Quotes about cutting

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the organist
Atómstöðin (The Atom Station) (1948)

Crazy Stupid Politics (2012)

Families First tax plan speech (5 January 2004), reported in Clark unveils tax plan" — CNN (5 January 2004) http://www.cnn.com/2004/ALLPOLITICS/01/05/elec04.prez.clark.taxes/

Daily Mirror 7 March 2011 http://www.mirror.co.uk/celebs/tv/2011/03/07/kylie-minogue-flees-tv-interview-in-floods-of-tears-watch-the-video-115875-22971486/

FM & AM (1972)

Source: Art Talk, Conversations with 15 woman artists 1975, p. 77.

"Keynsianism Again: Interview with Lawrence Klein", Challenge (May-June 2001)

In:p.36
Narcopolis

Testamentum Johannis Dee Philosophi Summi ad Johannem Gwynn (1568)
Context: Cut that in Three, which Nature hath made One,
Then strengthen hyt, even by it self alone,
Wherewith then Cutte the poudred Sonne in twayne,
By length of tyme, and heale the woonde againe.
The self same Sunne twys yet more, ye must wounde,
Still with new Knives, of the same kinde, and grounde;
Our Monas trewe thus use by natures Law,
Both binde and lewse, only with rype and rawe,
And ay thanke God who only is our Guyde,
All is ynugh, no more then at this Tyde.

1960s, The Quest for Peace and Justice (1964)
Context: Nonviolence is a powerful and just weapon. Indeed, it is a weapon unique in history, which cuts without wounding and ennobles the man who wields it.
I believe in this method because I think it is the only way to reestablish a broken community. It is the method which seeks to implement the just law by appealing to the conscience of the great decent majority who through blindness, fear, pride, and irrationality have allowed their consciences to sleep.

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 53

Compare:
Μήκων δ' ὡς ἑτέρωσε κάρη βάλεν, ἥ τ' ἐνὶ κήπῳ
καρπῷ βριθομένη νοτίῃσί τε εἰαρινῇσιν,
ὣς ἑτέρωσ' ἤμυσε κάρη πήληκι βαρυνθέν.
He bent drooping his head to one side, as a garden poppy
bends beneath the weight of its yield and the rains of springtime;
so his head bent slack to one side beneath the helm's weight.
Homer, Iliad, VIII, 306–308 (tr. R. Lattimore)
Source: Aeneid (29–19 BC), Book IX, Lines 433–437 (tr. Fitzgerald)

"Conserving Forest Communities".
Another Turn of the Crank (1996)
Context: By this time, the era of cut-and-run economics ought to be finished. Such an economy cannot be rationally defended or even apologized for. The proofs of its immense folly, heartlessness, and destructiveness are everywhere. Its failure as a way of dealing with the natural world and human society can no longer be sanely denied. That this economic system persists and grows larger and stronger in spite of its evident failure has nothing to do with rationality or, for that matter, with evidence. It persists because, embodied now in multinational corporations, it has discovered a terrifying truth: If you can control a people’s economy, you don’t need to worry about its politics; its politics have become irrelevant. If you control people’s choices as to whether or not they will work, and where they will work, and what they will do, and how well they will do it, and what they will eat and wear, and the genetic makeup of their crops and animals, and what they will do for amusement, then why should you worry about freedom of speech? In a totalitarian economy, any "political liberties" that the people might retain would simply cease to matter. If, as is often the case already, nobody can be elected who is not wealthy, and if nobody can be wealthy without dependence on the corporate economy, then what is your vote worth? The citizen thus becomes an economic subject.

Review of Nabokov's Lolita (1958).
Context: Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly.

Sermon of July 28, 1495, which historian Ludwig Pastor calls Savonarola's "sermon against the tumultuous assemblies, misnamed parliaments, which the Medici encouraged to serve their own ends", as quoted in History of the Popes (1898) by Ludwig Pastor, vol. 5, p. 209. http://books.google.com/books?id=MZ4YAAAAYAAJ&pg=PA209&dq=%22let+his+head+be+cut+off%22+savonarola&hl=en&sa=X&ei=H-ElT-DWOLGpsAKxqP2MAg&ved=0CDsQ6AEwAg#v=onepage&q=%22let%20his%20head%20be%20cut%20off%22%20savonarola&f=false
Context: If he that would summon a Parliament be of the Signoria, let his head be cut off; if he be not of it, let him be proclaimed a rebel and all his goods confiscated; … should the Signoria seek to call a Parliament … all may cut them to pieces without sin.

1984 Budget speech, Quoted on BBC News, "Pranab Mukherjee's chequered career" http://www.bbc.com/news/world-asia-india-18580133, June 26, 2012.
Context: Belying the prophecies of doom by many a self-styled Cassandra, the economy has emerged stronger as a result of adjustment effort mounted by us...; We have not cut subsidies. We have not cut wages. We have not compromised on planning... We have not faltered in our commitment to anti-poverty programmes... We have come out of it with our heads high.

VI, 3, 11; translation by John Carew Rolfe
Historiarum Alexandri Magni Macedonis Libri Qui Supersunt, Book VI

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Dandelion Mind (2010)

A Conversation with Ward Cunningham (2003), Collective Ownership of Code and Text
Context: Often as you move comments around and have similar comments adjacent to each other, you find that half of the words can be cut out. Because a sentence says it all if the sentence is in just the right place. On Ward's wiki, the process has been called "refactoring," which is what we call the process in software. Ward's wiki is about software and it has software people on it, so they call it refactoring. Anyplace else it would probably be called editing. So on Ward's wiki, refactoring is an ongoing process. The assumption is that when something turns out to not be ideal, it will be refactored again. Everything is subject to refactoring.

On his style of filming The Hunger Games, as quoted in "Director Gary Ross Talks The Hunger Games, Catching Fire, Deleted Scenes, and a Lot More" by Steve 'Frosty' Weintraub at Collider (22 March 2012) http://collider.com/gary-ross-hunger-games-interview/
Context: I’m trying to capture what was visceral in the books, which is your first-person present tense narrative, and that’s gonna require a certain amount of subjectivity. In order to be in Katniss’ point of view and in her shoes — what being in a character’s point of view is, is restricting the information that the audience has to what that character has, and not being writer omniscient. I’m not cutting from place-to-place, I’m moving in this serpentine, destabilized path as Katniss wanders through this world. That’s not only true in the shooting style, it’s also true in the editing style. … This was a very conscious decision to create a very subjective style because the books are so subjective, they’re first-person and they’re urgent and you see the world as she sees the world, so that was the reason for it.

The Epistle to the Romans (1918; 1921)
Context: The name Jesus defines an historical occurence and marks the point where the unknown world cuts the known world... as Christ Jesus is the plane which lies beyond our comprehension. The plane which is known to us, He intersects vertically, from above. Within history Jesus as the Christ can be understood only as Problem or Myth. As the Christ He brings the world of the Father. But we who stand in this concrete world know nothing, and are incapable of knowing anything, of that other world. The Resurrection from the dead is, however, the transformation: the establishing or declaration of that point from above, and the corresponding discerning of it below. <!-- p. 29

Nobel lecture (2001)

The Poet and the World (1996)
Context: Granted, in daily speech, where we don't stop to consider every word, we all use phrases like "the ordinary world," "ordinary life," "the ordinary course of events"… But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
It looks like poets will always have their work cut out for them.

is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 1

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: The following day, on the ethereal plain, Satan commanded the black standards to be distributed to the troops, and the winged soldiers covered them with kisses and bedewed them with tears.
And Satan had himself crowned God. Thronging round the glittering walls of Heavenly Jerusalem, apostles, pontiffs, virgins, martyrs, confessors, the whole company of the elect, who during the fierce battle had enjoyed delightful tranquillity, tasted infinite joy in the spectacle of the coronation.
The elect saw with ravishment the Most High precipitated into Hell, and Satan seated on the throne of the Lord. In conformity with the will of God which had cut them off from sorrow they sang in the ancient fashion the praises of their new Master.

Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context:  "Absurd" originally means "out of harmony," in a musical context. Hence its dictionary definition: "out of harmony with reason or propriety; incongruous, unreasonable, illogical." In common usage, "absurd" may simply mean "ridiculous," but this is not the sense in which Camus uses the word, and in which it is used when we speak of the Theatre of the Absurd. In an essay on Kafka, Ionesco defined his understanding of the term as follows: "Absurd is that which is devoid of purpose.... Cut from his religious, metaphysical, and transcendental roots, man is lost; all his actions become senseless, absurd, useless."

Burn the books — Kill the priests — Kill! Kill! Kill!
The Soft Machine (1961)
The Soft Machine (1961)

"Zion's Vital Signs" in The Atlantic (November 2001) http://www.theatlantic.com/past/docs/issues/2001/11/o_rourke.htm

Bill Clinton on why he helps other people. http://thecolbertreport.cc.com/videos/z4m9xu/colbert-galactic-initiative---bill-clinton-pt--1, August 2013
2010s
Context: I want to leave my daughter, and my grandchildren I hope to have and all these young people, a better world. And I think the reason you should do things for other people at bottom is selfish. There is no real difference between selfish and selfless if you understand how the world works. We all tied together. [... ] Everytime you cut off somebody else's opportunity you shrink your own horizon.

British newspaper, The Observer, published letters in Arabic and English addressing to "world public opinion", pleading for international help to end "his dire situation", The Guardian (May 28, 2005), "The extraordinary pleas of Saddam's right-hand man" http://www.theguardian.com/world/2005/may/29/iraq.antonybarnett

"Chinese Whiskers," FAQ #18: "Did Cat Stevens Say, ‘Kill Rushdie!’?," Mountain of Light http://www.mountainoflight.co.uk/talks_cw.html (undated)
Context: In 1989, during the heat and height of the Satanic Verses controversy, I was silly enough to accept appearing on a program called Hypotheticals which posed imaginary scenarios by a well-versed (what if…?) barrister, Geoffrey Robertson QC. I foolishly made light of certain provocative questions. When asked what I’d do if Salman Rushdie entered a restaurant in which I was eating, I said, “I would probably call up Ayatollah Khomeini”; and, rather than go to a demonstration to burn an effigy of the author, I jokingly said I would have preferred that it'd be the “real thing”.
Criticize me for my bad taste, in hindsight, I agree. But these comments were part of a well-known British national trait; a touch of dry humor on my part. Just watch British comedy programs like "Have I Got News For You" or “Extras”, they are full of occasionally grotesque and sardonic jokes if you want them! … Certainly I regret giving those sorts of responses now. However, it must be noted that the final edit of the program was made to look extremely serious; hardly any laughs were left in and much common sense was savagely cut out. Most of the Muslim participants in the program wrote in and complained about the narrow and selective use of their comments, surreptitiously selected out of the 3-hour long recording of the debate. But the edit was not in our hands. Balanced arguments were cut out and the most sensational quotes, preserved.

The Captive Mind (1953)
Context: As long as a society's best minds were occupied by theological questions, it was possible to speak of a given religion as the way of thinking of the whole social organism. All the matters which most actively concerned the people were referred to it and discussed in its terms. But that belongs to a dying era. We have come by easy stages to a lack of a common system of thought that could unite the peasant cutting his hay, the student poring over formal logic, and the mechanic working in an automobile factory. Out of this lack arises the painful sense of detachment or abstraction that oppresses the "creators of culture."

Orthodoxy (1884)
Context: If Christ wished to convince his fellow-men by miracles, why did he not do something that could not by any means have been a counterfeit? Instead of healing a withered arm, why did he not find some man whose arm had been cut off, and make another grow?

A Challenge to 'Knights in Rusty Armor, The New York Times, (14 February 1943).
Context: Indeed, the ideal for a well-functioning democratic state is like the ideal for a gentleman's well-cut suit — it is not noticed. For the common people of Britain, Gestapo and concentration camps have approximately the same degree of reality as the monster of Loch Ness. Atrocity propaganda is helpless against this healthy lack of imagination.

Up Front (1945)
Context: Many celebrities and self-appointed authorities have returned from quick tours of war zones (some of them getting within hearing distance of the shooting) and have put out their personal theories to batteries of photographers and reporters. Some say the American soldier is the same clean-cut young man who left his home; others say morale is sky-high at the front because everybody's face is shining for the great Cause.
They are wrong. The combat man isn't the same clean-cut lad because you don't fight a kraut by Marquess of Queensberry rules. You shoot him in the back, you blow him apart with mines, you kill or maim him the quickest and most effective way you can with the least danger to yourself. He does the same to you.
He tricks you and cheats you, and if you don't beat him at his own game you don't live to appreciate your own nobleness.
But you don't become a killer. No normal man who has smelled and associated with death ever wants to see any more of it. In fact, the only men who are even going to want to bloody noses in a fist fight after this war will be those who want people to think they were tough combat men, when they weren't. The surest way to become a pacifist is to join the infantry. <!-- p. 12 - 14

As quoted in "Conversations with North American Indians" by Ted Poole in Who is the Chairman of This Meeting? : A Collection of Essays (1972) edited by Ralph Osborne, p. 43. In the article "When the Last Tree Is Cut Down, the Last Fish Eaten, and the Last Stream Poisoned, You Will Realize That You Cannot Eat Money" http://quoteinvestigator.com/2011/10/20/last-tree-cut/ "Quote Investigator" states that Greenpeace placed a paraphrased approximation on a banner in 1981, which has been widely propagated as a "Cree prophesy" or "Cree saying" and alternately attributed directly to Obomsawin, as in "A Thought for the Day" at Wordsmith (8 October 2014) http://wordsmith.org/words/virulent.html:
Context: Canada, the most affluent of countries, operates on a depletion economy which leaves destruction in its wake. Your people are driven by a terrible sense of deficiency. When the last tree is cut, the last fish is caught, and the last river is polluted; when to breathe the air is sickening, you will realize, too late, that wealth is not in bank accounts and that you can’t eat money.

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 1
Context: I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.

2010s, 2014 FIFA World Cup, Brazil v. Germany (2014)
Context: We're ten minutes into the game, nearly eleventh minute. There's lots of space already on the field. Brazil have to come a little bit tighter, Ian. They can't be so expansive, from back to front. Otherwise? The Germans will cut them to shreds.

1950s, Loving Your Enemies (November 1957)
Context: Somewhere somebody must have some sense. Men must see that force begets force, hate begets hate, toughness begets toughness. And it is all a descending spiral, ultimately ending in destruction for all and everybody. Somebody must have sense enough and morality enough to cut off the chain of hate and the chain of evil in the universe. And you do that by love.

Violence and the Labor Movement (1914)
Context: No one sees more clearly than the socialist that nothing could prove more disastrous to the democratic cause than to have the present class conflict break into a civil war. If such a war becomes necessary, it will be in spite of the organized socialists, who, in every country of the world, not only seek to avoid, but actually condemn, riotous, tempestuous, and violent measures. Such measures do not fit into their philosophy, which sees, as the cause of our present intolerable social wrongs, not the malevolence of individuals or of classes, but the workings of certain economic laws. One can cut off the head of an individual, but it is not possible to cut off the head of an economic law. From the beginning of the modern socialist movement, this has been perfectly clear to the socialist, whose philosophy has taught him that appeals to violence tend, as Engels has pointed out, to obscure the understanding of the real development of things.

p.xi

Tale vii, "The Widow's Tale".
Tales in Verse (1812)

1b25-2a10; J. L. Ackrill (tr.), 1984-1995
Categories

He Who Shapes (1965)
Context: You don’t know what it’s like to be cut off from a whole area of stimuli! To know that a Mongoloid idiot can experience something you can never know — and that he cannot appreciate it because, like you, he was condemned before birth in a court of biological happenstance, in a place where there is no justice — only fortuity, pure and simple.

Christ, Old Student in a New School (1972)
Context: Ten thousand times a million sons of sons move
Through one great and towering town
Wearing their wits, which means their laughter,
As their crown. Set free upon the earth
By simple gifts of knowing how mere mirth can cut the bonds
And pull the blood spikes out;
Their conversation shouts of "Fool!"

Diary of Alvin York, Account of 8 October 1918.
Context: I don't know whether it was the German major, but one yelled something out in German that we couldn't understand. And then the machine guns on top swung around and opened fire on us. There were about thirty of them. They were commanding us from a hillside less than thirty yards away. They couldn't miss. And they didn't!
They killed all of Savage's squad; they got all of mine but two; they wounded Cutting and killed two of his squad; and Early's squad was well back in the brush on the extreme right and not yet under the direct fire of the machine guns, and so they escaped. All except Early. He went down with three bullets in his body. That left me in command. I was right out there in the open.
And those machine guns were spitting fire and cutting down the undergrowth all around me something awful. And the Germans were yelling orders. You never heard such a racket in all of your life. I didn't have time to dodge behind a tree or dive into the brush, I didn't even have time to kneel or lie down.
I don't know what the other boys were doing. They claim They didn't fire a shot. They said afterwards they were on the right, guarding the prisoners. And the prisoners were lying down and the machine guns had to shoot over them to get me. As soon as the machine guns opened fire on me, I began to exchange shots with them.

Proposition XV. Thereom VIII.
The Philosophical and Mathematical Commentaries of Proclus on the First Book of Euclid's Elements Vol. 2 (1789)

Phone interview on The Majority Report, 2004-04-02

Go Rin No Sho (1645), The Water Book
Context: "There are many enemies" applies when you are fighting one against many. Draw both sword and companion sword and assume a wide-stretched left and right attitude. The spirit is to chase the enemies around from side to side, even though they come from all four directions. Observe their attacking order, and go to meet first those who attack first. Sweep your eyes around broadly, carefully examining the attacking order, and cut left and right alternately with your swords. Waiting is bad. Always quickly re-assume your attitudes to both sides, cut the enemies down as they advance, crushing them in the direction from which they attack. Whatever you do, you must drive the enemy together, as if tying a line of fishes, and when they are seen to be piled up, cut them down strongly without giving them room to move.

Holidays in Hell (1989)

Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.

Katastroika (1988)

Source: Christ's Object Lessons (1900), Ch. 1, p. 22
Context: Christ had truths to present which the people were unprepared to accept or even to understand. For this reason also He taught them in parables. By connecting His teaching with the scenes of life, experience, or nature, He secured their attention and impressed their hearts. Afterward, as they looked upon the objects that illustrated His lessons, they recalled the words of the divine Teacher. To minds that were open to the Holy Spirit, the significance of the Saviour's teaching unfolded more and more. Mysteries grew clear, and that which had been hard to grasp became evident.
Jesus sought an avenue to every heart. By using a variety of illustrations, He not only presented truth in its different phases, but appealed to the different hearers. Their interest was aroused by figures drawn from the surroundings of their daily life. None who listened to the Saviour could feel that they were neglected or forgotten. The humblest, the most sinful, heard in His teaching a voice that spoke to them in sympathy and tenderness.
And He had another reason for teaching in parables. Among the multitudes that gathered about Him, there were priests and rabbis, scribes and elders, Herodians and rulers, world-loving, bigoted, ambitious men, who desired above all things to find some accusation against Him. Their spies followed His steps day after day, to catch from His lips something that would cause His condemnation, and forever silence the One who seemed to draw the world after Him. The Saviour understood the character of these men, and He presented truth in such a way that they could find nothing by which to bring His case before the Sanhedrim. In parables He rebuked the hypocrisy and wicked works of those who occupied high positions, and in figurative language clothed truth of so cutting a character that had it been spoken in direct denunciation, they would not have listened to His words, and would speedily have put an end to His ministry. But while He evaded the spies, He made truth so clear that error was manifested, and the honest in heart were profited by His lessons.

The Clerk's Vision (1949)
Context: No use going out or staying at home. No use erecting walls against the impalpable. A mouth will extinguish all the fires, a doubt will root up all the decisions. It will be everywhere without being anywhere. It will blur all the. mirrors. Penetrating walls and convictions, vestments and well-tempered souls, it will install itself in the marrow of everyone. Whistling between body and body, crouching between soul and soul. And all the wounds will open because, with expert and delicate, although somewhat cold, hands, it will irritate sores and pimples, will burst pustules and swellings and dig into the old, badly healed wounds. Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!
It is not the sword that shines in the confusion of what will be. It is not the saber, but fear and the whip. I speak of what is already among us. Everywhere there are trembling and whispers, insinuations and murmurs. Everywhere the light wind blows, the breeze that provokes the immense Whiplash each time it unwinds in the air. Already many carry the purple insignia in their flesh. The light wind rises from the meadows of the past, and hurries closer to our time.

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: The Glass is cut, The Bottle run dry. Our love runs cold in the caverns of the night

Go Rin No Sho (1645), The Wind Book
Context: Whenever you cross swords with an enemy you must not think of cutting him either strongly or weakly; just think of cutting and killing him. Be intent solely on killing the enemy. Do not try to cut strongly and, of course, do not think of cutting weakly. You should only be concerned with killing the enemy.

The Nature of Consciousness http://www.erowid.org/culture/characters/watts_alan/watts_alan_article1.shtml; also published as What Is Reality? (1989)

Kalki : or The Future of Civilization (1929)

Source: Lord of the Flies (1954), Ch. 4: Painted Faces and Long Hair
Context: The chant was audible but at that distance still wordless. Behind Jack walked the twins, carrying a great stake on their shoulders. The gutted carcass of a pig swung from the stake, swinging heavily as the twins toiled over the uneven ground. The pig's head hung down with gaping neck and seemed to search for something on the ground. At last the words of the chant floated up to them, across the bowl of blackened wood and ashes.
"Kill the pig! Cut her throat! Spill the blood!"
Yet as the words became audible, the procession reached the steepest part of the mountain, and in a minute or two the chant had died away.

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 9
Context: I don't give a damn, laddie. Until the actual moment, when they cut me down, I shall still be looking to win. And the gods of war are fickle at best.

But these are the qualities of women! And we know that a Circle is a higher Being than a Straight Line, in so far as knowledge and wisdom are more to be esteemed than mere affection.</p><p>SPHERE. It is not for me to classify human faculties according to merit. Yet many of the best and wisest in Spaceland think more of the affections than of the understanding, more of your despised Straight Lines than of your belauded Circles. But enough of this. Look yonder...</p>
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There

The Meaning of the Russian Revolution (1906) http://archive.org/stream/russianrevolutio00tols/russianrevolutio00tols_djvu.txt
Context: One might think that it must be quite clear to people not deprived of reason, that violence breeds violence; that the only means of deliverance from violence lies in not taking part in it. This method, one would think, is quite obvious. It is evident that a great majority of men can be enslaved by a small minority only if the enslaved themselves take part in their own enslavement. If people are enslaved, it is only because they either fight violence with violence or participate in violence for their own personal profit. Those who neither struggle against violence nor take part in it can no more be enslaved than water can be cut. They can be robbed, prevented from moving about, wounded or killed, but they cannot be enslaved: that is, made to act against their own reasonable will.

As quoted in "WHAT HENDRIX NEVER SAID : They Don't Want to Know What He Really Said and Demand a Slacker Fantasy Instead" (22 March 2010) by Michael Fairchild, at rockprophecy.com; the author does not provide any sourcing for this statement, beyond his assertion that his authority and expertise should be trusted because: "I was assigned to compile all known quotes of Jimi Hendrix and edit this text into the "autobiography" of Jimi, in his own words. That book has been censored/suppressed by all world publishers for two decades now, but it's where I became familiar with Jimi's unique syntax, vernacular, and habits of thought."
Disputed
Context: There's so many tight-lipped ideas and laws around, and people put themselves in uniforms so tightly, that it's almost impossible to break out of that. Subconsciously, what these people are doing, they're killin' off all these little flashes they have, cutting off the idea of wanting to understand. They forgot, didn't believe, or just snuffed the feelings or thoughts off to continue with their crazy soul. They don't have the patience to really check out what's happenin' through music, theater and science. It’s like a spaceship. If a spaceship came down and you know nothin’ about it, the first thing you’re going to think about is shooting it. In other words, you get negative in the first place, which is not really the natural way of thinking. It’s like shooting at a flying saucer as it tries to land without giving the occupants a chance to identify themselves.

Letter to Oliver Evans (16 January 1814); published in The Writings of Thomas Jefferson (1905) Vol. 13, p. 66
1810s
Context: A man has a right to use a saw, an axe, a plane, separately; may he not combine their uses on the same piece of wood? He has a right to use his knife to cut his meat, a fork to hold it; may a patentee take from him the right to combine their use on the same subject? Such a law, instead of enlarging our conveniences, as was intended, would most fearfully abridge them, and crowd us by monopolies out of the use of the things we have.

Source: The Confessions of Aleister Crowley (1929), Ch. 66.
Context: I admit that my visions can never mean to other men as much as they do to me. I do not regret this. All I ask is that my results should convince seekers after truth that there is beyond doubt something worth while seeking, attainable by methods more or less like mine. I do not want to father a flock, to be the fetish of fools and fanatics, or the founder of a faith whose followers are content to echo my opinions. I want each man to cut his own way through the jungle.

A Propos of Lady Chatterley's Lover (1929)
Context: Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the new repulsion, always different, always new. The long neuter spell of Lent, when the blood is low, and the delight of the Easter kiss, the sexual revel of spring, the passion of midsummer, the slow recoil, revolt, and grief of autumn, greyness again, then the sharp stimulus of winter of the long nights. Sex goes through the rhythm of the year, in man and woman, ceaselessly changing: the rhythm of the sun in his relation to the earth. Oh, what a catastrophe for man when he cut himself off from the rhythm of the year, from his unison with the sun and the earth. Oh, what a catastrophe, what a maiming of love when it was a personal, merely personal feeling, taken away from the rising and the setting of the sun, and cut off from the magic connection of the solstice and the equinox! This is what is the matter with us. We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life, and expected it to keep on blooming in our civilised vase on the table.

White House Correspondents' Association Dinner (2006)
Context: As excited as I am to be here with the president, I am appalled to be surrounded by the liberal media that is destroying America — with the exception of Fox News. Fox News gives you both sides of every story: the president's side, and the vice president's side. But the rest of you, what are you thinking, reporting on NSA wiretapping or secret prisons in eastern Europe? Those things are secret for a very important reason: they're super-depressing. And if that's your goal, well, misery accomplished. Over the last five years you people were so good — over tax cuts, WMD intelligence, the effect of global warming. We Americans didn't want to know, and you had the courtesy not to try to find out. Those were good times, as far as we knew.

A Tree Telling of Orpheus (1968)
Context: It is said he made his earth-journey, and lost
what he sought.
It is said they felled him
and cut up his limbs for firewood.
And it is said
his head still sang and was swept out to sea singing.

Source: To Save a Life: Stories of Holocaust Rescue (2000), p. 51
Context: I was lucky because the same week that I went to prison the Americans crossed the Rhine and cut off the northern part of Holland, so there was no longer any possibility of being shipped out to a concentration camp. The rail lines were cut. So I was in prison in Amsterdam during the very last days of the war. We were sent to the men's prison and the girls were sent to a women's prison in a different place.

And he pressed the silver spoon against the blade. Will, holding the knife, felt only the slightest resistance as the tip of the spoon's handle fell to the table, cut clean off.
"The other edge," the old man went on, "is more subtle still. With it you can cut an opening out of this world altogether. Try it now. Do as I say — you are the bearer. You have to know. No one can teach you but me, and I have not much time left. Stand up and listen."
Source: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels

First Ennead, Sixth Tractate, Section 9
The First Ennead (c. 250)

"Roman Polanski: An Exclusive Interview" by Taylor Montague
Context: You know, whenever you do something new and original, people run to see it because it's different. Then, if it happens to be successful, the studios rush to imitate it. It becomes commonplace right away. But it's been like that before, I think. Now, the stakes are so gigantic that they cut each other's throats. So if most of the films are failures, then those that succeed so spectacularly, so commercially, become the norm. It's like a roulette for the studios. The problem with it is that it becomes more and more of a committee. Before, you dealt with the studio. It had one or two persons and now you have masses of executives who have to justify their existence and write so-called "creative notes" and have creative meetings. They obsess about the word creative probably because they aren't.

As quoted in TIME magazine (9 September 1985)
Context: Certain people in the United States are driving nails into this structure of our relationship, then cutting off the heads. So the Soviets must use their teeth to pull them out.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 9
Context: In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium to adorn the aedileship of [C. Visellius] Varro and [C. Licinius] Murena.

The Expanding Universe (1963)
Context: What a child doesn’t realize until he is grown is that in responding to fantasy, fairly tale, and myth he is responding to what Erich Fromm calls the one universal language, the one and only language in the world that cuts across all barriers of time, place, race, and culture. Many … books are from this realm… books on Hindu myth, Chinese folklore, the life of Buddha, tales of American Indians, books that lead our children beyond all boundaries and into the one language of all mankind.
In the beginning God created the heaven and the earth... The extraordinary, the marvelous thing about Genesis is not how unscientific it is, but how amazingly accurate it is. How could the ancient Israelites have known the exact order of an evolution that wasn’t to be formulated for thousands of years? Here is a truth that cuts across barriers of time and space.

Letter to Nicolas Gouin Dufief, Philadelphia bookseller (1814) who had been prosecuted for selling the book Sur la Création du Monde, un Systême d'Organisation Primitive by M. de Becourt, which Jefferson himself had purchased.
1810s
Context: I am really mortified to be told that, in the United States of America, a fact like this can become a subject of inquiry, and of criminal inquiry too, as an offence against religion; that a question about the sale of a book can be carried before the civil magistrate. Is this then our freedom of religion? and are we to have a censor whose imprimatur shall say what books may be sold, and what we may buy? And who is thus to dogmatize religious opinions for our citizens? Whose foot is to be the measure to which ours are all to be cut or stretched? Is a priest to be our inquisitor, or shall a layman, simple as ourselves, set up his reason as the rule for what we are to read, and what we must believe? It is an insult to our citizens to question whether they are rational beings or not, and blasphemy against religion to suppose it cannot stand the test of truth and reason.

1910s, "Law and the Court" (1913)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 3
Context: In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it.... Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: Once more I felt myself rising through space. It was even as the Sphere had said. The further we receded from the object we beheld, the larger became the field of vision. My native city, with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."

Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])
Context: Manslaughter was requited through blood revenge. Accordingly the offender, to escape the avenger, would be forced to flee, cut off from his land and people, at the mercy of strangers far from home. [Examples are] 2 Samuel (14: 5-7)... Iliad a6: 571-574... Odyssey (15: 271-278)... (Genesis 4: 14)... (Genesis 4: 15)

The Better Part (1901)
Context: Mankind is governed by the worst — the strongest example of this is to be seen in American municipalities, but it is true of every government. We are governed by rogues who hold their grip upon us by and through statute law. Were it not for law the people could protect themselves against these thieves, but now we are powerless and are robbed legally. One mild form of coercion these rogues resort to is to call us unpatriotic when we speak the truth about them. Not long ago they would have cut off our heads. The world moves. Governments cannot be done away with instantaneously, but progress will come, as it has in the past by lessening the number of laws. We want less governing, and the ideal government will arrive when there is no government at all.
So long as governments set the example of killing their enemies, private individuals will occasionally kill theirs. So long as men are clubbed, robbed, imprisoned, disgraced, hanged by the governing class, just so long will the idea of violence and brutality be born in the souls of men.

Section 1.1
Workers Councils (1947)

“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007

Flying Saucers Have Landed

Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)

Source: Defeat Into Victory (1961), p. 456

Speech in Kettering (2 July 1938), quoted in The Times (4 July 1938), p. 21
Prime Minister

Introductory
The Grammar of Science (1900)

Source: A Way to Be Free: The Autobiography of Robert LeFevre, Volume II, (1999), p. 487

On attending school after she immigrated with her family from Colombia to the United States in “tatiana de la tierra” ( Making Queer History https://www.makingqueerhistory.com/articles/2019/5/14/tatiana-de-la-tierra; 2019 May 14)

Science and the Unseen World (1929)

On the role of beauty in poetry in “Poetry is Built for Compassion: An Interview with Juan Felipe Herrera” https://thi.ucsc.edu/poetry-built-compassion-interview-juan-felipe-herrera/ (Humanities Institute, UC Santa Cruz; 2019 Feb 27)

Cutting Through Spiritual Materialism

Madhu Kishwar on Twitter on 13 Jan 2019 https://twitter.com/madhukishwar/status/1084396568290250753