Quotes about curve

A collection of quotes on the topic of curve, line, lining, other.

Bob Marley quote: “The best curve on a woman's body is her smile. ”

Quotes about curve

“The best curve on a woman's body is her smile. ”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician

“Human knowledge is not (or does not follow) a straight line, but a curve, which endlessly approximates a series of circles, a spiral. Any fragment, segment, section of this curve can be transformed (transformed one-sidedly) into an independent, complete, straight line, which then (if one does not see the wood for the trees) leads into the quagmire, into clerical obscurantism (where it is anchored by the class interests of the ruling classes).”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Knowledge, Tree

“What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.”

Tennessee Williams A Streetcar Named Desire

Source: A Streetcar Named Desire

Mountain, Heart

“The world is changed because you are made of ivory and gold. The curves of your lips rewrite history.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

World, History, Change

“The heart can think of no devotion
Greater than being shore to the ocean-
Holding the curve of one position,
Counting an endless repetition.”

Robert Frost (1874–1963) American poet

Thinking, Heart

“I find him in the curves of certain lines, in the loveliness and subtleties of certain colours.”

Oscar Wilde book The Picture of Dorian Gray

Source: The Picture of Dorian Gray

“The curves of your lips rewrite history.”

Oscar Wilde (1854–1900) Irish writer and poet

History

“Einstein is the only figure in the physical sciences with a stature that can be compared with Newton. Newton is reported to have said "If I have seen further than other men, it is because I stood on the shoulders of giants." This remark is even more true of Einstein who stood on the shoulders of Newton. Both Newton and Einstein put forward a theory of mechanics and a theory of gravity but Einstein was able to base General Relativity on the mathematical theory of curved spaces that had been constructed by Riemann while Newton had to develop his own mathematical machinery. It is therefore appropriate to acclaim Newton as the greatest figure in mathematical physics and the Principia is his greatest achievement.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

"Newton's Principia" in 300 Years of Gravitation. (1987) by S. W. Hawking and W. Israel, p. 4

Men, Mathematics, Science

“I ask at what part of its curved motion the moving cause will leave the thing moved and moveable.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XXI Letters. Personal Records. Dated Notes.

Parting

“…the relation of betweenness on the torus is undetermined for curves that cannot be contracted to a point [e. g., circles around a doughnut hole], i. e., for three of such curves it is not uniquely determined which of them lies between the other two... This indeterminateness… has the consequence that such a curve [alone] does not divide the surface of the torus into two separate domains; between points to the "right" and to the "left" of the line.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“Now, when suffering is always the first of the arguments marshalled against life, as its most questionable feature, it is salutary to remember the times when people made the opposite assessment, because they could not do without making people suffer and saw first-rate magic in it, a veritable seductive lure to life. Perhaps pain - I say this to comfort the squeamish - did not hurt as much then as it does now; at least, a doctor would be justified in assuming this, if he had treated a Negro (taken as a representative for primeval man) for serious internal inflammations which would drive the European with the stoutest constitution to distraction; - they do not do that to Negroes. (The curve of human capacity for pain actually does seem to sink dramatically and almost precipitously beyond the first ten thousand or ten million of the cultural elite; and for myself, I do not doubt that in comparison with one night of pain endured by a single, hysterical blue stocking, the total suffering of all the animals who have been interrogated by the knife in scientific research is as nothing.)”

Friedrich Nietzsche book On the Genealogy of Morality

Essay 2, Section 7
On the Genealogy of Morality (1887)

Life, Pain, People, Question

“You & James Ferdinand simply can't learn to distinguish betwixt intellectual opinion & irrelevant instinctive emotion... For instance, he has the idea that I place an exaggerated intellectual valuation on the 18th century merely because my chance emotions have given me a strong but irrational subjective sense of belonging to it. I've told that bird dozens of times that I have no especial intellectual brief for Georgian days... He can't understand my ability to class as merely one period among others an age to which random early impressions have so closely bound my emotions & sense of identity... the point is that my own personal mess of subjective emotions has nothing whatever to do with my intellectual opinions. I have freely declared myself at all times (like everybody else in his respective way) a mere product of my background, & do not consider the values of that background as applicable to outsiders. The only way for the individual to achieve any contentment or harmonic relationship to a pattern is to adhere to the background naturally his; & that is what I am doing. Others I urge to adhere to their own respective backgrounds & traditions, however remote from mine these may be. When I venture now & then to suggest values of a more general kind, I approach the problem in an entirely different way—speaking not as Old Theobald of His Majesty's Rhode-Island Colony, but as the cosmic & impersonal Ec'h-Pi-El, denizen of the invisible world 'Ui-ulh in the second zone of curved space outside angled space... If there is any approach to an absolute value in the cosmos—or at least on this planet—then this is it. Sincerity—is-or-isn't-ness—technical perfection—harmony—coherence—consistency—symmetry—all these things are obviously aspects of one single property of space, energy, & general mathematical harmonics whose universality gives it the deepest possible significance. I have thought this all my life, & that is why to me one Newton or Einstein, one M. Atilius Regulus, M. Porcius Cato, or P. Cornelius Scipio, seems to me in certain ways worth a full dozen of your prattling little Keatses & Baudelaires.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 312
Non-Fiction, Letters, to Frank Belknap Long

Life, Age, World, Way

“Bodies like the earth are not made to move on curved orbits by a force called gravity; instead, they follow the nearest thing to a straight path in a curved space, which is called a geodesic. A geodesic is the shortest (or longest) path between two nearby points.”

Stephen Hawking book A Brief History of Time

Source: A Brief History of Time (1988), Ch. 2

“How grievously I was disappointed! …I found my philosopher altogether forsaking mind and any other principle of order, but having recourse to air, and ether, and water, and other eccentricities. I might compare him to a person that began by maintaining generally that mind is the cause of the actions of Socrates, but who, when endeavored to explain the causes of my several actions in detail, went on to show that I sit here because my body is made up of bones and muscles; and the bones he would say, are hard and have ligaments which divide them, and the muscles are elastic, and they cover the bones, which also have a covering or environment of flesh and skin which contains them; and as the bones are lifted at their joints by the contraction or relaxation of the muscles, I am able to bend my limbs, and this is why I an sitting here in a curved posture… and he would have a similar explanation of my talking to you, which he would attribute to sound, and air, and hearing, and he would assign ten thousand other causes of the same sort, forgetting to mention the true cause, which is that Athenians have thought fit to condemn me, and accordingly I have thought it better and more right to remain here and undergo my sentence; for I am inclined to think that these muscles and bones of mine would have gone off to Megara or Boeotia… if they had been guided only by their idea of what was best, and if I had not chosen as the better and nobler part… to undergo any punishment that the State inflicts.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Disappointment, Idea, Thinking, Water

“I hold that space cannot be curved, for the simple reason that it can have no properties. It might as well be said that God has properties. He has not, but only attributes and these are of our own making. Of properties we can only speak when dealing with matter filling the space. To say that in the presence of large bodies space becomes curved is equivalent to stating that something can act upon nothing. I, for one, refuse to subscribe to such a view.”

Nikola Tesla (1856–1943) Serbian American inventor

New York Herald Tribune (11 September 1932)

God

“Doth not this Æthereal Medium in passing out of Water, Glass, Crystal, and other compact and dense Bodies into empty Spaces, grow denser and denser by degrees, and by that means refract the Rays of Light not in a point, but by bending them gradually in curve Lines? And doth not the gradual condensation of this Medium extend to some distance from the Bodies, and thereby cause the Inflexions of the Rays of Light, which pass by the edges of dense Bodies, at some distance from the Bodies?”

Isaac Newton book Opticks, or a Treatise of the Reflections, Refractions, Inflections and Colours of Light

Query 20
Opticks (1704)

Light, Water

“I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.”

Christian Dior (1905–1957) French fashion designer

Source: Gokhan Bu, in The Master Of The Haute Couture’s Museum http://hearttoexplain.com/2011/06/06/balenciaga-museum/, Balenciaga Museum, 6 June 2011

“But it is not the Æquation, but the Description that makes the Curve to be a Geometrical one.”

Isaac Newton book Arithmetica Universalis

Arithmetica Universalis (1707)
Context: The Antients, as we learn from Pappus, in vain endeavour'd at the Trisection of an Angle, and the finding out of two mean Proportionals by a right line and a Circle. Afterwards they began to consider the Properties of several other Lines. as the Conchoid, the Cissoid, and the Conick Sections, and by some of these to solve these Problems. At length, having more throughly examin'd the Matter, and the Conick Sections being receiv'd into Geometry, they distinguish'd Problems into three Kinds: viz. (1.) Into Plane ones, which deriving their Original from Lines on a Plane, may be solv'd by a right Line and a Circle; (2.) Into Solid ones, which were solved by Lines deriving their Original from the Consideration of a Solid, that is, of a Cone; (3.) And Linear ones, to the Solution of which were requir'd Lines more compounded. And according to this Distinction, we are not to solve solid Problems by other Lines than the Conick Sections; especially if no other Lines but right ones, a Circle, and the Conick Sections, must be receiv'd into Geometry. But the Moderns advancing yet much farther, have receiv'd into Geometry all Lines that can be express'd by Æquations, and have distinguish'd, according to the Dimensions of the Æquations, those Lines into Kinds; and have made it a Law, that you are not to construct a Problem by a Line of a superior Kind, that may be constructed by one of an inferior one. In the Contemplation of Lines, and finding out their Properties, I like their Distinction of them into Kinds, according to the Dimensions thy Æquations by which they are defin'd. But it is not the Æquation, but the Description that makes the Curve to be a Geometrical one.<!--pp.227-228

“It has been observed that missiles and projectiles describe a curved path of some sort; however no one has pointed out the fact that this path is a parabola. But this and other facts”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

Author, Third Day. Change of Position
Dialogues and Mathematical Demonstrations Concerning Two New Sciences (1638)
Context: It has been observed that missiles and projectiles describe a curved path of some sort; however no one has pointed out the fact that this path is a parabola. But this and other facts, not few in number or less worth knowing, I have succeeded in proving; and what I consider more important, there have been opened up to this vast and most excellent science, of which my work is merely the beginning, ways and means by which other minds more acute than mine will explore its remote corners.

“i will wade out
till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
in the sleeping curves of my body”

E.E. Cummings (1894–1962) American poet

Flowers, Sleep, Sun

“She had more curves than a scenic railway”

P.G. Wodehouse (1881–1975) English author

“Holding anger is a poison… It eats you from inside… We think that by hating someone we hurt them… But hatred is a curved blade… and the harm we do to others… we also do to ourselves.”

Mitch Albom book The Five People You Meet in Heaven

Variant: Holding anger is a poison. It eats you from inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves.
Source: The Five People You Meet in Heaven (2003)

Hate, Thinking, Hurt, Anger

“The unendurable is the beginning of the curve of joy.”

Djuna Barnes book Nightwood

Source: Nightwood

Joy

“I close my eyes, thinking that there is nothing like an embrace after an absence, nothing like fitting my face into the curve of his shoulder and filling my lungs with the scent of him.”

Jodi Picoult book Keeping Faith

Variant: simply-quotes Follow

I close my eyes, thinking that there is nothing like an embrace after an absence, nothing like fitting my face into the curve of his shoulder and filling my lungs with the scent of him.
Source: Keeping Faith

Thinking

“Against his will, Magnus found a smile curving his lips as he rummaged around for his big blue coffee cup that said BETTER THAN GANDALF across the front in sparkly letters. He was besotted; he was officially revolted by himself.”

Cassandra Clare (1973) American author

Source: What to Buy the Shadowhunter Who Has Everything

Smile, Coffee

“I've told you before,” he said huskily. “I'll take you however I can get you.”
“Whatever. Don't think I don't know you're topping from the bottom.”
His mouth curved with unapologetic amusement.”

Sylvia Day book Bared to You

Source: Bared to You

Thinking

“I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life… her voice slid in and curved down trough and over the words. She was nearly singing.”

Maya Angelou book I Know Why the Caged Bird Sings

Source: I Know Why the Caged Bird Sings

Life, Singing, Time, Reading

“I seek truth and beauty in the transparency of an autumn leaf, in the perfect form of a seashell on the beach, in the curve of a woman's back, in the texture of an ancient tree trunk, but also in the elusive forms of reality.”

Isabel Allende book Portrait in Sepia

Source: Portrait in Sepia

Truth, Beauty, Autumn, Reality

“I want to keep feeling the way I feel when I'm with you. Just tell me what I have to do. And give me some room to screw up. I've never done this before. There's a learning curve.”

Sylvia Day book Bared to You

Source: Bared to You

Way, Feeling, Learning

“Waking up to you is like… presents on Christmas morning."
His mouth curved. "For your convenience, I'm already unwrapped. Batteries not required.”

Sylvia Day (1973) American writer

Source: Entwined with You

Christmas

“In every outthrust headland, in every curving beach, in every grain of sand there is the story of the earth.”

Rachel Carson (1907–1964) American marine biologist and conservationist

“You could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.”

Thomas Hardy (1840–1928) English novelist and poet

Source: Tess of the D'Urbervilles

“But I do think that when people say 'a learning curve,' they make a mistake. Learning to me always seems to go in a straight, ignorant line and then, every so often, takes a jump straight upward.”

Diana Wynne Jones book Enchanted Glass

Source: Enchanted Glass

People, Thinking, Learning

“parenting isn't a noun but a verb--an ongoing process instead of an accomplishment. And that no matter how many years you put into the job, the learning curve is, well, fairly flat.”

Jodi Picoult book House Rules

Source: House Rules

Parent, Learning

“Life and love are life and love, a bunch of violets is a bunch of violets, and to drag in the idea of a point is to ruin everything. Live and let live, love and let love, flower and fade, and follow the natural curve, which flows on, pointless.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Love, Life, Flowers, Idea

“Two bubbles found they had rainbows on their curves.
They flickered out saying:
"It was worth being a bubble, just to have held that rainbow thirty seconds.”

Carl Sandburg (1878–1967) American writer and editor

“Behold, my children!" she said. "The instrument of my revenge. I will call it a scythe!"
The Titans muttered among themselves: What is that for? Why is it curved? How do you spell scythe?”

Rick Riordan (1964) American writer

Source: Percy Jackson's Greek Gods

Children, Revenge

“It was as if this night were only one of thousands of nights, world without end, night curving into night to make a great arching line of which I couldn’t see the end, a night in which I roamed alone under cold, mindless stars.”

Anne Rice book Interview with the Vampire

Source: Interview with the Vampire

World, Star, Night

“A slow smile had curved St. Vincent's lips. 'Wives are a different case altogether. They require a great deal of effort but the rewards are substantial. I highly recommend wives. Especially one's own.”

Lisa Kleypas (1964) American writer

Source: Mine Till Midnight

Smile, Effort

“My lines all curve. I tend to connect the wrong dots.”

David Levithan Boy Meets Boy

Source: Boy Meets Boy

“There is a way to master silence
Control its curves, inhabit its dark corners
And listen to the hiss of time outside”

Paul Bowles (1910–1999) American composer, writer, translator

Way, Silence, Time

“An ugly, lovely town… crawling, sprawling… by the side of a long and splendid curving shore. This sea-town was my world.”

Dylan Thomas (1914–1953) Welsh poet and writer

Love, World, Sea

“You just have to keep driving down the road. It's going to bend and curve and you'll speed up and slow down, but the road keeps going.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Speed

“A Curve does not exist in its full power until contrasted with a straight line.”

Robert Henri (1865–1929) American painter

“Beauty is power and elegance, right action, form fitting function, intelligence, and reasonability. And very often expressed in curves.”

Kim Stanley Robinson Mars trilogy

Source: Red Mars

Beauty, Intelligence

“Now it was Liddle, jerking into motion as Wertz poised at the plate, and then the motion smoothed out and the ball came sweeping in to Wertz, a shoulder-high pitch, a fast ball that probably would have been a fast curve, except that Wertz was coming around and hitting it, hitting it about as hard as I have ever seen ball hit, on a high line to dead center field. For whatever it is worth, I have seen such hitters as Babe Ruth, Lou Gehrig, Ted Williams, Jimmy Foxx, Ralph Kiner, Hack Wilson, Johnny Mize, and lesser-known but equally long hitters as Wally Berger and Bob Seeds send the batted ball tremendous distances. None, that I recall, ever hit a ball any harder than this one by Wertz in my presence.”

Arnold Hano (1922) American writer

From A Day in the Bleachers (1955), p. 116; reprinted in The Greatest Baseball Stories Ever Told: Thirty Unforgettable Tales from the Diamond https://books.google.com/books?id=dj6_F7omJZcC&pg=PA151&dq=%22Now+it+was+Liddle%22&hl=en&sa=X&ved=0CBoQ6AEwAWoVChMIwoTj2c7GxwIVRDw-Ch2howea#v=onepage&q=%22Now%20it%20was%20Liddle%22&f=false (2001), edited by Jeff Silverman, p. 151 Sports-related

Jerk, Dead

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Life, Death, Pain, Hope

““You are a most vexing young woman, you know.” But his face bore a slight, whimsical smile.
“I know,” she replied, feeling her own mouth curve into a matching expression.
He blew out a breath. “As your brother, I could forbid you to go. But you and I both know that, even if I did so, you would do whatever you wish regardless. I suppose I have no choice but to accede to your request.””

David D. Levine (1961) science fiction writer

Source: Arabella and the Battle of Venus (2017), Chapter 2, “No Time to Lose” (p. 28)

Smile, Feeling

“Tarzan of the Apes had decided to mark his evolution from the lower orders in every possible manner, and nothing seemed to him a more distinguishing badge of manhood than ornaments and clothing.
To this end, therefore, he collected the various arm and leg ornaments he had taken from the black warriors who had succumbed to his swift and silent noose, and donned them all after the way he had seen them worn.
About his neck hung the golden chain from which depended the diamond encrusted locket of his mother, the Lady Alice. At his back was a quiver of arrows slung from a leathern shoulder belt, another piece of loot from some vanquished black.
About his waist was a belt of tiny strips of rawhide fashioned by himself as a support for the home-made scabbard in which hung his father's hunting knife. The long bow which had been Kulonga's hung over his left shoulder.
The young Lord Greystoke was indeed a strange and war-like figure, his mass of black hair falling to his shoulders behind and cut with his hunting knife to a rude bang upon his forehead, that it might not fall before his eyes.
His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 13 : His Own Kind

God, War, Way, Home

“Traditionally, the cost of change curve said that if we detect the need for a change early, it costs less to make the change than if we detect the need late. I tackled that curve by saying, let's almost intentionally make mistakes so we can practice correcting them. That practice will help reduce the cost of making changes late.
Our feeling was that the limiting factor on any change was not when it was done, but how much thinking was required.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Working the Program

Feeling, Thinking, Change, Help

“The Gutenberg galaxy was theoretically dissolved in 1905 with the discovery of curved space, but in practice it had been invaded by the telegraph two generations before that.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 286

“…the differential element of non-Euclidean spaces is Euclidean. This fact, however, is analogous to the relations between a straight line and a curve, and cannot lead to an epistemological priority of Euclidean geometry, in contrast to the views of certain authors.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“Blizzard was of the fine old school of butlers. His appearance suggested that for fifteen years he had not let a day pass without its pint of port. He radiated port and pop-eyed dignity. He had splay feet and three chins, and when he walked his curving waistcoat preceded him like the advance guard of some royal procession.”

P.G. Wodehouse (1881–1975) English author

The Heart of a Goof (1926)

School, Appearance

“In the thousands of articles that made up the technical literature of chaos, few were cited more often than "Deterministic Nonperiodic Flow." For years, no single object would inspire more illustrations, even motion pictures, than the mysterious curve depicted at the end, the double spiral that became known as the Lorenz attractor.”

James Gleick book Chaos: Making a New Science

Source: Chaos: Making a New Science, 1987, p. 52; as cited in: Joshua Keating, in " Can Chaos theory teach us anything about Foreign Policy http://ideas.foreignpolicy.com/posts/2013/05/23/can_chaos_theory_teach_us_anything_about_international_relations", at ideas.foreignpolicy.com, May 23rd 2013.

Literature

“Now I possess and am possessed of the land where I would be,
And the curve of half Earth's generous breast shall soothe and ravish me!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Prairie http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/p2/prairie.html, Stanza 5. Other works

“These are, of course, some things which, for utility's sake, must be made of the same size in a small theatre, and a large one: such as the steps, curved cross-aisles, their parapets, the passages, stairways, stages, tribunals, and any other things which occur that make it necessary to give up symmetry so as not to interfere with utility.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter VI, Sec. 7

“The goal of deriving all the phenomena of nature from a few basic physical laws and the axioms of mathematics had been set by Galileo…
In studying curvilinear motions on the earth Galileo had found the parabola to be the basic curve. In the heavens… Kepler… had found the ellipse to be the basic curve. Why this difference? …since parabola and ellipse are both conic sections there was the provocative suggestion that perhaps some physical law unified these related paths of motion. …
It has often happened in the history of mathematics and science that major problems remained outstanding… great minds… succeeded only in revealing the true difficulties… and in generating an atmosphere of dispair… Then a genius appeared… with ideas that seemed remarkably simple once propounded, clarified the entire situation, dispelled the confusion, restored order, and produced a new synthesis that embraced far more even than the phenomena under consideration. The genius who… picked up the torch of science dropped by Galileo, was Isaac Newton.”

Morris Kline (1908–1992) American mathematician

Source: Mathematics and the Physical World (1959), p. 225

Law, History, Mathematics, Idea

“The use of canon raised numerous questions concerning the paths of projectiles. …One might determine… what type of curve a projectile follows and…. prove some geometrical facts about this curve, but geometry could never answer such questions as how high the projectile would go or how far from the starting point it would land. The seventeenth century sought the quantitative or numerical information needed for practical applications, and such information is provided by algebra.”

Morris Kline (1908–1992) American mathematician

Source: Mathematics and the Physical World (1959), p. 148

Question

“I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.”

Oscar Niemeyer (1907–2012) Brazilian architect

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 169

“I say that conceit is just as natural a thing to human minds as a centre is to a circle. But little-minded people's thoughts move in such small circles that five minutes' conversation gives you an arc long enough to determine their whole curve. An arc in the movement of a large intellect does not sensibly differ from a straight line. Even if it have the third vowel ['I', the first-person pronoun] as its centre, it does not soon betray it. The highest thought, that is, is the most seemingly impersonal; it does not obviously imply any individual centre.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

People, Nature, Personality

“[The] Army understands that cultural change is a long term process that requires commitment, diligence and continual evaluation. We recognise that in many ways we are behind the curve when compared to other corporate and public institutions, but we are determined to enact change in a meaningful and enduring way. We are dedicated to drawing on, and implementing, best practice by engaging with leaders who have undertaken successful and innovative programs in this field including Deloitte, the National Rugby League and the Australian Federal Police. Through these relationships we will develop methodologies and approaches to ensure sustainable diversity.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Way, Understanding, Change, Success

“the art-critic has provided the products of my lab with a (new) label: 'abracadabra'.... [but] one can not speak about abracadabra-ism, and that is its advantage on all –isms: it doesn't know time and limits and especially not the 'periods of time' [but] only seasons.... all -isms are dead, blown away, sprayed in the air, gone (here imagery does not fit, imagery is always wrong) - only for the 'abracadabra' is the future wall, the coming wall in the next house - how much the 'peinture' of other fabrics is curving and folding itself, polished or blown-up, it's all for nothing... We are not addressing those offspring but only the artists in this world..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): de critiek heeft de producten van mijn laboratorium voorzien van een (nieuw) etiket: abracadabra.. ..van abacadabraïsme kan men niet spreken en dat is haar voorsprong op alle ismen: het kent geen tijd en geen grenzen en vooral geen 'perioden' [maar] slechts jaargetijden.. ..alle ismen zijn dood, verwaaid, verstoven, weg (hier past beeldspraak niet, beeldspraak is altijd valsch) slechts voor het abracadabra is de toekomstige wand, de komende wand in het komende huis hoe ook de peintuur van ander maaksel zich kromt en plooit, poets of opblaast, het is al om niet.. ..wij richten ons immers niet tot deze nakomers maar uitsluitend tot de artisten op deze globe..
Quote of Werkman from his 'Proclamatie / Procamation 2. Nov. 1932, published at nr. 13, at the left border of the river Aa'; print on paper; (transl. Fons Heijnsbroek) - from the collection of Gemeentemuseum The Hague
Werkman is referring to an article by nl:Johan Dijkstra in the 'Provinciale Groninger Courant' who called Werkman's art-works 'abacadraba', but meant in a rather positive sense, because Dijkstra missed it at the exhibition of De Ploeg, Autumn 1932
1930's

World, Art, Time, Future

“What seems to most balance out the major music labels resistance to the MP3 explosion is the fact that their own artists are ahead of the curve.”

Richard Menta American journalist

Source They Might Be Giants release First MP3 Only Album http://www.mp3newswire.net/stories/giants.html - 1999 Quotes from the MP3 Newswire

Music

“Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down-from high flat temples-in a point on his forehead. He looked rather pleasantly like a blonde Satan.”

Dashiell Hammett book The Maltese Falcon

The Maltese Falcon (1930)

“Such young unfurrowed souls roll to meet each other like two velvet peaches that touch softly and are at rest; they mingle as easily as two brooklets that ask for nothing but to entwine themselves and ripple with ever-interlacing curves in the leafiest hiding-places.”

George Eliot book Adam Bede

Adam Bede (1859)

Soul

“Look at the facts of the world. You see a continual and progressive triumph of the right. I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.”

Theodore Parker (1810–1860) abolitionist

This portion of Parker's sermon is thought to have inspired Martin Luther King, Jr.‎'s famous assertion of similar sentiments: "The arc of the moral universe is long, but it bends towards justice". Ten Sermons of Religion (1853), III : Of Justice and the Conscience https://en.wikisource.org/wiki/Ten_Sermons_of_Religion/Of_Justice_and_the_Conscience

World, Justice, Way, Understanding

“I believe that it is possible by means of horizontal and vertical lines, constructed 'consciously' but not 'calculating', guided by a higher intuition and brought to harmony and rhythm – I believe that these fundamental aesthetic shapes – where necessary supplemented by lines in other directions or curved lines, make it possible to arrive at a work of art which is as strong as it is true. For anyone who sees more deeply, there is nothing vague about this; it is only vague for the superficial observer of nature. And 'chance' must be as far removed as 'calculation'. And for the rest it seems to me that it is necessary to keep breaking off the horizontal or vertical line: for if these directions were not countered by others, they would themselves come to signify something 'specific' and thus human.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's

Art, Nature, Strong, Chance

“Among recent contributions we may refer in particular to Professor A. G. Greenhill's noteworthy papers… when one remembers that these complex curves reach only especially simple cases of gyroscope motion, one may get some notion of the difficulty of the problem involved.”

Carl Barus (1856–1935) U.S. physicist

Footnote: Greenhill: Applications of Elliptic Functions, Proc. Lond. Math. Soc., 1895, 1896; Engineering, July, 1896.
"The Mathematical Theory of the Top" (April 8, 1898)

Problem

“I had no idea this was going to be an accurate prediction, but amazingly enough instead of 10 [years] doubling, we got nine over the 10 years, but still followed pretty well along the curve.”

Gordon Moore (1929) American businessman, co-founder of Intel and author of the eponym law

[Computer History Museum Presents: The 40th Anniversary of Moore's Law with Gordon Moore and Carver Mead, Computer History Museum, 2005-09-15, http://www.computerhistory.org/about/press_relations/releases/20050915_moore/, 2006-11-06] (quoting an unidentified Intel press release)

Idea

“The essence of what I have learned about writing and performing music is the authenticity you are faced with in your day-to-day work. No matter what other people or even critics will say, you have to follow your own direction which not necessarily has to be a straight line to success; sometimes it will be a curly, dramatic curve you have to go, but that’s the only way to leave a little landmark of brave respect to others and to the dimensions of your own capability.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

People, Music, Way, Learning

“The Land is neither of the Dark nor the Light, nor ever was. Its enchantment was of a separate kind, the magic of the mind and the hand and the eye, that owes no allegiance because it is neither good nor bad. It has no more to do with the behaviour of men, or the great absolutes of the Light and the Dark, than does the blossom of a rose or the curving leap of a fish.”

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), Silver on the Tree (1977), Chapter 12 “The Journey” (p. 164)

Men, Fish, Light

“Trump (Donald) denied knowing that Serge (Kovaleski) was disabled, and demanded an apology, saying that anyone could see his imitation was of a flustered, frightened reporter, not a disabled person. It’s true that Trump was not mimicking any mannerisms that Serge has. He doesn’t jerk around or flail his arms. He’s not retarded. He sits calmly, but if you look at his wrists, you’ll see they are curved in. That’s not the imitation Trump was doing—he was doing a standard retard, waving his arms and sounding stupid: “’Ahhh, I don’t know what I said—ahhh, I don’t remember!’ He’s going, ‘Ahhh, I don’t remember, maybe that’s what I said!’””

Ann Coulter (1961) author, political commentator

2016, In Trump We Trust: E Pluribus Awesome! (2016)

Stupidity, Jerk, Personality

“She was very fair and there was an expression of weariness in the lovely liquid dark eyes. Her little finely curved and red hued lips seemed like drooping rosebuds and were sealed as if it were in silence eternal…. she seemed as if she guessed the cruel fate which had been meted out for her by the Rani and Rajah and her other rich but distant relations in whose hands she seemed a helpless toy.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

At the age of 12, her description of a bride at an Indian wedding.
Sikh Heritage,Amrita Shergil

Love, Fate, Silence, Distant

“Then there’s the styling. Or rather, there isn’t. Any attempt to give these cars a tapering roofline or a curved rear end is wasteful of precious capacity, which means all of them look exactly – and I mean exactly – like chest freezers. And because they have such tiny wheels they actually look like chest freezers on casters. And that in turn means they look absurd.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times June 8, 2008, reviewing the Nissan GT-R http://www.timesonline.co.uk/tol/driving/jeremy_clarkson/article4076537.ece

Cars

“What renders a problem definite, and what leaves it indefinite, may best be understood from mathematics. The very important idea of solving a problem within limits of error is an element of rational culture, coming from the same source. The art of totalizing fluctuations by curves is capable of being carried, in conception, far beyond the mathematical domain, 65 where it is first learned. The distinction between laws and coefficients applies in every department of causation. The theory of Probable Evidence is the mathematical contribution to Logic, and is of paramount importance.”

Alexander Bain (1818–1903) Scottish philosopher and educationalist

Source: Education as a Science, 1898, pp. 151-152.

Law, Art, Error, Mathematics

“There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 206

Art

“The iron arc of the avoiding journey
Curves back upon my weakness at the end;
Whether the faint light spark against my face
Or in the dark my sight hide from my sight,
Centre and circumference are both my weakness.”

Stephen Spender (1909–1995) English poet and man of letters

"Darkness And Light"
The Still Centre (1939)

Light

“The trisection of an angle was effected by means of a curve discovered by Hippias of Elis, the sophist, a contemporary of Hippocrates as well as of Democritus and Socrates. The curve was called the quadratrix because it also served (in the hands, as we are told, of Dinostratus, brother of Menæchmus, and of Nicomedes) for squaring the circle. It was theoretically constructed as the locus of the point of intersection of two straight lines moving at uniform speeds and in the same time, one motion being angular and the other rectilinear.”

Thomas Little Heath (1861–1940) British civil servant and academic

p, 125
Achimedes (1920)

Time, Speed

“Flotsam from his childhood are rising through his attention. He's remembering the skin of an apple, bursting with nebulae, a look into curved reddening space.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Childhood

“Space-time is curved in the neighborhood of material masses, but it is not clear whether the presence of matter causes the curvature of space-time or whether this curvature is itself responsible for the existence of matter.”

Gerald James Whitrow (1912–2000) British mathematician

p, 125
The Structure of the Universe: An Introduction to Cosmology (1949)

Time

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Art, Appearance

“Once a full-employment policy has been adopted… the economic ’system’ just on that account is significantly different. Its equilibrium position has been shifted to a rising curve of trend close to and following the employment ceiling. The conditions of stability about this new level are radically different because the region of operation is now within the less flexible and sharply non-linear range of employment saturation”

Arnold Tustin (1899–1994) British engineer

Source: The Mechanism of Economic Systems (1953), p. 128

“"The edge of evening … the long curve of people all wishing on the first star…. Always remember those men and women along the thousands of miles of land and sea. The true moment of shadow is the moment in which you see the point of light in the sky. The single point, and the Shadow that has just gathered you in its sweep …"
Always remember.
The first star hangs between his feet.
Now”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Women, Men, People, Star

“Thus, all unknown quantities can be expressed in terms of a single quantity, whenever the problem can be constructed by means of circles and straight lines, or by conic sections, or even by some other curve of degree not greater than the third or fourth.
But I shall not stop to explain this in more detail, because I should deprive you of the pleasure of mastering it yourself, as well as of the advantage of training your mind by working over it, which is in my opinion the principal benefit to be derived from this science. Because, I find nothing here so difficult that it cannot be worked out by anyone at all familiar with ordinary geometry and with algebra, who will consider carefully all that is set forth in this treatise.”

René Descartes book La Géométrie

First Book
La Géométrie (1637)

Pleasure, Problem, Science, Training

“The picture rises before us vivid and bright: the finely carved, dragon-shaped prow; the high, curving stern; the long row of shields, black and yellow alternately, ranged along the sides; the gleam of steel; the scent of murder.”

Winston S. Churchill book A History of the English-Speaking Peoples

On the Viking Long Ships, Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

“The maximum Magnus force on a ball spinning at a rate of 1800 rpm is seen to be about one-third of the weight of the ball, so we cannot expect a ball spinning at that rate to curve more than one third of the distance it will fall under gravity.”

Robert Adair (physicist) (1924) Physicist and author

Source: The Physics Of Baseball (Second Edition - Revised), Chapter 2, The Flight Of The baseball, p. 14

“Home was a dream she’d had yesterday. A place where children used to play. Among towers near the mountains, by a river, on curving sweeps of white or golden sand beside a palace at the edge of the sea.”

Guy Gavriel Kay book Tigana

Source: Tigana (1990), Chapter 8 (p. 225)

Children, Dreams, Home, Mountain

“Balls curve as a consequence of asymmetries in the resistance of the air through which they pass.”

Robert Adair (physicist) (1924) Physicist and author

Source: The Physics Of Baseball (Second Edition - Revised), Chapter 3, Pitching, p. 28

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“These examples point to the third and most fundamental aspect of the incommensurability of competing paradigms. In a sense that I am unable to explicate further, the proponents of competing paradigms practice their trades in different worlds. One contains constrained bodies that fall slowly, the other pendulums that repeat their motions again and again. In one, solutions are compounds, in the other mixtures. One is embedded in a flat, the other in a curved, matrix of space. Practicing in different worlds, the two groups of scientists see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything they please. Both are looking at the world, and what they look at has not changed. But in some areas they see different things, and they see them in different relations one to the other. That is why a law that cannot even be demonstrated to one group of scientists may occasionally seem intuitively obvious to another.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), XII. The Resolution of Revolutions, p. 149

World, Law, Sense, Change

“The straight line belongs to Man. The curved line belongs to God.”

Antoni Gaudí (1852–1926) Catalan architect

The real author seems to be Pierre Albert-Birot https://books.google.com/books?id=3Ul51CwjUOcC&pg=PA290&dq=%22the+curved+line+that+belongs+let%27s+say+to+God+and+the+straight+line+that+belongs+to+man%22&hl=de&sa=X&redir_esc=y#v=onepage&q=%22the%20curved%20line%20that%20belongs%20let%27s%20say%20to%20God%20and%20the%20straight%20line%20that%20belongs%20to%20man%22&f=false. Attributed

God

“Senators leap up and bray for the Death Penalty with inflexible authority of virus yen… Death for dope fiends, death for sex queens (I mean friends) death for the psychopath who offends the cowed and graceless flesh with broken animal innocence of lithe movements. The black wind of death undulates over the land, feeling, smelling for the crime of separate life, movers of the fear-frozen flesh shivering under a vast probability curve… Populations blocks disappear in a checker game of genocide… Any number can play…”

William S. Burroughs book Naked Lunch

Atrophied Preface
Naked Lunch (1959)

Life, Death, Fear, Penalty

“For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Claude Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'Onafhankelijke bespiegelingen over de kunst', by Theo van Doesburg, in the Dutch journal De Avondpost 23 January 1916
1912 – 1919

Love, Truth, Beauty, Art

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

Beauty, Courage, Light

“The casino is the only human venture I know where the probabilities are known, Gaussian (i. e., bell-curve), and almost computable.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Source: The Black Swan: The Impact of the Highly Improbable (2007), p. 127

“The mysterious musicality, the organic intermarriage of its forms convex and concave, the high singing phrase of a straight line bordering a plane and its sudden dropping into a scarcely traceable curve, and feel deeply, sharply, the profound peace, the philosophy awakened by the even distribution of light and shade, wandering from one curved plane into a deep clarity of light, enriching a carefully carved stone plane. One will understand at once that those awakened sensation have nothing to do with anatomical considerations, exactitudes observed or not.”

Ossip Zadkine (1890–1967) French sculptor

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Peace, Music, Feeling, Understanding

“Headmaster: Clad in the magnificent white silk robes of an Arab prince, with in his belt the short curved, gold sword of the Ashraf descendants of the Prophet, he hoped to pass unnoticed through London. Alas, he was mistaken. "Who am I?" he would cry despairingly. "You are Lawrence of Arabia" passers-by would stop him and say, "And I claim my five pounds."”

Alan Bennett Forty Years On

Act 1, p. 56.
Forty Years On (1972)

Hope, Cry

“I do not disbelieve that in some mysterious transcendental sense, as involved in the system of the entire universe, with so vast an arc that no faculty of man can apprehend its curve, that in some such sense the Catholic doctrine of the atonement may be true. But a doctrine out of which, with our reason, our feeling, our logic, I at least can gather any practical instruction for mankind — any deeper appreciation of the attributes of God, any deeper love for Him, any stimulant towards our own obedience — such a doctrine I cannot find it. I bury what I am to think of it in the deepest corner of my own heart, where myself I fear to look.”

James Anthony Froude book The Nemesis of Faith

Letter X
The Nemesis of Faith (1849)

Love, God, Fear, Feeling

“Thus while diminishing returns do exist when industries are broadly defined, no industry can be considered in isolation from all the others, as supply and demand curve analysis requires.”

Steve Keen (1953) Australian economist

Source: Debunking Economics - The Naked Emperor Of The Social Sciences (2001), Chapter 3, The Price Of Everything And The Value Of Nothing, p. 69

“The enlightenment idea of privacy is breaking apart under the strain of new technologies, social tools and the emergence of the database state. We cannot hold back the tide, but we can use it as an opportunity to rethink what we understand by 'personality', how we engage and interact with others and where the boundaries can be put between the public and private. Those of us who are ahead of the curve when it comes to the adoption and use of technologies that undermine the old model of privacy have much to teach those who will come after us, and can offer advice and support to those who might be unhappy to have their movements, eating habits, friendships and patterns of media consumption made available to all. But every Twitterer, Tumblr, Dopplr or Brightkite user at Lift is sharing more data with more people than even the FBI under Hoover or the Stasi at the height of its powers could have dreamed of. And we do so willingly, hoping to benefit in unquantifiable ways from this unwarranted - in all senses - disclosure. I'll argue that we are in the vanguard of creating not just new forms of social organisation but new ways of being human.”

Bill Thompson (1960) English technology writer, born 1960

" The Death of Privacy and Why We Should Welcome It http://liftconference.com/death-privacy-and-why-we-should-welcome-it," January 18, 2009. (Remarks made during the Lift Conference)

Friendship, People, Dreams, Hope