Quotes about expression
page 23

Kimberlé Williams Crenshaw photo
Diana, Princess of Wales photo
Selahattin Demirtaş photo
Pat Condell photo
Frances Kellor photo
Henri Matisse photo
Robert Boyle photo
John Bright photo
Isaac Barrow photo
Friedrich Hayek photo

“Human beings hold two types of theories of action. There is the one that they espouse, which is usually expressed in the form of stated beliefs and values. Then there is the theory that they actually use; this can only be inferred from observing their actions, that is, their actual behavior.”

Chris Argyris (1923–2013) American business theorist/Professor Emeritus/Harvard Business School/Thought Leader at Monitor Group

Source: On organizational learning (1999), p. 126: as cited in: Kenneth D. Shearer, ‎Robert Burgin (2001) The Readers' Advisor's Companion. p. 39

Charlotte Brontë photo
Calvin Coolidge photo
Michael Ende photo
Auguste Rodin photo

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

John McCarthy photo

“What was new about Hitler and Stalin was what Friedrich Meinecke, in an attempt shortly after World War II to express his horror at Hitler’s moral nihilism, called a ‘Machiavellianism of the masses.”

François Furet (1927–1997) French historian

Source: The Passing of an Illusion, The Idea of Communism in the Twentieth Century (1999), p.191

Matthew Arnold photo
Cesare Borgia photo

“There is no city, country-side, or castle, nor any place in all Romagna, nor officer or minister of the duke's, who does not know of these abuses; and, amongst others, the famine of wheat occasioned by the traffic which he held against our express prohibition, sending out such quantities as would abundantly have sufficed for the people and the army.”

Cesare Borgia (1475–1507) Duke of Romagna and former Catholic cardinal

Cesare's publication on the corrupt practices of Ramiro de Lorqua (December, 1502) as quoted by Rafael Sabatini, 'The Life of Cesare Borgia', Chapter XVI: Ramiro De Lorqua

Jane Roberts photo

“Before health problems show up there is always a loss of self-respect or expression.”

Jane Roberts (1929–1984) American Writer

Source: The Way Toward Health (1997), p. 280

Marvin Minsky photo
Colin Wilson photo
Herbert A. Simon photo
Sarvepalli Radhakrishnan photo

“All art is the expression of experience in some medium.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Thomas Frank photo

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Sonia Sotomayor photo
Harriet Beecher Stowe photo
Georges Sorel photo
Gerhard Richter photo
Tyra Banks photo

“I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right.”

Tyra Banks (1973) American model, author and television personality

Margena A. Christian (March 1, 2004) "Tyra Banks: creator of TV's 'America's next top model' tells why singing is her next move" http://findarticles.com/p/articles/mi_m1355/is_9_105/ai_114007282 Jet.

Robert G. Ingersoll photo
Russell Brand photo

“The world is changing and we are awakening. These statistics give us a numerical glimpse at the visceral dissatisfaction that most of us feel. Now is the time to express it. These corrupt structures cannot be maintained without our compliance. You could vote against them, if there was anything to vote for, but there isn’t, or you could stop paying your mortgage, stop paying your taxes, stop buying stuff you don’t need. When we, the majority, unite and demonstrate our new intention, we will be invincible. If we, who are complicit by our silence, become active and disobedient. This is a pivotal time in the history of our species. We are transitioning from an ideology that places power and responsibility in the hands of the few to one where we all collectively have power. It is important that we clarify, in a manner accessible to all, which institutions and systems are beneficial and which ones have to go. It is important that we propose ideas and systems that will be advantageous, like the handful in this book, and ensure that they are presented properly. When they are inevitably disparaged by the fearful enemies of change, we must remain unified and insistent. At this climactic time, we have no choice but change. This book, written by a twerp, with minimal interaction with brilliant thinkers and uncorrupted minds, demonstrates that. Now, what are you going to do about it?”

Revolution (2014)

Lin Yutang photo
Harlan Ellison photo
Edward Sapir photo
Mark Tobey photo

“An artist must find his expression closely linked to his individual experience or else follow in the old grooves resulting in lifeless forms.”

Mark Tobey (1890–1976) American abstract expressionist painter

Mark Tobey Retrospective Exhibition, New York, Whitney Museum, 1951
1950's

“Measures, weights, proportions move and change in expression and meaning.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 56.

Calvin Coolidge photo
Jean Paul Sartre photo

“Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

"Orphée Noir (Black Orpheus)"

Theo van Doesburg photo

“Quite possibly this aesthetic contemplation coincides with religious feeling or with the uplift of the religious spirit, since in a work of art it is the deepest inwardness that expresses itself. It is necessary however, to bear in mind the essential distinction that the contemplation or uplift in art – i. e., the experience of pure art – contains nothing dreamy or vague. It is exactly the contrary; true artistic experience is altogether real and conscious”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 86
1920 – 1926

Richard Long photo

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

Richard Long (1945) artist

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s

Andrew Marvell photo
Sri Aurobindo photo
Hilary Duff photo

“Music is so personal to me. I can be myself, and say what I want to say. I feel I'm honest and don't try to hide things. But music enables people to learn about my personality, how I'm evolving. Even if I don't feel comfortable talking about something, I can feel comfortable expressing that same thing through my music.”

Hilary Duff (1987) American actress and singer

"Hilary Duff comes to Manchester on Jan. 27" http://www.seacoastonline.com/2004news/dover/12312004/arts/56606.htm. The Dover Community News. December 31 2004. Retrieved October 25 2006.
On the recording of Hilary Duff (2004), her third album and second non-holiday album.

Randolph Bourne photo

“The State is a jealous God and will brook no rivals. Its sovereignty must pervade everyone and all feeling must be run into the stereotyped forms of romantic patriotic militarism which is the traditional expression of the State herd-feeling.”

Randolph Bourne (1886–1918) American writer

¶23. Published under "Psychology of the State," The State https://mises.org/library/state (Tucson, Arizona: See Sharp Press, 1998), p. 14.
"The State" (1918)

Adam Roberts photo
Richard Salter Storrs photo
John McCarthy photo
Daniel Handler photo
Benedetto Croce photo

“Language is articulated, limited sound organized for the purpose of expression.”

Benedetto Croce (1866–1952) Italian writer, philosopher, politician

Benedetto Croce, quoted in: Geza Revesz, The Origins and Prehistory of Language, London 1956. p. 126

George Moore (novelist) photo
John of St. Samson photo
Paul Karl Feyerabend photo
Joseph Beuys photo
Edward Bernays photo
Perry Anderson photo
Umberto Boccioni photo
George Gershwin photo
Machado de Assis photo

“Besides, I like epitaphs. Among civilized people they're an expression of that pious and secret selfishness that induces us to pull out of death a shred at least of the shade that has passed on.”

Machado de Assis (1839–1908) Brazilian writer

Gosto dos epitáfios; eles são, entre a gente civilizada, uma expressão daquele pio e secreto egoísmo que induz o homem a arrancar à morte um farrapo ao menos da sombra que passou.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 151, p. 196.

Haruo Nakajima photo
Pierre-Auguste Renoir photo
Paul Krugman photo
Thérèse of Lisieux photo
Guy De Maupassant photo
Muhammad Iqbál photo
David Rosen photo
Paul Klee photo
Adolf Eichmann photo

“I'd like to say something about this last, about this last point of this terrible, terrible business. I mean Treblinka. I was given orders. I went to see Globocnik in Treblinka. That was the second time. The installations were now in operation, and I had to report to Müller. I expected to see a wooden house on the right side of the road and a few more wooden houses on the left; that's what I remembered. Instead, again with the same Sturmbannführer Höfle, I came to a railroad station with a sign saying Treblinka, looking exactly like a German railroad station — anywhere in Germany — a replica, with signboards, etc. There I hung back as far as I could. I didn't push closer to see it all. I saw a footbridge enclosed in barbed wire and over that footbridge a file of naked Jews was being driven into a house, a big… no, not a house, a big, one-room structure, to be gassed. As I was told, they were gassed with …what's it called? … Potassium cyanide… or cyanic acid. In acid form it's called cyanic acid. I didn't look to see what happened. I reported to Müller and as usual he listened in silence, without a word of comment. Just his facial expression said: "There's nothing I can do about it."”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

I am convinced, Herr Hauptmann, [Eichmann is referring to his interrogator, Avner Less] I know it sounds odd coming from me, but I'm convinced that if it had been up to Müller it wouldn't have happened.
Source: Eichmann Interrogated (1983), p. 84.

Logan Pearsall Smith photo

“My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed for me in art work which is also wordless and silent.”

Agnes Martin (1912–2004) American artist

In 'On a Clear Day', 1973; as quoted by Julie Warchol on website Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Day,
1970's

Jane Roberts photo
Howard S. Becker photo
Bram van Velde photo

“Meyerbeer's approach to opera may seem cynical. His music is not, like Donizetti's, an immediate expression of the sentiments of his characters but a calculated manipulation of the audience.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 11 : Romantic Opera: Politics, Trash, and High Art

Clinton Edgar Woods photo
Alexis De Tocqueville photo
Gerald Durrell photo
Kurien Kunnumpuram photo
Mani Madhava Chakyar photo

““He had his own style. He could convey his thoughts through expressions. His eye movement was superb!”
Birju Maharaj- great Kathak dancer, selecting him as one of the ten finest dancers he has known, 2000”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Birju Maharaj- the Kathak maestro on the ten finest dancers he has known http://health.rediff.com/millenni/birju.htm, rediff.com: The Millennium Special

Sir Francis Buller, 1st Baronet photo
Alfred de Zayas photo

“One of the problems that we have in the human rights community is that special interests often forget the interests of other victims, and there’s competition among victims expressions that are unnecessary.”

Alfred de Zayas (1947) American United Nations official

UN expert on democracy highlights importance of free expression, information http://www.un.org/apps/news/story.asp?NewsID=46355&Cr=information&Cr1=#.Um9rdr_3DjA.
2013

Susan Sontag photo

“The sublimity of color in Hodgkin's pictures can be thought of as, first of all, expressive of gratitude — for the world that resists and survives the ego and its discontents.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"About Hodgkin," from Howard Hodgkin Paintings (1995), p. 109

Erich Fromm photo