Quotes about dome

A collection of quotes on the topic of dome, likeness, building, man.

Quotes about dome

Virginia Woolf photo
Joseph Goebbels photo

“We shall be quiet and wait till a star falls from heaven. Can you see, how above one light appears after the other and they together form a dome! We sit in silence and fold our hands in prayer. We shall be quiet and wait until a star falls from heaven.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Original: (de) Wir wollen stille sein und warten, bis ein Stern vom Himmel fällt. Siehst du, wie oben Licht an Licht sich zündet zu einem Dom! Wir sitzen im Schweigen und falten die Hände zum Gebet. Wir wollen stille sein und warten bis ein Stern vom Himmel fällt.
Source: Michael: a German fate in diary notes (1926)

Mark Twain photo

“The highest perfection of politeness is only a beautiful edifice, built, from the base to the dome, of ungraceful and gilded forms of charitable and unselfish lying.”

Mark Twain (1835–1910) American author and humorist

On the Decay of the Art of Lying, published in The Stolen White Elephant: Etc, Pages 220-221 http://books.google.com/books?id=rTv19WvJto4C&q=%22The+highest%22+%22perfection+of+politeness+is+only+a+beautiful+edifice+built+from+the+base+to+the+dome+of+graceful+and+gilded+forms+of+charitable+and+unselfish+lying%22&pg=PA221#v=onepage (1882)

“The earth is my altar, the sky is my dome, mind is my garden, the heart is my home and I'm always at home — yea, I'm always at Om.”

Eden ahbez (1908–1995) American songwriter and recording artist

Tape recording to Joe Romersa
Shadowbox Studio

H.P. Lovecraft photo
Friedrich Nietzsche photo
Albert Pike photo

“Man is encompassed with a dome of incomprehensible wonders. In him and about him is that which should fill his life with majesty and sacredness. Something of sublimity and sanctity has thus flashed down from heaven into the heart of every one that lives.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Man is encompassed with a dome of incomprehensible wonders. In him and about him is that which should fill his life with majesty and sacredness. Something of sublimity and sanctity has thus flashed down from heaven into the heart of every one that lives. There is no being so base and abandoned but hath some traits of that sacredness left upon him; something, so much perhaps in discordance with his general repute, that he hides it from all around him; some sanctuary in his soul, where no one may enter; some sacred inclosure, where the memory of a child is, or the image of a venerated parent, or the remembrance of a pure love, or the echo of some word of kindness once spoken to him; an echo that will never die away.

W.B. Yeats photo

“A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.”

Byzantium http://poetry.poetryx.com/poems/1455/, st. 1
The Winding Stair and Other Poems (1933)
Context: The unpurged images of day recede;
The Emperor’s drunken soldiery are abed;
Night resonance recedes, night walkers’ song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.

Samuel Taylor Coleridge photo

“Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.”

Kubla Khan (1797 or 1798)
Context: A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Oscar Wilde photo
William Goldman photo
Emily Dickinson photo
Samuel Taylor Coleridge photo

“In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Kubla Khan (1797 or 1798)
Source: The Complete Poems

Eoin Colfer photo
W. H. Auden photo
John Constable photo

“Our little drawing Room [Constable's lodgings at Hamptstead with a view on London] commands a view unequalled in Europe — from Westminster Abbey to Gravesend — the dome of St Paul's in the Air — realizes Michael Angelo's Idea on seeing that of the Pantheon — 'I will build such a thing in the Sky.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher (26 August 1827); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 473
1820s

Robinson Jeffers photo
Berthe Morisot photo

“.. the glimpse of the dome of St. Paul's through the forest of yellow masts, the whole thing bathed in a golden haze.”

Berthe Morisot (1841–1895) painter from France

In a letter to her sister Edma, August 1875; as quoted in The Correspondence of Berthe Morisot, with her family and friends Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 198, p. 105
Berthe is describing the embankment of river Thames
1871 - 1880

Amir Khusrow photo
John Muir photo
Alauddin Khalji photo
Arun Shourie photo

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Francis Turner Palgrave photo
Samuel Taylor Coleridge photo
Oscar Niemeyer photo
Colley Cibber photo

“The aspiring youth that fired the Ephesian dome
Outlives in fame the pious fool that rais'd it.”

Act III, scene 1. Similar thought by Sir Thomas Browne.
Richard III (altered) (1700)

Letitia Elizabeth Landon photo
Samuel Taylor Coleridge photo
Esaias Tegnér photo
John Muir photo

“When I reached the [Yosemite] valley, all the rocks seemed talkative, and more lovable than ever. They are dear friends, and have warm blood gushing through their granite flesh; and I love them with a love intensified by long and close companionship. … I … bathed in the bright river, sauntered over the meadows, conversed with the domes, and played with the pines.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr (December 1872); published as " A Geologist's Winter Walk http://books.google.com/books?id=OAEbAAAAYAAJ&pg=PA355", Overland Monthly, volume 10, number 4 (April 1873) pages 355-358 (at page 355); modified slightly and reprinted in Steep Trails (1918), chapter 2
1870s

Oliver Wendell Holmes photo
Robert Erskine Childers photo

“A keen wind from the west struck our faces, and as swiftly as it had come the fog rolled away from us, in one mighty mass, stripping clean and pure the starry dome of heaven….”

Robert Erskine Childers (1870–1922) Irish nationalist and author

Source: Literary Years and War (1900-1918), The Riddle Of The Sands (1903), p. 217.

Ralph Waldo Emerson photo

“The hand that rounded Peter's dome,
And groined the aisles of Christian Rome,
Wrought in a sad sincerity,
Himself from God he could not free;
He builded better than he knew,
The conscious stone to beauty grew.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

St. 2
1840s, Poems (1847), The Problem http://www.emersoncentral.com/poems/problem.htm

George William Russell photo

“The twilight fleeted away in pearl on the stream,
And night, like a diamond dome, stood still in our dream.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Aron Ra photo
Eduardo Torroja photo
Dorothy Wordsworth photo
Frederick Douglass photo
Ralph Waldo Emerson photo

“Go where he will, the wise man is at home,
His hearth the earth, his hall the azure dome.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Wood-notes
Bartlett's Familiar Quotations, 10th ed. (1919)

Kalpana Chawla photo
Joseph Rodman Drake photo
Clara Jessup Moore photo
Joseph Conrad photo

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Richard Rodríguez photo
William Watson (poet) photo

“In this world with starry dome,
Floored with gemlike plains and seas,
Shall I never feel at home,
Never wholly be at ease?”

William Watson (poet) (1858–1935) English poet, born 1858

World-Strangeness, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Dryden photo

“Him of the western dome, whose weighty sense
Flows in fit words and heavenly eloquence.”

Pt. I, line 868.
The Hind and the Panther (1687)

Charles, Prince of Wales photo

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

“Na he that ay has levyt fre
May nocht knaw weill the propyrte
The angyr na the wrechyt dome
That is couplyt to foule thyrldome,
Bot gyff he had assayit it.
Than all perquer he suld it wyt,
And suld think fredome mar to prys
Than all the gold in warld that is.”

John Barbour (1316–1395) Scottish poet

But he that has been always free
Can ne'er know the reality,
The anguish and the wretched fate
That is a part of thraldom's state.
A thing, when we experience it,
Makes evident its opposite.
If bondage he has ever known,
Then freedom's blessings he will own,
And reckon freedom worth in gold
More than the world will ever hold!
Bk. 1, line 233; p. 53.
The Brus

Ervin László photo
Heinrich Heine photo

“Oaks shall be rent; the Word shall shatter —
Yea, on that fiery day, the Crown,
Even the palace walls shall totter,
And domes and spires come crashing down.”

Wartet nur! [Only Wait!] in Poems for the Times ; also in Poems of Heinrich Heine: Three Hundred and Twenty-five Poems (1917) Selected and translated by Louis Untermeyer, p. 263

Edmund Spenser photo
Percy Bysshe Shelley photo
Alauddin Khalji photo

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Chinmayananda Saraswati photo
Marshall McLuhan photo

“Since Sputnik, the earth has been wrapped in a dome-like blanket or bubble. Nature ended.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Jahangir photo

“On the 7th azar I went to see and shoot on the tank of Pushkar, which is one of the established praying-places of the Hindus, with regard to the perfection of which they give (excellent) accounts that are incredible to any intelligence, and which is situated at a distance of three kos from Ajmir. For two or three days I shot waterfowl on that tank, and returned to Ajmir. Old and new temples which, in the language of the infidels, they call Deohara are to be seen around this tank. Among them Rana Shankar, who is the uncle of the rebel Amar, and in my kingdom is among the high nobles, had built a Deohara of great magnificence, on which 100,000 rupees had been spent. I went to see that temple. I found a form cut out of black stone, which from the neck above was in the shape of a pig's head, and the rest of the body was like that of a man. The worthless religion of the Hindus is this, that once on a time for some particular object the Supreme Ruler thought it necessary to show himself in this shape; on this account they hold it dear and worship it. I ordered them to break that hideous form and throw it into the tank. After looking at this building there appeared a white dome on the top of a hill, to which men were coming from all quarters. When I asked about this they said that a Jogi lived there, and when the simpletons come to see him he places in their hands a handful of flour, which they put into their mouths and imitate the cry of an animal which these fools have at some time injured, in order that by this act their sins may be blotted out. I ordered them to break down that place and turn the Jogi out of it, as well as to destroy the form of an idol there was in the dome”

Jahangir (1569–1627) 4th Mughal Emperor

Ajmer, Pushkar (Rajasthan) , Tuzuk-i-Jahangiri, translated into English by Alexander Rogers, first published 1909-1914, New Delhi Reprint, 1978, Vol. I, pp. 254-55.

Northrop Frye photo

“Man is constantly building anxiety-structures, like geodesic domes, around his social and religious institutions.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 232

John Muir photo

“If I were so time-poor as to have only one day to spend in Yosemite I should start at daybreak, say at three o'clock in midsummer, with a pocketful of any sort of dry breakfast stuff, for Glacier Point, Sentinel Dome, the head of Illilouette Fall, Nevada Fall, the top of Liberty Cap, Vernal Fall and the wild boulder-choked River Cañon.”

John Muir (1838–1914) Scottish-born American naturalist and author

The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 12: How Best to Spend One's Yosemite Time
Advice for visitors to Yosemite given by John Muir at age 74 years. Compare advice given by the 37-year-old Muir above.
1910s

Billy Joel photo
Aleister Crowley photo
El Greco photo
William Wordsworth photo
Rob Cohen photo
Mark Hopkins (educator) photo
Filippo Tommaso Marinetti photo

“We had stayed up all night — my friends and I — beneath mosque lamps hanging from the ceiling. Their brass domes were filigreed, starred like our souls; just as, again like our souls, they were illuminated by the imprisoned brilliance of an electric heart. On the opulent oriental rugs, we had crushed our ancestral lethargy, arguing all the way to the final frontiers of logic and blackening reams of paper with delirious writings.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Avevamo vegliato tutta la notte  —  i miei amici ed io  —  sotto lampade di moschea dalle cupole di ottone traforato, stellate come le nostre anime, perchè come queste irradiate dal chiuso fulgòre di un cuore elettrico. Avevamo lungamente calpestata su opulenti tappeti orientali la nostra atavica accidia, discutendo davanti ai confini estremi della logica ed annerendo molta carta di frenetiche scritture.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 49 Lead paragraph

Oliver Wendell Holmes photo
Henry Adams photo
John Muir photo

“[I first climbed Half Dome on] one of those brooding days that come just between Indian summer and winter, when the clouds are like living creatures.”

John Muir (1838–1914) Scottish-born American naturalist and author

"South Dome", San Francisco Daily Evening Bulletin (part 11 of the 11 part series "Summering in the Sierra") dated 10 November 1875, published 18 November 1875; reprinted in John Muir: Summering in the Sierra, edited by Robert Engberg (University of Wisconsin Press, 1984) page 147
1870s

Jerome K. Jerome photo

“Thoughts we cannot speak but only listen to flood in upon us, and standing in the stillness under earth's darkening dome, we feel that we are greater than our petty lives. Hung round with those dusky curtains, the world is no longer a mere dingy workshop, but a stately temple wherein man may worship, and where at times in the dimness his groping hands touch God's.”

Idle Thoughts of an Idle Fellow (1886)
Context: A solemn sadness reigns. A great peace is around us. In its light our cares of the working day grow small and trivial, and bread and cheese—ay, and even kisses—do not seem the only things worth striving for. Thoughts we cannot speak but only listen to flood in upon us, and standing in the stillness under earth's darkening dome, we feel that we are greater than our petty lives. Hung round with those dusky curtains, the world is no longer a mere dingy workshop, but a stately temple wherein man may worship, and where at times in the dimness his groping hands touch God's.

Percy Bysshe Shelley photo

“Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.”

St. LII
Adonais (1821)
Context: The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.

Edward Everett photo

“No gilded dome swells from the lowly roof to catch the morning or evening beam; but the love and gratitude of united America settle upon it in one eternal sunshine.”

Edward Everett (1794–1865) American politician, orator, statesman

Oration on the Character of Washington (1856); as published in A Library of American Literature from the Earliest Settlement to the Present Time Vol. V (1888) by Edmund Clarence Stedman and Ellen Mackay Hutchinson.
Context: No gilded dome swells from the lowly roof to catch the morning or evening beam; but the love and gratitude of united America settle upon it in one eternal sunshine. From beneath that humble roof went forth the intrepid and unselfish warrior, the magistrate who knew no glory but his country’s good; to that he returned, happiest when his work was done. There he lived in noble simplicity, there he died in glory and peace. While it stands, the latest generations of the grateful children of America will make this pilgrimage to it as to a shrine; and when it shall fall, if fall it must, the memory and the name of Washington shall shed an eternal glory on the spot.

Gaston Bachelard photo
Daniel Abraham photo

“We’re the ones who followed the rules here. We came with science teams and a hard dome. We hired them to build our landing platform, and they killed us. We’re the good guys here.”

Daniel Abraham (1969) speculative fiction writer from the United States

“And the moral high ground is a lovely place,” Marwick said, as if he were agreeing. “It won’t stop a missile, though.”
Source: Cibola Burn (2014), Chapter 15 (p. 156)

Ounsi el-Hajj photo
Alex Grey photo
Jagan Nath Azad photo

“What you have broken is the image of reverence of India
Do you have this idea, you who have broken the dome of the mosque
Not the building but our hearts have been broken
Your wickedness is limitless”

Jagan Nath Azad (1918–2004) Indian writer (1918-2004)

Quoted in "Two Urdu Poems Reflect How Babri Masjid Demolition Was an Attack on India as a Whole" https://thewire.in/books/babri-masjid-demolition-urdu-poetry-jagan-nath-azad, The Wire, 6 December, 2017.
Original: Ye tune Hind ki hurmat ke aaine ko toda hai
Khabar bhi hai tujhe Masjid ka gumbad todne wale
Humare dil ko toda hai imaarat ko nahi toda
Khabaasat ki bhi had hoti hai had todne wale