Quotes about end
page 7

Richard Henry Dana Jr. photo
Nikola Tesla photo
Terry Pratchett photo
Aleksandr Pushkin photo

“Pimen [writing in front of a sacred lamp]:
One more, the final record, and my annals
Are ended, and fulfilled the duty laid
By God on me a sinner. Not in vain
Hath God appointed me for many years
A witness, teaching me the art of letters;
A day will come when some laborious monk
Will bring to light my zealous, nameless toil,
Kindle, as I, his lamp, and from the parchment
Shaking the dust of ages will transcribe
My true narrations.”

(Variant translation):
One more story, just one more,
And then my history's completed,
All my chronicles written down
And my sinner's debt repaid to God.
Not for nothing.
The Lord appointed me to bear witness
For many many years and it was he
Taught me the art of creating books.
One day, in the far future,
some hard-working monk
Will find my painstaking,
anonymous writings.
He'll light his lamp,
as I light mine,
He'lll shake the dust of centuries from these scrolls.
Then he'll copy out, carefully, these true accounts,
So the descendants of today's Christians
May know the past of their native land
Remember their mighty Tsars warmly
For their glory and their knidness
And our Lord's mercy on their sins and crimes.
In my old age I live my life anew.
Pushkin, Alexander (2012). Pushkin's Boris Gudunov. Oberon Books.
Boris Godunov (1825)

Arthur Miller photo

“An era can be said to end when its basic illusions are exhausted.”

Arthur Miller (1915–2005) playwright from the United States

"The Year it Came Apart" http://books.google.com/books?id=MekCAAAAMBAJ&pg=PA30, New York magazine, Vol. 8, No. 1 (30 December 1974 – 6 January 1975), p. 30

Julie Christie photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Jeremy Clarkson photo
Linus Torvalds photo

“I hope I won't end up having to hunt you all down and kill you in your sleep.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Linus Torvalds - Google+, Torvalds, Linus, 2013-04-05, 2013-04-05 https://plus.google.com/102150693225130002912/posts/hvnMn1fFKEm,
2010s, 2013

Michael Moorcock photo
Nisargadatta Maharaj photo
Claude Monet photo
Wilhelm II, German Emperor photo

“The war has ended - quite differently, indeed, from how we expected. Our politicians have failed us miserably.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Reaction to Hindenburg and Ludendorff's advice that an armistice must be requested (29 September 1918), quoted in Fritz Fischer, Germany's Aims in the First World War (New York: W. W. Norton & Co, 1967), p. 634
1910s

Grace Kelly photo

“For a woman, forty is torture, the end. I think turning forty is miserable.”

Grace Kelly (1929–1982) American actress and Princess consort of Monaco

Kelly (1969) in interview with William B. Arthur. Cited in: James Spada (1988) Grace: The Secret Lives of a Princess. p. 280

Clement of Alexandria photo
Steve Martin photo

“Why is it we don't always recognize the moment when love begins, but we always know when it ends?”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

As Harris K. Telemacher in "L.A. Story" (1991)

C.G. Jung photo
Kurt Vonnegut photo
Barack Obama photo

“For decades, this vision stood in sharp contrast to life on the other side of an Iron Curtain. For decades, a contest was waged, and ultimately that contest was won -- not by tanks or missiles, but because our ideals stirred the hearts of Hungarians who sparked a revolution; Poles in their shipyards who stood in Solidarity; Czechs who waged a Velvet Revolution without firing a shot; and East Berliners who marched past the guards and finally tore down that wall. Today, what would have seemed impossible in the trenches of Flanders, the rubble of Berlin, or a dissident’s prison cell -- that reality is taken for granted. A Germany unified. The nations of Central and Eastern Europe welcomed into the family of democracies. Here in this country, once the battleground of Europe, we meet in the hub of a Union that brings together age-old adversaries in peace and cooperation. The people of Europe, hundreds of millions of citizens -- east, west, north, south -- are more secure and more prosperous because we stood together for the ideals we share. And this story of human progress was by no means limited to Europe. Indeed, the ideals that came to define our alliance also inspired movements across the globe among those very people, ironically, who had too often been denied their full rights by Western powers. After the Second World War, people from Africa to India threw off the yoke of colonialism to secure their independence. In the United States, citizens took freedom rides and endured beatings to put an end to segregation and to secure their civil rights. As the Iron Curtain fell here in Europe, the iron fist of apartheid was unclenched, and Nelson Mandela emerged upright, proud, from prison to lead a multiracial democracy. Latin American nations rejected dictatorship and built new democracies, and Asian nations showed that development and democracy could go hand in hand.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to European Youth (March 2014)

Fernando Pessoa photo

“The sea with an end can be Greek or Roman:
the endless sea is Portuguese.”

Poem "Padrão", Versos 11-12
Message
Original: O mar com fim será grego ou romano:
O mar sem fim é português.

James Tobin photo
Leonardo Da Vinci photo

“Weight, force and casual impulse, together with resistance, are the four external powers in which all the visible actions of mortals have their being and their end.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Umberto Boccioni photo

“I work a lot but don't seem to finish. That is, I hope what I am doing means something because I don't know what I am doing. It's strange and terrible but I feel calm. Today I worked non-stop for six hours on a sculpture and I don't know what the result is... Planes upon planes, sections of muscles, of a face and then? And the total effect? Does what I create live? Where will I end up?”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's quote, from an undated letter to Gino Severini (probably July or August 1912, or November); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.
1912

Robert Burton photo

“Every man for himself, his own ends, the Devil for all.”

Section 1, member 3.
The Anatomy of Melancholy (1621), Part III

Omar Bradley photo
Edgar Allan Poe photo
Eckhart Tolle photo
Aurelius Augustinus photo
Johann Friedrich Herbart photo
Stefan Zweig photo

“In the end one needs forbearance to get by in this world.”

The Post Office Girl (published posthumously in 1982)

Rainer Maria Rilke photo

“Already my gaze is upon the hill, the sunny one,
at the end of the path which I've only just begun.
So we are grasped, by that which we could not grasp,
at such great distance, so fully manifest—and it changes us, even when we do not reach it,
into something that, hardly sensing it, we already are;
a sign appears, echoing our own sign…
But what we sense is the falling winds.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

<p>Schon ist mein Blick am Hügel, dem besonnten,
dem Wege, den ich kaum begann, voran.
So fasst uns das, was wir nicht fassen konnten,
voller Erscheinung, aus der Ferne an—</p><p>und wandelt uns, auch wenn wirs nicht erreichen,
in jenes, das wir, kaum es ahnend, sind;
ein Zeichen weht, erwidernd unserm Zeichen...
Wir aber spüren nur den Gegenwind.</p>
Spaziergang (A Walk) (March 1924)
Alternate translation:
My eyes already touch the sunny hill,
going far ahead of the road I have begun.
So we are grasped by what we cannot grasp;
it has its inner light, even from a distance—<p>and changes us, even if we do not reach it,
into something else, which, hardly sensing it, we already are;
a gesture waves us on, answering our own wave . . .
but what we feel is the wind in our faces.
Selected Poems of Rainer Maria Rilke as translated by Robert Bly (1981)

Mark Twain photo
Bertrand Russell photo
Arthur Miller photo
Terry Pratchett photo
Wilhelm Von Humboldt photo
Wilhelm Von Humboldt photo

“Now, all State institutions, as I also before maintained, act solely on the substance of the doctrines in a greater or less degree; whilst as regards the form of their acceptance by the individual, the channels of influence are wholly closed to any political agency. The way in which religion springs up in the human heart, and the way in which it is received in each case, depend entirely on the whole manner of the man's existence--the whole system of his thoughts and sensations. But if the State were able to remodel these according to its views (a possibility which we can hardly conceive), I must have been very unfortunate in the exposition of my principles if it were necessary to re-establish the conclusion which meets this remote possibility, viz., that the State may not make man an instrument to subserve its arbitrary designs, and induce him to neglect for these his proper individual ends. And that there is no absolute necessity, such as would perhaps alone justify an exception in this instance, is apparent from that perfect independence of morality on religion which I have already sought to establish, but which will receive a stronger confirmation when I show that the preservation of a State's internal security, does not at all require that a proper and distinct direction should be given to the national morals in general.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

Source: The Limits of State Action (1792), Ch. 8

Henning von Tresckow photo
Bertrand Russell photo
Jean De La Fontaine photo

“We then saw what St. Jerome said of those who serve God and those who serve the world: "Each to the other we seem insane": Invicem insanire videmur. There is a never-ending duel between the two.”

Jean De La Fontaine (1621–1695) French poet, fabulist and writer.

Mémoires pour servir à l'histoire de Port-Royal (1752), as cited by M. A. Screech in Laughter at the Foot of the Cross (1997), p. 69

Jules Verne photo

“Thus ends the voyage under the seas. What passed during that night — how the boat escaped from the eddies of the maelstrom — how Ned Land, Conseil, and myself ever came out of the gulf, I cannot tell.”

Voici la conclusion de ce voyage sous les mers. Ce qui se passa pendant cette nuit, comment le canot échappa au formidable remous du Maelstrom, comment Ned Land, Conseil et moi, nous sortîmes du gouffre, je ne saurai le dire.
Part II, ch. XXIII: Conclusion
Twenty Thousand Leagues Under the Sea (1870)

Pierre Joseph Proudhon photo
Kurt Vonnegut photo
Kurt Vonnegut photo
Barack Obama photo
Erving Goffman photo
Anne Frank photo

“I trust to luck and do nothing but work, hoping that all will end well.”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

3 February 1944
(1942 - 1944)

Barack Obama photo
James Macpherson photo
Ronald Reagan photo

“We're going forward with research on a new Orient Express that could, by the end of the decade, take off from Dulles Airport, accelerate up to 25 times the speed of sound, attaining low Earth orbit or flying to Tokyo within two hours.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

State of the Union address http://www.reagan.utexas.edu/archives/speeches/1986/20486a.htm, , quoted in [1986-03-05, Michael Kilian, Hypersonic flight just a hyperbolic Reagan rhapsody, The Evening Independent, http://news.google.com/newspapers?nid=950&dat=19860305&id=bmJQAAAAIBAJ&sjid=t1kDAAAAIBAJ&pg=4836,1112899]
1980s, Second term of office (1985–1989)

Morrissey photo
Fredric Jameson photo
Jordan Peterson photo
Napoleon I of France photo

“If I were an Englishman, I should esteem the man who advised a war with China to be the greatest living enemy of my country. You would be beaten in the end, and perhaps a revolution in India would follow.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Reported as being from an 1817 conversation in The Mind of Napoleon, ed. and trans. J. Christopher Herold (1955), p. 249. Reported as unverified in Respectfully Quoted: A Dictionary of Quotations (1989).
Attributed

Arthur Miller photo

“If I see an ending, I can work backward.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 Feb 1986)

Plato photo
Leon Trotsky photo
Lucian Freud photo
Terence V. Powderly photo
Fernando Pessoa photo

“Why is art beautiful? Because it's useless. Why is life ugly? Because it's all ends and purposes and intentions.”

Ibid., p. 279
The Book of Disquiet
Original: Porque é bela a arte? Porque é inútil. Porque é feia a vida? Porque é toda fins e propósitos e intenções.

Wilhelm Von Humboldt photo
Livy photo

“A fraudulent intent, however carefully concealed at the outset, will generally, in the end, betray itself.”

Livy (-59–17 BC) Roman historian

Book XLIV, sec. 15
History of Rome

Theodore Roosevelt photo

“I believe that material wealth is an exceedingly valuable servant, and a particularly abhorrent master, in our National life. I think one end of government should be to achieve prosperity; but it should follow this end chiefly to serve an even higher and more important end - that of promoting the character and welfare of the average man. In the long run, and inevitably, the actual control of the government will be determined by the chief end which the government subserves. If the end and aim of government action is merely to accumulate general material prosperity, treating such prosperity as an end in itself and not as a means, then it is inevitable that material wealth and the masters of that wealth will dominate and control the course of national action. If, on the other hand, the achievement of material wealth is treated, not as an end of government, but as a thing of great value, it is true—so valuable as to be indispensable—but of value only in connection with the achievement of other ends, then we are free to seek through our government, and through the supervision of our individual activities, the realization of a true democracy. Then we are free to seek not only the heaping up of material wealth, but a wise and generous distribution of such wealth so as to diminish grinding poverty, and, so far as may be, to equalize social and economic no less than political opportunity.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, The Progressives, Past and Present (1910)

Wilhelm Von Humboldt photo

“The true end of Man, or that which is prescribed by the eternal and immutable dictates of reason, and not suggested by vague and transient desires, is the highest and most harmonious development of his powers to a complete and consistent whole.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

The Limits of State Action (1792)

Andy Rooney photo
Fernando Pessoa photo

“Let's be simple and calm,
Like the trees and streams,
And God will love us, making us
Us, even as the trees are trees
And the streams are streams,
And will give us greenness in the spring, which is its season,
And a river to go to when we end…
And he'll give us nothing more, since to give us more would make us less us.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Sejamos simples e calmos,
Como os regatos e as árvores,
E Deus amar-nos-á fazendo de nós
Belos como as árvores e os regatos,
E dar-nos-á verdor na sua primavera,
E um rio aonde ir ter quando acabemos...
E não nos dará mais nada, porque dar-nos mais seria tirar-nos mais.
Alberto Caeiro (heteronym), O Guardador de Rebanhos ("The Keeper of Sheep"), VI — in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Aleksandr Pushkin photo
Bertil Ohlin photo
Rainer Maria Rilke photo

“The longer I live, the more urgent it seems to me to endure and transcribe the whole dictation of existence up to its end, for it might just be the case that only the very last sentence contains that small and possibly inconspicuous word through which everything we had struggled to learn and everything we had failed to understand will be transformed suddenly into magnificent sense.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Je weiter ich lebe, desto nötiger scheint es mir, auszuhalten, das ganze Diktat des Daseins bis zum Schluss nachzuschreiben; denn es möchte sein, dass erst der letzte Satz jenes kleine, vielleicht unscheinbare Wort enthält, durch welches alles mühsam Erlernte und Unbegriffene sich gegen einen herrlichen Sinn hinüberkehrt.
Letter to Ilse Erdmann, 21 December 1913, in Letters on Life, U. Baer, trans. (2007)
Rilke's Letters

Fyodor Dostoyevsky photo
John Keats photo
Sandra Bullock photo

“Beginnings are usually scary and endings are usually sad, but it’s the middle that counts. You have to remember this when you find yourself at the beginning.”

Sandra Bullock (1964) American actress and producer

As quoted in Uptown Magazine - Winnipeg's Online Source for Arts, Entertainment & News (8 January 2009)

Kazuo Ishiguro photo
A.C. Bhaktivedanta Swami Prabhupada photo

“When a husbandless woman is attacked by an aggressive man, she takes his action to be mercy. A woman is generally very much attracted by a man’s long arms. A serpent’s body is round, and it becomes narrower and thinner at the end. The beautiful arms of a man appear to a woman just like serpents, and she very much desires to be embraced by such arms. The word anatha-varga is very significant in this verse. Natha means “husband,” and a means “without.” A young woman who has no husband is called anatha, meaning “one who is not protected.” As soon as a woman attains the age of puberty, she immediately becomes very much agitated by sexual desire. It is therefore the duty of the father to get his daughter married before she attains puberty. Otherwise she will be very much mortified by not having a husband. Anyone who satisfies her desire for sex at that age becomes a great object of satisfaction. It is a psychological fact that when a woman at the age of puberty meets a man and the man satisfies her sexually, she will love that man for the rest of her life, regardless who he is. Thus so-called love within this material world is nothing but sexual satisfaction.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 4, Chapter 25, verse 42, purport. Vedabase http://www.vedabase.com/en/sb/4/25/42
Quotes from Books: Loving God, Quotes from Books: Regression of Women's Rights

Ben Shapiro photo
Friedrich Nietzsche photo
Milkha Singh photo
Leon Trotsky photo
Hugo Diemer photo

“Students are here not for service or for culture, but for the selfish end of preparing for salary to come. Constantly I hear them asking, 'If I change over to your course, what kind of a job will it help me to get when I graduate?' Students are weighing every subject they take on the scales of jobs to come.”

Hugo Diemer (1870–1937) American mechanical engineer

Hugo Diemer, cited in: Michael Bezilla (June 1985) [1986]. " Shaping a Modern College http://web.archive.org/web/20080104065415/http://www.libraries.psu.edu/speccolls/psua/psgeneralhistory/bezillapshistory/083s03.htm". Penn State: An Illustrated History. Pennsylvania State University Press.

Jeff Lynne photo

“At the end of the day I have to please myself. And I've made a record to please myself.”

Jeff Lynne (1947) British rock musician

On the album Zoom, in "An Electric return for Jeff Lynne" at CNN (3 September 2001)

Isaac Newton photo

“A good watch may serve to keep a recconing at Sea for some days and to know the time of a Celestial Observ[at]ion: and for this end a good Jewel watch may suffice till a better sort of Watch can be found out. But when the Longitude at sea is once lost, it cannot be found again by any watch.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Letter to Josiah Burchett (1721), quoted in Longitude (1995) by Dava Sobel, p. 60
Board of Longitude

Karl Marx photo
Abraham Lincoln photo

“In the beginning of the year 1854 a new policy was inaugurated with the avowed object and confident promise that it would entirely and forever put an end to the Slavery agitation. It was again and again declared that under this policy, when once successfully established, the country would be forever rid of this whole question. Yet under the operation of that policy this agitation has not only not ceased, but it has been constantly augmented. And this too, although, from the day of its introduction, its friends, who promised that it would wholly end all agitation, constantly insisted, down to the time that the Lecompton bill was introduced, that it was working admirably, and that its inevitable tendency was to remove the question forever from the politics of the country. Can you call to mind any Democratic speech, made after the repeal of the Missouri Compromise, down to the time of the Lecompton bill, in which it was not predicted that the Slavery agitation was just at an end; that "the abolition excitement was played out," "the Kansas question was dead," "they have made the most they can out of this question and it is now forever settled."”

Abraham Lincoln (1809–1865) 16th President of the United States

But since the Lecompton bill no Democrat, within my experience, has ever pretended that he could see the end. That cry has been dropped. They themselves do not pretend, now, that the agitation of this subject has come to an end yet.
1860s, Allow the humblest man an equal chance (1860)

George Washington photo
Cate Blanchett photo
Robert Browning photo

“Womanliness means only motherhood;
All love begins and ends there.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

The Inn Album (1875).

Abraham Lincoln photo
Bruce Lee photo
Muammar Gaddafi photo

“I am not going to leave this land. I will die as a martyr at the end. I shall remain, defiant. Muammar is Leader of the Revolution until the end of time.”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

Televised address to the nation, quoted in guardian.co.uk (22 February 2011) " Gaddafi urges violent showdown and tells Libya 'I'll die a martyr' http://www.guardian.co.uk/world/2011/feb/22/muammar-gaddafi-urges-violent-showdown?INTCMP=ILCNETTXT3487" by Ian Black
Speeches

Galileo Galilei photo
Juan Antonio Villacañas photo

“Death is a life of questions
that are being buried,
and one ends always
with doubt tangled in the lips.”

Juan Antonio Villacañas (1922–2001) Spanish poet, essayist and critic

“Epilogue”, from De-triumphant March (1960)

Bertrand Russell photo

“I shall keep it [the manuscript] by me until the end of May for purposes of revision, and of adding malicious foot-notes.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to W. W. Norton, 17 February, 1931
1930s

Claude Monet photo
Friedrich Nietzsche photo

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Pope Francis photo
Barack Obama photo
José Saramago photo