind's eye, alive or clamoring to be born, the visionary artist has a hard time — dark days. This is particularly true if he has lost the habit of feeding his mind on the observation of nature.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 6: Blake

Art , History , Nature , Memory

“The images play out for us events which are not present in our senses, and… create the future—a future that… may never come to exist in that form.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Sense , Future

“These thirty years, and more, that I've spent among exotic, barbaric, indomitable gods and goddesses, nourished on myths, obsessed by symbols, nursed and bewitched by so many images which have come down to me from those submerged worlds, today seem to me to be the stages of a long initiation. Each one of these divine figures, each of these myths or symbols, is connected to a danger that was confronted and overcome. How many times I was almost lost, gone astray in this labyrinth where I risked being killed… These were not only bits of knowledge acquired slowly and leisurely in books, but so many encounters, confrontations, and temptations. I realize perfectly well now all the dangers I skirted during this long quest, and, in the first place, the risk of forgetting that I had a goal… that I wanted to reach a "center."”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Journal entry (10 November 1959) published in No Souvenirs (1977) , 74-5. Journal II, 1957-1969 (1989).

God , Books , World , Knowledge

“It is clear that the images and other representations which we have in the houses of worship have caused the risk of idolatry. Therefore they should not be allowed to remain there, nor in your chambers, nor in the market-place, nor anywhere else where one does them honor. Chiefly they are not to be tolerated in the churches, for all that is in them should be worthy o our respect. If anyone desires t put historical representations on the outside of the churches that may be allowed, so long as they do not incite to their worship. But when one begins to bow before these images and to worship them, then they are not to be tolerated anywhere in the wide world; for that is the beginning of idolatry, nay, is idolatry itself.”

Huldrych Zwingli (1484–1531) leader of the Protestant Reformation in Switzerland, and founder of the Swiss Reformed Churches

Letter, Nov 17 1523, ibid, p.208

World , Housing

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Death , Money , God , Faith

“The sculptural qualities of the image dim down the purely personal identity.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 369

Personality

“Thus, after pursuing those images, I overtook them. Now I know that I invented them. But inventing is a creation, not a lie.”

Italo Svevo book Zeno's Conscience

È così che a forza di correr dietro a quelle immagini, io le raggiunsi. Ora so di averle inventate. Ma inventare è una creazione, non già una menzogna.
Source: La coscienza di Zeno (1923), P. 337; p. 404.

Lie

“Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families... tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 121

Family

“The contemporary scene of labor and production, we will explain, is being transformed under the hegemony of immaterial labor, that is, labor that produces immaterial products, suchs as information, knoledges, ideas, images, relationships, and affects. This does not mean that there is no more industrial working class whose calloused hands toil with machines or that there ae no more agricultural workers who till the soil. It does not even mean that the numbers of such workers have decreased globally. In fact, workers involved primarily in immaterial production are a small minority of the gloval whole. What it means, rather, is that the qualities and characteristics of immaterial production are tending to transform the other forms of labor and indeed society as a whole. Some of these new characteristics are decidedly unwelcome. When our ideas and affects, or emotions, are put to work, for insance, and when they thus become subject in a way to the command of the boss, we often experience new and intense forms of violation or alienation. Furthermore, the contractual and material conditions of immaterial labor that tend to spread to the entire labor market are making the position of labor in general more precarious. The is one tendency, for example, in various forms of immaterial labor to blur the distinction between work time and nonwork time, extending the working day indefinietly to fill all of life, and another tendency for immaterial labor to function without stable long-term contracts, and thus to adopt the precarious position of becoming flexible (to accomplish several tasks) and mobile (to move continually among locations). […] The production of ideas, knowledges, and affects, for example, does not merely create means by which society is formed and maintained; such immaterial labor also directly produces social relationships. […] immaterial labor tends to take the social form of network based on communication.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

65-66
Multitude: War and Democracy in the Age of Empire

Life , Way , Communication , Idea

“The image that creates this thinking gives rise to a feeling of evidence and a conviction that it is not based on reason. This kind of thinking explains the reaction we so often note among our contemporaries: when someone asks them to give the reason for their opinions, they answer: "It’s evident." This thinking, which creates prejudices and stereotypes, is the domain of the unquestionable. Obviously you cannot dispute with an image, and you cannot challenge the hero of a film. But this extends to the mental images produced by the film: there is no criticism or debate possible, because these involve differing methods of thought. What produces immediate assent cannot bear the discussion process. The conviction acquired in this way can only be attacked on its own ground: by other images.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 213
The Humiliation of the Word (1981)

Way , Feeling , Thinking

“We have a good image among the population - we should distinguish between voting and image, not everyone who appreciate us actually votes for us.”

Raid Jahid Fahmi (1950) Iraqi politician

Interview with Al Jazeera (25 May 2018)

“The painted, engraved, and carved images of prehistory are threads from past cultures, and we are foreigners trying to interpret their meaning. Perhaps more than anything else, art can be fully understood only in the context of the culture that produced it.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art , Past , Painting

“Since the abortive coup, Erdogan has been acting like a wounded giant, moving in every direction, hitting everyone in sight and groping for ghosts in the dark. To impose his image as a man of action he has ordered thousands of arrests, massive purges and favor-distribution on a gargantuan scale. He has also put into circulation a dime-a-dozen ideas for constitutional and judicial reform. In the process he has ignored another lesson of Mazrban Nameh: to think as a man of action but to act as a man of thought.”

Amir Taheri (1942) Iranian journalist

Opinion: Turkey – Towards a “One and a Half Party” System http://english.aawsat.com/2016/08/article55355819/opinion-turkey-towards-one-half-party-system, Ashraq Al-Awsat (5 Aug, 2016).

Idea , Thinking

“Hail Man, exalted title! first and best,
On God's own image by his hand imprest;
To which at last the reas'ning race is driv'n,
And seeks anew what first it gain'd from Heav'n.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)

God

“When television screens had only rare images of black folks, black people were more critically vigilant about these representations. Even when blackness was represented 'positiviely,' as it was in early black television shows like Julia, which focused on the life of a black nurse, the beauty standard was a reflection of white supremacist aesthetics.”

Bell Hooks (1952) American author, feminist, and social activist

Rock My Soul (2003)

Life , People , Beauty

“The Congress president's post is different from others. It used to be called rashtrapati in the old days. There is just one in the whole country. I felt it was important to maintain the image of that office regardless of whether or not I thought there was a case against me.”

P. V. Narasimha Rao (1921–2004) Indian politician

While nobody was opening their mouths in other parties, mouths were wide open in the Congress

Country

“By the time they first encounter porn, most men have internalized the sexist ideology of our culture, and porn, rather than being an aberration, actually cements and consolidates their ideas about sexuality. And it does this in a way that gives them intense sexual pleasure. This framing of sexist ideology as sexy and hot gives porn a pass to deliver messages about women that in any other form would be seen as completely unacceptable. Imagine what would happen if suddenly we saw a slew of dramas and sitcoms on television where, say, blacks or Jews were repeatedly referred to in a racist or anti-Semitic way, where they got their hair pulled, faces slapped, and choked by white men pushing foreign objects into their mouths. My guess is that there would be an outcry and the images would not be defended on the grounds that they were just fantasy but rather would be seen for what they are: depictions of cruel acts that one group is perpetrating against another group. By wrapping the violence in a sexual cloak, porn renders it invisible, and those of us who protest the violence are consequently defined as anti-sex, not anti-violence.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Gail Dines

Women , Men , Pleasure , Sex

“Theories usually result from the precipitate reasoning of an impatient mind which would like to be rid of phenomena and replaces them with images, concepts, indeed often with mere words.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Maxim 428, trans. Stopp
Maxims and Reflections (1833)

“The magic of the cave image lies in its being, not in its being seen. The symbolic does not refer. It is.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 350

“I am not trying to say that there was a single origin of the Christian savior Jesus Christ, and that origin is pure myth; rather, I am saying that there may indeed have been such a myth, and that if so, it eventually flowed together with other Jesus images, some one of which may actually have been based on a historical Jesus the Nazorean.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Deconstructing Jesus, https://books.google.com/books?id=VJh1H-hf5EwC&pg=PA85, 2000, Prometheus Books, Publishers, 978-1-61592-120-1, 85]

Christ

“O Thou Lamb of God that taketh away the sin of the world, what Thou bearest in Thy blessed hands and feet I cannot bear; take it all away. Hide me in the depths of Thy suffering love, mold me to the image of Thy divine passion.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 86.

Love , God , World , Suffering

“The generally accepted image of international trade is one in which a number of trading communities… are engaged in striving each to win for itself, and at the expense of the others, the largest possible share of a strictly limited objective—the world market. … So far as world or international trade is rightly presented as a competitive process, that competition takes place not between America, Britain, Germany, but between a number of separate American, British, German, firms. The immediate interests of these firms is not directed along political lines.”

J.A. Hobson (1858–1940) English economist, social scientist and critic of imperialism

The Morals of Economic Irrationalism (1920)

World , Communication

“Has the contemporary church been so captivated by the images and methods of the consumer culture that it has forfeited its sacred vocation to be a countercultural agent of God's kingdom in the world?”

Skye Jethani

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

God , World

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 59-60

Life , Fate , Pleasure , Truth

“To our western eyes, the painted images are the most prominent component of a corpus of artistic expression. This Western bias, a particularly Eurocentric bias, has been pervasive and deep. …it has resulted in a lack of attention to, and concern about, prehistoric art of equal and sometimes greater antiquity in eastern and southern Africa.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art , Painting

“All civilizations go though similar processes of emergence, rise, and decline. The West differs from other civilizations not in the way it has developed but in the distinctive character of its values and institutions. These include most notably its Christianity, pluralism, individualism, and rule of law, which made it possible for the West to invent modernity, expand throughout the world, and become the envy of other societies. In their ensemble these characteristics are peculiar to the West. Europe, as Arthur M. Schlesinger, Jr., has said, is “the source — the unique source” of the “ideas of individual liberty, political democracy, the rule of law, human rights, and cultural freedom. . . . These are European ideas, not Asian, nor African, nor Middle Eastern ideas, except by adoption.” They make Western civilization unique, and Western civilization is valuable not because it is universal but because it is unique. The principal responsibility of Western leaders, consequently, is not to attempt to reshape other civilizations in the image of the West, which is beyond their declining power, but to preserve, protect, and renew the unique qualities of Western civilization. Because it is the most powerful Western country, that responsibility falls overwhelmingly on the United States of America.
To preserve Western civilization in the face of declining Western power, it is in the interest of the United States and European countries … to recognize that Western intervention in the affairs of other civilizations is probably the single most dangerous source of instability and potential global conflict in a multicivilizational world.”

Samuel P. Huntington (1927–2008) American political scientist

Source: The Clash of Civilizations and the Remaking of World Order (1996), Ch. 12 : The West, Civilizations, and Civilization, § 2 : The West In The World, p. 311

World , Law , Way , Democracy

“The new vision…. does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane… Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote, 1919, as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 148
1910's

Idea , Sense , Time , Future

“Time is the image of eternity.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Plato, 41.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 3: Plato

Time

“Those who present directly and immediately the new forms and symbols are the artists — the dramatists, the musicians, the painters, the dancers, the poets, and those poets of the religious sphere we call saints. They portray the new symbols in the form of images — poetic, aural, plastic, or dramatic, as the case may be. They live out their imaginations.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22

Imagination

“There is something ridiculous and miserly in the myth we inherit from abstract art: That painting is autonomous, pure and for itself, and therefore we habitually analyze its ingredients and define its limits. But painting is 'impure'. It is the adjustment of 'impurities', which forces painting’s continuity. We are image-makers and image-ridden. There are no 'wiggly or straight lines' or any other elements. You work until you vanish. The picture isn’t finished if they are seen.”

Phillip Guston (1913–1980) American artist

transcript of the panel, March 1960, held at the Philadelphia Museum School of Art, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p.61
1950 - 1960

Art , Painting

“As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. … I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.”

Jean Paul Sartre book Nausea

Diary entry of Friday 3:00pm (9 February?)
Nausea (1938)

Feeling , Search , Memory , Past

“Biological determinism has for years struck me as a failure of intellectual nerve. So I don't mean to counter sexist theories along those lines with a mirror-image feminist version. We have as yet no truly value-free science, uninfluenced by masculinist (among other biases) prejudice. Consequently — although on certain bleak days I am sorely tempted to agreement with what we feminists have termed the "acute terminal testosterone-poisoning" theory of patriarchal history — I do not make the argument that women are inherently more peaceable, nurturing, or altruistic than men. (For one thing, this permits men the laziest of justifications for their own behavior.) Yet it is undeniable that history is a record of most women acting peaceably and of most men acting belligerently”

Robin Morgan (1941) American feminist writer

to a point where the capacity for belligerence is regarded as an essential ingredient of manhood and the proclivity for conciliation is thought largely a quality of women.
The Demon Lover: On the Sexuality of Terrorism (1989). New York: WW Norton & Co. 395 p. ISBN 0393306771. (2000 revised ed, ISBN 0743452933.)

Women , Men , Behavior , History

“As I go musing through this mournful land
Soothed by the pine-tree's solemn harmony,
Thy well-loved image comes and walks by me.
I seem to hold thee by the gentle hand
And talk of things I dimly understand,
That thy dear spirit set to mine may be
As to an intricate lock the simple key.”

John Barlas (1860–1914) British writer

XXXII. "As I go musing through this mournful land"
Love Sonnets http://www.sonnets.org/love-sonnets.htm (1889)

Love , Understanding , Tree

“My image will soon be obliterated; it was only an illusion. But even though I may fall, even though my image may be obliterated, there is one thing that will never fall and can never be obliterated, and that is the yearning of those in chains for liberty.”

Halldór Laxness (1902–1998) Icelandic author

transcript of Örn's speech to the Laborers
Heimsljós (World Light) (1940), Book Three: The House of the Poet

“Initially I observed, in sweeping, panoramic vision, a perpetually metamorphosing Persian rug. A few minutes later these patterns segued into cinematic images from childhood—it was kind of like watching home movies.”

David Woodard (1964) American writer, conductor and businessman

LA Weekly (Jul. 26 - Aug. 1, 1996)

Home , Childhood

“The language becomes entirely perverted where Eichmann turns metaphors on their heads, talking about expulsion and murder using gentle images of life. An institution for forced emigration was his "first child," where he was able to "be creative in my work." All the individual acts of robbery and expulsion that took place in Austria were committed to "provide [the country] with injections of Jewish solutions." Even exterminations and deportations were "born". This was why he felt so superfluous in Budapest, when he was forced to stop deporting people to Auschwitz: "As far as I know, I couldn't have done anything fruitful anymore"… In Eichmann's language, he didn't send people to the death camps; the camps were "fed with material".”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Eichmann Before Jerusalem by Bettina Stangneth (2015).

Life , Death , People , Country

“They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 60-61

Truth , World , Hope , Art

“God did not, as the Bible says, make man in His image; on the contrary man, as I have shown in The Essence of Christianity, made God in his image.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Lecture XX, see [Lectures on the Essence of Religion, Harper & Row, New York, 1967, 187, Transl. Ralph Manheim] German: [Vorlesungen über das Wesen der Religion, Wigand, Leipzig, 1851, 241]
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)

God

“It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:, br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 15-16

Dreams , Idea , Question , Problem

“What glass unwinking gives our trust
Its image back, what echo names
The names we hurl at namelessness?”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Love's Voice (c.1935–1939)

“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—i. e., by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1549), p. 13

People , School , Faith , Religion

“One of the biggest box-office successes in movie history — probably because for young audiences it's like getting a box of Cracker Jack that is all prizes. Written and directed by George Lucas, the film is enjoyable in its own terms, but it's exhausting, too: like taking a pack of kids to the circus. There's no breather in the picture, no lyricism; the only attempt at beauty is in the image of a double sunset. The loudness, the smash-and-grab editing, and the relentless pacing drive every idea out of your head, and even if you've been entertained, you may feel cheated of some dimension — a sense of wonder, perhaps. It's an epic without a dream.”

Pauline Kael (1919–2001) American film critic

"Star Wars," p. 714.
5001 Nights at the Movies (1982)

Beauty , Dreams , Feeling , History

“Dots are just one example of an element in Lascaux art, and in all cave art… This is a profusion of nonrepresentational, geometric patterns. In addition to dots, there are grids and chevrons, curves and zigzags, and more. …The coincidence of these geometric motifs with representational images is one of the most puzzling aspects of Upper Paleolithic art. …images, six different kinds in all, are shimmering, incandescent, mercurial—and powerful. Called entoptic images—which means "within vision"—these phenomena are products of the basic neural architecture of the human brain.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art

“God is indeed dead.
He died of self-horror
when He saw the creature He had made
in His own image.”

Irving Layton (1912–2006) Romanian-born Canadian poet

Aphs.
The Whole Bloody Bird (1969)

God , Dead

“The tradition in Hinduism is that it is not open to any Hindu, whatever be the name and mental image of the Supreme Being he uses for his devotional exercises, to deny the existence of God that others worship. He can raise the name of his choice to that of the highest, but he can not deny the divinity or the truth of the God of other denominations. The fervor of his own piety just gives predominance to the name and form he gives for his own worship and contemplation, and he treats the other gods as deriving the divinity therefrom. This reduces all controversy to a devotional technique of concentration on a peculiar name and mental form or concrete symbol as representing the supreme being. It makes no difference in the contents of Vedanta to which all devotees equally subscribe… ‘just as all water raining from the skies goes to the ocean, worship of all gods go to Keshava.”

C. Rajagopalachari (1878–1972) Political leader

C. Rajagopalachari (1900) Hinduism, doctrine and way of life https://archive.org/stream/cu31924091600688#page/n37/mode/2up, p. 31; As quoted in [Rao, K.L. Seshagiri, Mahatma Gandhi And Comparative Religion, http://books.google.com/books?id=HSGWZ9mpNl4C&pg=PA110, 1 January 1990, Motilal Banarsidass Publ., 978-81-208-0767-9, 110–]

God , Truth , Exercises , Water

“From now on whatever the hour represented on the canvas, a supreme accord will be wrought amongst all the parts of the subject: the water, the sky, the clouds, the foliage, reunified by the atmosphere, will form a whole of an irreproachable homogeneity, a grandiose and charming image of natural harmony.”

Gustave Geffroy (1855–1926) French writer

1898 in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93: presented as "account at the time of the reexhibition of the seven Cathedrals in 1898."

Nature , Water , Parting

“Like most inventors, Pound did not create out of the void. The "Image" he took from T. E. Hulme's table talk. The "ism" was suggested to him by the notes on contemporary French poetry which I wrote for Harold Monro's Poetry Review. The collacation of 'image' and 'ism' came to Pound after I had told him about Divoire's essays on stratégie littéraire.”

F. S. Flint (1885–1960) English Imagist poet

Verse Chronicle, article, The Criterion, 1932
Other Quotes

“On the 24th of the same month I went to see the fort of Kangra, and gave an order that the Qazi, the Chief Justice (Mir'Adl), and other learned men of Islam should accompany me and carry out in the fort whatever was customary, according to the religion of Muhammad. Briefly, having traversed about one koss, I went up to the top of the fort, and by the grace of God, the call to prayer and the reading of the Khutba and the slaughter of a bullock which had not taken place from the commencement of the building of the fort till now, were carried out in my presence. I prostrated myself in thanksgiving for this great gift, which no king had hoped to receive, and ordered a lofty mosque to be built inside the fort' ….'After going round the fort I went to see the temple of Durga, which is known as Bhawan. A world has here wandered in the desert of error. Setting aside the infidels whose custom is the worship of idols, crowds of the people of Islam, traversing long distances, bring their offerings and pray to the black stone (image)' Some maintain that this stone, which is now a place of worship for the vile infidels, is not the stone which was there originally, but that a body of the people of Islam came and carried off the original stone, and threw it into the bottom of the river, with the intent that no one could get at it. For a long time the tumult of the infidels and idol-worshippers had died away in the world, till a lying brahman hid a stone for his own ends, and going to the Raja of the time said: 'I saw Durga in a dream, and she said to me: They have thrown me into a certain place: quickly go and take me up.”

Jahangir (1569–1627) 4th Mughal Emperor

The Raja, in the simplicity of his heart, and greedy for the offerings of gold that would come to him, accepted the tale of the brahman and sent a number of people with him, and brought that stone, and kept it in this place with honour, and started again the shop of error and misleading
Kangra (Himachal Pradesh) , Tuzuk-i-Jahangiri, translated into English by Alexander Rogers, first published 1909-1914, New Delhi Reprint, 1978, Vol. II, pp. 223-25.

Men , God , People , World