“The mingling of object and image in collage, of given fact and conscious artifice, corresponds to the illusion-producing processes of contemporary civilization. In advertisements, news stories, films, and political campaigns, lumps of unassailable data are implanted in preconceived formats in order to make the entire fabrication credible. Documents waved at hearings by Joseph McCarthy to substantiate his fictive accusations were a version of collage, as is the corpse of Lenin, inserted by Stalin into the Moscow mausoleum to authenticate his own contrived ideology. Twentieth-century fictions are rarely made up of the whole cloth, perhaps because the public has been trained to have faith in "information."”

—  Harold Rosenberg

Collage is the primary formula of the aesthetics of mystification developed in our time.
Source: Art on the Edge, (1975), p. 178, "Collage: Philosophy of Put-Togethers"

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The mingling of object and image in collage, of given fact and conscious artifice, corresponds to the illusion-producin…" by Harold Rosenberg?
Harold Rosenberg photo
Harold Rosenberg29
American writer and art critic 1906–1978

Related quotes

Ellsworth Kelly photo

“The three horizontal bands at the top [ in his collage: landscape with paintings 1954] correspond to sea, sand and sky, while the yellow/white and red/white shapes at the bottom are the paintings – though of a kind I actually painted only later. It was the collage that suggested the idea of doing such paintings.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 18 : 'Notes from 1969'

“Television is becoming a collage — there are so many channels that you move through them making a collage yourself. In that sense, everyone sees something a bit different.”

David Hockney (1937) British artist

Interview with Paul Joyce, New York, November 1985, quoted in Hockney on Photography, ed. Wendy Brown (1988)
1980s

“My own mystic bent leads me to believe that musical variations, collage, reiteration and process, or evolution, are beautiful. Life is worth living and beauty is worth making.”

Beth Anderson (1950) American neo-romantic composer

Beth Anderson http://www.allmusic.com/artist/beth-anderson-mn0000757980 at allmusic.com, 2013

“After being murdered at Stalin's orders, Lev Davidovich Bronstein, alias Leon Trotsky (1879-1940), lived on for decades as the unassailable hero of aesthetically minded progressives who wished to persuade themselves that there could be a vegetarian version of communism.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Leon Trotsky', p. 747
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Jacques Bertin photo

“Data is transformed into graphics to understand. A map, a diagram are documents to be interrogated. But understanding means integrating all of the data. In order to do this it’s necessary to reduce it to a small number of elementary data. This is the objective of the “data treatment” be it graphic or mathematic.”

Jacques Bertin (1918–2010) French geographer and cartographer

About the true value of graphics
Interview with Jacques Bertin (2003)

“These organizational processes result in our perceptions being structured into units corresponding to objects and properties of objects. It is these larger units that may be stored and later assembled into images that are experienced as quasi-pictorial, spatial entities resembling those evoked during perception itself…. It is erroneous to equate image representations with mental photographs, since this would overlook the fact that images are composed from highly processed perceptual encodings.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 19

Peter L. Berger photo

“Legitimation as a process is best described as a 'second-order' objectivation of meaning. Legitimation produces new meanings that serve to integrate the meanings already attached to disparate institutional processes. The function of legitimation is to make objectively available and subjectively plausible the 'first-order' objectivations that have been institutionalized.”

Peter L. Berger book The Social Construction of Reality

Source: The Social Construction of Reality, 1966, p. 92 (1991; 110)

Annie Besant photo

“For in the Spirit-World there is Reality; as the process of differentiation proceeds, illusion is produced, and it is this mind, this growing mind, that makes the illusion. It is this growing mind that has endless images and pictures, that has the image-making faculty which we speak of as imagination, that has the reasoning faculty which builds on the airy picture that it has made— it is this which is the real creator of illusion, it is this which slays the Real, so far as the disciple is concerned, and his first work as disciple will be to slay the slayer.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court, 1895, p. 57

Georges Braque photo

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Georges Braque (1882–1963) French painter and sculptor

the letters
Source: posthumous quotes, Braque', (1968), p. 68

Dadasaheb Phalke photo

“He produced, directed, processed and did everything to make the first Indian feature film Raja Harishchandra. Unlike most film makers of those days, Phalke did not have the westernized audience in mind. His vision was to use the medium to narrate an Indian story to the audience.”

Dadasaheb Phalke (1870–1944) Indian producer-director-screenwriter

In [Khandekar, Vanita Kohli-, The Indian Media Business, http://books.google.com/books?id=1C4nAgAAQBAJ&pg=PA176, 3 October 2013, SAGE Publications, 978-81-321-1788-9, 176]

Related topics