Quotes about figure
page 14

“Armenians are balking because they are skeptical of their own figures and accusations.”

Bruce Fein (1947) American lawyer

Lies, Damn Lies, and Armenian Deaths (2009)

“The Japanese see things that way. They don't paint sunlight, they don't cast shadows that perplex one and falsify the true shape of things. The Egyptian figures have simplicity, dignity, directness, unity; they express motion almost as if by a conventional formula, like writing itself, so direct it is. So I seek a logical method of rendering my idea.”

André Derain (1880–1954) French painter and engraver

Source: The Wild Men of Paris', 1910, p. 407

Way, Idea, Painting

“Look, having nuclear—my uncle was a great professor and scientist and engineer, Dr. John Trump at MIT; good genes, very good genes, OK, very smart, the Wharton School of Finance, very good, very smart—you know, if you're a conservative Republican, if I were a liberal, if, like, OK, if I ran as a liberal Democrat, they would say I'm one of the smartest people anywhere in the world—it's true!—but when you're a conservative Republican they try—oh, do they do a number—that's why I always start off: Went to Wharton, was a good student, went there, went there, did this, built a fortune—you know I have to give my like credentials all the time, because we're a little disadvantaged—but you look at the nuclear deal, the thing that really bothers me — it would have been so easy, and it's not as important as these lives are—nuclear is powerful; my uncle explained that to me many, many years ago, the power and that was 35 years ago; he would explain the power of what's going to happen and he was right, who would have thought?—but when you look at what's going on with the four prisoners—now it used to be three, now it's four—but when it was three and even now, I would have said it's all in the messenger; fellas, and it is fellas because, you know, they don't, they haven't figured that the women are smarter right now than the men, so, you know, it's gonna take them about another 150 years—but the Persians are great negotiators, the Iranians are great negotiators, so, and they, they just killed, they just killed us.”

Donald J. Trump (1946) 45th President of the United States of America

Speech in South Carolina (19 July 2016)
2010s, 2016, July

Women, Men, People, World

“Nowadays, you cannot be a very Effective political figure without Having a demonstrable sense of humor. People take to it.”

Robert Orben (1928) American magician and writer

Claudia Buck (May 26, 1986) "Humorless Election Year Is Nothing To Laugh At", Sacramento Bee, p. A1.

People, Sense

“I never thought I'd be an action star, but now they're going to make little Xena action figures for kids. I still want to be a fine actress one day; it's just a matter of putting in the time and passion.”

Lucy Lawless (1968) New Zealand actress

Walt Belcher (May 25, 1996) "'Reformed villain' cuts men to size", The Tampa Tribune, p. 1.

Star, Passion, Time

“Brian had all that day to figure out what was going on, and yet he didn't.”

Donald E. Westlake (1933–2008) American novelist

What's So Funny? (2007)

“The practical activity of man had to lead his consciousness to the reptetition of various logical figures thousands of millions of times in order that these figures could obtain the significance of axioms.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Collected Works, Vol. 29, p. 172.
Collected Works

Time

“History often repeats itself. If we can learn our lessons early, we can avoid accidents. The purpose of the investigation is not to blame someone for the neglect of duty or to hold someone responsible, but to figure out the real causes for the accidents and avoid making the same mistakes again.”

Chang Yu-hern (1954) Taiwanese politician

Chang Yu-hern (2010) cited in: " NCKU Prof. Yu-Hern Chang Appointed as Chairman of Aviation Safety Council http://www.reuters.com/article/2010/06/03/idUS84305+03-Jun-2010+BW20100603" in Reuters, 3 June 2010.

History, Learning

“A lonely man is a lonesome thing, a stone, a bone, a stick, a receptacle for Gilbey’s gin, a stooped figure sitting at the edge of a hotel bed, heaving copious sighs like the autumn wind.”

John Cheever (1912–1982) American novelist and short story writer

The Sixties, 1966 entry.
The Journals of John Cheever (1991)

Autumn

“Her talking about the Obama Administration has done a great job and deserves an A on the economy. I mean, please, let's talk to American families and sit around the dinner table at night figuring how to pay their bills. The American economy is not in good shape; productivity is failing.”

Paul Manafort (1949) American political consultant

Interview on NBC News' Meet The Press (July 31, 2016)

Family, Night

“For the first time in the history of our people, and in the history of the whole American people, we join in this high worship, and march conspicuously in the line of this time-honored custom. First things are always interesting, and this is one of our first things. It is the first time that, in this form and manner, we have sought to do honor to an American great man, however deserving and illustrious. I commend the fact to notice; let it be told in every part of the republic; let men of all parties and opinions hear it; let those who despise us, not less than those who respect us, know that now and here, in the spirit of liberty, loyalty, and gratitude, let it be known everywhere, and by everybody who takes an interest in human progress and in the amelioration of the condition of mankind, that, in the presence and with the approval of the members of the American House of Representatives, reflecting the general sentiment of the country; that in the presence of that august body, the American Senate, representing the highest intelligence and the calmest judgment of the country; in the presence of the Supreme Court and Chief-Justice of the United States, to whose decisions we all patriotically bow; in the presence and under the steady eye of the honored and trusted President of the United States, with the members of his wise and patriotic Cabinet, we, the colored people, newly emancipated and rejoicing in our blood-bought freedom, near the close of the first century in the life of this republic, have now and here unveiled, set apart, and dedicated a monument of enduring granite and bronze, in every line, feature, and figure of which the men of this generation may read, and those of aftercoming generations may read, something of the exalted character and great works of Abraham Lincoln, the first martyr President of the United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Life, Men, People, Justice

“You cannot denounce violence in the present and encourage it in the past by glorifying violent historical figures.”

Yasser Harrak Canadian liberal writer, columnist and human rights activist

Yasser Harrak. 2015. "Understanding Why ISIS Burns People Alive". Youtube. Accessed December 24, 2015. https://www.youtube.com/watch?v=BTc2KwANKX0

Past

“As mathematical and absolute certainty is seldom to be attained in human affairs, reason and public utility require that judges and all mankind in forming their opinions of the truth of facts should be regulated by the superior number of the probabilities on the one side or the other whether the amount of these probabilities be expressed in words and arguments or by figures and numbers.”

William Murray, 1st Earl of Mansfield (1705–1793) British judge

Reported in Andrew Stuart, Letters to the Right Honorable Lord Mansfield (1773), p. 29.

Truth, Mathematics

“Above the plain rose the hill, above the hill rose the barrow, and above the barrow rose the figure. Above the figure was nothing that could be mapped elsewhere than on a celestial globe.”

Thomas Hardy book The Return of the Native

Bk. I, ch. 2
The Return of the Native (1878)

“The political Right currently runs the country. That's very annoying, but pretending it isn't true is foolhardy. What is really annoying is that in the late 1970s some of us were giving speeches and writing articles explaining that rightists intended to take over the country. It wasn't hard to figure that out, since at the same time right-wing ideologues and strategists were also giving speeches and writing articles describing in elaborate detail how they planned to do it. Well, they did it.”

Chip Berlet (1949) American political analyst

"Eyes Right: Social Movements Need An Infrastructure To Succeed" (Chop Berlet on countering the rise of the political Right), in Z Magazine, Vol. 18 (2005), p. 17; also quoted in Flanders Blue Grit: True Democrats Take Back Politics From the Politicians (2007), p. 109

Time, Country

“Why We See Things and Not the Holes Between Them. We can now attempt an answer to the question why we do so. Two of the factors of organization which we have so far discussed seem to me to be the most important causes of this effect. In the first place, the segregation and unification which occurs will separate areas of different degrees of internal articulation, and according to our law, the more highly articulated ones will become figures, the rest fusing together to form the ground. Look at any landscape photograph. You see the shape of the things, the mountains, and trees and buildings, but not of the sky.”

Kurt Koffka (1886–1941) German psychologist

Source: Principles of Gestalt Psychology, 1935, p. 208-9

Law, Mountain, Question, Tree

“It's natural for a man to defend what’s dear to him: his own life, his home, his family. But in order to make him fight on behalf of his rulers, the rich and powerful who are too cunning to fight their own battles—in short to defend not himself but people whom he’s never met and moreover would not care to be in the same room with him—you have to condition him into loving violence not for the benefits it bestows on him but for its own sake. Result: the society has to defend itself from its defenders, because what’s admirable in wartime is termed psychopathic in peace. It’s easier to wreck a man than to repair him. Ask any psychotherapist. And take a look at the crime figures among veterans.”

John Brunner book The Sheep Look Up

September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Love, Life, People, Family

““He is a lesser figure than X”—how it pleases an Englishman to say that! Never suspecting what basement that would put him in, a wood louse.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 74
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

“Historic figures have homes to visit for posterity; the Lord of history left no home. Luminaries leave libraries and write their memoirs; He left one book, penned by ordinary people. Deliverers speak of winning through might and conquest; He spoke of a place in the heart.”

Ravi Zacharias (1946) Indian philosopher

[Jesus Among Other Gods: The Absolute Claims of the Christian Message, 2000, 2002, 9780849943270, 28-29]
2000s

People, Books, Home, History

“It lies deep in our habits, confirmed by all manner of educational and other arrangements for several centuries back, to consider human talent as best of all evincing itself by the faculty of eloquent speech. Our earliest schoolmasters teach us, as the one gift of culture they have, the art of spelling and pronouncing, the rules of correct speech; rhetorics, logics follow, sublime mysteries of grammar, whereby we may not only speak but write. And onward to the last of our schoolmasters in the highest university, it is still intrinsically grammar, under various figures grammar. To speak in various languages, on various things, but on all of them to speak, and appropriately deliver ourselves by tongue or pen,—this is the sublime goal towards which all manner of beneficent preceptors and learned professors, from the lowest hornbook upwards, are continually urging and guiding us.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Education, Art, Learning, Universe

“While we were never able to provide 100 percent certainty regarding the disposition of Iraq's proscribed weaponry, we did ascertain a 90-95 percent level of verified disarmament. This figure takes into account the destruction or dismantling of every major factory associated with prohibited weapons manufacture, all significant items of production equipment, and the majority of the weapons and agent produced by Iraq.”

Scott Ritter (1961) American weapons inspector and writer

Is Iraq a True Threat to the US? http://www.commondreams.org/views02/0721-02.htm, Boston Globe, July 2002 2000

“Sometimes, because my position has not been made clear enough, people think I’m a sort of radical anarchist who has an absolute hatred of power. No! What I am trying to do is to approach this extremely important and tangled phenomenon in our society, the exercise of power, with the most reflective, and I would say prudent attitude. Prudent in my analysis, in the moral and theoretical postulates I use: I try to figure out what’s at stake. But to question the relations of power in the most scrupulous and attentive manner possible, looking into all the domains of its exercise, that’s not the same thing as constructing a mythology of power as the beast of the apocalypse.”

Michel Foucault (1926–1984) French philosopher

"Power, Moral Values, and the Intellectual", interview in History of the Present 4 (Spring 1988)

People, Exercises, Question, Thinking

“Firstly for the design I decided that the two joined figures should be depicted upright [in Zadkine's first attempt the two brothers were sitting shoulder to shoulder].... two or three days later I was able to send him a photo of my new attempt, in which the two brothers are not only standing, but where the bond – the main idea is projected onto the statue in a hollow, in the heart of the composition the viewer can see a knot of hands, a symbol of the double inspiration.”

Ossip Zadkine (1890–1967) French sculptor

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

Photo, Idea, Heart

“I began [to portray president Kennedy ] with fragmentary sketches—first in charcoal, then in casein, sometimes just heads, sometimes the whole figure. For the first session (during a Medicare conference), I sat on top of a 6-foot ladder to get an unimpeded view of him. Concentrating on bone structure, most of my first sketches of him made him look twenty years younger. This was also because the positions he assumed were those of a college athlete. I made about thirty sketches at the first session and rushed back to a big studio that had been turned over to me by the Norton Gallery, made further drawing combining different aspects, and finally, after a couple days, decided on the proportions and size of the first canvas—4 by 8 feet. In succeeding sessions of sketching, I was struck by the curious faceted structure of light over his face and hair—a quality of transparent ruddiness. This play of light contributed to the extraordinary variety of expressions.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Painting a Portrait of the President', Elaine de Kooning (1964)

Light, Drawing

“About Archimedes one remembers that he did strange things: he ran around naked shouting Heureka!, plunged crowns into water, drew geometric figures as he was about to be killed, and so on. … One ends up forgetting he was a scientist of whom we still have many writings.”

Lucio Russo (1944) Italian historian and scientist

1.1, "The Erasure of the Scientific Revolution", p. 6
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)

Water, Forgetting

“.. you [Otto] know me well enough to know that I am not bad and heartless. It just happen to be a 'Sturm und Drang' period which I have to get through, and there is no way to avoid hurting the people closest to me. It hurts me to cause you all this pain and suffering. Believe me when I say it is not easy for me either. But I must fight it through, to one exit or another – It has begun to be really beautiful here... I've seen wonderful Courbet's. I am sorry that he is now the latest mode. I think he is greater than either Manet or Monet. There was a colossal still life [of Courbet] with hollyhocks, in every conceivable colour, with a female figure in it. It was magnificently painted... Stay close to Elsbeth and to your art..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter from Paris, 9 April 1906, to Otto Modersohn in Worpswede; as quoted in Paula Modersohn-Becker – The Letters and Journals, ed: Günther Busch & Lotten von Reinken; (transl, A. Wensinger & C. Hoey; Taplinger); Publishing Company, New York, 1983, p. 389
1906 + 1907

Life, Pain, People, Beauty

“The art of wrestling, which in the present day is chiefly confined to the lower classes of the people, was, however, highly esteemed by the ancients, and made a very considerable figure among the Olympic games. In the ages of chivalry, to wrestle well was accounted one of the accomplishments which a hero ought to possess. Wrestling is a kind of exercise that, from its nature, is likely to have been practiced by every nation, and especially by those the least civilised. It was probably well known in this country long before the introduction of foreign manners.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 80
The Sports and Pastimes of the People of England (1801), Wrestling

People, Age, Art, Exercises

“The cops aren't exactly dumb, you know. We can get our own answers.
Not like I can. That's why you buzzed me so fast. You can figure things out as quickly as I can, but you haven't got the ways and means of doing the dirty work. That's where I come in. You'll be right behind me every inch of the way, but when the pinch comes I'll get shoved aside and you slap the cuffs on. That is, if you can shove me aside. I don't think you can.”

Mickey Spillane book I, the Jury

I, the Jury (1947)

Way, Thinking

“I am inclined to believe in the sincerity of Ahmadinejad. I think that he really believes the apocalyptic language that he is using. Remember that Muslims, like Christians and Jews, have a sort of end-of-time scenario in which a Messianic figure will appear. In their case, in the case of the Shiites, the hidden imam who will emerge from hiding, who will fight against the powers of evil, the anti-Christ in Christianity, Gog and Magog in Judaism, and the Dajjal in Islam, a role in which we are being cast now. And he really seems to believe that the apocalyptic age has come, that this is the final struggle that will lead to the final victory and the establishment of the kingdom of heaven on earth.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

Age, Thinking, Appearance, Evil

“Earlier, the hon. Member for Halesowen and Stourbridge (Mr. Stokes) spoke. He probably represents the more honest and truer face of the Tory party when he spoke the usual racist pap about immigration causing problems and pretending that the unemployment figures in the west midlands were caused by immigration. He was in effect saying that the cultural changes that have taken place because of immigration are unacceptable. I find his remarks offensive and unacceptable, as do people in many parts of the country, who live happily in a multicultural, multiracial environment and who are not prepared to put up with that kind of bigotry.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1984/mar/05/immigration-rules in the House of Commons (5 March 1984). 1980s

People, Problem, Change, Parting

“The Bible says God gave herb for the service of man and bread to strengthen man's heart. Did you know bread used to strengthen your heart? But keep in mind, you know, "the love of money, the root of all evil." They learned years ago, if they take out the vitamin E, the lecithin, and the omega-3 fatty acids (they take them out of the wheat; and make the bread with white flour), the bread lasts for months. But the people started dying of heart attacks and strokes and circulation problems. See, it's a simple formula: the whiter the bread, the quicker you're dead. Now it's not the white bread that's killing you. It's what's not in the bread that's killing you. See, God made bread to strengthen your heart. Remember the Bible talked about "our daily bread." But people who are making bread to sell, got tired of having half of it go bad on the shelf where they couldn't sell it. So they had to figure out a way to make their bread last longer to increase profits.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Garden of Eden

Love, Money, God, People

“Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art... I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value... If you go on as you are.... then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Art, Way, Problem, Parting

“In all my works.... I have always had recourse to one never-varying method. It consists in making the delineation of the objects represented heavily dependent on a system of necessities which itself looks strange. These necessities are sometimes due to the inappropriate and awkward character of the material used, sometimes to some strange obsessive notion [frequently changed for another]. In a word, it is always a matter of giving the person who is looking at the picture a startling impression that a weird logic has directed the painting of it, a logic to which the delineation of every object is subjected, is even sacrificed, in such a peremptory way that, curiously enough, it forces the most unexpected solutions, and, in spite of the obstacles it creates, brings out the desired figuration.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet, in Peter Selz and Jean Dubuffet: The work of Jean Dubuffet, The Museum of Modern art, New York, 1962
1960-70's

Way, Change, Painting, Dependency

“I remember when I was doing a film with Fred Astaire, it was nothing for him to work three or four days on two bars of music. One evening in the dark grey hours of dusk, I was walking across the deserted MGM lot when a small, weary figure with a towel around his neck suddenly appeared out of the giant cube sound stages. It was Fred. He came over to me, threw a heavy arm around my shoulder and said: "Oh Alan, why doesn't someone tell me I cannot dance?" The tormented illogic of his question made any answer insipid, and all I could do was walk with him in silence.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Alan Jay Lerner in Lerner, Alan Jay. On the Street Where I Live. New York: Norton, 1978. p. 89. (M).

Music, Question, Silence, Appearance

“The sculptors of the cathedral porches of the Middle Ages already knew that we can identify many legendary figures by their attributes, not their physical appearance. How is one to recognize Orpheus without his lyre, or Saint Lawrence without his grid? At the same time it seems a bit absurd, In an art that claims to be realistic, to have Orpheus always carrying his lyre, like a German businessman his briefcase. There must have been moments when Orpheus and Saint Lawrence left their lyre or their grid at the checkroom, for instance.. [c. 1960, in France]”

Ossip Zadkine (1890–1967) French sculptor

Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Age, Art, Appearance, Time

“[…] Markus Jäntti, a Finnish economist at the University of Helsinki, who with his colleagues looked at inherited disadvantage—in other words, how much worse your chances are for success if you’re born into a low-income family. They found that in the United States, 40 percent of men who were born into the lowest income bracket stayed in it. In the Nordic countries, that figure was only 25 percent. […] America is no longer the land of opportunity, northern Europe is. This is the reality that led the British Labour Party leader Ed Miliband to make his surprising statement in 2012: “If you want the American dream, go to Finland.””

Anu Partanen (1975) journalist

Source: The Nordic Theory of Everything, Chapter 7

Men, Family, Dreams, Reality

“I started out with $600, a second hand Volkswagen, and a wife. One was an asset and one was a liability. I will let you figure out which was which. I liquidated both, and still had the $600. I worked long hours, and spent weekends reading about markets. I simply love it. You have to love what you do, whether it be gardening, hairdressing, etc. When you love it, then the money follows. Even if it doesn’t, you will still be happy. Being happy and poor is better than being unhappy and poor.”

Jim Rogers (1942) American writer

Interview, February 2005

Love, Money, Reading, Happiness

“It was the ultimate possible statement of powerlessness and desperation [Richter is referring to w:John Cage's famous 'Lecture on Nothing']. Nothing, absolutely nothing left, no figures, no color, nothing. Then you realize after you've painted three of them that one's better than the others and you ask yourself why is that. When I see eight pictures together I no longer feel that they're sad, or if so, they're sad in a pleasant way.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 95, note 28

Sadness, Color, Way, Feeling

“Americans may laud Charlie Hebdo for being brave enough to publish cartoons ridiculing the Prophet Muhammad, but, if Ayaan Hirsi Ali is invited to campus, there are often calls to deny her a podium. So this might be a teachable moment. As we are mortified by the slaughter of those writers and editors in Paris, it’s a good time to come up with a less hypocritical approach to our own controversial figures, provocateurs and satirists. The first thing to say, I suppose, is that whatever you might have put on your Facebook page yesterday, it is inaccurate for most of us to claim, Je Suis Charlie Hebdo, or I Am Charlie Hebdo. Most of us don’t actually engage in the sort of deliberately offensive humor that that newspaper specializes in.”

David Brooks (1961) American journalist, commentator and editor

David Brooks. "I Am Not Charlie Hebdo" http://archive.li/nlsvG The New York Times (January 2015) 2010s

Time

“Historically, "public administration" has grown in large part out of the wider field of inquiry, "political science." The history of American political science during the past fifty years is a story much too lengthy to be told here, but some important general characteristics and tendencies it has communicated to or shared with public administration must be noted.
The Secular Spirit Despite: the fact that "political science" in such forms as moral philosophy and political economy had been taught in America long before the Civil War, the present curriculum, practically in its entirety, is the product of the secular, practical, empirical, and "scientific" tendencies of the past sixty or seventy years. American students dismayed at the inadequacies of the ethical approach in the Gilded Age, stimulated by their pilgrimage to German universities, and led by such figures as J. W. Burgess, E. J. James, A. B. Hart, A. L. Lowell, and F. J. Goodnow have sought to recreate political science as a true science. To this end they set about observing and analyzing "actual government." At various times and according to circumstances, they have turned to public law, foreign institutions, rural, municipal, state, and federal institutions, political parties, public opinion and pressures, and to the administrative process, in the search for the "stuff" of government. They have borrowed both ideas and examples from the natural sciences and the other social disciplines. Frequently they have been inspired by a belief that a Science of Politics will emerge when enough facts of the proper kinds are accumulated and put in the proper juxtaposition, a Science that will enable man to "predict and control" his political life. So far did they advance from the old belief that the problem of good government is the problem of moral men that they arrived at the opposite position: that morality is irrelevant, that proper institutions and expert personnel are determining.”

Dwight Waldo (1913–2000) American political scientist

Source: The Administrative State, 1948, p. 22-23

Life, Men, War, Age

“I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.”

Stella Vine (1969) English artist

Honigman, Ana Finel. "Stella Vine in conversation with Ana Finel Honigman" http://www.saatchi-gallery.co.uk/blogon/2007/07/stella_vine_in_conversation_wi.php, Saatchi Gallery (2007-07-25). On the subjects she paints.

Dogs, Bird, Thinking, Painting

“In 1904, 20 per cent of journeys were made by bicycle in London. I want to see a figure like that again. If you can't turn the clock back to 1904, what's the point of being a Conservative?”

Boris Johnson (1964) British politician, historian and journalist

Boris Johnson on South Bank for Barclays Cycle Hire launch http://www.london-se1.co.uk/news/view/4722, London SE1, 30 July 2010 Said during the official launch of the Barclays Cycle Hire scheme. 2010s, 2010

“And then the wish to make compositions with figures. For this I had to make (quickly I thought; in passing), one or two studies from nature, just enough to understand the construction of a head, of a whole figure, and in 1935 I took a model. This study should take, I thought, two weeks and then I could realize my compositions…I worked with the model all day from 1935 to 1940…Nothing was as I imagined. A head, became for me an object completely unknown and without dimensions.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago [and others], distributed by Doubleday, 1965. p. 26

Imagination, Understanding, Nature, Study

“What I intend to do is lead an investigation to find out what went right and what went wrong…. I think one of the things that people want us to do here is to play a blame game. We've got to solve problems. We're problem-solvers. There will be ample time for people to figure out what went right and what went wrong. What I'm interested in is helping save lives. That's what I want to do.”

George W. Bush (1946) 43rd President of the United States

Answering a question regarding Katrina aftermath and what went wrong with government response — September 6, 2005. http://georgewbush-whitehouse.archives.gov/news/releases/2005/09/20050906.html 2000s, 2005

People, Game, Problem, Thinking

“Dialectic functions by converting everything it touches into figure but metaphor is a means of perceiving one thing in terms of another.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 298

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Sex

“My equestrian figures are symbols of the anguish that I feel when I survey contemporary events. Little by little, my horses become more restless; their riders less and less able to control them. Man and beast are both overcome by a catastrophe similar to those that struck Sodom and Pompeii. So I am trying to illustrate the last stages of the disintegration of a myth, I mean the myth of the individual victorious hero, the 'uono di virtù' of the humanists..”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), pp. 87-88

Feeling, Victory, Horse

“A metaphor for what happens to men living in a secure peace of plenty like your own, the bonobo way looks eerily familiar. Aren't most men today spoiled momma's boys without father figures, without hunting or fighting or brother-bonds, whose only masculine outlet is promiscuous sex?”

Jack Donovan (1974) American activist, editor and writer

pg 118
The Way of Men (2012)

Men, Peace, Sex, Way

“Your average game show host on TV, for instance, doesn't believe himself to be banal. He actually thinks that he's quite interesting. And if you look at the viewing figures, so do an enormous number of people in this country.”

Clive Barker (1952) author, film director and visual artist

American Heroes #174

People, Game, Thinking, Country

“You were born with compassion, only that also means that when people are cruel to you it cuts you deep. You won't understand that you have to walk right up to the ones who are being hateful and laugh in their faces and earn their respect. Instead you'll try to figure out what you did to make them mad at you.”

Orson Scott Card book Lost Boys

Lost Boys (1992)

Hate, People, Understanding, Madness

“I’m afraid I’m not a convert or anything. I still see the same blind cosmos governed by the same blind laws. But suddenly it matters. It matters terribly, and means something. What, I haven’t figured out yet. I probably never will. But I have a reason for living, or for dying if need be. Maybe that’s the whole purpose of life: purpose itself. I can’t say. But I expect to enjoy the world a lot more.”

Poul Anderson book The Enemy Stars

Source: The Enemy Stars (1959), Chapter 15 (p. 129)

Life, World, Law

“Everywhere, no matter what the sphere of interest (whether religious, political, or personal), the really creative acts are represented as those deriving from some sort of dying to the world; and what happens in the interval of the hero's nonentity, so that he comes back as one reborn, made great and filled with creative power, mankind is also unanimous in declaring. We shall have only to follow, therefore, a multitude of heroic figures through the classic stages of the universal adventure in order to see again what has always been revealed. …the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 3

Wisdom, World, Universe, Personality

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction

Men, Way, Intelligence, Understanding

“Immediately after the war, when events and memories were fresh, Armenians had no incentive to concoct high casualty figures or genocidal motivations for their deaths. Their objective was statehood.”

Bruce Fein (1947) American lawyer

Lies, Damn Lies, and Armenian Deaths (2009)

Death, War, Motivation, Memory

“A primitive power of artistic sensuousness speaks from the prints, which itself develops directly from the graphic technique that is tied to painstaking effort. Like the 'savage' who with patience cuts the figure.... out of the hard wood, so the artist creates perhaps his purest and strongest pieces.... following the primordial curse, if one may so understand it: from the sweat of thy brow shalt thou eat thy bread.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle, Uber Kirchners Graphik, Genius 3, no. 2 (1921):, p. 263; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 52-53
1920's

Understanding, Effort, Patience

“There are still some things we haven’t quite worked out, but we know enough to be sure we’re on the right track. However apparently, our teachers are supposed to tell students that whenever we haven’t figured something out yet, we should stop our research and assume God did it—as if magic counts as an explanation. If we don’t yet know exactly how the first living cells formed, that somehow negates everything we do know to be true about evolution after that. But worse, creationists want to mislead our kids into thinking that every kind of life appeared all at once, ignoring all the evident stages of progression stretched across time, and all the apparent predecessors found in earlier strata. They want to teach as fact outright falsehoods easily disproved, as well as pseudoscience already publicly exposed in a court of law.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Orwellian Legislative Duplicity on HB 1485 http://www.patheos.com/blogs/reasonadvocates/2017/05/05/orwellian-legislative-duplicity-hb-1485/ (May 5, 2017)

Life, God, Law, Thinking

“It has been necessary to show the Hospital de Tavera as a model, for the building hides the Visagra Gate, and the dome obscures part of the town, and once treated as a model and moved from its place, it seemed better to me to show the main façade.... the rest, and its proper relationship to the town can be seen on the plan. Also, in the representation of Our Lady presenting the Chasuble to Saint Ildefonso, in making the figures large, I have applied, in some way, the observation made of celestial bodies that an illuminated body seen at a distance may appear large although it be small.”

El Greco (1541–1614) Greek painter, sculptor and architect

Quote of an inscription, composed by El Greco, c. 1608, on the plan of Toledo, in his painting 'View and Plan of Toledo'; as quoted on Outline Biography of El Greco - (documented facts of his life) https://www.wga.hu/tours/spain/greco1.html

Way, Appearance, Parting

“My indulgent mum, a single mum of an only son, would let me skip games, pandering to my teary complaints as a former fat child herself. This, I suppose, is where a father figure would come in handy, a loving, authoritative strong male to affectionately shove you into adversity. As it was, notes were written and physical activity strenuously avoided, until I discovered that some exercise had an orgasm at the end of it. This syndrome of “fatherless” boys is a much-cited problem that military organizations effectively resolve: Personal identity put aside, a male ideal upon which to focus is provided and pursued.”

Russell Brand book Revolution

Revolution (2014)

Love, Exercises, Game, Boy

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“Thomas Jefferson, the leading Enlightenment figure in the United States, along with Benjamin Franklin, who took exactly the same view, argued that dependence will lead to "subservience and venality", and will "suffocate[s] the germs of virtue". And remember, by dependence he meant wage labor, which was considered an abomination under classical liberal principles.”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 1990s, 1995-1999, Education and Democracy, 1995

Dependency

“American intervention in Yemen is a product of the war on terror…Because American security was given priority over all other concerns, counterterrorism agencies paid no attention to the human rights abuses being committed by their local partners…Because America has invested so heavily in Yemen’s security forces, it now seems that a transition to democracy will depend on whether Washington believes that investment will remain secure…Sadly, it seems likely that the United States will support figures from the old regime rather than allow a transitional government approved by the people to take control”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2010s, Yemen’s Unfinished Revolution, 2011

War, People, Democracy, Support

“Columbus, I guess it all did start with Columbus. … To me he was like a virus, a disease. I spent a lot of time protesting, trying to figure out how to deal with this disease. I think we really need to put serious thought into understanding that we're dealing with a disease.”

John Trudell (1946–2015) Native American rights activist, musician, poet

Columbus Day Speech, San Francisco (1992)

Disease, Understanding, Thinking, Time

“If you will observe, it doesn’t take
A man of giant mould to make
A giant shadow on the wall;
And he who in our daily sight
Seems but a figure mean and small,
Outlined in Fame’s illusive light,
May stalk, a silhouette sublime,
Across the canvas of his time.”

John Townsend Trowbridge (1827–1916) American author

Authors’ Night.

Light, Time

“During OTA’s I was up there in weight even though I felt like I was eating ok. Just going vegan, I just got just the history of being a vegan, how to fix your body and everything like that, so I fell in love with it. I lost 12 pounds, a good 12 pounds coming into training camp so I feel good, I’ve got to keep building on it. … You know, it wasn’t tough at all because everything that I love, you can have something that tastes just like it. It’s what I had to figure out. You don’t just cut out the taste of having a hamburger. They have vegan hamburgers that taste like hamburgers, you know, so why not go with that instead of putting the meat of an animal inside your body.”

Brandon Flowers (American football) (1986) American football player

"Brandon Flowers on building camaraderie, why he’s gone vegan & what excites him about this team" https://www.mighty1090.com/2015/07/30/video-brandon-flowers-on-building-camaraderie-why-hes-gone-vegan-what-excites-him-about-this-team/, interview with Mighty1090.com (30 July 2015).

Love, Feeling, History, Animals

“There was a time when all these things would have passed me by, like the flitting figures of a theatre, sufficient for the amusement of an hour. But now, I have lost the power of looking merely on the surface. Everything seems to me to come from the Infinite, to be filled with the Infinite, to be tending toward the Infinite. Do I see crowds of men hastening to extinguish a fire? I see not merely uncouth garbs, and fantastic, flickering lights, of lurid hue, like a trampling troop of gnomes—but straightway my mind is filled with thoughts about mutual helpfulness, human sympathy, the common bond of brotherhood, and the mysteriously deep foundations on which society rests; or rather, on which it now reels and totters.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

1840s, Letters from New York (1843) Source: Letters from New York http://www.bartleby.com/66/65/12265.html, vol. 1, letter 1

Men, Light, Time, Help

“Yes; for, while memory languidly is fetching
Her treasures from the depths which they have lain among,
A fragile hand — how thin — how weak — is sadly sketching
Figures and fancies that cell's white walls along.
On the lip there is a murmur —
It is the swan's last song.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1838 2) (Vol 53) Subjects for Pictures - The Death of Camoens
The Monthly Magazine

Memory

“President Truman used to say that budget figures revealed far more of proposed policy than speeches.”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), Budget Perspectives

“It is estimated that the value of the crops for this harvest year may reach $13,000,000,000, which is an increase of over $3,000,000,000 in three years. It compares with $7,100,000,000 in 1913, arid if we make deduction from the figures of 1924 for the comparatively decreased value of the dollar, the yield this year still exceeds 1913 in purchasing power by over $1,000,000,000, and in this interval there has been no increase in the number of farmers. Mostly by his own effort the farmer has decreased the cost of production. A marked increase in the price of his products and some decrease in the price of his supplies has brought him about to a parity with the rest of the Nation. The crop area of this season is estimated at 370,000,000 acres, which is a decline of 3,000,000 acres from last year, and 6,000,000 acres from 1919. This has been a normal and natural application of economic laws, which has placed agriculture on a foundation which is undeniably sound and beginning to be satisfactory.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Second State of the Union Address (1924)

Law, Nature, Effort, Season

“That's a 7.76mm round, you idiots, if you fire it into the air it comes to earth you know not where, like on some little kid's soft-skulled head, and that's the end of the kid. They're too stupid to even figure that much out.”

John Dolan (1955) American journalist

Gary Brecher at exile.ru/authors, 2002

Stupidity

“I dunno. This game is getting funnier and funnier. We do everything but punch 'em in the nose and here we are all tied up in the Series. We flatten 'em by scores of 16-3, 10-0 and 12-0 and we still need one more to win. How do you figure that? Don't write this, but even if they beat us tomorrow, we're the better club.”

Yogi Berra (1925–2015) American baseball player, manager, coach

On the 1960 World Series; as quoted in "We Flattened 'Em, Yet We're Only Tied'" https://news.google.com/newspapers?id=PtpaAAAAIBAJ&sjid=uWwDAAAAIBAJ&pg=3807%2C3562090 by Joe Reichler (AP), in The Pittsburgh Post-Gazette (October 13, 1960), p. 35

Game

“Jordan Elliot: What's for dinner?
Lois Lane: Pizza. After that, if Jonathan's quiet, I thought maybe bed with a bottle of wine. And after that, I figure we just live happily ever after. Sound good to you?
Jordan: Lois, my love… [turns and winks to the reader as he closes the door] What do you think?”

Alan Moore (1953) English writer primarily known for his work in comic books

Whatever Happened to the Man of Tomorrow? (1986)

Love, Thinking, Wine

“We could figure out ways with small aerospace companies to do a low-cost spacecraft and lander. But we could not find a way to do a low-cost launcher, unless we went to the Russians.”

Elon Musk (1971) South African-born American entrepreneur

Conversation: Elon Musk on Wired Science (2007)

Way

“Our post-Hannah Arendt imaginations are haunted by the wrong figure: for every owl-eyed, mild-mannered pen-pusher clinically shuffling the euphemistic paperwork of oblivion, there were a hundred noisily dedicated louts revelling in the bloodbath. The gas chambers, our most enduring symbol of the catastrophe, were in fact anomalous: most of those annihilated did not die suddenly and surprised as the result of a deception, but only after protracted humiliations and torments to whose devising their persecutors devoted inexhaustible creative zeal.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Hitler's Unwitting Exculpator', a review of Hitler's Willing Executioners by Daniel Jonah Goldhagen
Essays and reviews, As Of This Writing (2003)

Imagination

“Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 89

World, Art, Appearance, Change

“Four handsome, naked, female dancers separate themselves from the crowd in Prospero's cloak… and they dance. From now on -- they become Prospero's dancers -- they mark out a four-figured symmetrical space around him -- dancing in perfect unison -- a strange, prancing, high-stepping, complicated, frankly sensuous dance -- danced with great firmness and confidence -- their eroticism is aimed only at themselves -- no mincing or quarter given -- their erotic confidence is demonstrative and challenging.”

Peter Greenaway (1942) British film director

Prospero's Books

Confidence, Dance, Perfection

“In the late 1950s, when Taylor was the Army chief under the Eisenhower administration, I served in his office as the deputy secretary of the General Staff and made several official trips overseas with him. (The secretary of the General Staff at the time, then Major General William Westmoreland, coordinated the activities of the Army staff and in effect was chief of staff to the Army Chief.) General Taylor was an impressive figure, known as an intellectual, a soldier statesman, and a talented linguist. But it was an unhappy period for Taylor, who did not see eye-to-eye with the commander-in-chief or the other military chiefs as to the proper role of the Army. After he left the Army, Taylor laid out his deep misgivings about the national military establishment in a highly critical book, The Uncertain Trumpet, which caught the attention of many prominent people, including John F. Kennedy. Particularly intense and somewhat aloof during this period, Taylor appeared to those who did not know him as cold, humorless, and unbending. But he had another side- he could be friendly, a genial host, and a witty conversationalist with a well developed sense of humor. For many people, however, these more endearing qualities were not revealed until after he had retired from public life at the end of Johnson's presidency.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 20

Life, People, Books, Sense

“I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 25.

Art, Reality

“Chorus [leader]: Come now, ye men, in nature darkling, like to the race of leaves, of little might, figures of clay, shadowy feeble tribes, wingless creatures of a day, miserable mortals, dream-like men.”

Aristophanés The Birds

tr. Hickie 1853, vol. 1, p. 338 http://books.google.com/books?id=Cm4NAAAAYAAJ&pg=PA338 Birds (414 BC)

Men, Dreams, Nature

“My aim is always to get hold of the magic of reality and to transfer this reality in painting – to make the invisible visible through reality... What helps me most in this task is the penetration of space. Height, width and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space. My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 12

Reality, Help, Painting

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519 Preface to View of Newton's Philosophy, (1728)

Appearance, Time, Sun

“More people have probably died from eating dodgy Chinese food than contracting some form of avian flu. The last thing we want is for the Daleks from Defra to start suggesting that they want to exterminate wildlife—as is their normal response when confronted with such a problem. We do not want any proposal that migrating birds are going to be destroyed because of alarmist figures and notions that appear in the Tory press.”

Tony Banks (1942–2006) British politician

House of Lords debate http://www.publications.parliament.uk/pa/ld200405/ldhansrd/pdvn/lds05/text/51026-16.htm on "bird flu", 26 Oct 2005; quoted by United Kingdom Parliament World Wide Web Service.

People, Food, Problem, Bird

“I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Source: "Jobs: Iconoclast and salesman" by Brian Williams, at MSNBC http://msnbc.msn.com/id/12974884/ (25 May 2006)

Thinking

“Many people have experience with a program that's gotten out of control. They have an idea. They think they know what they want to do. But when they go to put the idea in, the idea is forgotten by the time they've figured out how to put it in.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), To Plan or Not To Plan

People, Idea, Thinking, Time

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Love, Hate, Feeling, Soul

“The attentive synthesis of any particular letter or figure takes an appreciable time, of the order of 100ms…If a whole row of letters is to be identified, they must be synthesized one at a time… To "identify" generally means to name, and hence to synthesize not only a visual object but a linguistic-auditory one… Hence the span of apprehension is limited to what can be synthesized, and then verbally stored.”

Ulric Neisser (1928–2012) American psychologist

Source: Cognitive Psychology, 1967, p. 103; As cited in: A.H.C. Van der Heijden (1996)

Time

“It was with deep emotion that we read the announcement issued by the Council of Flanders at its plenary meeting of June 20, 1918, because it give expression to the fact that considerable and important sections of the Belgian people are advocating Germany's right to figure in the Belgian question, and that the voice of agitation over that which they have suffered is overtopped by the voice of consanguinity with the Teutonic race.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Source: 1910s, Speech in the Reichstag, 21 June 1918, p. 179.

People, Question, Suffering, Reading

“As a number the specialists have pointed out, Bush is Osama bin Laden's best ally. … [9/11] was bitterly condemned by the jihadi movement around the world. The leading figures, the radical clerics and others, were denouncing it. Well, there was an opportunity to make some moves towards the Muslim world, and in fact even the radical Islamic extremist elements of the Muslim world, and undermine support for Al-Qaeda. What Bush did was the opposite: resorted to violence, particularly in Iraq, which simply mobilized support for Osama bin Laden. That's the way to deal with terrorism if you want to escalate it.”

Noam Chomsky (1928) american linguist, philosopher and activist

Interview by Tom Ashbrook, October 03, 2006 https://www.wbur.org/onpoint/2006/10/03/the-chomsky-interview Quotes 2000s, 2006

World, Way, Support

“In the east the moon was rising, a full moon that lighted the landscape so that he could see every little clump of bushes, every grove of trees. And as he stood there, he realized with a sudden start that the moon was full again, that it was always full, it rose with the setting of the sun and set just before the sun came up, and it was always a great pumpkin of a moon, an eternal harvest moon shining on an eternal autumn world.
The realization that this was so all at once seemed shocking. How was it that he had never noticed this before? Certainly he had been here long enough, had watched the moon often enough to have noticed it. He had been here long enough — and how long had that been, a few weeks, a few months, a year? He found he did not know. He tried to figure back and there was no way to figure back. There were no temporal landmarks. Nothing ever happened to mark one day from the next. Time flowed so smoothly and so uneventfully that it might as well stand still.”

Clifford D. Simak (1904–1988) American writer, journalist

“The Autumn Land” (p. 251)
Short Fiction, Skirmish (1977)

World, Way, Autumn, Tree

“There are things about organized religion which I resent. Christ is revered as the Prince of Peace, but more blood has been shed in His name than any other figure in history. You show me one step forward in the name of religion and I'll show you a hundred retrogressions. Remember, they were men of God who destroyed the educational treasures at Alexandria, who perpetrated the Inquisition in Spain, who burned the witches at Salem. Over 25,000 organized religions flourish on this planet, but the followers of each think all the others are miserably misguided and probably evil as well.”

Frank Sinatra (1915–1998) American singer and film actor

Playboy interview (1963)

Men, God, Education, Peace

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

People, World, Education, Law

“Values – ethical, epistemological, aesthetic – figure in the contests over the field, but they do not define it. Intellectuals are judged not by their morals, but by the quality of their ideas, which are rarely reducible to simple verdicts of truth or falsity, if only because banalities are by definition accurate.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch 3. "Dreams of Central Europe, Timothy Garton Ash" (1999), p. 76

Truth, Idea

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org This American Life

People, Disappointment, Way, Game

“Son, you must not find fault with any of God's creations. You must realize that the center is within you. If you open your wisdom, stand in the center, and look intently at yourself, you will understand the point. Do not waste your time trying to analyze other people: if you look at others and try to figure out what they are like, everything will go wrong, because each person sees his own faults in others.”

Bawa Muhaiyaddeen (1900–1986) Sri Lankan Sufi leader

Wisdom, God, People, Understanding

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Life, Money, People, Age

“I think there were a lot of Christian people who simply stayed home for reasons that I can't figure out. But I think every time we lose major elections or major issues like the same-sex marriage issue or the marijuana issue, it's because Christians just didn't show up and vote.I lay the blame though at the feet of those who sit faithfully in church each Sunday; they probably heard their pastor talk about the importance of this election and how so much was on the line, and yet maybe because they just didn't want to bother with having to stand in line at an election polling place, they just didn't go vote. And we're going to pay dearly for that.If I were Cardinal Dolan or any of the Catholic bishops or priests, I would certainly be very frustrated and discouraged and wonder why aren't they understanding that if they join a church and belong to it, why would they not respect its teachings as having validity. It's one thing to say "well, I can't agree with everything" although I'm not sure why you'd join a church if you dismiss it. But to be openly contemptuous of its teaching and doctrine, it's something I can't understand.”

Mike Huckabee (1955) Arkansas politician

Focus on the Family radio program http://www.focusonthefamily.com/radio.aspx?ID={D560C7FD-E01C-4B76-845E-9B5C2FCD3A34}, , quoted in [2012-11-08, Huckabee: Any Time We Lose 'It's Because Christians Just Didn't Show Up and Vote', Kyle, Mantyla, Right Wing Watch, http://www.rightwingwatch.org/content/huckabee-any-time-we-lose-its-because-christians-just-didnt-show-and-vote, 2012-11-09]

Marriage, People, Sex, Home

“All the Democrats are for higher taxes. All of them are in favor of Hillary's socialist health-care plan. All of them are for higher pay for teachers and nurses — and no pay at all for anyone in the pharmaceutical or oil industries, especially Halliburton executives, who should be sent to Guantánamo. All the Democrats believe the way to strike fear in the hearts of the terrorists is for the federal government to invest heavily in windmills.
All the Democrats oppose the war. And all the Democrats who took a position on the war before it began were for it, but now believe that everything Bush did from that moment forward has been bad! bad! bad! … Finally, all the candidates are willing to sell out any of these other issues in service of the one burning desire of all Democrats: abortion on demand. If they could just figure out a way to abort babies using solar power, that's all we'd ever hear about.”

Ann Coulter (1961) author, political commentator

"What happened to your queer party-friends?" (22 January 2004) http://townhall.com/columnists/anncoulter/2004/01/22/what_happened_to_your_queer_party-friends/page/full/ also in How to Talk to a Liberal (If You Must), p. 49. 2004

War, Health, Fear, Way