Quotes about figure
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Bruce Fein photo

“Armenians are balking because they are skeptical of their own figures and accusations.”

Bruce Fein (1947) American lawyer

Lies, Damn Lies, and Armenian Deaths (2009)

André Derain photo
Donald J. Trump photo

“Look, having nuclear—my uncle was a great professor and scientist and engineer, Dr. John Trump at MIT; good genes, very good genes, OK, very smart, the Wharton School of Finance, very good, very smart—you know, if you're a conservative Republican, if I were a liberal, if, like, OK, if I ran as a liberal Democrat, they would say I'm one of the smartest people anywhere in the world—it's true!—but when you're a conservative Republican they try—oh, do they do a number—that's why I always start off: Went to Wharton, was a good student, went there, went there, did this, built a fortune—you know I have to give my like credentials all the time, because we're a little disadvantaged—but you look at the nuclear deal, the thing that really bothers me — it would have been so easy, and it's not as important as these lives are—nuclear is powerful; my uncle explained that to me many, many years ago, the power and that was 35 years ago; he would explain the power of what's going to happen and he was right, who would have thought?—but when you look at what's going on with the four prisoners—now it used to be three, now it's four—but when it was three and even now, I would have said it's all in the messenger; fellas, and it is fellas because, you know, they don't, they haven't figured that the women are smarter right now than the men, so, you know, it's gonna take them about another 150 years—but the Persians are great negotiators, the Iranians are great negotiators, so, and they, they just killed, they just killed us.”

Donald J. Trump (1946) 45th President of the United States of America

Speech in South Carolina (19 July 2016)
2010s, 2016, July

“Nowadays, you cannot be a very Effective political figure without Having a demonstrable sense of humor. People take to it.”

Robert Orben (1928) American magician and writer

Claudia Buck (May 26, 1986) "Humorless Election Year Is Nothing To Laugh At", Sacramento Bee, p. A1.

Lucy Lawless photo
Donald E. Westlake photo

“Brian had all that day to figure out what was going on, and yet he didn't.”

Donald E. Westlake (1933–2008) American novelist

What's So Funny? (2007)

Vladimir Lenin photo
Chang Yu-hern photo

“History often repeats itself. If we can learn our lessons early, we can avoid accidents. The purpose of the investigation is not to blame someone for the neglect of duty or to hold someone responsible, but to figure out the real causes for the accidents and avoid making the same mistakes again.”

Chang Yu-hern (1954) Taiwanese politician

Chang Yu-hern (2010) cited in: " NCKU Prof. Yu-Hern Chang Appointed as Chairman of Aviation Safety Council http://www.reuters.com/article/2010/06/03/idUS84305+03-Jun-2010+BW20100603" in Reuters, 3 June 2010.

John Cheever photo

“A lonely man is a lonesome thing, a stone, a bone, a stick, a receptacle for Gilbey’s gin, a stooped figure sitting at the edge of a hotel bed, heaving copious sighs like the autumn wind.”

John Cheever (1912–1982) American novelist and short story writer

The Sixties, 1966 entry.
The Journals of John Cheever (1991)

Paul Manafort photo
Frederick Douglass photo

“For the first time in the history of our people, and in the history of the whole American people, we join in this high worship, and march conspicuously in the line of this time-honored custom. First things are always interesting, and this is one of our first things. It is the first time that, in this form and manner, we have sought to do honor to an American great man, however deserving and illustrious. I commend the fact to notice; let it be told in every part of the republic; let men of all parties and opinions hear it; let those who despise us, not less than those who respect us, know that now and here, in the spirit of liberty, loyalty, and gratitude, let it be known everywhere, and by everybody who takes an interest in human progress and in the amelioration of the condition of mankind, that, in the presence and with the approval of the members of the American House of Representatives, reflecting the general sentiment of the country; that in the presence of that august body, the American Senate, representing the highest intelligence and the calmest judgment of the country; in the presence of the Supreme Court and Chief-Justice of the United States, to whose decisions we all patriotically bow; in the presence and under the steady eye of the honored and trusted President of the United States, with the members of his wise and patriotic Cabinet, we, the colored people, newly emancipated and rejoicing in our blood-bought freedom, near the close of the first century in the life of this republic, have now and here unveiled, set apart, and dedicated a monument of enduring granite and bronze, in every line, feature, and figure of which the men of this generation may read, and those of aftercoming generations may read, something of the exalted character and great works of Abraham Lincoln, the first martyr President of the United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Yasser Harrak photo

“You cannot denounce violence in the present and encourage it in the past by glorifying violent historical figures.”

Yasser Harrak Canadian liberal writer, columnist and human rights activist

Yasser Harrak. 2015. "Understanding Why ISIS Burns People Alive". Youtube. Accessed December 24, 2015. https://www.youtube.com/watch?v=BTc2KwANKX0

William Murray, 1st Earl of Mansfield photo
Thomas Hardy photo
Chip Berlet photo
Elias Canetti photo

““He is a lesser figure than X”—how it pleases an Englishman to say that! Never suspecting what basement that would put him in, a wood louse.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 74
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Ravi Zacharias photo
Thomas Carlyle photo
Scott Ritter photo
Michel Foucault photo
Ossip Zadkine photo
Lucio Russo photo

“About Archimedes one remembers that he did strange things: he ran around naked shouting Heureka!, plunged crowns into water, drew geometric figures as he was about to be killed, and so on. … One ends up forgetting he was a scientist of whom we still have many writings.”

Lucio Russo (1944) Italian historian and scientist

1.1, "The Erasure of the Scientific Revolution", p. 6
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)

Paula Modersohn-Becker photo
Joseph Strutt photo
Mickey Spillane photo
Bernard Lewis photo
Jeremy Corbyn photo
Kent Hovind photo
Kazimir Malevich photo

“Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art... I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value... If you go on as you are.... then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Jean Dubuffet photo
Fred Astaire photo
Ossip Zadkine photo
Anu Partanen photo
Jim Rogers photo
Gerhard Richter photo
David Brooks photo

“Historically, "public administration" has grown in large part out of the wider field of inquiry, "political science." The history of American political science during the past fifty years is a story much too lengthy to be told here, but some important general characteristics and tendencies it has communicated to or shared with public administration must be noted.
The Secular Spirit Despite: the fact that "political science" in such forms as moral philosophy and political economy had been taught in America long before the Civil War, the present curriculum, practically in its entirety, is the product of the secular, practical, empirical, and "scientific" tendencies of the past sixty or seventy years. American students dismayed at the inadequacies of the ethical approach in the Gilded Age, stimulated by their pilgrimage to German universities, and led by such figures as J. W. Burgess, E. J. James, A. B. Hart, A. L. Lowell, and F. J. Goodnow have sought to recreate political science as a true science. To this end they set about observing and analyzing "actual government." At various times and according to circumstances, they have turned to public law, foreign institutions, rural, municipal, state, and federal institutions, political parties, public opinion and pressures, and to the administrative process, in the search for the "stuff" of government. They have borrowed both ideas and examples from the natural sciences and the other social disciplines. Frequently they have been inspired by a belief that a Science of Politics will emerge when enough facts of the proper kinds are accumulated and put in the proper juxtaposition, a Science that will enable man to "predict and control" his political life. So far did they advance from the old belief that the problem of good government is the problem of moral men that they arrived at the opposite position: that morality is irrelevant, that proper institutions and expert personnel are determining.”

Dwight Waldo (1913–2000) American political scientist

Source: The Administrative State, 1948, p. 22-23

Stella Vine photo

“I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.”

Stella Vine (1969) English artist

Honigman, Ana Finel. "Stella Vine in conversation with Ana Finel Honigman" http://www.saatchi-gallery.co.uk/blogon/2007/07/stella_vine_in_conversation_wi.php, Saatchi Gallery (2007-07-25).
On the subjects she paints.

Boris Johnson photo

“In 1904, 20 per cent of journeys were made by bicycle in London. I want to see a figure like that again. If you can't turn the clock back to 1904, what's the point of being a Conservative?”

Boris Johnson (1964) British politician, historian and journalist

Boris Johnson on South Bank for Barclays Cycle Hire launch http://www.london-se1.co.uk/news/view/4722, London SE1, 30 July 2010
Said during the official launch of the Barclays Cycle Hire scheme.
2010s, 2010

Alberto Giacometti photo
George W. Bush photo
Marshall McLuhan photo

“Dialectic functions by converting everything it touches into figure but metaphor is a means of perceiving one thing in terms of another.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 298

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Marino Marini photo
Clive Barker photo
Orson Scott Card photo
Poul Anderson photo
Joseph Campbell photo
Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

Bruce Fein photo
Ernst Ludwig Kirchner photo

“A primitive power of artistic sensuousness speaks from the prints, which itself develops directly from the graphic technique that is tied to painstaking effort. Like the 'savage' who with patience cuts the figure.... out of the hard wood, so the artist creates perhaps his purest and strongest pieces.... following the primordial curse, if one may so understand it: from the sweat of thy brow shalt thou eat thy bread.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle, Uber Kirchners Graphik, Genius 3, no. 2 (1921):, p. 263; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 52-53
1920's

Aron Ra photo
El Greco photo
Russell Brand photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Noam Chomsky photo
Tawakkol Karman photo
John Trudell photo
John Townsend Trowbridge photo
Brandon Flowers (American football) photo
Lydia Maria Child photo
Letitia Elizabeth Landon photo
Dean Acheson photo

“President Truman used to say that budget figures revealed far more of proposed policy than speeches.”

Present at the Creation: My Years in the State Department (1969), Budget Perspectives

Calvin Coolidge photo
Yogi Berra photo

“I dunno. This game is getting funnier and funnier. We do everything but punch 'em in the nose and here we are all tied up in the Series. We flatten 'em by scores of 16-3, 10-0 and 12-0 and we still need one more to win. How do you figure that? Don't write this, but even if they beat us tomorrow, we're the better club.”

Yogi Berra (1925–2015) American baseball player, manager, coach

On the 1960 World Series; as quoted in "We Flattened 'Em, Yet We're Only Tied'" https://news.google.com/newspapers?id=PtpaAAAAIBAJ&sjid=uWwDAAAAIBAJ&pg=3807%2C3562090 by Joe Reichler (AP), in The Pittsburgh Post-Gazette (October 13, 1960), p. 35

Alan Moore photo
Elon Musk photo
Marino Marini photo
Peter Greenaway photo
Bruce Palmer Jr. photo

“In the late 1950s, when Taylor was the Army chief under the Eisenhower administration, I served in his office as the deputy secretary of the General Staff and made several official trips overseas with him. (The secretary of the General Staff at the time, then Major General William Westmoreland, coordinated the activities of the Army staff and in effect was chief of staff to the Army Chief.) General Taylor was an impressive figure, known as an intellectual, a soldier statesman, and a talented linguist. But it was an unhappy period for Taylor, who did not see eye-to-eye with the commander-in-chief or the other military chiefs as to the proper role of the Army. After he left the Army, Taylor laid out his deep misgivings about the national military establishment in a highly critical book, The Uncertain Trumpet, which caught the attention of many prominent people, including John F. Kennedy. Particularly intense and somewhat aloof during this period, Taylor appeared to those who did not know him as cold, humorless, and unbending. But he had another side- he could be friendly, a genial host, and a witty conversationalist with a well developed sense of humor. For many people, however, these more endearing qualities were not revealed until after he had retired from public life at the end of Johnson's presidency.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 20

Antoni Tàpies photo
Aristophanés photo
Max Beckmann photo

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519
Preface to View of Newton's Philosophy, (1728)

Steve Jobs photo

“I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Source: "Jobs: Iconoclast and salesman" by Brian Williams, at MSNBC http://msnbc.msn.com/id/12974884/ (25 May 2006)

Ward Cunningham photo
Edward Carpenter photo

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Gustav Stresemann photo
Noam Chomsky photo
Clifford D. Simak photo
Frank Sinatra photo
Leo Tolstoy photo

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

Perry Anderson photo
Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Bawa Muhaiyaddeen photo
David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Mike Huckabee photo

“I think there were a lot of Christian people who simply stayed home for reasons that I can't figure out. But I think every time we lose major elections or major issues like the same-sex marriage issue or the marijuana issue, it's because Christians just didn't show up and vote.I lay the blame though at the feet of those who sit faithfully in church each Sunday; they probably heard their pastor talk about the importance of this election and how so much was on the line, and yet maybe because they just didn't want to bother with having to stand in line at an election polling place, they just didn't go vote. And we're going to pay dearly for that.If I were Cardinal Dolan or any of the Catholic bishops or priests, I would certainly be very frustrated and discouraged and wonder why aren't they understanding that if they join a church and belong to it, why would they not respect its teachings as having validity. It's one thing to say "well, I can't agree with everything" although I'm not sure why you'd join a church if you dismiss it. But to be openly contemptuous of its teaching and doctrine, it's something I can't understand.”

Mike Huckabee (1955) Arkansas politician

Focus on the Family radio program http://www.focusonthefamily.com/radio.aspx?ID={D560C7FD-E01C-4B76-845E-9B5C2FCD3A34}, , quoted in [2012-11-08, Huckabee: Any Time We Lose 'It's Because Christians Just Didn't Show Up and Vote', Kyle, Mantyla, Right Wing Watch, http://www.rightwingwatch.org/content/huckabee-any-time-we-lose-its-because-christians-just-didnt-show-and-vote, 2012-11-09]

Ann Coulter photo
Robert Newman photo
Jeet Thayil photo
Alan Bennett photo
William Herschel photo

“Here [in Slough], soon after my arrival, I began to lay the foundation upon which by degrees the whole structure was raised as it now stands, and the speculum being highly polished and put into the tube, I had the first view through it on February 19, 1787. …the first speculum, by a mismanagement of the person who cast it, came out thinner on the centre of the back than was intended, and on account of its weakness would not permit a good figure to be given to it. …A second mirror was cast January 26, 1788, but it cracked in cooling. February 16 we recast it, and it proved to be of a proper degree of strength. October 24 it was brought to a pretty good figure and polish, and I observed the planet Saturn with it. But not being satisfied, I continued to work upon it till August 27, 1789, when it was tried upon the fixed stars, and I found it to give a pretty sharp image. Large stars were a little affected with scattered light, owing to many remaining scratches on the mirror. August the 28th, 1789, having brought the telescope to the parallel of Saturn, I discovered a sixth satellite of that planet, and also saw the spots upon Saturn better than I had ever seen them before, so that I may date the finishing of the forty-foot telescope from that time.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".