Quotes about emotion (2093 quotes, page 3)

“Your wonderment 'what I have against religion' reminds me of your recent Vagrant essay… To my mind, that essay misses one point altogether. Your "agnostic" has neglected to mention the very crux of all agnosticism—namely that the Judaeo-Christian mythology is NOT TRUE. I can see that in your philosophy truth per se has so small a place, that you can scarcely realise what it is that Galpin and I are insisting upon. In your mind, MAN is the centre of everything, and his exact conformation to certain regulations of conduct HOWEVER EFFECTED, the only problem in the universe. Your world (if you will pardon my saying so) is contracted. All the mental vigour and erudition of the ages fail to disturb your complacent endorsement of empirical doctrines and purely pragmatical notions, because you voluntarily limit your horizon—excluding certain facts, and certain undeniable mental tendencies of mankind. In your eyes, man is torn between only two influences; the degrading instincts of the savage, and the temperate impulses of the philanthropist. To you, men have but two types of emotion—lovers of the self and lovers of the race…. You are forgetting a human impulse which, despite its restriction to a relatively small number of men, has all through history proved itself as real and as vital as hunger—as potent as thirst or greed. I need not say that I refer to that simplest yet most exalted attribute of our species—the acute, persistent, unquenchable craving TO KNOW. Do you realise that to many men it makes a vast and profound difference whether or not the things about them are as they appear?… If TRUTH amounts to nothing, then we must regard the phantasma of our slumbers just as seriously as the events of our daily lives…. I recognise a distinction between dream life and real life, between appearances and actualities. I confess to an over-powering desire to know whether I am asleep or awake—whether the environment and laws which affect me are external and permanent, or the transitory products of my own brain. I admit that I am very much interested in the relation I bear to the things about me—the time relation, the space relation, and the causative relation. I desire to know approximately what my life is in terms of history—human, terrestrial, solar, and cosmical; what my magnitude may be in terms of extension,—terrestrial, solar, and cosmical; and above all, what may be my manner of linkage to the general system—in what way, through what agency, and to what extent, the obvious guiding forces of creation act upon me and govern my existence. And if there be any less obvious forces, I desire to know them and their relation to me as well.”

H.P. Lovecraft (1890–1937) American author

Letter to Maurice W. Moe (15 May 1918), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 60
Non-Fiction, Letters

Life , Men , Hunger , Truth

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Love , World , Music , Way

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Life , People , Law , Way

“Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don’t misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 258)
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Idea , Problem , Thinking , Winter

“Reason and emotion counsel and supplement each other. Whoever heeds only the one, and puts aside the other, recklessly deprives himself of a portion of the aid granted us for the regulation of our conduct.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Source: Reflections and Maxims (1746), p. 173.

“Art must take reality by surprise. It takes those moments which are for us merely a moment, plus a moment, plus another moment, and arbitrarily transforms them into a special series of moments held together by a major emotion. Art should not, it seems to me, pose the “real” as a preoccupation. Nothing is more unreal than certain so-called “realist” novels — they’re nightmares. It is possible to achieve in a novel a certain sensory truth — the true feeling of a character — that is all.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)

Truth , Art , Feeling , Reality

“My dear Tiberius, you must not give way to youthful emotion or take it to heart if anyone speaks ill of me; let us be satisfied if we can make people stop short at unkind words.”
Aetati tuae, mi Tiberi, noli in hac re indulgere et nimium indignari quemquam esse, qui de me male loquatur; satis est enim, si hoc habemus ne quis nobis male facere possit.

Augustus (-63–14 BC) founder of Julio-Claudian dynasty and first emperor of the Roman Empire

Suetonius, Divus Augustus, paragraph 51. Translation: Robert Graves, 1957.

People , Youth , Way , Heart

“As regards capital cases, the trouble is that emotional men and women always see only the individual whose fate is up at the moment, and neither his victim nor the many millions of unknown individuals who would in the long run be harmed by what they ask. Moreover, almost any criminal, however brutal, has usually some person, often a person whom he has greatly wronged, who will plead for him. If the mother is alive she will always come, and she cannot help feeling that the case in which she is so concerned is peculiar, that in this case a pardon should be granted. It was really heartrending to have to see the kinfolk and friends of murderers who were condemned to death, and among the very rare occasions when anything governmental or official caused me to lose sleep were times when I had to listen to some poor mother making a plea for a "criminal" so wicked, so utterly brutal and depraved, that it would have been a crime on my part to remit his punishment.
On the other hand, there were certain crimes where requests for leniency merely made me angry. Such crimes were, for instance, rape, or the circulation of indecent literature, or anything connected with what would now be called the "white slave" traffic, or wife murder, or gross cruelty to women or children, or seduction and abandonment, or the action of some man in getting a girl whom he seduced to commit abortion. In an astonishing number of these cases men of high standing signed petitions or wrote letters asking me to show leniency to the criminal. In two or three of the cases — one where some young roughs had committed rape on a helpless immigrant girl, and another in which a physician of wealth and high standing had seduced a girl and then induced her to commit abortion — I rather lost my temper, and wrote to the individuals who had asked for the pardon, saying that I extremely regretted that it was not in my power to increase the sentence. I then let the facts be made public, for I thought that my petitioners deserved public censure. Whether they received this public censure or not I did not know, but that my action made them very angry I do know, and their anger gave me real satisfaction.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Source: 1910s, Theodore Roosevelt — An Autobiography (1913), Ch. VIII : The New York Governorship

Death , Women , Men , Fate

“Our relation with the animals finds its expression especially in the amazing variety of benefits they provide for us in their guidance, protection, and companionship. Beyond these modes of assistance, they provide a world of wonder and meaning for the mind—beauty for the imagination. Even beyond all these, they provide an emotional intimacy that is unique, that can come to us from no other source. The animals can do for us, both physically and spiritually, what we cannot do for ourselves or for each other. These more precious gifts they provide through their presence and their responsiveness to our inner needs.”

Thomas Berry (1914–2009) American priest

Source: Evening Thoughts, Chapter 3, p. 39

World , Beauty , Imagination , Animals

“The mechanism of modern business is so delicate that extreme care must be taken not to interfere with it in a spirit of rashness or ignorance. Many of those who have made it their vocation to denounce the great industrial combinations which are popularly, although with technical inaccuracy, known as "trusts," appeal especially to hatred and fear. These are precisely the two emotions, particularly when combined with ignorance, which unfit men for the exercise of cool and steady judgment. In facing new industrial conditions, the whole history of the world shows that legislation will generally be both unwise and ineffective unless undertaken after calm inquiry and with sober self-restraint. […] All this is true; and yet it is also true that there are real and grave evils, one of the chief being over-capitalization because of its many baleful consequences; and a resolute and practical effort must be made to correct these evils. There is a widespread conviction in the minds of the American people that the great corporations known as trusts are in certain of their features and tendencies hurtful to the general welfare. This […] is based upon sincere conviction that combination and concentration should be, not prohibited, but supervised and within reasonable limits controlled; and in my judgment this conviction is right.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, First Annual Message to Congress (1901)

Men , People , World , Fear

“There is nothing in the world like a persuasive speech to fuddle the mental apparatus and upset the convictions and debauch the emotions of an audience not practised in the tricks and delusions of oratory.”

Mark Twain book The Man That Corrupted Hadleyburg

"The Man That Corrupted Hadleyburg", ch. III, in The Man That Corrupted Hadleyburg and Other Stories and Essays (1900)

World

“We may define "faith" as a firm belief in something for which there is no evidence. Where there is evidence, no one speaks of "faith". We do not speak of faith that two and two are four or that the earth is round. We only speak of faith when we wish to substitute emotion for evidence. The substitution of emotion for evidence is apt to lead to strife, since different groups substitute different emotions.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, Human Society in Ethics and Politics (1954), p. 215

Faith

“The love of power is a part of human nature, but power-philosophies are, in a certain precise sense, insane. The existence of the external world, both that of matter and of other human beings, is a datum, which may be humiliating to a certain kind of pride, but can only be denied by a madman. Men who allow their love of power to give them a distorted view of the world are to be found in every asylum: one man will think he is Governor of the Bank of England, another will think he is the King, and yet another will think he is God. Highly similar delusions, if expressed by educated men in obscure language, lead to professorships in philosophy; and if expressed by emotional men in eloquent language, lead to dictatorships. Certified lunatics are shut up because of the proneness to violence when their pretensions are questioned; the uncertified variety are given control of powerful armies, and can inflict death and disaster upon all sane men within their reach.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1930s, Power: A New Social Analysis (1938), Ch. 16: Power philosophies

Love , Death , Men , God

“[I've changed a bit here - see youtube video "Jordan Peterson - Are YOU Antisocial?!"] We have these shared frames of reference, like when we're playing monopoly. Children at three learn to play games, which means that they learn to organize their own internal motivational states into a hierarchy that includes the emotional states of other people. And that means they can play. And that's what everyone does when they're out in the world. That's why we can go about our daily business - we all know the rules. That's why we can sit in the same room without fighting each other. Because you're smart and socially conscious, you can walk into a room full of people and know what to do. If you're civilized and social you can just do it, and you can predict what all the other primates are up to, and they won't kill you. That's what it means to be part of the same tribe. People are very peculiar creatures and God only knows what they're up to. As long as they're playing the same game that you are, you don't have to know what they're up to, and you can predict what they're going to do because you understand their motivational states. And so, part of the building and constructing of higher order moral goals is the establishment of joint frames of reference that allow multiple people to pursue the goals that they're interested in simultaneously. Not all shared frames of reference can manage that. There's a small subset of them that are optimized so that not only can multiple people play them, but multiple people can play them, AND enjoy them, AND do it repeatedly across a long period of time. So it's iterability that partly defines the utility of a higher order moral structure, and that is not arbitrary. It's an emergent property of biological interactions. It's not arbitrary at all, because a lot of what's constraining your games is your motivational substructure and those ancient circuits that are status oriented, which operate within virtually every animal. Virtually every animal has a status counter. Creatures organize themselves into dominance hierarchies. The reason they do that is because that works. It's a solution to the Darwinian problem of existence. It's not just an epiphenomena. It's the real thing. So your environment is fundamentally dominance hierarchy, plus God only knows where you are. And that's order and chaos. And part of the reason people fight to preserve their dominance hierarchies is because it's better to be a slave who knows what the hell is going on than someone who is thrown screaming and naked into the jungle at night. And that's the difference between order and chaos. And we like order better than chaos and it's no wonder. And invite a little chaos in for entertainment now and then, but it has to be done voluntarily, and generally you don't want the kind of chaos that upsets your entire conceptual structure. You're willing to fool around on the fringes a little bit, but you know, when the going gets serious you're pretty much likely to bail out.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

God , Children , People , World

“One way of poisoning love is to mingle it with hate. It is the best way but in some ways the most dangerous. Love and hate are the cat and mouse of our emotions, sometimes the cat chases the mouse, often the mouse chases the cat; but when both cat and mouse are tired of chasing each other there is little left to do. All one can do then is to admit the most bitter truth of all, the most bitter but also the best: that two people in love with each other can not be alone on an island without ceasing to love; that they can not be an island, they need contact with the mainland, they need other people. It is cold comfort for those who believe that love is an island in the sea, and when we have grown tired of islands very little consolation remains. When we have grown tired of loving we are glad that the one we love is not the only person in the world.”

Stig Dagerman book A Burnt Child

Source: A Burnt Child (1948), p. 206

Love , Hate , People , Truth

“There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Pain , Soul , Suffering , Heart

“But when the example of the leader is not at hand and the herd must think for itself, it does so by means of clichés, pat words or images which stand for a whole group of ideas or experiences. Not many years ago, it was only necessary to tag a political candidate with the word interests to stampede millions of people into voting against him, because anything associated with "the interests" seemed necessary corrupt. Recently the word Bolshevik has performed a similar service for persons who wished to frighten the public away from a line of action.
By playing upon a old cliché, or manipulating a new one, the propagandist can sometimes swing a whole mass group emotions.”

Edward Bernays book Propaganda

Page 74
Propaganda (1928)

People , Idea , Thinking , Personality

“I am filled with deep emotion at finding myself standing here, in this place, where were collected together the wisdom, the patriotism, the devotion to principle, from which sprang the institutions under which we live. You have kindly suggested to me that in my hands is the task of restoring peace to the present distracted condition of the country. I can say in return, Sir, that all the political sentiments I entertain have been drawn, so far as I have been able to draw them, from the sentiments which originated and were given to the world from this hall.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Speech in Independence Hall (1861)

Wisdom , World , Peace , Drawing

“There is no mode of action, no form of emotion, that we do not share with the lower animals. It is only by language that we rise above them, or above each other—by language, which is the parent, and not the child, of thought.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

Parent , Animals

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Love , Life , People , Family

“Instead of defining the word, let us briefly characterize or describe the phenomenon. Ressentiment is a self-poisoning of the mind which has quite definite causes and consequences. It is a lasting mental attitude, caused by the systematic repression of certain emotions and affects which, as such, are normal components of human nature. Their repression leads to the constant tendency to indulge in certain kinds of value delusions and corresponding value judgments. The emotions and affects primarily concerned are revenge, hatred, malice, envy, the impulse to detract, and spite.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Revenge , Nature , Envy

“The telling of jokes is an art of its own, and it always rises from some emotional threat. The best jokes are dangerous, and dangerous because they are in some way truthful.”

Kurt Vonnegut (1922–2007) American writer

Interviewed by J. Rentilly, "The Best Jokes Are Dangerous" http://www.mcsweeneys.net/2002/09/16vonnegut1.html, McSweeny's (September 2002)
Various interviews

Truth , Art , Way

“Simran and Sukirti are not similar at all. I think the amount of the sacrifices that Simran has made may exist in other girls in real life too but I do not see myself in the same mould. I am a very reserved and a practical girl. However, I can relate to undying love, extreme emotions and the bubbliness of Simran. I have always preferred my work to speak for me than my relationships; I don’t want to comment on it. As far as marriage is concerned, I cannot think of getting married till the time I have achieved my targets. My parents got married when they were both 32 so I don’t think 25 years down the line, their kids are rushing into marriage anytime soon.”

Sukirti Kandpal (1987) Indian actress

On comparison with her character and personal life http://www.tellychakkar.com/tv/tv-news/i-have-never-been-associated-the-word-struggle-life-sukirti-kandpal-042/

Love , Life , Marriage , Girl

“Grief: An emotional experience often brought about by a great sense of loss. The subject of this loss is completely immaterial.”

Peter Greenaway (1942) British film director

Rosa: The Death of a Composer

Sense , Loss

“All Profound things, and emotions of things are preceded and attended by Silence.”

Herman Melville book Pierre: or, The Ambiguities

Bk. XIV, ch. 1
Pierre: or, The Ambiguities (1852)

Silence

“We do not know whether Hitler is going to found a new Islam. (He is already on the way; he is like Mohammed. The emotion in Germany is Islamic; warlike and Islamic. They are all drunk with a wild god.)”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

The Symbolic Life — in The Collected Works: The Symbolic Life. Miscellaneous Writings (1977), p. 281

God , Way

“Course numb is an old hat, old as my oldest memories.
See that one's my mother, and that one's my father, and that one in the hat, that's me.
It's a skill I'd hoped to abandon, when I got out on the open road,
But any more pent up emotion and I think I'm gonna explode.”

Ani DiFranco (1970) musician and activist

Studying Stones
Song lyrics

Hope , Thinking , Memory

“We are made of emotions, we are all looking for emotions, it's only a question of finding the way to experience them. There are many different ways of experience them all. Perhaps one different thing, only that, one particular thing that Formula One can provide you, is that you know we are always expose to danger, danger of getting hurt, danger of dying.”

Ayrton Senna (1960–1994) Brazilian racing driver

Interview for Racing is in My Blood, 1991 http://www.youtube.com/watch?v=vzlKNyopKUI

The actual interview footage https://www.youtube.com/watch?v=ViXeYxHfYiw

Way , Question , Hurt

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Life , World , Penalty , Way

“I have read your book and its terrible documentation with deepest emotion. I cannot describe the mixed feeling of abhorrence and loathing which has filled my heart while perusing these records of human degradation and abominable cruelty.. . . To keep quiet would serve only the moral indifference of the world. . . You have done your duty in publishing this book and bringing these facts to light.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Cited in Awake! magazine, 1995, 8/22; article: The Evils of Nazism Exposed.
In 1933, The Golden Age carried the first of many reports of the existence of concentration camps in Germany. In 1938, Jehovah’s Witnesses published the book Crusade Against Christianity, in French, German, and Polish. It carefully documented the vicious Nazi attacks on the Witnesses and included diagrams of the Sachsenhausen and Esterwegen concentration camps.

Books , World , Feeling , Light

“Inevitably, in the secret chemistry of the emotions the feeling of pity for a sick person is imperceptibly bound up with tenderness.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Secret , Feeling , Personality

“When the conclave elected me Pope. Before I accepted I asked if I could spend a few minutes in the room next to the one with the balcony overlooking the square. My head was completely empty and I was seized by a great anxiety. To make it go way and relax I closed my eyes and made every thought disappear, even the thought of refusing to accept the position, as the liturgical procedure allows. I closed my eyes and I no longer had any anxiety or emotion. At a certain point I was filled with a great light. It lasted a moment, but to me it seemed very long. Then the light faded, I got up suddenly and walked into the room where the cardinals were waiting and the table on which was the act of acceptance. I signed it, the Cardinal Camerlengo countersigned it and then on the balcony there was the '"Habemus Papam."”

Pope Francis (1936) 266th Pope of the Catholic Church

2010s, 2013, Interview in La Repubblica

Way , Light , Waiting

“I do not regard the rise of woman as a bad sign. Rather do I fancy that her traditional subordination was itself an artificial and undesirable condition based on Oriental influences. Our virile Teutonic ancestors did not think their wives unworthy to follow them into battle, or scorn to dream of winged Valkyries bearing them to Valhalla. The feminine mind does not cover the same territory as the masculine, but is probably little if any inferior in total quality. To expect it to remain perpetually in the background in a realistic state of society is futile—despite the most feverish efforts of Nazis and Fascisti. However—it will be some time before women are sufficiently freed from past influences to form an active factor in national life. By the time they do gain influence, they will have lost many of the emotional characteristics which now impair their powers of judgment. Many qualities commonly regarded as innate—in races, classes, and sexes alike—are in reality results of habitual and imperceptible conditioning.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 64
Non-Fiction, Letters

Life , Women , Dreams , Sex

“I would like to manage to prevent people from ever seeing how a picture of mine has been done. What can it possibly matter? What I want is that the only thing emanating from my pictures should be emotion.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
Richard Friendenthal (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35

People , Winter

“Let the man of learning, the man of lettered leisure, beware of that queer and cheap temptation to pose to himself and to others as a cynic, as the man who has outgrown emotions and beliefs, the man to whom good and evil are as one. The poorest way to face life is to face it with a sneer. There are many men who feel a kind of twisted pride in cynicism; there are many who confine themselves to criticism of the way others do what they themselves dare not even attempt. There is no more unhealthy being, no man less worthy of respect, than he who either really holds, or feigns to hold, an attitude of sneering disbelief toward all that is great and lofty, whether in achievement or in that noble effort which, even if it fails, comes to second achievement. A cynical habit of thought and speech, a readiness to criticize work which the critic himself never tries to perform, an intellectual aloofness which will not accept contact with life's realities — all these are marks, not as the possessor would fain to think, of superiority but of weakness. They mark the men unfit to bear their part painfully in the stern strife of living, who seek, in the affection of contempt for the achievements of others, to hide from others and from themselves in their own weakness. The role is easy; there is none easier, save only the role of the man who sneers alike at both criticism and performance.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Citizenship in a Republic (1910)

Life , Men , Way , Feeling

“As regards to its use on the coinage we have actual experience by which to go. In all my life I have never heard any human being speak reverently of this motto on the coins or show any sign of having appealed to any high emotion in him. But I have literally hundreds of times heard it used as an occasion of, and incitement to, the sneering ridicule which it is above all things undesirable that so beautiful and exalted a phrase should excite.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, "In God we Trust" letter (1907)

Life , Beauty , Time

“Long-protracted suffering is apt to exhaust not only the invalid, but the compassion of others; violent emotions cannot be prolonged endlessly.”

Stefan Zweig book Beware of Pity

Beware of Pity (1939)

Suffering

“A philosophical frame of mind. Generally we strive to acquire one emotional stance, one viewpoint for all life situations and events: we usually call that being of a philosophical frame of mind. But rather than making oneself uniform, we may find greater value for the enrichment of knowledge by listening to the soft voice of different life situations; each brings its own views with it. Thus we acknowledge and share the life and nature of many by not treating ourselves like rigid, invariable, single individuals.”

Friedrich Nietzsche book Human, All Too Human

Section IX, "Man Alone with Himself" / aphorism 618
Human, All Too Human (1878), Helen Zimmern translation

Life , Nature , Knowledge

“My emotions are expressed through the piano.”

Li Yundi (1982) Chinese pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html

“As human beings, we have the power to speak up for animals. They don’t speak our language, so I feel like it’s up to us to help them and give them a voice. Animals have feelings. They have souls. They have emotions. The way they’re killed for fur is very inhumane. … They’re electrocuted, beaten, drowned, skinned alive. Once you know that, how could you think wearing fur is cool? It’s not.”

Jhené Aiko (1988) American singer-songwriter and recording artist

Interview with PETA; as quoted in " Jhené Aiko Poses Nude for PETA Anti-Fur Campaign http://www.rap-up.com/2016/12/06/jhene-aiko-poses-nude-for-peta-anti-fur-campaign/", Rap-Up.com (6 December 2016).

Way , Feeling , Soul , Thinking

“No one thinks or feels or appreciates or lives a mental-emotional-imaginative life at all, except in terms of the artificial reference-points supply'd him by the enveloping body of race-tradition and heritage into which he is born. We form an emotionally realisable picture of the external world, and an emotionally endurable set of illusions as to values and directions in existence, solely and exclusively through the arbitrary concepts and folkways bequeathed to us through our traditional culture-stream. Without this stream around us we are absolutely adrift in a meaningless and irrelevant chaos which has not the least capacity to give us any satisfaction apart from the trifling animal ones... Without our nationality—that is, our culture-grouping—we are merely wretched nuclei of agony and bewilderment in the midst of alien and directionless emptiness... We have an Aryan heritage, a Western-European heritage, a Teutonic-Celtic heritage, an Anglo-Saxon or English heritage, an Anglo-American heritage, and so on—but we can't detach one layer from another without serious loss—loss of a sense of significance and orientation in the world. America without England is absolutely meaningless to a civilised man of any generation yet grown to maturity. The breaking of the saving tie is leaving these colonies free to build up a repulsive new culture of money, speed, quantity, novelty, and industrial slavery, but that future culture is not ours, and has no meaning for us... Possibly the youngest generation already born and mentally active—boys of ten to fifteen—will tend to belong to it, as indeed a widespread shift in their tastes and instincts and loyalties would seem to indicate. But to say all this has anything to do with us is a joke! These boys are the Bedes and Almins of a new, encroaching, and apparently inferior culture. We are the Boëthii and Symmachi and Cassiodori of an older and perhaps dying culture. It is to our interest to keep our own culture alive as long as we can—and if possible to reserve and defend certain areas against the onslaughts of the enemy.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (6 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 207
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Life , Money , World , Feeling

“Well, all the plays that I was trying to write … were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 Feb 1986)

“Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat—especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral.”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (21 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 220
Non-Fiction, Letters, to August Derleth
Context: Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat—especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral. Yet I can assure you that this point of view is joined to one of the plainest, naivest, and most unobtrusively old-fashioned of personalities—a retiring old hermit and ascetic who does not even know what your contemporary round of activities and "parties" is like, and who during the coming winter will probably not address two consecutive sentences to any living person—tradesmen apart—save a pair of elderly aunts! Some people—a very few, perhaps—are naturally cosmic in outlook, just as others are naturally 'of and for the earth'. I am myself less exclusively cosmic than Klarkash-Ton and Wandrei... I begin with the individual and the soil and think outward—appreciating the sensation of spatial and temporal liberation only when I can scale it against the known terrestrial scene. They, on the other hand, are able to think of wholly non-human abysses of ultimate space—without reference-points—as realities neither irrelevant nor less significant than immediate human life. With me, the very quality of being cosmically sensitive breeds an exaggerated attachment to the familiar and the immediate—Old Providence, the woods and hills, the ancient ways and thoughts of New England—whilst with them it seems to have the opposite effect of alienating them from immediate anchorages. They despise the immediate as trivial; I know that it is trivial, but cherish rather than despise it—because everything, including infinity itself, is trivial. In reality I am the profoundest cynic of them all, for I recognize no absolute values whatever.

Law , Nature , Time

“I don't know. Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.”

Jerome David Salinger book Nine Stories

Nine Stories (1953), Teddy (1953)

Personality , Weather

“Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others?”

Caitlín R. Kiernan (1964) writer

"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010)
Unfit for Mass Consumption (blog entries), 2010
Context: Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation.
I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.

Fear , Art

“The Conceptual apparatus of the theory and the emotions connected with its application, having penetrated all means of communication, all actions, and indeed the whole life of the community, now guarantees the success of methods such as transcendental deduction, analysis of usage, phenomenological analysis - which are means for further solidifying the myth… At the same time it is evident that all contact with the world is lost and the stability achieved, the semblance of absolute truth is nothing but absolute conformism.”

Paul Karl Feyerabend book Against Method

Pg 44&45
Against Method (1975)
Context: [continued conjecture on empiricism] At this point an "empirical" theory of the kind described becomes almost indistinguishable from a second-rate myth. In order to realize this, we need only consider a myth such as the myth of witchcraft and of demonic possession that was developed by the Roman Catholic theologians and that dominated 15th-, 16th- and 17th-century thought on the European continent. This myth is a complex explanatory system that contains numerous auxiliary hypotheses designed to cover special cases, so it easily achieves a high degree of confirmation on the basis of observation. It has been taught for a long time; its content is enforced by fear, prejudice, and ignorance, as well as by a jealous and cruel priesthood. Its ideas penetrate the most common idiom, infect all modes of thinking and many decisions which mean a great deal in human life. It provides models for the explanation of a conceivable event - Conceivable, that is, for those who have accepted it. This being the case, its key terms will be fixed in an unambiguous manner and the idea (which may have led to such a procedure in the first place) that they are copies of unchanging entities and that change of meaning, if it should happen, is due to human mistake - This idea will now be very plausible. Such plausibility reinforces all the manoeuvres which are used for the preservation of the myth (elimination of opponents included). The Conceptual apparatus of the theory and the emotions connected with its application, having penetrated all means of communication, all actions, and indeed the whole life of the community, now guarantees the success of methods such as transcendental deduction, analysis of usage, phenomenological analysis - which are means for further solidifying the myth... At the same time it is evident that all contact with the world is lost and the stability achieved, the semblance of absolute truth is nothing but absolute conformism. For how can we possibly test, or improve upon the truth of a theory if it is built in such a manner then any conceivable event can be described, and explained, in terms of its principles? The only way of investigating such all-embracing principles would be to compare them with a different set of equally all embracing principles- but this procedure has been excluded from the very beginning.

Life , Truth , World , Communication

“All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed.
Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XIV
Context: I wanted to know the secret of life. I had seen men, groups, deeds, faces. In the twilight I had seen the tremulous eyes of beings as deep as wells. I had seen the mouth that said in a burst of glory, "I am more sensitive than others." I had seen the struggle to love and make one's self understood, the refusal of two persons in conversation to give themselves to each other, the coming together of two lovers, the lovers with an infectious smile, who are lovers in name only, who bury themselves in kisses, who press wound to wound to cure themselves, between whom there is really no attachment, and who, in spite of their ecstasy deriving light from shadow, are strangers as much as the sun and the moon are strangers. I had heard those who could find no crumb of peace except in the confession of their shameful misery, and I had seen faces pale and red-eyed from crying. I wanted to grasp it all at the same time. All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed.
Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death. I wanted to derive guidance from it, a faith. I wanted to use it for my own good.

Love , Life , Death , Truth

“If, during your life you have worked the emotions, when you mature you begin to know sublime feelings, which you did not have when you were young because nature did not let you. It takes forty years to find yourself. The true opening of the consciousness cannot be had before this age. From there, the journey begins.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)
Context: At a certain age, you have to make yourself useful for others. When you have lived and life has given you an experience, whether good or bad, the moment arrives when you should pass on what you know. Rather than turn into a dumb old person, you should go further every time. Aging does not exist, neither does mental decline. The memory can have less capacity to find a word or maybe you can feel less sexual desire, less virulence, but there is no reason for desire to have disappeared. If, during your life you have worked the emotions, when you mature you begin to know sublime feelings, which you did not have when you were young because nature did not let you. It takes forty years to find yourself. The true opening of the consciousness cannot be had before this age. From there, the journey begins.

Life , Age , Feeling , Nature

“I am a reasonably emotional person, and I see no reason why that's incompatible with being a scientist.”

Robert M. Sapolsky (1957) American endocrinologist

Emperor Has No Clothes Award acceptance speech (2003)
Context: I am a reasonably emotional person, and I see no reason why that's incompatible with being a scientist. Even if we learn about how everything works, that doesn't mean anything at all. You can reduce how an impala leaps to a bunch of biomechanical equations. You can turn Bach into contrapuntal equations, and that doesn't reduce in the slightest our capacity to be moved by a gazelle leaping or Bach thundering. There is no reason to be less moved by nature around us simply because it's revealed to have more layers of complexity than we first observed.
The more important reason why people shouldn't be afraid is, we're never going to inadvertently go and explain everything. We may learn everything about something, and we may learn something about everything, but we're never going to learn everything about everything. When you study science, and especially these realms of the biology of what makes us human, what's clear is that every time you find out something, that brings up ten new questions, and half of those are better questions than you started with.

Personality

“Black magic is not a myth. It is a totally unscientific and emotional form of magic, but it does get results — of an extremely temporary nature.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Article "The Worst Man in the World" in The Sunday Dispatch (2 July 1933); quoted in The Magical Revival (1972) by Kenneth Grant.
Context: Black magic is not a myth. It is a totally unscientific and emotional form of magic, but it does get results — of an extremely temporary nature. The recoil upon those who practice it is terrific.
It is like looking for an escape of gas with a lighted candle. As far as the search goes, there is little fear of failure!
To practice black magic you have to violate every principle of science, decency, and intelligence. You must be obsessed with an insane idea of the importance of the petty object of your wretched and selfish desires.
I have been accused of being a "black magician." No more foolish statement was ever made about me. I despise the thing to such an extent that I can hardly believe in the existence of people so debased and idiotic as to practice it.

Nature

“The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.”

Jacob Bronowski The Ascent of Man

Sourced to the book, The Ascent of Man (1973), BBC Books: London, Chapter 13: The Long Childhood, p. 330.
The Ascent of Man (1973)
Context: We are all afraid - for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do. The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.

Personality

“Without language, how can we tell anyone what we feel, or what we think? It might be said that until he developed language, man had no soul, for without language how could he reach deep inside himself and discover the truths that are hidden there, or find out what emotions he shared, or did not share, with his fellow men and women.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

On Seeing Plays (1990).
Context: It is mankind's discovery of language which more than any other single thing has separated him from the animal creation. Without language, what concept have we of past or future as separated from the immediate present? Without language, how can we tell anyone what we feel, or what we think? It might be said that until he developed language, man had no soul, for without language how could he reach deep inside himself and discover the truths that are hidden there, or find out what emotions he shared, or did not share, with his fellow men and women. But because this greatest gift of all gifts is in daily use, and is smeared, and battered and trivialized by commonplace associations, we too often forget the splendour of which it is capable, and the pleasures that it can give, from the pen of a master.

Women , Men , Truth , Feeling

“You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704
Context: What I try to do is write from the inside out. I really try to jump into the world of the film and the characters, try to imagine myself in that world rather than imagining it as a film I’m watching onscreen. Sometimes, that means I’m discovering things the way the audience will, with character and story. Other times, you’re plotting it out with diagrams and taking a very objective view. Writing, for me, is a combination of both. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.

Time

“It is a motto which it is indeed well to have inscribed on our great national monuments, in our temples of justice, in our legislative halls, and in buildings such as those at West Point and Annapolis - in short, wherever it will tend to arouse and inspire a lofty emotion in those who look thereon. But it seems to be eminently unwise to cheapen such a motto by use on coins, just as it would be to cheapen it by use on postage stamps, or in advertisements.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, "In God we Trust" letter (1907)
Context: My own feeling in the matter is due to my very firm conviction that to put such a motto on coins, or to use it in any kindred manner, not only does not good but does positive harm, and is in effect irreverence which comes dangerously close to sacrilege. A beautiful and solemn sentence such as the one in question should be treated and uttered only with that fine reverence which necessarily implies a certain exaltation of spirit. Any use which tends to cheapen it, and, above all, any use which tends to secure its being treated in a spirit of levity, is free from every standpoint profoundly to be regretted. It is a motto which it is indeed well to have inscribed on our great national monuments, in our temples of justice, in our legislative halls, and in buildings such as those at West Point and Annapolis - in short, wherever it will tend to arouse and inspire a lofty emotion in those who look thereon. But it seems to be eminently unwise to cheapen such a motto by use on coins, just as it would be to cheapen it by use on postage stamps, or in advertisements.

Justice

“In an age of enormities, the emotions are naturally weakened.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), p. 156
It All Adds Up (1994)
Context: In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings — about genocide, for instance, or about famine or the blowing up of passenger planes — and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight.

Age , Nature

“Joy, rather than happiness, is the goal of life, for joy is the emotion which accompanies our fulfilling our natures as human beings.”

Rollo May (1909–1994) US psychiatrist

Source: Man’s Search for Himself (1953), p. 67
Context: Joy, rather than happiness, is the goal of life, for joy is the emotion which accompanies our fulfilling our natures as human beings. It is based on the experience of one's identity as a being of worth and dignity, who is able to affirm his being, if need be, against all other beings and the whole inorganic world.

Life , Nature , Joy , Happiness

“Emotion is the chief source of all becoming-conscious.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Psychological Aspects of the Mother Archetype (1938)
Context: Emotion is the chief source of all becoming-conscious. There can be no transforming of darkness into light and of apathy into movement without emotion.

“Listen intently to a voice singing without words. It may charm you into crying, force you to dance, fill you with rage, or make you jump for joy. You can't tell where the music ends and the emotions begin, for the whole thing is a kind of music—the voice playing on your nerves as the breath plays on a flute. All experience is just that, except that its music has many more dimensions than sound. It vibrates in the dimensions of sight, touch, taste, and smell, and in the intellectual dimension of symbols and words—all evoking and playing upon each other.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95

Music , Rage , Singing , Joy

“Our heart is not made for the abstract formula of happiness, since the truth of things is not made for it either. It beats for emotion and not for peace. Such is the gravity of the truth.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face
Context: To live is to be happy to live. The usefulness of life — ah! its expansion has not the mystic shapes we vainly dreamed of when we were paralyzed by youth. Rather has it a shape of anxiety, of shuddering, of pain and glory. Our heart is not made for the abstract formula of happiness, since the truth of things is not made for it either. It beats for emotion and not for peace. Such is the gravity of the truth.

Truth , Peace , Heart , Happiness

“Wherever one finds oneself inclined to bitterness, it is a sign of emotional failure”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

The Collected Papers of Bertrand Russell: Contemplation and Action, 1902-1914, ed. Richard A. Rempel, Andrew Brink and Margaret Moran (Routledge, 1993, : Textual Notes, p. 555; also in Laurence J. Peter Quotations for our time (1978), p. 188
Attributed from posthumous publications
Context: Wherever one finds oneself inclined to bitterness, it is a sign of emotional failure: a larger heart, and a greater self-restraint, would put a calm autumnal sadness in the place of the instinctive outcry of pain.

Failure

“It remains to be seen what part politics will play in the eradication of the political emotional plague and what part the consciously organized functions of love, work and knowledge.”

Wilhelm Reich book The Mass Psychology of Fascism

Section 3 : Work Democracy versus Politics. The Natural Social Forces for the Mastery of the Emotional Plague.
The Mass Psychology of Fascism (1933), Ch. 10 : Work Democracy
Context: For a decade, the politics of the European dictators was unrivalled. In order to comprehend the essence of politics, one only has to remember that it was a Hitler who, for many years, was able to keep the world breathless. Hitler as a political genius was a magnificent unmasking of the essence of politics in general. With Hitler, politics reached the peak of its development. We know what were its fruits and what was the reaction of the world. In brief, I believe that the twentieth century, with its gigantic catastrophes, ushers in a new social era, an era free of politics. It remains to be seen what part politics will play in the eradication of the political emotional plague and what part the consciously organized functions of love, work and knowledge.

Love , Knowledge , Parting

“Sex is an emotion in motion.”

Mae West (1893–1980) American actress and sex symbol

Sex

“The artist who paints the emotions creates an enclosed world… the picture… which, like a book, has the same interest no matter where it happens to be. Such an artist, we may imagine, spends a great deal of time doing nothing but looking, both around him and inside him.”

Pierre Bonnard (1867–1947) French painter and printmaker

Imagination , Painting , Time , Books

“I’d rather be hated by standing for what’s right than enduring emotional anguish for remaining silent; by remaining silent there is no confrontation nor truth and peace prevails.”

Gandolfo – (RJ Intindola)

2005

Truth , Peace , Hate

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long

Time , Imagination , Personality , Dreams

“Q: Everyone picks up a certain emotional vulnerability in your music.”

Chris Martin (1977) musician, co-founder of Coldplay

Yeah, but I don’t think that’s just a feminine thing. All men are soft and vulnerable, as well. (...) I think we boys, we men, are actually much weaker and softer than we like to think. source http://www.rollingstone.com/music/music-news/chris-martin-the-rolling-stone-interview-190116

Music

“If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts…That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.”

David Foster Wallace book Infinite Jest

Infinite Jest (1996)

Hurt , Imagination , Housing , Personality

“I always believe that funny is serious and serious is funny. You don’t really need a distinction between them. If I’m doing something on stage and it evokes an emotion, then I might show that emotion, but I also don’t believe in being a preacher. If you have a point, that’s a bonus. But the funny has to come first, otherwise you shouldn’t call yourself a comedian.”

Trevor Noah (1984) South African comedian

On never expressing anger in his comedy in “Trevor Noah interview” https://www.timeout.com/london/comedy/trevor-noah-interview in Time Out
Personal life

“Show me what thou truly lovest, what thou seekest and strivest for with thy whole heart when thou hopest to attain to true en joyment of thyself—and thou hast thereby shown me thy Life. What thou lovest, in that thou livest. This very Love is thy Life, the root, the seat, the central point of thy being. All other emotions within thee have life only in so far as they are governed by this one central emotion.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Source: The Way Towards The Blessed Life or the Doctrine of Religion 1806, P. 3

Love , Life , Making love , Heart

“I wanted to fuse together my favorite elements of rock and soul singers into something I could call my own. The inflections of Stevie Wonder with the soaring qualities of someone like Buckley. It was his emotional intensity that inspired me more than anything. Also, Jeff came along at a time most singers weren’t using their upper register. His approach helped me embrace the fact that I was a tenor. I owe that guy a lot.”

Jeff Buckley (1966–1997) American singer, guitarist and songwriter

Myles Kennedy - Alter Bridge Frontman from an online Jamie Vendera interview (http://www.jaimevendera.com/myleskennedyi.html)

Guy , Time , Help , Soul

“The healing of the collective human consciousness is dependent upon us creating a society where we can make room for pain. You currently live in a world that has made only positive things, like positive emotions and success and being healed, acceptable. This is a world that sees anything less than this as a failure. This prevents people from healing. It prevents people from admitting to where they are and taking the sometimes counterintuitive steps they need to take in order to heal. It is ok to not be ok.”

Teal Swan (1984) American spiritual teacher

Pain , Dependency , Success , People

“People, who are afraid of intimacy and connection (and thus vulnerability) tend to cope with those feelings by becoming an island unto themselves. They become emotionally unavailable and disconnect from the other person as a defence. To withdraw in a relationship is to commit emotional divorce. And the #1 symptom of withdrawal is lack of communication.”

Teal Swan (1984) American spiritual teacher

Personality , People , Feeling , Communication

“Your EMOTIONS are the indication of whether the thought you're thinking at this moment is in alignment with the frequency of your desires and Source or out of alignment with your desires and Source. If you think thoughts which are out of alignment with Source, you feel negative emotion. If you think thoughts which are in alignment with source, you feel positive emotion. You are biochemically hard wired to go in the direction of alignment.”

Teal Swan (1984) American spiritual teacher

Thinking , Feeling

“In relationships we tend to get lazy and think we know each other after months or years. This is a complete illusion, especially given that EMOTIONS and EXPERIENCES and THOUGHTS belonging to a person fluctuate every single day.”

Teal Swan (1984) American spiritual teacher

Personality , Thinking

“The conscious side of woman corresponds to the emotional side of man, not to his "mind."”

C.G. Jung book Alchemical Studies

Mind makes up the soul, or better, the "animus" of woman, and just as the anima of a man consists of inferior relatedness, full of affect, so the animus of woman consists of inferior judgments, or better, opinions.
The Secret of the Golden Flower (1931) Commentary by C.G.Jung in CW 13: Alchemical Studies. P. 60

“Frankly, any man that doesn't cry scares me a little bit. I don't think I would like a man who was incapable of enough emotion to get tears in his eyes every now and then. That type of person scares me. That's not a human being.”

Norman Schwarzkopf (1934–2012) United States Army general

Interview with Barbra Walters https://www.youtube.com/watch?v=ohNUIVHRWWo (March 1991)

Personality , Thinking , Cry , Tear

“I could hear the cracking of my gutted heart.
And falling pieces exploding into shards.
My senses became numb.
Emotion drained from my body.
And the damage would take years to repair.”

Gandolfo – (RJ Intindola)

1992

Sense , Heart

“We're emerging from the new dark age. The dark age of emotions and feelings. We're awakening to the idea that it is possible to be a very good parent on a physical level while being a very bad parent on an emotional level.”

Teal Swan (1984) American spiritual teacher

Bad luck , Parent , Age , Idea

“He who wears the emotional and physical scars of life should do so with honor and integrity.”

Gandolfo – (RJ Intindola)

1973

Life

“Longing for someone to touch, caress and meld into, is a strong human emotion of never-ending desire and want. When the desires do not exist in real life, we tend to live them through dreams and fantasies. We even resort to the extent of choosing a person we know and have feelings for to place a face on the illusion.”

Gandolfo – (RJ Intindola)

1983

Strong , Personality , Dreams , Life

“Where there is anger, there is always pain underneath. Or when a dark mood comes upon you and you start getting into a negative mind-pattern and thinking how dreadful your life is, your thinking has become aligned with the pain-body, and you have become unconscious and vulnerable to the pain-body's attack. "Unconscious," the way that I use the word here, means to be identified with some mental or emotional pattern. It implies a complete absence of the watcher.”

Eckhart Tolle book The Power of Now

Source: The Power of Now (1997), p. 29-30

Pain , Anger , Thinking , Way

“The greater part of human pain is unnecessary. It is self created as long as the unobserved mind runs your life....The pain that you create now is always some form of non acceptance, some form of unconscious resistance to what is. On the level of thought, the resistance is some form of judgment. On the emotional level, it is some form of negativity.”

Eckhart Tolle book The Power of Now

The Power of Now (1997) p. 25

Life , Pain , Parting , Self-confidence

“… when spirituality is misused to blame ourselves, free abusers from accountability and repress our emotions, it can become dangerous to our mental health.”

Shadida Arabi

Health

“My life is a combination of combinations of music and emotions.”

Prevale (1983) Italian DJ and producer

Original: (it) La mia vita è un insieme di combinazioni tra musica ed emozioni.
Source: prevale.net

Music , Life

“We have Paleolithic emotions, medieval institutions, and god-like technology.”

Edward O. Wilson (1929) American biologist

Source: debate at the Harvard Museum of Natural History, Cambridge, Mass., 9 September 2009

God

“There’s always a story in everything, many people don’t see the small details of every story. I like collecting as much information in the video and be able to spark emotion and thinking when watching what I’ve captured.”

Austin Cofran

People , Thinking

“Feelings and emotions are the eternal superiority of a reasonable human being over his creation – artificial intelligence.”

Zafar Mirzo (1972)

Intelligence , Feeling

“The revolutionary knows that we cannot love our people without hating those who destroy us. All true emotion has opposite poles.”

David Lane (white nationalist) (1938–2007) American white supremacist, convicted felon

Revolution by Number

Hate , People , Love

“Fronting personal desires and emotions is a limiting factor to progress and actual prosperity in life.”

Hamis Kiggundu (1984) Ugandan business magnate, Internet entrepreneur, philanthropist, and author

Quoted from his first book https://en.wikipedia.org/wiki/Success_and_Failure_Based_on_Reason_and_Reality, "Success and Failure Based on Reason and Reality" https://www.amazon.co.uk/SUCCESS-FAILURE-BASED-REASON-REALITY/dp/9970983903/ on Amazon, P.21 (July 2018)

Personality , Life

“We're not just athletes or entertainment -- we're human, too, and we have real emotions. Sometimes they don't realize that we have things going on behind the scenes that affects us whenever we go out and compete.”

Simone Biles (1997) American gymnast

"What's Next for Simone Biles? Gymnast Answers Questions on Future After Tokyo Games" in NBC Chicago (3 August 2021) https://www.nbcchicago.com/news/sports/tokyo-summer-olympics/simone-biles-whats-next-gymnast-answers-questions-on-future-after-tokyo-games/2578051/