Quotes about figure
page 15

Giorgio de Chirico photo
Henri Matisse photo
Qutb al-Din Aibak photo

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

John Buchan photo
Barbara Hepworth photo
Calvin Coolidge photo
Peter Schweizer photo
Aron Ra photo

“When I read the gospels, I don’t see a wise and benevolent sage imparting truth. I see a religious extremist and faith-healer, who is just as much of a scam artist as any of the exorcists still practicing today. Remember that Jesus taught his disciples how to do faith healing too, just like tele-evangelists still do. Jesus didn’t believe in washing your hands because he didn’t know about pathogens. He believed in demons instead. And he cursed a fig tree because he didn’t know they were out-of-season. Likewise he didn’t know that the farmers of his day already knew about other seeds that were smaller than mustard seeds. My best evidence was Jesus’ complaint that the people who knew him since childhood wouldn’t buy any of his bullshit. So the only indications I had to believe in a historic Jesus were the very points that implied that he could not be a god nor have any real connection to God. So there are only two possibilities: Jesus was either an ignorant 1st century charlatan and cult leader heavily exaggerated like Robin Hood, or he’s a completely imaginary legendary figure like Hercules. Remember how Jesus said that he came not to bring peace but a sword; that he would divide husbands from their wives and children from their parents all on behalf of beliefs based on faith? Remember also that faith, (an unreasonable assertion of complete conviction which is not based on reason and is defended against all reason) —is the most dishonest position it is possible to have. Any belief which requires faith should be rejected for that reason.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"Jesus never existed" http://www.patheos.com/blogs/reasonadvocates/2015/11/03/jesus-never-existed/, Patheos (November 3, 2015)
Patheos

Joseph Nechvatal photo
Geezer Butler photo
Roger Manganelli photo
Peter Greenaway photo
Max Beckmann photo
Rush Limbaugh photo

“I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism. I often use it to describe women who are obsessed with perpetuating a modern-day holocaust: abortion. There are 1.5 million abortions a year, and some feminists almost seem to celebrate that figure. There are not many of them, but they deserve to be called feminazis.A feminazi is a woman to whom the most important thing in life is seeing to it that as many abortions as possible are performed. Their unspoken reasoning is quite simple. Abortion is the single greatest avenue for militant women to exercise their quest for power and advance their belief that men aren't necessary. They don't need men in order to be happy. They certainly don't want males to be able to exercise any control over them. Abortion is the ultimate symbol of women's emancipation from the power and influence of men. With men being precluded from the ultimate decision-making process regarding the future of life in the womb, they are reduced to their proper, inferior role. Nothing matters but me, says the feminazi. My concerns prevail over all else. The fetus doesn't matter, it's an unviable tissue mass.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

[The Way Things Ought to Be, Pocket Books, October 1992, 193, 978-0671751456, 92028659, 26397008, 1724938M]

Wendell Phillips photo

“Sit not, like the figure on our silver coin, looking ever backward.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

1880s, The Scholar in a Republic (1881)

Natacha Rambova photo

“The figure in fur advanced and shook hands. At least his handshake was firm. Might I add, a little too firm for comfort.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On her first meeting Valentino, p. 28
Rudolph Valentino: A Wife's Memories of an Icon (2009)

Heather Brooke photo
Roy Jenkins photo

“First, there is really no sign at all of any significant reduction in unemployment without a major change in policy…Unemployment has probably levelled out but at a totally unacceptable figure. Secondly, contrary to what the Secretary of State said, the post-oil surplus prospect—not merely the post-oil prospect, because the oil will take a long time to go, but the surplus, the big balance of payments surplus, which is beginning to decline quite quickly—still looks devastating…our balance of payments is now overwhelmingly dependent on this highly temporary and massive oil surplus. Our manufacturing industry is shrunken and what remains is uncompetitive…We have a manufacturing trade deficit of approximately £11 billion, all of which has built up in the past three to four years. This is containable by oil and by nothing else. Invisibles can take care of about £4 billion or £5 billion but they cannot do the whole job. As soon as oil goes into a neutral position we are in deep trouble. Should it go into a negative position, the situation would be catastrophic…To sell off a chunk of capital assets and to use the proceeds for capital investment in the rest of the public sector might just be acceptable. However, that is not what is proposed, and what is proposed cannot be justified on any reputable theory of public finance; and when it is accompanied by a Minister using the oil—which might itself be regarded as a capital asset; certainly it is not renewable—almost entirely for current purposes, it amounts to improvident finance on a scale that makes the Prime Minister's old friend General Galtieri almost Gladstonian.”

Roy Jenkins (1920–2003) British politician, historian and writer

Speech http://hansard.millbanksystems.com/commons/1985/nov/12/industry-and-employment in the House of Commons (12 November 1985).
1980s

Fidel Castro photo

“I never perceived a contradiction in the political revolutionary field between the ideas I maintained and the idea of that symbol, that extraordinary figure who had been so familiar to me since I began to reason.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

On Jesus Christ, as quoted in Fidel and Religion (1985) by Frei Betto

“On ‘Shrek’ we didn't try to figure out how to make adolescents laugh. You have to use yourself as the best judge and use your own instincts. We figured if we laughed at it, chances are good someone else would too.”

Vicky Jenson (1960) American animator

Quoted by Hillary Atkin in " Vicky Jenson: Filmmaker http://variety.com/2001/biz/news/vicky-jenson-1117855807/", Variety (November 14, 2001).

Simone Weil photo

“I have sometimes told myself that if only there were a notice on church doors forbidding entry to anyone with an income above a certain figure, and a low one, I would be converted at once.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Letter to Georges Bernanos (1938), in Seventy Letters, as translated by Richard Rees (Wipf and Stock: 1965), p. 105

Charles Krauthammer photo

“I don't really care what a public figure thinks. I care about what he does. Let God probe his inner heart.”

Charles Krauthammer (1950–2018) American journalist

1990s, 1999, Nixon on the Couch (1999)

“I started with a kind of artistic approach… I visualized the best-looking shapes and sizes. I worked with the variables until it got to the point where, if I changed one of them, it didn't get any better… [only then I] figure out the mathematical formula to produce that effect.”

Arthur H. Robinson (1915–2004) American geographer

Robinson (1988) in The New York Times as cited in: John Noble Wilford (2004) " Arthur H. Robinson, 89, Geographer Who Reinterpreted World Map, Dies http://www.nytimes.com/2004/11/15/obituaries/15robinson.html?_r=0" in: The New York Times November 15, 2004: About the development of the Robinson projection.

Neville Chamberlain photo
Camille Paglia photo
Margaret Cavendish photo
Erik Naggum photo
Umberto Boccioni photo

“We've learned and struggled for a few years here figuring out how to make a decent phone. PC guys are not going to just figure this out. They're not going to just walk in.”

Ed Colligan (1961) Former president and CEO of Palm, Inc

Palm's Ed Colligan laughs off iPhone http://engadget.com/2006/11/21/palms-ed-colligan-laughs-off-iphone in Engadget (21 November 2006).

Nathaniel Hawthorne photo
Lewis Black photo
Jean Dubuffet photo
Henry Moore photo

“One knows that later Giacometti broke this domination surrealist influence of Breton, and he became completely interested again in the figure, he became figurative – he did nothing in the end but portraits of his brother and so on, and all very.... not realistic, but interested in life, in nature, and not so much in the dream or in the fantasy.”

Henry Moore (1898–1986) English artist

Quote in 'Henry Moore in Spain' / 'Henry Moore interview', c. 1981, HMF Library; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 152
1970 and later

Robert Hunter (author) photo
Sinclair Lewis photo

“The doctor asserted, 'Sure religion is a fine influence—got to have it to keep the lower classes in order—fact, it's the only thing that appeals to a lot of these fellows and makes 'em respect the rights of property. And I guess this theology is O. K.; lot of wise old coots figured it out, and they knew more about it than we do.' He believed in the Christian religion, and never thought about it; he believed in the church, and seldom went near it; he was shocked by Carol's lack of faith, and wasn't quite sure what was the nature of the faith that she lacked. Carol herself was an uneasy and dodging agnostic. When she ventured to Sunday School and heard the teachers droning that the genealogy of Shamsherai was a valuable ethical problem for children to think about; when she experimented with the Wednesday prayer-meeting and listened to store-keeping elders giving unvarying weekly testimony in primitive erotic symbols and such gory Chaldean phrases as 'washed in the blood of the lamb' and 'a vengeful God…' then Carol was dismayed to find the Christian religion, in America, in the twentieth century, as abnormal as Zoroastrianism—without the splendor. But when she went to church suppers a felt the friendliness, saw the gaiety with which the sisters served cold ham and scalloped potatoes; when Mrs. Champ Perry cried to her, on an afternoon call, 'My dear, if you just knew how happy it makes you to come into abiding grace,' then Carol found the humanness behind the sanguinary and alien theology.”

Main Street (1920)

Aristide Maillol photo
Terence McKenna photo
Jean de La Bruyère photo
Jean-François Millet photo
John Tyndall photo
Alberto Giacometti photo

“Figures were never for me a compact mass but like a transparent construction.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti. Exhibition of sculptures, paintings, drawings. Pierre Matisse Gallery (New York, N.Y.), 1948. p. 36

Nelson Algren photo
Victor Villaseñor photo
Jef Raskin photo

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Donald A. Norman photo
Maimónides photo
Marie-Louise von Franz photo

“Just as the mother influence is formative with a man's anima, the father has a determining influence on the animus of a daughter. The father imbues his daughter's mind with the specific coloring conferred by those indisputable views mentioned above, which in reality are so often missing in the daughter. For this reason the animus is also sometimes represented as a demon of death. A gypsy tale, for example, tells of a woman living alone who takes in an unknown handsome wanderer and lives with him in spite of the fact that a fearful dream has warned her that he is the king of the dead. Again and again she presses him to say who he is. At first he refuses to tell her, because he knows that she will then die, but she persists in her demand. Then suddenly he tells her he is death. The young woman is so frightened that she dies. Looked at from the point of view of mythology, the unknown wanderer here is clearly a pagan father and god figure, who manifests as the leader of the dead (like Hades, who carried off Persephone). He embodies a form of the animus that lures a woman away from all human relationships and especially holds her back from love with a real man. A dreamy web of thoughts, remote from life and full of wishes and judgments about how things "ought to be," prevents all contact with life. The animus appears in many myths, not only as death, but also as a bandit and murderer, for example, as the knight Bluebeard, who murdered all his wives.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 319 - 320

Neil Cavuto photo
Thomas Carlyle photo

“Speak to any small man of a high, majestic Reformation, of a high majestic Luther; and forthwith he sets about “accounting” for it; how the “circumstances of the time” called for such a character, and found him, we suppose, standing girt and road-ready, to do its errand; how the “circumstances of the time” created, fashioned, floated him quietly along into the result; how, in short, this small man, had he been there, could have per formed the like himself! For it is the “force of circumstances” that does everything; the force of one man can do nothing. Now all this is grounded on little more than a metaphor. We figure Society as a “Machine,” and that mind is opposed to mind, as body is to body; whereby two, or at most ten, little minds must be stronger than one great mind. Notable absurdity! For the plain truth, very plain, we think is, that minds are opposed to minds in quite a different way; and one man that has a higher Wisdom, a hitherto unknown spiritual Truth in him, is stronger, not than ten men that have it not, or than ten thousand, but than all men that have it not; and stands among them with a quite ethereal, angelic power, as with a sword out of Heaven's own armory, sky-tempered, which no buckler, and no tower of brass, will finally withstand.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Marie-Louise von Franz photo
Isaac Asimov photo

“To be sure, the Bible contains the direct words of God. How do we know? The Moral Majority says so. How do they know? They say they know and to doubt it makes you an agent of the Devil or, worse, a Lbr-l Dm-cr-t. And what does the Bible textbook say? Well, among other things it says the earth was created in 4004 BC (Not actually, but a Moral Majority type figured that out three and a half centuries ago, and his word is also accepted as inspired.) The sun was created three days later. The first male was molded out of dirt, and the first female was molded, some time later, out of his rib. As far as the end of the universe is concerned, the Book of Revelation (6:13-14) says: "And the stars of heaven fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind." … Imagine the people who believe such things and who are not ashamed to ignore, totally, all the patient findings of thinking minds through all the centuries since the Bible was written. And it is these ignorant people, the most uneducated, the most unimaginative, the most unthinking among us, who would make themselves the guides and leaders of us all; who would force their feeble and childish beliefs on us; who would invade our schools and libraries and homes. I personally resent it bitterly.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"The Blind Who Would Lead", essay in The Roving Mind (1983); as quoted in Canadian Atheists Newsletter (1994)
General sources

Henry Knox photo

“We shall cut no small figure through the country with our cannon.”

Henry Knox (1750–1806) Continental Army and US Army general, US Secretary of War

Knox to his wife, on the difficulties of dragging Cannon. Reported in David McCullough, 1776 (2005), p. 83.

Neil deGrasse Tyson photo
Chris Hedges photo
Sri Aurobindo photo
Thomas Eakins photo

“My figures at least are not a bunch of clothes with a head and hands sticking out but more nearly resemble the strong living bodies that most pictures show. And in the latter end of a life so spent in study, you at least can imagine that painting is with me a very serious study. That I have but little patience with the false modesty which is the greatest enemy to all figure painting. I see no impropriety in looking at the most beautiful of Nature's works, the naked figure. If there is impropriety, then just where does such impropriety begin? Is it wrong to look at a picture of a naked figure or at a statue? English ladies of the last generation thought so and avoided the statue galleries, but do so no longer. Or is it a question of sex? Should men make only the statues of men to be looked at by men, while the statues of women should be made by women to be looked at by women only? Should the he-painters draw the horses and bulls, and the she-painters like Rosa Bonheur the mares and cows? Must the poor old male body in the dissecting room be mutilated before Miss Prudery can dabble in his guts?Such indignities anger me. Can not anyone see into what contemptible inconsistencies such follies all lead? And how dangerous they are? My conscience is clear, and my suffering is past.”

Thomas Eakins (1844–1916) American painter

Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).

Charles Stross photo

“Ninety-five percent of all human-readable traffic over the net is spam, a figure virtually unchanged since the late noughties.”

Source: Rule 34 (2011), Chapter 13, “Kemal: Spamcop” (p. 155)

Patricia de Leon (actress) photo
Umberto Boccioni photo

“There was a plea from honourable Members relating to the need for formal Gross National Product figures. Such figures are very inexact even in the most sophisticated countries I think they do not have a great deal of meaning, even as a basis of comparison between economies. That other countries make use of them is not, I think, necessarily a good reason to suppose that we need them. But, although I am not entirely clear what practical purpose they would serve in Hong Kong, I am sure they would be of interest. I suspect myself, however, that the need arises in other countries because high taxation and more or less detailed Government intervention in the economy have made it essential to be able to judge (or to hope to be able to judge) the effect of policies, and of changes in policies, on the economy. One of the honourable Members who spoke on this subject, said outright, as a confirmed planner, that he thought that they were desirable for the planning of our future economic policy. But we are in the happy position, happier at least for the Financial Secretary where the leverage exercised by Government on the economy is so small that it is not necessary, nor even of any particular value, to have these figures available for the formulation of policy. We might indeed be right to be apprehensive lest the availability of such figures might lead, by a reversal of cause and effect, to policies designed to have a direct effect on the economy. I would myself deplore this.”

John James Cowperthwaite (1915–2006) British colonial administrator

March 25, 1970, page 495.
Official Report of Proceedings of the Hong Kong Legislative Council

Willem de Sitter photo

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

E. W. Hobson photo

“A new point is determined in Euclidean Geometry exclusively in one of the three following ways:
Having given four points A, B, C, D, not all incident on the same straight line, then
(1) Whenever a point P exists which is incident both on (A, B) and on (C, D), that point is regarded as determinate.
(2) Whenever a point P exists which is incident both on the straight line (A, B) and on the circle C(D), that point is regarded as determinate.
(3) Whenever a point P exists which is incident on both the circles A(B), C(D), that point is regarded as determinate.
The cardinal points of any figure determined by a Euclidean construction are always found by means of a finite number of successive applications of some or all of these rules (1), (2) and (3). Whenever one of these rules is applied it must be shown that it does not fail to determine the point. Euclid's own treatment is sometimes defective as regards this requisite.
In order to make the practical constructions which correspond to these three Euclidean modes of determination, correponding to (1) the ruler is required, corresponding to (2) both ruler and compass, and corresponding to (3) the compass only.
…it is possible to develop Euclidean Geometry with a more restricted set of postulations. For example it can be shewn that all Euclidean constructions can be carried out by means of (3) alone…”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 7-8

Daniel Dennett photo

“[W]hat good to us is the gods' knowledge if we can't get it from them? How could one communicate with the gods? Our ancestors (while they were alive!) stumbled on an extremely ingenious solution: divination.

We all know how hard it is to make the major decisions of life: should I hang tough or admit my transgression, should I move or stay in my present position, should I go to war or not, should I follow my heart or my head? We still haven't figured out any satisfactory systematic way of deciding these things. Anything that can relieve the burden of figuring out how to make these hard calls is bound to be an attractive idea.

Consider flipping a coin, for instance. Why do we do it? To take away the burden of having to find a reason for choosing A over B. We like to have reasons for what we do, but sometimes nothing sufficiently persuasive comes to mind, and we recognize that we have to decide soon, so we concoct a little gadget, an external thing that will make the decision for us. But if the decision is about something momentous, like whether to go to war, or marry, or confess, anything like flipping a coin would be just too, well, flippant.

In such a case, choosing for no good reason would be too obviously a sign of incompetence, and, besides, if the decision is really that important, once the coin has landed you'll have to confront the further choice: should you honor your just-avowed commitment to be bound by the flip of the coin, or should you reconsider? Faced with such quandaries, we recognize the need for some treatment stronger than a coin flip. Something more ceremonial, more impressive, like divination, which not only tells you what to do, but gives you a reason (if you squint just right and use your imagination).

Scholars have uncovered a comically variegated profusion of ancient ways of delegating important decisions to uncontrollable externalities. Instead of flipping a coin, you can flip arrows (belomancy) or rods (rhabdomancy) or bones or cards (sortilege), and instead of looking at tea leaves (tasseography), you can examine the livers of sacrificed animals (hepatoscopy) or other entrails (haruspicy) or melted wax poured into water (ceroscopy). Then there is moleosophy (divination by blemishes), myomancy (divination by rodent behavior), nephomancy (divination by clouds), and of course the old favorites, numerology and astrology, among dozens of others.”

Breaking the Spell (2006)

Patrick Fitzgerald photo
Babe Ruth photo
Max Scheler photo

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Chrétien de Troyes photo
Abraham Cowley photo
Douglas Coupland photo
Vincent Van Gogh photo
Michel Foucault photo
Margaret Cho photo

“I didn't know if I was going to mention my period on stage, but then I figured, if Richard Pryor had a period, he would talk about it.”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, The Notorious C.H.O. Tour

Mark Rothko photo
Louis Bromfield photo

“Further working along the lines of experiments of 1954 [toward rounded forms and columnar figures], I executed the 'Figure with upraised arms' as the crucifix for a Parish church in Salzburg.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 29.

Ossip Zadkine photo
James Martineau photo
Letitia Elizabeth Landon photo
J. Doyne Farmer photo
Vincent Van Gogh photo

“.. I have painted a few studies of the figure… I send you [Theo] two sketches. The painting of the figure appeals to me very much, but it must ripen - I must learn to know the technique better - that which is sometimes called "la cuisine de l'art". In the beginning I shall have to do much scraping, and often to begin anew, but I feel that I learned from it and that gives me a new fresh view on the things.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), August 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 226), catalogus-page: Oil Paintings -Dutch Period: 'Scheveningen, Fisherwoman'
1880s, 1882

Thomas Sturge Moore photo

“In my opinion Mr. Moore is a greater poet than Mr. Yeats. He has lived obscurely, and has not displayed Mr. Yeats's talent for self-dramatization; for these reasons and others he has never become a public figure or a popular writer.”

Thomas Sturge Moore (1870–1944) British playwright, poet and artist

Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
Criticism

Stevie Nicks photo