Quotes about emotion
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“We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”

Gaston Bachelard book The Poetics of Space

Source: The Poetics of Space

“We cannot selectively numb emotions, when we numb the painful emotions, we also numb the positive emotions.”

Brené Brown (1965) US writer and professor

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Pain

“For me, living means I can be responsive to the other person. It means I can show my emotions and my feelings. Talk to them. Feel with them …”

Morrie Schwartz (1916–1995) American sociologist

Feeling, Personality

“The advantage of the emotions is that they lead us astray.”

Oscar Wilde (1854–1900) Irish writer and poet

“To succeed in the game of power, you have to master your emotions. But even if you succeed in gaining such self-control, you can never control the temperamental dispositions of those around you. And this presents a great danger.”

Robert Greene book The 48 Laws of Power

Source: The 48 Laws of Power

Game

“And when it comes to money, high emotions tend to lower financial intelligence.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Money, Intelligence

“What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.

Art, Way, Indifference

“Not only are love and hate such closely related emotions, but it's a lot easier to hate someone you've cared about than someone you never have.”

Marilyn Manson (1969) American rock musician and actor

Source: The Long Hard Road Out of Hell

Love, Hate

“It almost seemed as if there must be some random and of course unfair thrift in the emotional housekeeping of the world, if the great happiness--however temporary, however flimsy--of one person could come out of the great unhappiness of another.”

Alice Munro book Too Much Happiness

Source: Too Much Happiness

Happiness, World, Personality

“Welcome the view that the things which you think are wrecking your life - like your thoughts and emotions, or illness and death - are actually gifts for your transformation… Whether life presents us with a pleasant sound or an unpleasant sound, a pleasant smell or an unpleasant smell, a pleasant thought or an unpleasant thought, it's sheer delight because instead of identifying with the experience, we simply touch it and let it go.”

Dilgo Khyentse (1910–1991) Bhutanese Buddhist Lama

Life, Death, Thinking

“A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.”

Richard Avedon (1923–2004) American photographer

Truth

“The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.”

Tennessee Williams The Glass Menagerie

Variant: Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.
Source: The Glass Menagerie

Memory, Heart

“When a man is prey to his emotions, he is not his own master.”

Baruch Spinoza (1632–1677) Dutch philosopher

“Photography doesn't teach you to express your emotions; it teaches you how to see.”

Berenice Abbott (1898–1991) American photographer

“People with BPD are like people with third degree burns over 90% of their bodies. Lacking emotional skin, they feel agony at the slightest touch or movement.”

Marsha M. Linehan (1943) psychologist, professor, author

People, Feeling

“Love is an emotion experienced by the many and enjoyed by the few.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

Love, Cute, Romantic, For Her

“They came to her, naturally, since she was a woman, all day long with this and that; one wanting this, another that; the children were growing up; she often felt she was nothing but a sponge sopped full of human emotions.”

Virginia Woolf book To the Lighthouse

Source: To the Lighthouse

Children, Nature

“No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.”

Ansel Adams (1902–1984) American photographer and environmentalist

Men, Confidence

“Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.”

Sigmund Freud (1856–1939) Austrian neurologist known as the founding father of psychoanalysis

Way

“No one can persuade another to change. Each of us guards a gate of change that can only be opened from the inside. We cannot open the gate of another, either by argument or by emotional appeal.”

Marilyn Ferguson (1938–2008) American writer

Change

“Don't forget, a person's greatest emotional need is to feel appreciated.”

H. Jackson Brown, Jr. (1940) American writer

Source: Life's Little Instruction Book: 511 Suggestions, Observations, and Reminders on How to Live a Happy and Rewarding Life

Feeling, Personality, Forgetting

“Rather than being your thoughts and emotions, be the awareness behind them.”

Eckhart Tolle (1948) German writer

Source: A New Earth: Awakening to Your Life's Purpose

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.”

T.S. Eliot book Tradition and the Individual Talent

Tradition and the Individual Talent (1919)
Context: The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

Personality

“That is such crap. How dare you be so fraudulently flirtatious, cowardly and dysfunctional? I am not interested in emotional fuckwittage. Goodbye.”

Helen Fielding book Bridget Jones's Diary

Source: Bridget Jones's Diary

“You have to be able to center yourself, to let all of your emotions go. Don’t ever forget that you play with your soul as well as your body.”

Kareem Abdul-Jabbar (1947) American basketball player

Soul, Forgetting

“I am glad that the country world…retains a power to use our English tongue. It is a part of its sense of reality, of its vocabulary of definite terms, and of its habit of earthly common sense. I find this country writing an excellent corrective of the urban vocabulary of abstractions and of the emotion disguised as thinking which abstractions and humbug have loosed upon the world. May there always be such things as a door, a milk pail, and a loaf of bread, and words to do them honor.”

Henry Beston (1888–1968) American writer

World, Thinking, Reality, Sense

“Admiration is the emotion furthest from understanding.
~Sosuke Aizen”

Tite Kubo (1977) Japanese manga artist

Understanding

“…to know how to think with emotions and to feel with intellect…”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

Feeling, Thinking

“One cannot bring children into a world like this. One cannot perpetuate suffering, or increase the breed of these lustful animals, who have no lasting emotions, but only whims and vanities, eddying them now this way, now that.”

Virginia Woolf book Mrs Dalloway

Source: Mrs. Dalloway

Children, World, Way, Suffering

“Emotions arise in the place where your mind and body meet”

Eckhart Tolle (1948) German writer

Source: The Power of Now: A Guide to Spiritual Enlightenment

“I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing… It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.”

Nelson Algren (1909–1981) American novelist, short story writer

People, Thinking

“I MAY HAVE ALLOWED MYSELF SOME FLICKER OF EMOTION IN THE RECENT PAST, said Death, BUT I CAN GIVE IT UP ANY TIME I LIKE.”

Terry Pratchett book Soul Music

Source: Soul Music

Death, Time, Past

“Having wandered some distance among gloomy rocks, I came to the entrance of a great cavern… Two contrary emotions arose in me: fear and desire--fear of the threatening dark cavern, desire to see whether there were any marvelous things in it.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Fear

“Human beings sometimes find a kind of pleasure in nursing painful emotions, in blaming themselves without reason or even against reason.”

Isaac Asimov book Robots and Empire

Source: Robots and Empire

Pain, Pleasure

“It seemed that at the end of the lecture Dr. Krokowski was making propaganda for psycho-analysis; with open arms he summoned all and sundry to come unto him. "Come unto me," he was saying, though not in those words, " come unto me, all ye who are weary and heavy-laden." And he left no doubt of his conviction that all those present were weary and heavy-laden. He spoke of secret suffering, of shame and sorrow, of the redeeming power of the analytic. He advocated the bringing of light into the unconscious mind and explained how the abnormality was metamorphosed into the conscious emotion; he urged them to have confidence; he promised relief.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

Secret, Confidence, Light, Suffering

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Life, Law, Beauty, Art

“I knew it had the potential to be something special right away. It was like meeting somebody that I've just known where you just recognize one another. It was so disproportionate, the level of emotion we were experiencing to the time we had spent together.”

Demi Moore (1962) American actress

On first meeting Ashton Kutcher Demi Moore Cover Interview - Demi Moore on Fame and Family - Harper's BAZAAR August 3, 2010 http://www.harpersbazaar.com/magazine/cover/demi-moore-cover-interview-0410

Time

“Use your intellect to guide you, and you will end up putting people off. Rely on your emotions, and you will forever be pushed around. Force your will on others, and you will live in constant tension. There is no getting around it—people are hard to live with.”

Natsume Soseki (1867–1916) Japanese novelist

Chi ni hatarakeba kado ga tatsu. Jō ni saosaseba nagasareru. Iji o tōseba kyūkutsu da. Tokaku ni hito no yo wa suminikui.
草枕 Kusamakura, 1906.

People

“He reminds me of that excitement when De Niro and I stumbled upon a way of working together - a similar kind of energy to the actors in the 1970s. It’s very rare for me to find that kind of connection again. Leo will give me the emotion where I least expect it and could only hope for it about three or four scenes. And he can do it take after take.”

Leonardo DiCaprio (1974) American actor and film producer

Martin Scorsese http://www.flixster.com/actor/leonardo-di-caprio/leonardo-dicaprio-quotes About

Hope, Way

“When the intensity of emotional conviction subsides, a man who is in the habit of reasoning will search for logical grounds in favour of the belief which he finds in himself.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic

“After experiencing profound emotions, one sleeps profoundly.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Sleep

“The only religious way to think of death is as part and parcel of life; to regard it, with the understanding and the emotions, as the the inviolable condition of life.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

Life, Death, Way, Understanding

“(upon seeing the movie) I'm a bit nervous about whether people will like it, but I've seen it, and I'm sure they will. It's really good - it's quite scary, it's quite emotional. Even I cried and I don't cry easily! I cried at the end credits when my name came up, and I was, like, Oh my God! I can't believe that's my name! I've met so many people since we started filming and it's been wonderful. I've progressed so far and changed so much since the beginning. It's been like a real journey.”

Daniel Radcliffe (1989) English actor

God, People, Change, Cry

“The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides. The sea is only the embodiment of a supernatural and wonderful existence. It is nothing but love and emotion.”

Jules Verne book Twenty Thousand Leagues Under the Sea

La mer est tout! Elle couvre les sept dixièmes du globe terrestre. Son souffle est pur et sain. C'est l'immense désert où l'homme n'est jamais seul, car il sent frémir la vie à ses côtés. La mer n'est que le véhicule d'une surnaturelle et prodigieuse existence; elle n'est que mouvement et amour.
Part I, ch. X: The Man of the Seas
Twenty Thousand Leagues Under the Sea (1870)

Love, Life, Feeling, Sea

“I used to always think I had to have a reason to record my observations of the day, or even my emotions, but now I think simply being alive is more than enough reason.”

Douglas Coupland Microserfs

Microserfs (1995)

Thinking

“A motion picture must be true to life. If a picture portrays a false emotion it trains people seeing it to react abnormally.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Jill Lepore, The Secret History of Wonder Woman (2014), p. 136.

Life, People, Falseness, Training

“When you have an emotion you are recruiting a variety of mechanisms that came in the long history of evolution, long before emotions arose, and those mechanisms all had to do with how an organism manages its life.”

António Damásio (1944) neuroscientist and professor at the University of Southern California

Antonio Damasio, Brain and mind from medicine to society 2/2, Open University of Catalonia, 2005 http://www.youtube.com/watch?v=agxMmhHn5G4

Life, History

“The more serious the illness, the more important it is for you to fight back, mobilizing all your resources — spiritual, emotional, intellectual, physical.”

Norman Cousins (1915–1990) American journalist

Anatomy of an Illness (1979)

Fight

“One's emotional state is always determined by the oddest and most accidental things, and it is precisely the most superficial factors that often fortify or diminish our courage.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Courage

“Emotion has taught mankind to reason.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

As quoted in Queers in History : The Comprehensive Encyclopedia of Historical Gays (2009), by Keith Stern, p. 466.

“Let us, therefore, not live in the summer‑house of emotion, but in the central citadel of the will, wholly yielded and devoted to the will of God.”

Frederick Brotherton Meyer (1847–1929) English Baptist pastor and evangelist

The Secret of Guidance (1896)

God, Summer, Housing

“Why not make me an Hon. teacher in the Religion Department for teaching the cult of Lord Caitanya which is the living religion of the world. All other religions of the world are carried by more sentiments than philosophy but Caitanya cult is full of philosophy and transcendental sentiments or emotions.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Letter to Kirtanananda, New York, 14 April, 1967 PrabhupadaBooks.com http://prabhupadabooks.com/letters/new_york/april/14/1967/kirtanananda?d=1 Quotes from other Sources, Quotes from other Sources: Religious and Cultural Elitism

World, Religion, Teachers

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Life, People, Youth, Age

“Independent of biological need fulfillment and the reproductive needs of the species, cultures] satisfy not bodily needs, but values. Values define cultural man's need for rationality, meaningfulness in emotional experience, richness of imagination, and depth of faith. All cultures respond to such supra-biological values. But in what form they do so depends on the specific kind of values people happen to have.”

Ervin László (1932) Hungarian musician and philosopher

Source: The systems view of the world (1996), p. 76.

People, Faith, Imagination, Dependency

“For a sentimentalist is simply one who desires to have the luxury of an emotion without paying for it.”

Oscar Wilde book De Profundis

De Profundis (1897)

“Emotions are triggered by what we like to call emotionally competent stimuli, that is, objects or situations that can be real, like in front of you, or be in your mind when you think and you recall, and they act on brain devices that were designed by evolution.”

António Damásio (1944) neuroscientist and professor at the University of Southern California

Antonio Damasio, Brain and mind from medicine to society 1/2, Open University of Catalonia, 2005 http://www.youtube.com/watch?v=KbacW1HVZVk

Thinking

“But it is the way of youth that each fresh piece of knowledge of life should go to its head, and that once uplifted by an emotion it can never have enough of it.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Life, Youth, Way, Knowledge

“In the past, the virtue of women's writing often lay in its divine spontaneity … But it was also, and much more often, chattering and garrulous … In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.”

Virginia Woolf (1882–1941) English writer

"Women and Fiction"
Granite and Rainbow (1958)

Women, Men, Books, Art

“The following week, when he Toulmouche passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn around, inclining his serious face with a satisfied air and I heard him say to me while smiling: "Not bad, not at all bad this, but it is too much like the real model. You have a stocky man and you depict him as stocky… Nature, my friend, serves well as a means to study but offers no real interest. Style is the only thing that matters." I was flabbergasted. The truth, life, nature - all that provoked emotions in me - all that constituted for me the real essence and the unique "raison d'être" of art, did not exist for this man!”

Claude Monet (1840–1926) French impressionist painter

Quote from Claude Monet par lui-meme – an interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900.
About Toulmouche, Monet first painting-teacher in Paris c. 1857
1900 - 1920

Life, Truth, Smile, Art

“He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire. Perhaps only a man can realize to the full the tragedy of such an undesired relationships; for him alone the necessity to resist t is at once martyrdom and guilt. For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! Only a moment ago you felt free, you belonged to yourself and were in debt to no one, and now suddenly you find yourself pursued, hemmed in, prey and object of the unwelcome desires of another. Shaken to the depths of your soul, you know that day and night someone is waiting for you, thinking of you, longing and sighing for you - a woman, a stranger. She wants, she demands, she desires you with every fibre of her being, with her body, with her blood. She wants your hands, your hair, your lips, your manhood, your night and your day, your emotions, your senses, and all your thought and dreams. She wants to share everything with you, to take everything from you, and to draw it in with her breath. Henceforth, day and night, whether you are awake or asleep, there is somewhere in the world a being who is feverish and wakeful and who waits for you, and you are the centre of her waking and her dreaming. It is in vain that you try not to think of her, of her who thinks always of you, in vain that you seek to escape, for you no longer dwell in yourself, but in her. Of a sudden a stranger bears your image within her as though she were a moving mirror - no, not a mirror, for that merely drinks in your image when you offer yourself willingly to it, whereas she, the woman, this stranger who loves you, she has absorbed you into her very blood. She carries you always within her, carries you about with her, no mater whither you may flee. Always you are imprisoned, held prisoner, somewhere else, in some other person, no longer yourself, no longer free and lighthearted and guiltless, but always hunted, always under an obligation, always conscious of this "thinking-of-you" as if it were a steady devouring flame. Full of hate, full of fear, you have to endure this yearning on the part of another, who suffers on your account; and I now know that it is the most senseless, the most inescapable, affliction that can befall a man to be loved against his will - torment of torments, and a burden of guilt where there is no guilt.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Love, Hate, Friendship, Fate

“In 1974 I nearly got into a fistfight with some early academic feminists in a restaurant when I casually alluded to a hormonal element in sex differences. It was utterly unacceptable at that time to think or say such a thing. … If you have any doubts about the effect of hormones on emotion, libido and aggression, have a chat with a transexual, who must take hormones medically. He or she will set you straight.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 185

Sex, Thinking, Time

“I can look back... at two distinct periods of opinion whose foundations I have successively come to distrust—a period before 1919 or so, when the weight of classic authority unduly influenced me, and another period from 1919 to about 1925, when I placed too high a value on the elements of revolt, florid colour, and emotional extravagance or intensity.”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (1929), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 307
Non-Fiction, Letters, to August Derleth

Success

“As for the Republicans — how can one regard seriously a frightened, greedy, nostalgic huddle of tradesmen and lucky idlers who shut their eyes to history and science, steel their emotions against decent human sympathy, cling to sordid and provincial ideals exalting sheer acquisitiveness and condoning artificial hardship for the non-materially-shrewd, dwell smugly and sentimentally in a distorted dream-cosmos of outmoded phrases and principles and attitudes based on the bygone agricultural-handicraft world, and revel in (consciously or unconsciously) mendacious assumptions (such as the notion that real liberty is synonymous with the single detail of unrestricted economic license or that a rational planning of resource-distribution would contravene some vague and mystical 'American heritage'…) utterly contrary to fact and without the slightest foundation in human experience? Intellectually, the Republican idea deserves the tolerance and respect one gives to the dead.”

H.P. Lovecraft (1890–1937) American author

Letter to C.L. Moore (August 1936), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 574
Non-Fiction, Letters

World, Dreams, History, Idea

“What interested me was how much of a departure this was in that you have three interesting, across the generations, female characters, literally riding alongside the male characters. Also the emotional and psychological depth of the characters was, for me, a lot richer than I've seen in a western. But never once did it sacrifice the thrill of the chase. So it was a journey into the unknown for me.”

Cate Blanchett (1969) Australian actress

Cate Blanchett, The Missing interview, BBC http://www.bbc.co.uk/films/2004/02/16/cate_blanchett_the_missing_interview.shtml,

Departure

“The energy to manufacture Art doesn't come merely from the superficial darshan (philosophy) of objects; nor from mere intellect and knowledge; but it comes from those subtle conscience, which finds emotional caressing from divine experience climbing above bestial eyes. The beast merely looks and remains satisfied, but man tries to touch the heart of everything. The superficial understandings do not satisfy him, in the world containing form-relation and conscience he cannot remain satisfied though philosophy. He tries to connect the things seen and experienced in his mind and outer nature with eternal and true and tries to touch them with the help of relation and support of chief reason.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life

World, Art, Understanding, Support

“I am distinctly opposed to visibly arrogant and arbitrary extremes of government—but this is simply because I wish the safety of an artistic and intellectual civilisation to be secure, not because I have any sympathy with the coarse-grained herd who would menace the civilisation if not placated by sops. Surely you can see the profound and abysmal difference between this emotional attitude and the attitude of the democratic reformer who becomes wildly excited over the "wrongs of the masses". This reformer has uppermost in his mind the welfare of those masses themselves—he feels with them, takes up a mental-emotional point of view as one of them, regards their advancement as his prime objective independently of anything else, and would willingly sacrifice the finest fruits of the civilisation for the sake of stuffing their bellies and giving them two cinema shows instead of one per day. I, on the other hand, don't give a hang about the masses except so far as I think deliberate cruelty is coarse and unaesthetic—be it towards horses, oxen, undeveloped men, dogs, negroes, or poultry. All that I care about is the civilisation—the state of development and organisation which is capable of gratifying the complex mental-emotional-aesthetic needs of highly evolved and acutely sensitive men. Any indignation I may feel in the whole matter is not for the woes of the downtrodden, but for the threat of social unrest to the traditional institutions of the civilisation. The reformer cares only for the masses, but may make concessions to the civilisation. I care only for the civilisation, but may make concessions to the masses. Do you not see the antipodal difference between the two positions? Both the reformer and I may unite in opposing an unworkably arrogant piece of legislation, but the motivating reasons will be absolutely antithetical. He wants to give the crowd as much as can be given them without wrecking all semblance of civilisation, whereas I want to give them only as much as can be given them without even slightly impairing the level of national culture. … He works for as democratic a government as possible; I for as aristocratic a one as possible.”

H.P. Lovecraft (1890–1937) American author

But both recognise the limitations of possibility.
Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 289-290
Non-Fiction, Letters

Men, Dogs, Feeling, Motivation

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Life, Happiness, Pleasure, Youth

“It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.”

Rainer Maria Rilke book Letters to a Young Poet

Letter Eight (12 August 1904)
Letters to a Young Poet (1934)

Life, Fate, Sadness, Way

“The degree of one's emotion varies inversely with one's knowledge of the facts – the less you know the hotter you get.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Attributed to Russell in Distilled Wisdom (1964) by Alfred Armand Montapert, p. 145
1960s

Knowledge

“Love is the one emotion actors allow themselves to believe.”

James Spader (1960) American actor

Playboy (May 2005)

Love

“As I began to love myself I found that anguish and emotional suffering are only warning signs that I was living against my own truth.
Today, I know, this is “AUTHENTICITY."”

Charlie Chaplin (1889–1977) British comic actor and filmmaker

Quoted by many sites and blogs as "speech that Charlie Chaplin gave on his 70th birthday". Actually, a re-translation (from Portuguese-BR) of a text from the book "When I Loved Myself Enough" by Kim & Alison McMillen (2001). https://authorjoannereed.net/charlie-chaplin-self-love-poem-subtle-art-of-myth-busting/ Misattributed

Love, Truth, Suffering

“I do not want to make a stone horse that is trying to and cannot smell the air. How lovely is the horse’s sensitive nose, the dogs moving ears and deep eyes; but to me these are not stone forms and the love of them and the emotion can only be expressed in more abstract terms. I do not want to make a machine that cannot fulfil its essential purpose; but to make exactly the right relation of masses, a living thing in stone, to express my awareness and thought of these things.”

Barbara Hepworth (1903–1975) English sculptor

Quote of Hepworth in her text: 'Unit One', 1934; as cited in Voicing our visions, - Writings by women artists, ed. by Mara R. Witzling, Universe New York 1991, p. 278
1932 - 1946

Love, Dogs, Horse

“As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict... In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable... Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence.... There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary.... In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent... If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life... For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Life, Books, Age, World

“Children have the right to grow up in a family with a father and mother capable of creating a suitable environment for the child's development and emotional maturity. Today marriage and the family are in crisis. We now live in a culture of the temporary, in which more and more people are simply giving up on marriage as a public commitment. The revolution in mores and morals has often flown the flag of freedom, but in fact it has brought spiritual and material devastation to countless human beings, especially the poorest and most vulnerable.”

Pope Francis (1936) 266th Pope of the Catholic Church

"Pope Francis declares union between man and woman 'at root of marriage' in blow to gay rights", by Adam Withnall, The Independent (18 November 2014) http://www.independent.co.uk/news/world/europe/pope-francis-declares-union-between-man-and-woman-at-root-of-marriage-in-blow-to-gay-rights-9867561.html 2010s, 2014

Marriage, Children, People, Family

“It is only at first that pity, like morphine, is a solace to the invalid, a remedy, a drug, but unless you know the correct dosage and when to stop, it becomes a virulent poison. The first few injections do good, they soothe, they deaden the pain. But the devil of it is that the organism, the body, just like the soul, has an uncanny capacity for adaptation. Just as the nervous system cries out for more and more morphine, so do the emotions cry out for more and more pity, in the end more than one can give. Inevitably there comes a moment when one has to say 'no', and then one must not mind the other person's hating one more for this ultimate refusal than if one had never helped him at all. Yes, my dear Lieutenant, one has got to keep one's pity properly in check, or it does far more harm than any amount of indifference — we doctors know that, and so do judges and myrmidons of the law and pawn-brokers; if they were all to give way to their pity, this world of ours would stand still - a dangerous thing pity, a dangerous thing!”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Pain, Hate, World, Law

“The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.”

Arthur Miller (1915–2005) playwright from the United States

Collected Plays (1958) Introduction, Section 1

Life

“[On dealing with physical and emotional pain] … a friend taught me before I gave birth…“don't try to take your mind away from the pain. Go right into the centre of the pain”, because when she did that she found the pain dissipated. It's true for me anyway, but it's not always possible, I admit. It has become a valuable exercise to apply to different things in life, of not avoiding or disregarding pain or bad feelings. I just have to remember that nothing in life is ever stagnant and that this grief or ache is going to change because everything in life changes.”

Jennifer Beals (1963) American actress and a former teen model

Interview in Viva Magazine (Dec 2009, p. 76) http://jennifer-beals.com/media/press/viva.html.

Life, Pain, Feeling, Exercises

“If then we would indeed be “filled with wisdom and spiritual understanding;” if we would “walk worthy of the Lord unto all well pleasing, being fruitful in every good work, and increasing in the knowledge of God;” here let us fix our eyes! “Laying aside every weight, and the sin that does so easily beset us; let us run with patience the race that is set before us, Looking unto Jesus, the Author and Finisher of our faith, who for the joy that was set before him endured the cross, despising the shame, and is set down at the right hand of the throne of God.
Here best we may learn the infinite importance of Christianity. How little it can deserve to be treated in that slight and superficial way, in which it is in these days regarded by the bulk of nominal Christians, who are apt to think it may be enough, and almost equally pleasing to God, to be religious in any way, and upon any system. What exquisite folly it must be to risk the soul on such a venture, in direct contradiction to the dictates of reason, and the express declaration of the word of God! “How shall we escape, if we neglect so great salvation?”
LOOKING UNTO JESUS!
Here we shall best learn the duty and reasonableness of an absolute and unconditional surrender of soul and body to the will and service of God.—“We are not our own; for we are bought with a price,” and must “therefore” make it our grand concern to “glorify God with our bodies and our spirits, which are God’s.” Should we be base enough, even if we could do it with safety, to make any reserves in our returns of service to that gracious Saviour, who “gave up himself for us?” If we have formerly talked of compounding by the performance of some commands for the breach of others; can we now bear the mention of a composition of duties, or of retaining to ourselves the right of practising little sins! The very suggestion of such an idea fills us with indignation and shame, if our hearts be not dead to every sense of gratitude.
LOOKING UNTO JESUS!
Here we find displayed, in the most lively colours, the guilt of sin, and how hateful it must be to the perfect holiness of that Being, “who is of purer eyes than to behold iniquity.” When we see that, rather than sin should go unpunished, “God spared not his own Son,” but “was pleased[99], to bruise him and put him to grief” for our sakes; how vainly must impenitent sinners flatter themselves with the hope of escaping the vengeance of Heaven, and buoy themselves up with I know not what desperate dreams of the Divine benignity!
Here too we may anticipate the dreadful sufferings of that state, “where shall be weeping and gnashing of teeth;” when rather than that we should undergo them, “the Son of God” himself, who “thought it no robbery to be equal with God,” consented to take upon him our degraded nature with all its weaknesses and infirmities; to be “a man of sorrows,” “to hide not his face from shame and spitting,” “to be wounded for our transgressions, and bruised for our iniquities,” and at length to endure the sharpness of death, “even the death of the Cross,” that he might “deliver us from the wrath to come,” and open the kingdom of Heaven to all believers.
LOOKING UNTO JESUS!
Here best we may learn to grow in the love of God! The certainty of his pity and love towards repenting sinners, thus irrefragably demonstrated, chases away the sense of tormenting fear, and best lays the ground in us of a reciprocal affection. And while we steadily contemplate this wonderful transaction, and consider in its several relations the amazing truth, that “God spared not his own Son, but delivered him up for us all;” if our minds be not utterly dead to every impulse of sensibility, the emotions of admiration, of preference, of hope, and trust, and joy, cannot but spring up within us, chastened with reverential fear, and softened and quickened by overflowing gratitude. Here we shall become animated by an abiding disposition to endeavour to please our great Benefactor; and by a humble persuasion, that the weakest endeavours of this nature will not be despised by a Being, who has already proved himself so kindly affected towards us. Here we cannot fail to imbibe an earnest desire of possessing his favour, and a conviction, founded on his own declarations thus unquestionably confirmed, that the desire shall not be disappointed. Whenever we are conscious that we have offended this gracious Being, a single thought of the great work of Redemption will be enough to fill us with compunction. We shall feel a deep concern, grief mingled with indignant shame, for having conducted ourselves so unworthily towards one who to us has been infinite in kindness: we shall not rest till we have reason to hope that he is reconciled to us; and we shall watch over our hearts and conduct in future with a renewed jealousy, [Pg 243] lest we should again offend him. To those who are ever so little acquainted with the nature of the human mind, it were superfluous to remark, that the affections and tempers which have been enumerated, are the infallible marks and the constituent properties of Love. Let him then who would abound and grow in this Christian principle, be much conversant with the great doctrines of the Gospel.
It is obvious, that the attentive and frequent consideration of these great doctrines, must have a still more direct tendency to produce and cherish in our minds the principle of the love of Christ.”

William Wilberforce (1759–1833) English politician

Source: Real Christianity (1797), p. 240-243.

Love, Death, Wisdom, God

“Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.”

Theodor W. Adorno book The Authoritarian Personality

The Authoritarian Personality (1950), p. 976, co-written with Else Frenkel-Brunswik, Daniel Levinson, and Nevitt Sanford

Fear, Democracy

“You & James Ferdinand simply can't learn to distinguish betwixt intellectual opinion & irrelevant instinctive emotion... For instance, he has the idea that I place an exaggerated intellectual valuation on the 18th century merely because my chance emotions have given me a strong but irrational subjective sense of belonging to it. I've told that bird dozens of times that I have no especial intellectual brief for Georgian days... He can't understand my ability to class as merely one period among others an age to which random early impressions have so closely bound my emotions & sense of identity... the point is that my own personal mess of subjective emotions has nothing whatever to do with my intellectual opinions. I have freely declared myself at all times (like everybody else in his respective way) a mere product of my background, & do not consider the values of that background as applicable to outsiders. The only way for the individual to achieve any contentment or harmonic relationship to a pattern is to adhere to the background naturally his; & that is what I am doing. Others I urge to adhere to their own respective backgrounds & traditions, however remote from mine these may be. When I venture now & then to suggest values of a more general kind, I approach the problem in an entirely different way—speaking not as Old Theobald of His Majesty's Rhode-Island Colony, but as the cosmic & impersonal Ec'h-Pi-El, denizen of the invisible world 'Ui-ulh in the second zone of curved space outside angled space... If there is any approach to an absolute value in the cosmos—or at least on this planet—then this is it. Sincerity—is-or-isn't-ness—technical perfection—harmony—coherence—consistency—symmetry—all these things are obviously aspects of one single property of space, energy, & general mathematical harmonics whose universality gives it the deepest possible significance. I have thought this all my life, & that is why to me one Newton or Einstein, one M. Atilius Regulus, M. Porcius Cato, or P. Cornelius Scipio, seems to me in certain ways worth a full dozen of your prattling little Keatses & Baudelaires.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 312
Non-Fiction, Letters, to Frank Belknap Long

Life, Age, World, Way

“A reporter once asked me if I ever cried. I wonder if people think I'm just as hard as a rock and have no emotions at all.”

Diana Ross (1944) American vocalist, music artist and actress

As quoted in Call Her Miss Ross : The Unauthorized Biography of Diana Ross (1989) by J. Randy Taraborrelli

People, Thinking

“I have never believed that the securing of material resources ought to form the central interest of human life—but have instead maintained that personality is an independent flowering of the intellect and emotions wholly apart from the struggle for existence. Formerly I accepted the archaic dictum that only a few can be relieved of the engulfing waste of the material struggle in its bitterest form—a dictum which is, of course, true in an agricultural age having scanty resources. Therefore I adopted an aristocratic attitude; regretfully arguing that life, in any degree of fulness, is only for the fortunate few whose ancestors' prowess has given them economic security and leisure. But I did not take the bourgeois position of praising struggle for its own sake. While recognising certain worthy qualities brought out by it, I was too much impressed by its stultifying attributes to regard it as other than a necessary evil. In my opinion, only the leisured aristocrat really had a chance at adequate life—nor did I despise him because he was not forced to struggle. Instead, I was sorry that so few could share his good fortune. Too much human energy was wasted in the mere scramble for food and shelter. The condition was tolerable only because inevitable in yesterday's world of scanty resources. Millions of men must go to waste in order that a few might really live. Still—if those few were not upheld, no high culture would ever be built up. I never had any use for the American pioneer's worship of work and self-reliance for their own sakes. These things are necessary in their place, but not ends in themselves—and any attempt to make them ends in themselves is essentially uncivilised. Thus I have no fundamental meeting-ground with the rugged Yankee individualist. I represent rather the mood of the agrarian feudalism which preceded the pioneering and capitalistic phases. My ideal of life is nothing material or quantitative, but simply the security and leisure necessary for the maximum flowering of the human spirit.... Well—so much for the past. Now we live in an age of easy abundance which makes possible the fulfilment of all moderate human wants through a relatively slight amount of labour. What shall be the result? Shall we still make resources prohibitively hard to get when there is really a plethora of them? Shall we allow antique notions of allocation—"property," etc.—to interfere with the rational distribution of this abundant stock of resources among all those who require them? Shall we value hardship and anxiety and uncertainty so fatuously as to impose these evils artificially on people who do not need to bear them, through the perpetuation of a set of now irrelevant and inapplicable rules of allocation? What reasonable objection is there to an intelligent centralised control of resources whose primary object shall be the elimination of want in every quarter—a thing possible without removing comfortable living from any one now enjoying it? To call the allocation of resources something "uncontrollable" by man—and in an age when virtually all natural forces are harnessed and utilised—is simply infantile. It is simply that those who now have the lion's share don't want any fresh or rational allocation. It is needless to say that no sober thinker envisages a workless equalitarian paradise. Much work remains, and human capacities differ. High-grade service must still receive greater rewards than low-grade service. But amidst the present abundance of goods and minimisation of possible work, there must be a fair and all-inclusive allocation of the chances to perform work and secure rewards. When society can't give a man work, it must keep him comfortable without it; but it must give him work if it can, and must compel him to perform it when it is needed. This does not involve interference with personal life and habits (contrary to what some reactionaries say), nor is the absence of insecurity anything to deplore.... But of course the real need of change comes not from the mere fact of abundant resources, but from the growth of conditions making it impossible for millions to have any chance of getting any resources under the present outworn set of artificial rules. This development is no myth. Machines had displaced 900,000 men in the U. S. before the crash of '29, and no conceivable regime of "prosperity" (where by a few people will have abundant and flexible resources and successfully exchange them among one another) will ever make it possible to avoid the permanent presence of millions of unemployed, so long as old-fashioned laissez-faire capitalism is adhered to.... And so I have readjusted my ideas. … I have gone almost reluctantly—step by step, as pressed by facts too insistent to deny—and am still quite as remote from Belknap's naive Marxism as I am from the equally naive Republican orthodoxy I have left behind. I am as set as ever against any cultural upheaval—and believe that nothing of the kind is necessary in order to achieve a new and feasible economic equilibrium. The best of culture has always been non-economic.”

H.P. Lovecraft (1890–1937) American author

Hitherto it has grown out of the secure, non-struggling life of the aristocrat. In future it may be expected to grow out of the secure and not-so-struggling life of whatever citizens are personally able to develop it. There need be no attempt to drag culture down to the level of crude minds. That, indeed, would be something to fight tooth and nail! With economic opportunities artificially regulated, we may well let other interests follow a natural course. Inherent differences in people and in tastes will create different social-cultural classes as in the past—although the relation of these classes to the holding of material resources will be less fixed than in the capitalistic age now closing. All this, of course, is directly contrary to Belknap's rampant Stalinism—but I'm telling you I'm no bolshevik! I am for the preservation of all values worth preserving—and for the maintenance of complete cultural continuity with the Western-European mainstream. Don't fancy that the dethronement of certain purely economic concepts means an abrupt break in that stream. Rather does it mean a return to art impulses typically aristocratic (that is, disinterested, leisurely, non-ulterior) rather than bourgeois.
Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 60-64
Non-Fiction, Letters

Life, Men, People, Age

“Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.”

Stefan Zweig (1881–1942) Austrian writer

Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D (1927)

Pain, People, Youth, Beauty

“To realize this towering imperative vision in all its integral possibilities… I lived days of anxiety, torture, and delight alike, trembling all over with emotion as those railing[s] in the midst of the bridge vibrating at the continuous passage of the trains. I appealed for help to the soaring verse of Walt Whitman and to the fiery Poe’s plasticity. Upon the swarming darkness of the night, I rung all the bells of alarm with the blaze of electricity scattered in lightnings down the oblique cables, the dynamic pillars of my composition, and to render more pungent the mystery of the metallic apparition, through the green and red glare of the signals I excavated here and there caves as subterranean passages to infernal recesses.”

Joseph Stella (1877–1946) American artist

Biographical note; Quotes in: Horst Woldemar Janson, Anthony F. Janson, History of Art: The Western Tradition http://books.google.com/books?id=MMYHuvhWBH4C&pg=PT831&lpg=PT831, Prentice Hall Professional, 2004. p. 831

Help, Training, Night

“Neither acquiescence in skepticism nor acquiescence in dogma is what education should produce. What it should produce is a belief that knowledge is attainable in a measure, though with difficulty; that much of what passes for knowledge at any given time is likely to be more or less mistaken, but that the mistakes can be rectified by care and industry. In acting upon our beliefs, we should be very cautious where a small error would mean disaster; nevertheless it is upon our beliefs that we must act. This state of mind is rather difficult: it requires a high degree of intellectual culture without emotional atrophy. But though difficult, it is not impossible; it is in fact the scientific temper. Knowledge, like other good things, is difficult, but not impossible; the dogmatist forgets the difficulty, the skeptic denies the possibility. Both are mistaken, and their errors, when widespread, produce social disaster.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

On Education, Especially in Early Childhood (1926), Ch. 2: The Aims of Education, p. 36.No one gossips about other people's secret virtues.
1920s

Education, Error, Knowledge, Time

“Fundamentalism is terrifying because it is based purely on emotion, rather than intelligence. It prevents followers from thinking as individuals and about the good of the world.”

Tenzin Gyatso (1935) spiritual leader of Tibet

Daily Telegraph interview (2006)

World, Intelligence, Thinking

“Love passed, the Muse appeared, the weather
of mind got clarity new-found;
now free, I once more weave together
emotion, thought, and magic sound.”

Aleksandr Pushkin book Eugene Onegin

Source: Eugene Onegin (1823), Ch. 1, st. 59.

Love, Appearance, Weather

“The composer does not sit around and wait for an inspiration to walk up and introduce itself…Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.”

George Gershwin (1898–1937) American composer and pianist

Isaac Goldberg Tin Pan Alley (New York: John Day, 1930) p. viii.

Music, Feeling, Waiting

“The writer’s joy is the thought that can become emotion, the emotion that can wholly become a thought.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 4, as translated by David Luke

Joy

“A really free mind is scarcely attached to its opinions. If the mind cannot help giving birth to … emotions and affections which at first appear to be inseparable from them, it reacts against these intimate phenomena it experiences against its will.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 55

Birth, Appearance, Help

“The seven deadly sins of the Christian Church are: greed, pride, envy, anger, gluttony, lust, and sloth. Satanism advocates indulging in each of these "sins" as they all lead to physical, mental, or emotional gratification.”

Anton LaVey book The Satanic Bible

The Satanic Bible (1969)

Envy, Anger

“We did the ‘unplugged’ project, “Acoustica“, in Portugal. There was always something new and exciting. In-between all these records and projects we’re still touring all over the world: last year, with this latest album, “Unbreakable”, we went back to Japan and played in Scandinavia again; before we come to Tel Aviv, we play in Paris, at “Olympia”; we go back to Russia, we play Kazan, the only show this year with an orchestra; so there’s a lot of things. And that, I think, keeps us going, and the fact that after all these years we have a chance to come and play in Israel is very very exciting and emotional, and it also feels like a new chapter.”

Klaus Meine (1948) German singer

World, Feeling, Thinking, Chance

“Human history is not the product of the wise direction of human reason, but is shaped by the forces of emotion—our dreams, our pride, our greed, our fears, and our desire for revenge.”

Lin Yutang (1895–1976) Chinese writer

Confucius Saw Nancy and Essays about Nothing (1936), p. 95

Fear, Dreams, History, Revenge

“There's a tiredness of abstract intelligence, and it's the most horrible of tirednesses. It doesn't weight on you like the tiredness of the body, nor does it worry you like the tiredness of knowledge and emotion. It's a weightiness of the conscience of the world, an inability of the soul to breathe.”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 69
The Book of Disquiet
Original: Há um cansaço da inteligência abstracta, e é o mais horroroso dos cansaços. Não pesa como o cansaço do corpo, nem inquieta como o cansaço do conhecimento e da emoção. É um peso da consciência do mundo, um não poder respirar da alma.

World, Soul, Intelligence, Knowledge

“CEOs need keep an open mind so they can adapt to a rapidly changing world and need to bring an abundant dose of emotional intelligence to the job.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

CEOs need to change: Indra Nooyi

World, Intelligence, Change

“The conscious side of woman corresponds to the emotional side of man, not to his "mind." Mind makes up the soul, or better, the "animus" of woman, and just as the anima of a man consists of inferior relatedness, full of affect, so the animus of woman consists of inferior judgments, or better, opinions.”

C.G. Jung book Alchemical Studies

The Secret of the Golden Flower (1931) Commentary by C.G.Jung in CW 13: Alchemical Studies. P. 60

Soul

“The main form of crude communism is based upon emotional antipathy towards private property, and asserts that all men should be reduced to a similar level, so that everyone has an equal share of property. This is not genuine communism, Marx asserts, since it rests upon the same sort of distorted objectification of labor as is found in the theory of political economy. Crude communism of this sort becomes impelled towards a primitive asceticism, in which the community has become the capitalist instead of the individual. In crude communism, the rule of property is still dominant, but negatively: “Universal envy setting itself up as a power is only a camouflaged form of cupidity which re-establishes itself and satisfies itself in a different way.””

Anthony Giddens (1938) British sociologist

Source: Capitalism and Modern Social Theory (1971), p. 16 (Quote is from Marx, Early Writings (1964), p. 154).

Men, Way, Communication, Universe

“This hunger for novelty — which makes sensuous love equally changeful and rapacious, which makes us seek the same emotion in other bodies which we cast off as fast as they fall — turns life into an infernal succession of disenchantments, spites and scorn; and it is chiefly that hunger for novelty which leaves us a prey to unrealizable hope and irrevocable regret. Those lovers who persist in remaining together execute themselves; the name of their common death, which at first was Absence, becomes Presence.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face

Love, Life, Death, Hunger

“Personally, I feel more irritated by a challenge to an accepted scientific theory than I do by an act of so-called "evil" or "injustice" among mankind; although I never allow my irritation to hamper my acceptance of the new theory as soon as positive evidence warrants it. Thus I have reluctantly exchanged the old nebular for the planetesimal hypothesis, and am beginning to accept the main points of relativity despite a profound intellectual distaste. What is, is—and our emotions regarding the cosmos and its phenomena are of no significance whatever, being wholly subjective matters dependent on individual accidents of neural and glandular physiology and of experience and environment.”

H.P. Lovecraft (1890–1937) American author

Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 287-288
Non-Fiction, Letters

Feeling, Evil, Dependency, Personality

“The man who does nothing cuts the same sordid figure in the pages of history, whether he be a cynic, or fop, or voluptuary. There is little use for the being whose tepid soul knows nothing of great and generous emotion, of the high pride, the stern belief, the lofty enthusiasm, of the men who quell the storm and ride the thunder.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Citizenship in a Republic (1910)

Men, Soul, History

Quotes about emotion page 2

Quotes about emotion
page 2