Quotes about deep
page 13

Earl Warren photo
Thich Nhat Hanh photo

“The quality of our life
depends on the quality
of the seeds
that lie deep in our consciousness.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Understanding Our Mind (2006) Parallax Press ISBN 978-81-7223-796-7

John Steinbeck photo
Mahendra Chaudhry photo
W. Somerset Maugham photo
Charles Krauthammer photo
Philip K. Dick photo
Mark Rothko photo
Thomas Moore photo
Jesse Ventura photo

“My major criticism of today's media is, they're no longer reporting the news, they're creating it. When that happens, you're in deep trouble.”

Jesse Ventura (1951) American politician and former professional wrestler

Source: Don't Start the Revolution Without Me! (2008), Ch. 3 (p. 48)

Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Tom Petty photo

“Somewhere deep in the middle of the night,
Lovers hold each other tight.
Whisper in their anxious ears,
Words of love that disappear.”

Tom Petty (1950–2017) American musician

A Thing About You
Lyrics, Hard Promises (1981)

Rudolf E. Kálmán photo

“I have been aware from the outset (end of January 1959, the birthdate of the second paper in the citation) that the deep analysis of something which is now called Kalman filtering were of major importance. But even with this immodesty I did not quite anticipate all the reactions to this work. Up to now there have been some 1000 related publications, at least two Citation Classics, etc. There is something to be explained.
To look for an explanation, let me suggest a historical analogy, at the risk of further immodesty. I am thinking of Newton, and specifically his most spectacular achievement, the law of Gravitation. Newton received very ample "recognition" (as it is called today) for this work. it astounded - really floored - all his contemporaries. But I am quite sure, having studied the matter and having added something to it, that nobody then (1700) really understood what Newton's contribution was. Indeed, it seemed an absolute miracle to his contemporaries that someone, an Englishman, actually a human being, in some magic and un-understandable way, could harness mathematics, an impractical and eternal something, and so use mathematics as to discover with it something fundamental about the universe.”

Rudolf E. Kálmán (1930–2016) Hungarian-born American electrical engineer

Kalman (1986) " Steele Prizes Awarded at the Annual Meeting in San Antonio http://www-history.mcs.st-and.ac.uk/Extras/Kalman_response.html", Notices Amer. Math. Soc. 34 (2) (1987), 228-229.

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Graham Greene photo

“Schumpter's daring and dashing entrepreneur is now a legendary figure from the distant past - if not from the mythology of capitalism - or is to be found only in the demimonde of business, founding new ice cream parlors or "deep freeze subscription clubs."”

Paul A. Baran (1909–1964) American Marxist economist

Source: The Political Economy Of Growth (1957), Chapter Three, Standstill And Movement Under Monopoly Capitalism, I, p. 77

Paul Krugman photo
Max Beerbohm photo

“Men of genius are not quick judges of character. Deep thinking and high imagining blunt that trivial instinct by which you and I size people up.”

Max Beerbohm (1872–1956) English writer

Quia Imperfectum
And Even Now http://www.gutenberg.org/dirs/etext99/evnow10.txt (1920)

James MacDonald photo
Lois Duncan photo
Rajnath Singh photo

“First, westernisation of Indian youth should stop. The projection of Indian girls as Miss Universe or Miss World is a deep-rooted conspiracy to promote cosmetics in countries like India. Nudity and obscenity cannot be parameters for determining beauty.”

Rajnath Singh (1951) Indian politician

On banning beauty pageants, as quoted in " Westernisation of Indian youth should stop http://indiatoday.intoday.in/story/nudity-and-obscenity-cannot-be-parameters-for-determining-beauty-rajnath-singh/1/233467.html" India Today (1 January 2001)

F. Scott Fitzgerald photo
Najib Razak photo

“This is a remote location, far from any possible landing sites. It is therefore with deep sadness and regret that I must inform you that, according to this new data, flight MH370 ended in the southern Indian Ocean”

Najib Razak (1953) Malaysian politician

Quoted on BBC News, "Flight MH370 'crashed in south Indian Ocean' - Malaysia PM" http://www.bbc.com/news/world-asia-26716572, March 24, 2014.

Gerard Manley Hopkins photo
Phil Ochs photo

“And the evil is done in hopes that evil surrenders
but the deeds of the devil are burned too deep in the embers
and a world of hunger in vengeance will always remember
So please be reassured, we seek no wider war,
we seek no wider war.”

Phil Ochs (1940–1976) American protest singer and songwriter

"We Seek No Wider War" http://web.cecs.pdx.edu/~trent/ochs/lyrics/we-seek-no-wider-war.html (1965) from Farewells & Fantasies (1997)
The song title alludes to a speech by Lyndon Johnson (17 Februaty 1965), in which he said, referring to the war in Vietnam: "We have no ambition there for ourselves, we seek no wider war."
Lyrics

Pope Benedict XVI photo
Ilana Mercer photo

“The anatomy and workings of the Deep State are reflexive, rather than a matter of collusion and conspiracy. Simple psychology—human nature at its worst—sees government jobs and programs, war and welfare alike, protected in perpetuity and at all costs by the administrators of government jobs and programs.”

Ilana Mercer South African writer

"Elon Musk, Et al.: The Corporate Arm Of The Deep State," https://townhall.com/columnists/ilanamercer/2017/06/03/elon-musk-et-al-the-corporate-arm-of-the-deepstate-n2335618 Townhall.com, June 3, 2017
2010s, 2017

Calvin Coolidge photo
Robert E. Howard photo

“Late at night
I drift away -
I can hear you calling,
and my name
is in the rain,
leaves on trees whispering,
deep blue sea's mysteries.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Hermann Samuel Reimarus photo
Paula Modersohn-Becker photo
Clive Staples Lewis photo

“Though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of Time.”

The Lion, the Witch and the Wardrobe (1950) Ch. 15: Deeper Magic from Before the Dawn of Time
The Chronicles of Narnia (1950–1956)

Henry Temple, 3rd Viscount Palmerston photo
Claudia Alexander photo

“There's a deep thirst and hunger to know more about space, literally because of the Star Trek phenomenon.”

Claudia Alexander (1959–2015) American geophysicist and planetary scientist

Source: Interview and photograph of Alexander by Max S. Gerber http://www.msgphoto.com/scientists/alexander.html,

Neal Stephenson photo
Helen Garner photo
Newton Lee photo
Letitia Elizabeth Landon photo
Bill Hicks photo
Langston Hughes photo

“I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.”

Langston Hughes (1902–1967) American writer and social activist

"The Negro Speaks of Rivers," from The Weary Blues (1926)

Radhanath Swami photo
Thomas Henry Huxley photo
Clement Attlee photo
Francis Bacon photo
James Macpherson photo

“He produced a work of art which by its deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend did more than any single work to bring about the romantic movement in European, and especially in German, literature.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

The Encyclopædia Britannica, 11th edn. (Cambridge: Cambridge University Press, 1910-11) vol. 17, p. 268.
Criticism

Hilaire Belloc photo
John Betjeman photo
Robert A. Heinlein photo

“I think girls should be raised in the bottom of a deep, dark sack until they are old enough to know better.”

Source: Farmer in the Sky (1950), Chapter 4, “Captain DeLongPre” (p. 50)

William Ewart Gladstone photo

“But how is the spirit of expenditure to be exorcised? Not by preaching; I doubt if even by yours. I seriously doubt whether it will ever give place to the old spirit of economy, as long as we have the income-tax. There, or hard by, lie questions of deep practical moment.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Letter to Richard Cobden (5 January 1864), quoted in The Life of William Ewart Gladstone Volume II (1903) by John Morley, p. 62
1860s

George William Russell photo
Ann Coulter photo
Charles Stross photo
Bill Hybels photo
Gaston Bachelard photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Pierce Brosnan photo
Maxwell D. Taylor photo
Martin Scorsese photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

“[A cave] that trembled with the roaring of the deep.”
Sonitu tremebunda profundi.

Source: Argonautica, Book IV, Line 180

Samuel Taylor Coleridge photo
Harry V. Jaffa photo
Solomon ibn Gabirol photo

“I before Thy greatness
Stand, and am afraid
All my secret thoughts Thine eye beholdeth
Deep within my bosom laid.”

Solomon ibn Gabirol (1021–1058) Avicebron

Morning song, trans. Nina Davis http://medievalhebrewpoetry.org/ibngabirolselection1.html.

Donald J. Trump photo
Will Eisner photo
William Cowper photo

“Deep in unfathomable mines
Of never failing skill,
He treasures up his bright designs,
And works his sovereign will.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)

Jacoba van Heemskerck photo

“Once again I talked with some painters, but the modern artists [in The Netherlands ] write more than they paint. If you write about art in such a way and you want to paint always with a fixed plan, then you will lose completely the deep, glorious and spontaneous art. You always have to create the new from the very deep, inside.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder einige Maler gesprochen, aber die Modernen [in Nederland] schreiben mehr als sie malen. Wenn man so über Kunst schreibt und immer so mit einem festen Plan malen will, dan verliert man ganz und gar die tiefe, herrliche, spontane Kunst. Man muss so ganz tief heraus immer Neuses schaffen.
in a letter to Herwarth Walden, 23 July 1915; the 'Sturm'-Archive, Berlin
very probably Jacoba is refering here to the Dutch Stijl-artists, as Piet Mondrian and Theo v. Doesburg
1910's

Edgar Rice Burroughs photo
Martin Luther King, Jr. photo
George Crabbe photo

“Oh, rather give me commentators plain,
Who with no deep researches vex the brain;
Who from the dark and doubtful love to run,
And hold their glimmering tapers to the sun.”

George Crabbe (1754–1832) English poet, surgeon, and clergyman

The Parish Register (1807), Part i, "Introduction". Compare "How commentators each dark passage shun, / And hold their farthing candle to the sun", Edward Young, Love of Fame, Satire vii, Line 97.

Bruce Springsteen photo

“For the ones who had a notion,
A notion deep inside,
That it ain't no sin to be glad you're alive.”

Bruce Springsteen (1949) American singer and songwriter

"Badlands"
Song lyrics, Darkness on the Edge of Town (1978)

Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Emir Kusturica photo
Emma Goldman photo
Quentin Crisp photo
Peter Singer photo
Steve Allen photo
Syama Prasad Mookerjee photo
Huey P. Newton photo
Thomas Carlyle photo
Bradley Joseph photo

“Music allows a person to express their deepest thoughts, thoughts that cannot be expressed with just words. I am often asked how I begin a song or develop a melody from nothing. That is the spiritual aspect of creating. Finding something deep within yourself that can only be created by you.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Interview with Bradley Joseph, The Spiritual Significance Of Music, World Edition http://www.xtrememusic.org/world/joseph_bradley.pdf http://www.xtrememusic.org/new.html (from extrememusic.org) http://xtrememusic.org/world.html

John Hicks photo
Matteo Maria Boiardo photo

“Not deep his sorrow who in silence grieves.”

Matteo Maria Boiardo (1441–1494) Italian writer

Poco ha doglia chi dolendo tace.
Sonetti e Canzoni, Book II, as reported in T. B. Harbottle's Dictionary of Quotations (French and Italian) (1904), p. 395

Ray Charles photo
Gideon Mantell photo