Quotes about darkness
page 25

Roberto Saviano photo
Stephen King photo
Conrad Aiken photo
Robert E. Howard photo
Anne Rice photo
Giovanni Battista Guarini photo

“The proud daughter of that monarch to whom when it grows dark [elsewhere] the sun never sets.”

Altera figlia
Di quel monarca a cui
Nè anco, quando annotta, il Sol tramonta.
Il pastor fido (1590). On the marriage of the Duke of Savoy with Catherine of Austria.

Stella McCartney photo
Stephenie Meyer photo
John Crowley photo
David Brin photo
Edgar Rice Burroughs photo
Tanith Lee photo

“Night, the dark widow, came walking on the hills.”

Source: Volkhavaar (1977), Chapter 7 (p. 69)

Joseph Priestley photo
Letitia Elizabeth Landon photo

“Ah! love and song are but a dream,
A flower's faint shade on life's dark stream.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

All from The Vow of the Peacock (Title Poem - Introduction)
The Vow of the Peacock (1835)

Joyce Kilmer photo
Ron White photo
Calvin Coolidge photo
Đorđe Balašević photo
Ben Hecht photo
Michael Shea photo
Jim Steinman photo

“Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Paradise by the Dashboard Light

Thomas Carlyle photo

“The Working Man as yet sought only to know his craft; and educated himself sufficiently by ploughing and hammering, under the conditions given, and in fit relation to the persons given: a course of education, then as now and ever, really opulent in manful culture and instruction to him; teaching him many solid virtues, and most indubitably useful knowledges; developing in him valuable faculties not a few both to do and to endure,—among which the faculty of elaborate grammatical utterance, seeing he had so little of extraordinary to utter, or to learn from spoken or written utterances, was not bargained for; the grammar of Nature, which he learned from his mother, being still amply sufficient for him. This was, as it still is, the grand education of the Working Man. As for the Priest, though his trade was clearly of a reading and speaking nature, he knew also in those veracious times that grammar, if needful, was by no means the one thing needful, or the chief thing. By far the chief thing needful, and indeed the one thing then as now, was, That there should be in him the feeling and the practice of reverence to God and to men; that in his life's core there should dwell, spoken or silent, a ray of pious wisdom fit for illuminating dark human destinies;—not so much that he should possess the art of speech, as that he should have something to speak!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Mahmud of Ghazni photo
Charles Symmons photo
Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Sylvia Plath photo
Robert Frost photo
Peter Greenaway photo
Joseph Stella photo
John Greenleaf Whittier photo

“God's ways seem dark, but, soon or late,
They touch the shining hills of day;
The evil cannot brook delay,
The good can well afford to wait.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 282

Carl Sagan photo

“There is a very stunning range of studies… of interstellar organic matter… the cold, dark spaces between the stars are also loaded with organic matter. …complex organic materials are everywhere.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

Isaac Barrow photo

“These Disciplines [mathematics] serve to inure and corroborate the Mind to a constant Diligence in Study; to undergo the Trouble of an attentive Meditation, and cheerfully contend with such Difficulties as lie in the Way. They wholly deliver us from a credulous Simplicity, most strongly fortify us against the Vanity of Scepticism, effectually restrain from a rash Presumption, most easily incline us to a due Assent, perfectly subject us to the Government of right Reason, and inspire us with Resolution to wrestle against the unjust Tyranny of false Prejudices. If the Fancy be unstable and fluctuating, it is to be poised by this Ballast, and steadied by this Anchor, if the Wit be blunt it is sharpened upon this Whetstone; if luxuriant it is pared by this Knife; if headstrong it is restrained by this Bridle; and if dull it is roused by this Spur. The Steps are guided by no Lamp more clearly through the dark Mazes of Nature, by no Thread more surely through the intricate Labyrinths of Philosophy, nor lastly is the Bottom of Truth sounded more happily by any other Line. I will not mention how plentiful a Stock of Knowledge the Mind is furnished from these, with what wholesome Food it is nourished, and what sincere Pleasure it enjoys. But if I speak farther, I shall neither be the only Person, nor the first, who affirms it; that while the Mind is abstracted and elevated from sensible Matter, distinctly views pure Forms, conceives the Beauty of Ideas, and investigates the Harmony of Proportions; the Manners themselves are sensibly corrected and improved, the Affections composed and rectified, the Fancy calmed and settled, and the Understanding raised and excited to more divine Contemplation. All which I might defend by Authority, and confirm by the Suffrages of the greatest Philosophers.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 31: Prefatory Oration

Ella Wheeler Wilcox photo
Torquato Tasso photo

“Too dark the place and too inscrutable
where mortal men their deepest thoughts control.”

Torquato Tasso (1544–1595) Italian poet

Chè 'n parte troppo cupa, e troppo interna
Il pensier de' mortali occulto giace.
Canto V, stanza 41 (tr. Wickert)
Gerusalemme Liberata (1581)

Carl Sagan photo
Jones Very photo
Georges Seurat photo
Charles Grey, 2nd Earl Grey photo
John Updike photo
Loreena McKennitt photo
Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

“Which are more full of fate:
The stars; or those sad eyes?
Which are more still and great:
Those brows; or the dark skies?”

Lionel Johnson (1867–1902) English poet

By the Statue of King Charles at Charing Cross (1895)

Haruki Murakami photo
Arthur Guirdham photo
Dylan Moran photo
George W. Bush photo
Jalal Talabani photo

“The brutal regime of the dictator fell … the regime that ruled Iraq for decades, the decades of darkness. The decades that were of tyranny.”

Jalal Talabani (1933–2017) Iraqi politician

Kuwait Times staff (March 20, 2008) " War ended era of torture, tyranny: Iraqi president", Kuwait Times.

Nicole Krauss photo
Robert E. Howard photo

“I have always thought there were dark … corners in religion. I took that for granted. That's not the surprising thing for me. … The frightening thing is rather that, in the Arab world, we have let the darkness of religion flourish.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Freeman Dyson photo
Peter Greenaway photo
Anna Akhmatova photo

“At dawn they came and took you away.
You were my dead: I walked behind.
In the dark room children cried,
the holy candle gasped for air.”

Anna Akhmatova (1889–1966) Russian modernist poet

They led you away...
They took you away at daybreak. Half wak-
ing, as though at a wake, I followed.
In the dark chamber children were crying,
In the image-case, candlelight guttered.
At your lips, the chill of icon,
A deathly sweat at your brow.
I shall go creep to our walling wall,
Crawl to the Kremlin towers.
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Prologue

“Why did men worship in churches, locking themselves away in the dark, when the world lay beyond its doors in all its real glory?”

Charles de Lint (1951) author

Part Two: The Lost Music, "The Touchstone" p. 501
The Little Country (1991)

William Carlos Williams photo
Vanna Bonta photo

“Within me, and in others, what I seek to know is the darkness and the glory of all humanity. My vulnerability leads me to Truth, which is the ultimate defense.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Degrees: Thought Capsules and Micro Tales (1989)

Michael Shea photo

“While it is foolish to deny the dark around us, it is futile to exaggerate it.”

Prologue (p. 8)
Nifft the Lean (1982)

John Moffat photo
Tamsin Greig photo

“Greig, currently hot in the TV comedy Green Wing, has a dark, brittle glamour that isn't quite beauty (there's a disconcerting touch of Edwina Currie about her) and suggests an incipient unhappiness lurking beneath the ready wit.”

Tamsin Greig (1966) English actress

About her performance as Beatrice in Much Ado About Nothing, by Charlie Spencer in The Telegraph. After reading the part about Edwina Currie, she refused to read any more of the article.
Criticism, A review of her as Beatrice in Much Ado About Nothing

Sara Teasdale photo
Sören Kierkegaard photo
Daniel Handler photo

“At this point in the dreadful story I am writing, I must interrupt for a moment and describe something that happened to a good friend of mine named Mr. Sirin. Mr. Sirin was a lepidoptrerist, a word which usually means "a person who studies butterflies." In this case, however, the word "lepidopterist" means "a man who was being pursued by angry government officials," and on the night I am telling you about they were right on his heels. Mr. Sirin looked back to see how close they were--four officers in their bright-pink uniforms, with small flashlights in their left hands and large nets in their right--and realized that in a moment they would catch up, and arrest him and his six favorite butterflies, which were frantically flapping alongside him. Mr. Sirin did not care much if he was captured--he had been in prison four and a half times over the course of his long and complicated life--but he cared very much about the butterflies. He realized that these six delicate insects would undoubtedly perish in bug prison, where poisonous spiders, stinging bees, and other criminals would rip them to shreds. So, as the secret police closed in, Mr. Sirin opened his mouth as wide as he could and swallowed all six butterflies whole, quickly placing them in the dark but safe confines of his empty stomach. It was not a pleasant feeling to have these six insects living inside him, but Mr. Sirin kept them there for three years, eating only the lightest foods served in prison so as not to crush the insects with a clump of broccoli or a baked potato. When his prison sentence was over, Mr. Sirin burped up the grateful butterflies and resumed his lepidoptery work in a community that was much more friendly to scientists and their specimens.”

Lemony Snicket
The Hostile Hospital (2001)

Pendleton Ward photo
John Fante photo
Miho Mosulishvili photo
Chinmayananda Saraswati photo
Paul Simon photo

“I'll take your part
When darkness comes
And pain is all around.”

Paul Simon (1941) American musician, songwriter and producer

Bridge over Troubled Water
Song lyrics, Bridge over Troubled Water (1970)

Clifford D. Simak photo
Donald N. Levine photo
Sri Aurobindo photo
Henry Wadsworth Longfellow photo
Jamie Bartlett photo
Erasmus Darwin photo
John Steinbeck photo
Kate Bush photo
Frederick Douglass photo
Dag Hammarskjöld photo

“It is when we all play safe that we create a world of utmost insecurity. It is when we all play safe that fatality will lead us to our doom. It is in the "dark shade of courage" alone that the spell can be broken.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

Servant of Peace : A Selection of the Speeches and Statements of Dag Hammarskjöld, Secretary General of the United Nations (1962), p. 107; this has sometimes been paraphrased: It is in playing safe that we create a world of utmost insecurity.

Aimee Mann photo

“You can tell
By the laugh in the dark
at the sound of the bell
You can tell
It's the nucleus burning
inside of the cell…”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Milwaukee" · YouTube video https://www.youtube.com/watch?v=VqSYzOXkthg
Song lyrics, The Both (2014)

Tim McGraw photo
Colin Powell photo

“There's also a dark vein of intolerance in some parts of the party. What do I mean by that? What I mean by that is they still sort of look down on minorities.”

Colin Powell (1937) Former U.S. Secretary of State and retired four-star general

As quoted in NBC's Meet the Press http://www.thenation.com/article/when-republicans-really-were-party-lincoln/ (2013).
2010s

Adelaide Anne Procter photo

“I do not ask my cross to understand
My way to see:
Better in darkness just to feel Thy hand
And follow Thee.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 594.

Tom Wolfe photo
R. A. Lafferty photo
Paul Sérusier photo

“[.. according to Gauguin ] the impression of nature must be wedded to the aesthetic sentiment which chooses, arranges, simplifies and synthesizes. The painter ought not to rest until he has given birth to the child of his imagination.... begotten in a union of his mind with reality. Gauguin insisted on a logical construction of composition, on a harmonious apportionment of light and dark colors, the simplification of forms and proportions, so as to endow the outline's of forms with a powerful and eloquent expression.... He also insisted upon luminous and pure colors.”

Paul Sérusier (1864–1927) French painter

Paul Sérusier's quote in 1888, about Paul Gauguin; in Pierre Bonnard, John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 13
Sérusier encountered in his summer vacation in Pont-Aven in Brittany [Summer 1888], briefly Paul Gauguin. He also made there a small landscape, painted under Gauguin's direction. Back in Paris, October 1888, Sérusier explained his Nabis friends (Denis, Pierre Bonnard and Vuillard) the artistic lessons Paul Gauguin taught him - as reported by John Rewald in his book Pierre Bonnard, p. 13-14

Alauddin Khalji photo

“The tongue of the sword of the Khalifa of the time, which is the tongue of the flame of Islam, has imparted light to the entire darkness of Hindustan by the illumination of its guidance… On the other side, so much dust arose from the battered temple of Somnat that even the sea was not able to lay it, and on the right hand and on the left hand the army has conquered from sea to sea, and several capitals of the gods of the Hindus, in which Satanism has prevailed since the time of the Jinns, have been demolished. All these impurities of infidelity have been cleansed by the Sultan's destruction of idol-temples, beginning with his first holy expedition against Deogir,44so that the flames of the light of the law illumine all these unholy countries, and places for the criers to prayer are exalted on high, and prayers are read in mosques. Allah be praised!'…'On Sunday, the 23rd, after holding a council of chief officers, he [Malik Kafur, converted Hindu and commander of the Muslim army] took a select body of cavalry with him and pressed on against Billal Deo, and on the 5th of Shawwal reached the fort of Dhur Sammund after a difficult march of twelve days over the hills and valleys, and through thorny forests. 'The fire-worshipping' Rai, when he learnt that 'his idol-temple was likely to be converted into a mosque,' despatched Kisu Mal' The commander replied that he was sent with the object of converting him to Muhammadanism, or of making him a zimmi, and subject to pay tax, or of slaying him if neither of these terms were assented to. When the Rai received this reply, he said he was ready to give up all he possessed, except his sacred thread.”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 85-89
Quotes from The History of India as told by its own Historians

Omar Khayyám photo

“Then of the Thee in Me works behind
The Veil, I lifted up my hands to find
A Lamp amid the Darkness; and I heard,
As from Without — "The Me Within Thee Blind!"”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Kenji Miyazawa photo

“In spring I stopped eating the bodies of living things. Nonetheless, the other day I ate several slices of tuna sashimi as a form of magic to “undertake” my “communication” with “society.” I also stirred a cup of chawanmushi with a spoon. If the fish, while being eaten, had stood behind me and watched, what would he have thought? “I gave up my only life and this person is eating my body as if it were something distasteful.” “He’s eating me in anger.” “He’s eating me out of desperation.” “He’s thinking of me and, while quietly savoring my fat with his tongue, praying, ‘Fish, you will come with me as my companion some day, won’t you?’” “Damn! He’s eating my body!” Well, different fish would have had different thoughts. … Suppose I were the fish, and suppose that not only I were being eaten but my father were being eaten, my mother were being eaten, and my sister were also being eaten. And suppose I were behind the people eating us, watching. “Oh, look, that man has torn apart my sibling with chopsticks. Talking to the person next to him, he swallowed her, thinking nothing of it. Just a few minutes ago her body was lying there, cold. Now she must be disintegrating in a pitch-dark place under the influence of mysterious enzymes. Our entire family have given up our precious lives that we value, we’ve sacrificed them, but we haven’t won a thimbleful of pity from these people.””

Kenji Miyazawa (1896–1933) Japanese poet and author of children's literature

I must have been once a fish that was eaten.
Letter to Hosaka (May 1918); as quoted in Miyazawa Kenji: Selections, edited by Hiroaki Sato (University of California Press, 2007), pp. 12 https://books.google.it/books?id=D7IwDwAAQBAJ&pg=PA12-13.

Michael Moore photo

“My mum taught me how to read before I went to kindergarden, I always thought that being able to read provided lightness, help to dispel darkness, ignorance and stupidity.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

Interview while promoting Capitalism : A Love Story (March 2010) http://www.youtube.com/watch?v=cx2tJg91hsU
2010

P.G. Wodehouse photo
William Morris photo
Letitia Elizabeth Landon photo