Quotes about expression
page 22

Samuel Butler photo
Noel Coward photo
Vladimir Lenin photo
Michio Kaku photo
John Rogers Searle photo
Gabriele Münter photo
Calvin Coolidge photo
Daniel J. Boorstin photo

“Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio —- empty boasting of American power, American virtue, American know-how —- has dominated our foreign relations now for some decades. … Here at home —- within the family, so to speak —- our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others.”

Daniel J. Boorstin (1914–2004) American historian

Foreword to America and the image of Europe: Reflections on American Thought, Meridian Books, 1960, as cited in: Robert Andrews (1993) The Columbia Dictionary of Quotations https://books.google.com/books?id=4cl5c4T9LWkC&lpg=PA207&dq=Our%20attitude%20toward%20our%20own%20culture%20has%20recently%20been%20characterized%20by%20two%20qualities%2C%20braggadocio%20and%20petulance.&pg=PA207#v=onepage&q&f=false, Columbia University Press, p. 207.

John Millington Synge photo
Geert Wilders photo
Robert Fripp photo
Albert Lutuli photo
M. C. Escher photo

“The things I want to express are so beautiful and pure.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

Toni Morrison photo

“Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.”

Paradise (1997)

André Breton photo
Jayachamarajendra Wadiyar photo
Paul Kurtz photo
George William Curtis photo
Aung San Suu Kyi photo
Adam Roberts photo
Kazimierz Ajdukiewicz photo
Maurice Merleau-Ponty photo
Nathanael Greene photo
Alfred de Zayas photo
Hans Freudenthal photo
Asger Jorn photo
Oliver Goldsmith photo

“The true use of speech is not so much to express our wants as to conceal them.”

Oliver Goldsmith (1728–1774) Irish physician and writer

No. 3 (Oct. 20, 1759).
The Bee (1759)

“Metaphor… is, as a common feature of linguistic practice, an incidental expediency, a homely administering of first-aid by mother-wit to jams or halts in expression suddenly confronting speakers, with no respectable linguistic solution immediately in sight.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Matter of Metaphor" in Rational Meaning and Supplementary Essays (Charlottesville: University of Virginia Press, 1997).

Burkard Schliessmann photo
Wyndham Lewis photo
Gabriele Münter photo
Steven Erikson photo
Ted Chiang photo
Daniel Barenboim photo
Evelyn Waugh photo
Marcus Tullius Cicero photo

“Must I not here express my wonder that any one should exist who persuades himself that there are certain solid and indivisible particles carried along by their own impulse and weight, and that a universe so beautiful and so admirably arrayed is formed from the accidental concourse of those particles? I do not understand why the man who supposes that to have been possible should not also think that if a countless number of the forms of the one and twenty letters, whether in gold or any other material, were to be thrown somewhere, it would be possible, when they had been shaken out upon the ground, for the annals of Ennius to result from them so as to be able to be read consecutively,—a miracle of chance which I incline to think would be impossible even in the case of a single verse.”
Hic ego non mirer esse quemquam, qui sibi persuadeat corpora quaedam solida atque individua vi et gravitate ferri mundumque effici ornatissimum et pulcherrimum ex eorum corporum concursione fortuita? Hoc qui existimat fieri potuisse, non intellego, cur non idem putet, si innumerabiles unius et viginti formae litterarum vel aureae vel qualeslibet aliquo coiciantur, posse ex is in terram excussis annales Enni, ut deinceps legi possint, effici; quod nescio an ne in uno quidem versu possit tantum valere fortuna.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 37
De Natura Deorum – On the Nature of the Gods (45 BC)

Swami Vivekananda photo
Stuart Kauffman photo
Monier Monier-Williams photo
Barbara Hepworth photo
Boutros Boutros-Ghali photo
Steph Davis photo
Jacqueline Kennedy Onassis photo
George Henry Lewes photo
Edward Hopper photo

“So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote in Hopper's letter to Charles H. Sawyer, October 29, 1939; as cited in Edward Hopper, Lloyd Goodrich; New York, Harry N. Abrams, 1971, p. 164
1911 - 1940

Manuel Castells photo

“A fifty-seven-year-old college professor expressed it this way: "Yes, there's a need for male lib and hardly anyone writes about it the way it really is, though a few make jokes. My gut reaction, which is what you asked for, is that men—the famous male chauvinist pigs who neglect their wives, underpay their women employees, and rule the world—are literally slaves. They're out there picking that cotton, sweating, swearing, taking lashes from the boss, working fifty hours a week to support themselves and the plantation, only then to come back to the house to do another twenty hours a week rinsing dishes, toting trash bags, writing checks, and acting as butlers at the parties. It's true of young husbands and middleaged husbands. Young bachelors may have a nice deal for a couple of years after graduating, but I've forgotten, and I'll never again be young! Old men. Some have it sweet, some have it sour."Man's role—how has it affected my life? At thirty-five, I chose to emphasize family togetherness and income and neglect my profession if necessary. At fifty-seven, I see no reward for time spent with and for the family, in terms of love or appreciation. I see a thousand punishments for neglecting my profession. I'm just tired and have come close to just walking away from it and starting over; just research, publish, teach, administer, play tennis, and travel. Why haven't I? Guilt. And love. And fear of loneliness. How should the man's role in my family change? I really don't know how it can, but I'd like a lot more time to do my thing."”

Herb Goldberg (1937–2019) American psychologist

In Harness: The Male Condition, pp. 6–7
The Hazards of Being Male (1976)

William Randolph Hearst photo
Raymond Chandler photo
Daniel Levitin photo
Eric Maskin photo
William Hazlitt photo
Bernhard Riemann photo
Robin Sloan photo

“He has the strangest expression on his face—the emotive equivalent of 404”

Robin Sloan (1979) American writer

page not found.
Source: Mr. Penumbra's 24-Hour Bookstore (2012), Chapter 12 “The Founder’s Puzzle” (p. 96)

Henry Adams photo
David Lloyd George photo

“Any intervention now would be a triumph for Germany! A military triumph! A war triumph! Intervention would have been for us a military disaster. Has the Secretary of State for War no right to express an opinion upon a thing which would be a military disaster? That is what I did, and I do not withdraw a single syllable. It was essential. I could tell the hon. Member how timely it was. I can tell the hon. Member it was not merely the expression of my own opinion, but the expression of the opinion of the Cabinet, of the War Committee, and of our military advisers. It was the opinion of every ally. I can understand men who conscientiously object to all wars. I can understand men who say you will never redeem humanity except by passive endurance of every evil. I can understand men, even—although I do not appreciate the strength of their arguments—who say they do not approve of this particular war. That is not my view, but I can understand it, and it requires courage to say so. But what I cannot understand, what I cannot appreciate, what I cannot respect, is when men preface their speeches by saying they believe in the war, they believe in its origin, they believe in its objects and its cause, and during the time the enemy were in the ascendant never said a word about peace; but the moment our gallant troops are climbing through endurance and suffering up the path of ascendancy begin to howl with the enemy.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1916/oct/11/statement-by-prime-minister in the House of Commons (11 October 1916)
Secretary of State for War

Jonathan Edwards photo
Pramod Muthalik photo

“Our activists will go around with a priest, a turmeric stub and a ‘mangal sutra’ on February 14. If we come across couples being together in public and expressing their love, we will take them to the nearest temple and conduct their marriage.”

Pramod Muthalik (1963) Indian politician

On Valentine's Day, as quoted in " We’ll not spare dating couples on Valentine’s Day: Muthalik http://www.thehindu.com/todays-paper/well-not-spare-dating-couples-on-valentines-day-muthalik/article348725.ece", The Hindu (6 February 2009)

Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

Thomas Cromwell, 1st Earl of Essex photo
Nisargadatta Maharaj photo
Pope Benedict XVI photo

“Nature expresses a design of love and truth.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2009, Cartias in Vertitate (29 June 2009)

Ferdinand Hodler photo
James Dobson photo
Edith Hamilton photo
Gloria Estefan photo
Francis Picabia photo

“The aim of art is to get us to dream, just like music, for it expresses a mood projected onto the canvas, which arouses identical sensations in the viewer.”

Francis Picabia (1879–1953) French painter and writer

two short quotes of Picabia, in 'A Paris painter', by Hapgood, published in 'The Globe and Commercial Advertiser', 20 Febr. 1913, p. 8
1910's

Enver Hoxha photo
Herwarth Walden photo
Patrick Henry photo
Roy Jenkins photo
Pope Benedict XVI photo
Zeev Sternhell photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Rollo May photo
Maurice Wilkes photo
Revilo P. Oliver photo
Octavio Paz photo

“no reality is mine, no reality belongs to me (to us), we all live somewhere else, beyond where we are, we are all a reality different from the word I or the word we;
our most intimate reality lies outside ourselves and is not ours, and it is not one but many, plural and transitory, we are this plurality that is continually dissolving, the self is perhaps real, but the self is not I or you or he, the self is neither mine nor yours,
it is a state, a blink of the eye, it is the perception of a sensation that is vanishing, but who or what perceives, who senses?
are the eyes that look at what I write the same eyes that I say are looking at what I write?
we come and go between the word that dies away as it is uttered and the sensation that vanishes in perception—although we do not know who it is that utters the word nor who it is that perceives, although we do know that the self that perceives something that is vanishing also vanishes in this perception: it is only the perception of that self s own extinction,
we come and go: the reality beyond names is not habitable and the reality of names is a perpetual falling to pieces, there is nothing solid in the universe, in the entire dictionary there is not a single word on which to rest our heads, everything is a continual coming and going from things to names to things,
no, I say that I perpetually come and go but I haven’t moved, as the tree has not moved since I began to write,
inexact expressions once again: I began, I write, who is writing what I am reading?, the question is reversible: what am I reading when I write: who is writing what I am reading?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Peter Greenaway photo

“How can an opera express this complicated question of bedsheets?”

Peter Greenaway (1942) British film director

Rosa: The Death of a Composer

Jane Roberts photo
Bernard Lewis photo
François de La Rochefoucauld photo
Halldór Laxness photo
P. D. James photo

“Every novelist write what he or she needs to write, a subconscious compulsion to express and explain his unique view of reality.”

P. D. James (1920–2014) English crime writer

Time to be Earnest - a Fragment of Biography Faber & Faber, London 1999.
Time to be Earnest - a Fragment of Biography

Luís de Camões photo

“Cease all, whose actions ancient bards expressed:
A brighter valour rises in the West.”

Luís de Camões (1524–1580) Portuguese poet

Cesse tudo o que a Musa antiga canta,
Que outro valor mais alto se alevanta.
Stanza 3, lines 7–8 (tr. Richard Fanshawe). Compare:
Cedite Romani scriptores, cedite Grai!
Nescioquid maius nascitur Iliade.
Make way, you Roman writers, make way, Greeks!
Something greater than the Iliad is born.
Sextus Propertius, Elegies, II, xxxiv, 65–66
Epic poetry, Os Lusíadas (1572), Canto I

David Baboulene photo
Colin Wilson photo
Mickey Spillane photo
Percy Bysshe Shelley photo
Jerry Springer photo

“Hi, do you me? My face is seen around Cincinnati constantly. But when I travel, say across state lines people don’t know me, Jerry Springer, from Jerry Ford. That’s way I carry this, the American Express Card. It’s the card that good at thousands of clubs and motels across the river. I can even get hassle free check approval. For quick and enjoyable entertainment it can’t be beat, just like me.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

WEBN spoof ad recored by Jerry Springer
This American Life http://www.thislife.org/pages/descriptions/04/258.html, Ep. 258, 01/30/04, Leaving the Fold; Act One.

Nisargadatta Maharaj photo
Peter L. Berger photo

“After all, vegetarianism is, more than anything else, the very essence and the very expression of altruistic sharing… the sharing of the One Life… the sharing of the natural resources of the Earth… the sharing of love, kindness, compassion, and beauty in this life.”

H. Jay Dinshah (1933–2000) American proponent of veganism and Jain ethics

The Vegetarian Way, Proceedings of the 24th World Vegetarian Conference (Madras, India, 1977), p. 34; as quoted in Richard H. Schwartz, Judaism and Vegetarianism (New York: Lantern Books, 2001), p. 75 https://archive.org/stream/JudaismAndVegetarianism#page/n99/mode/2up.

Mata Amritanandamayi photo
Dejan Stojanovic photo

“It is beautiful to express love and even more beautiful to feel it.”

Dejan Stojanovic (1959) poet, writer, and businessman

Words and Beauty http://www.poemhunter.com/poem/words-and-beauty/
From the poems written in English