Quotes about curl

A collection of quotes on the topic of curl, likeness, herring, going.

Quotes about curl

Maya Angelou photo
Virginia Woolf photo
Virginia Woolf photo
Oscar Wilde photo
Richard Henry Dana Jr. photo
José Saramago photo

“The man changed position, turned his back on the wardrobe blocking the door and let his right arm slide down toward the side on which the dog is lying. A minute later, he was awake. He was thirsty. He turned on his bedside light, got up, shuffled his feet into the slippers which were, as always, providing a pillow for the dog's head, and went into the kitchen. Death followed him. The man filled a glass with water and drank it. At this point, the dog appeared, slaked his thirst in the water-dish next to the back door and then looked up at his master. I suppose you want to go out, said the cellist. He opened the door and waited until the animal came back. A little water remained in his glass. Death looked at it and made an effort to imagine what it must be like to feel thirsty, but failed. She would have been equally incapable of imagining it when she'd had to make people die of thirst in the desert, but at the time she hadn't even tried. The dog returned, wagging his tail. Let's go back to sleep, said the man. They went into the bedroom again, the dog turned around twice, then curled up into a ball. The man drew the sheet up to his neck, coughed twice and soon afterward was asleep again. Sitting in her corner, death was watching. Much later, the dog got up from the carpet and jumped onto the sofa. For the first time in her life, death knew what it felt like to have a dog on her lap.”

Source: Death with Interruptions (2005), p. 172

Billie Holiday photo

“I ain't good looking
And my hair ain't curls
But my mother she give me something
It's going to carry me through this world.”

Billie Holiday (1915–1959) American jazz singer and songwriter

Billie's Blues

P.G. Wodehouse photo
Letitia Elizabeth Landon photo
Cassandra Clare photo
Maya Angelou photo
Cassandra Clare photo
Haruki Murakami photo
Susan Elizabeth Phillips photo
Stephen King photo
Diane Ackerman photo
Cassandra Clare photo
T.S. Eliot photo
T.S. Eliot photo
James Patterson photo
Karen Marie Moning photo
Augusten Burroughs photo
Lionel Shriver photo
Cassandra Clare photo
Ray Bradbury photo
Anne Brontë photo
Cassandra Clare photo
Rick Riordan photo
E.E. Cummings photo
Marilyn Monroe photo

“A career is wonderful, but you can't curl up with it on a cold night.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Variant: A career is wonderful, but you can't curl up with it on a cold night.
Source: On Being Blonde (2007), p. 53

Naomi Novik photo
Raymond Chandler photo
Georgette Heyer photo
Augusten Burroughs photo
Henry James photo
Douglas Coupland photo
Robert Patrick (playwright) photo

“For people like us it is necessary to be a bit stronger, more self-critical, more observant than the usual run. Whether we happen to come already enhanced with these qualities, as some have claimed, or whether our situation invests them in us, we have traditionally - and we do have a long and proud tradition - been a little finer, a little firmer, more sensitive and flexible than others… There will be times when only your own spine can support you, moments when only your own wit can inspire you, days when nothing but exacting self-control can raise you from bed, nights when nothing but your word can impel you into society. But of all these disciplines, there is nothing you must hold to more sternly than to be kind and sympathetic. The easiest armor to put on is always cruelty. That armor will, indeed, see you through everything. Vicious condescension toward those without your strength can make you feel momentarily superior. But that easy armor must be forgone. Don't ever curdle that creamy brow with lines of easy disdain, or curl those lips with a popular sneer. Of all the models available, the one of gentleman in our late war is most succinct: Face what you have to face with humor, dignity, and style; protect yourself with knightly grace; have contempt for your own weakness and never encourage it in others; but never, Ralph, never for an instant permit yourself to feel anything other than pity and deepest sympathy for unfortunate comrades who have, after all, fallen in the same battle.”

Robert Patrick (playwright) (1937) Playwright, poet, lyricist, short story writer, novelist

One of Those People
Untold Decades: Seven Comedies of Gay Romance (1988)

Louis-ferdinand Céline photo
Winston S. Churchill photo
Shamini Flint photo
Thomas Henry Huxley photo
Algernon Charles Swinburne photo

“She curled her lip. She had discovered cynicism.”

Fifth measure “The White Boat” (p. 194)
Pavane (1968)

William Wordsworth photo
Bret Easton Ellis photo
Letitia Elizabeth Landon photo
George Lippard photo
Letitia Elizabeth Landon photo
John Fante photo
Nalo Hopkinson photo
Vladimir Mayakovsky photo

“Hey, you!
Heaven!
Off with your hat!
I am coming!

Not a sound.

The universe sleeps,
its huge paw curled
upon a star-infested ear.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Page 109.
The Cloud in Trousers (1915)

Raymond Chandler photo

“He didn't curl his lip because it had been curled when he came in.”

Source: The High Window (1942), chapter 3

Ehud Barak photo

“There is another story, that we tried to impose upon him [Arafat] cantons, Bantustans. Total lie. We talked about 80%+ of the West Bank and 100% of the Gaza Strip. How can it become non-contiguous? And if you have some reservation against this or that curl of the border, at some corner, come to the table, negotiate it, and demand that this will be removed. I can go with you more and more, and I cannot afford spending more time on it, but basically, all these were stories that were invented in order to explain to his own people, and maybe to try to convince honest people in the free world how come that such an opportunity had been missed. Of course, I had my own demands, to protect Israel, to ensure our security, to make sure that we know where do we head. I said loud and clear: we have to put an end to this asymmetric process where we are supposed to give tangible assets, and the Palestinians have just to give vague promises about the nature of future relationship. I said I'm ready to go very far, but I want to know, now, that there is a partner, which is ready and capable to make tough decisions, and painful decisions. I was a great supporter of the peace of the brave, but never a supporter of peace of ostriches, where you put your head in the sand, let whatever happen, happen, and then wake up and say, OK, that's what happened. We cannot afford this approach. That's the reality.”

Ehud Barak (1942) Israeli politician and prime minister

Speech at UC Berkeley http://www.jewishsf.com/content/2-0-/module/displaystory/story_id/19324/edition_id/391/format/html/displaystory.html, November 22, 2002

Gregory Scott Paul photo

“How would we think and feel about predatory dinosaurs if they were alive today? Humans have long felt antipathy toward carnivores, our competitors for scarce protein. But our feelings are somewhat mollified by the attractive qualities we see in them. For all their size and power, lions remind us of the little creatures that we like to have curl up in our laps and purr as we stroke them. Likewise, noble wolves recall our canine pets. Cats and dogs make good companions because they are intelligent and responsive to our commands, and their supple bodies make them pleasing to touch and play with. And, very importantly, they are house-trainable. Their forward-facing eyes remind us of ourselves. However, even small predaceous dinosaurs would have had no such advantage. None were brainy enough to be companionable or house-trainable; in fact, they would always be a danger to their owners. Their stiff, perhaps feathery bodies were not what one would care to have sleep at the foot of the bed. The reptilian-faced giants that were the big predatory dinosaurs would truly be horrible and terrifying. We might admire their size and power, much as many are fascinated with war and its machines, but we would not like them. Their images in literature and music would be demonic and powerful - monsters to be feared and destroyed, yet emulated at the same time.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World

Rachel Maddow photo

“I spent the weekend curled up with the Marine Corps and Army counterinsurgency field manual—because that‘s how I roll on the weekends.”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (16 March 2009)

Julius Streicher photo

“Moreover I want to tell Dr. Süßheim -- who wants to portray every anti-Semite as a psychopath -- about his racial fellow Dr. Otto Weininger, who as an honest Jew wrote down his thoughts in the book "Sex and Character":
"Jewry seems to be somewhat anthropologically related to the Negroes and the Mongolians. To the Negro points the readily curling hair, to an admixture of Mongolian blood points the very Chinese or Malayan formed skull, that one finds so often among Jews, which matches the usually yellowish complexion … The fact that excellent men have almost always been anti-Semites (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) can be explained in the following way: they, who have so much more in their own nature than other men, can also better understand Jewry."”

Julius Streicher (1885–1946) German politician

Ferner möchte ich Herrn Dr. Süßheim, der jeden Antisemiten als Psychopathen hinstellen möchte, seinen Rassegenossen Dr. Otto Weininger nennen, der als ehrlicher Jude seine Gedanken in einem Buch "Geschlecht und Charakter" niedergeschrieben hat:
"Das Judentum scheint anthropologisch mit den Negern wie mit den Mongolen eine gewisse Verwandtschaft zu besitzen. Auf den Neger weisen die so gern sich ringelnden Haare, auf Beimischung von Mongolenblut die ganz chinesisch oder malaiisch geformten Gesichtsschädel, die man oft unter Juden antrifft, und denen regelmäßig gelbe Hautfärbung entspricht, hin … Daß hervorragende Menschen fast stets Antisemiten waren (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) geht eben darauf zurück, daß sie, die soviel mehr in sich haben als andere Menschen, auch das Judentum besser verstehen als diese."
12/9/1925, Streicher's pleading when sued because of ani-Semitic slurs; courthouse in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

John Von Neumann photo

“It is just as foolish to complain that people are selfish and treacherous as it is to complain that the magnetic field does not increase unless the electric field has a curl. Both are laws of nature.”

John Von Neumann (1903–1957) Hungarian-American mathematician and polymath

As quoted "John von Neumann (1903 - 1957)" by Eugene Wigner, in Year book of the American Philosophical Society (1958); later in Symmetries and Reflections : Scientific Essays of Eugene P. Wigner (1967), p. 261

Eugene Field photo

“What earthly use are these Confucian graphs?
Masters and doctors lie curled up and wilt.
Why not take lessons and become a clerk?
At night champagne, at break of day cow's milk!”

Trần Tế Xương (1870–1907) poet

Poem 71 in An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100
Variant translation:
What good are Chinese characters?
All those Ph.D.'s are out of work.
Much better to be a clerk for the French:
You get milk in the morning and champagne at night.
Source: Understanding Vietnam by Neil L. Jamieson (University of California Press, 1995), ISBN 978-0520916586, p. 55

Oliver Wendell Holmes photo

“Where go the poet's lines?
Answer, ye evening tapers!
Ye auburn locks, ye golden curls,
Speak from your folded papers!”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet's Lot; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Robert Frost photo
Fernand Léger photo
Yury Dombrovsky photo
Richard Rodríguez photo
Robert Charles Wilson photo
Raymond Chandler photo

“The girl slept on, motionless, in that curled-up looseness achieved by some women and all cats.”

Raymond Chandler (1888–1959) Novelist, screenwriter

"'I'll Be Waiting' (short story), published in the Saturday Evening Post, October 14, 1939

John Wallis photo
Torquato Tasso photo

“Armida smiles to hear, but keeps her gaze
fixed on herself, love's labours to behold.
Her locks she braided and their wanton ways
in lovely order marshalled and controlled.
She wound the curls of her fine strands with sprays
of flowers, like enamel worked on gold,
and made the stranger rose join with her pale
breast's native lily, and composed her veil.”

Torquato Tasso (1544–1595) Italian poet

Ride Armida a quel dir: ma non che cesse
Dal vagheggiarsi, o da' suoi bei lavori.
Poichè intrecciò le chiome, e che ripresse
Con ordin vago i lor lascivi errori,
Torse in anella i crin minuti, e in esse,
Quasi smalto su l'or, consparse i fiori:
E nel bel sen le peregrine rose
Giunse ai nativi giglj, e 'l vel compose.
Canto XVI, stanza 23 (tr. Wickert)
Gerusalemme Liberata (1581)

Hayley Jensen photo
Dashiell Hammett photo
Anthony Trollope photo
Richard Bach photo
Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Peter Greenaway photo
Albert Chevalier photo
James Weldon Johnson photo

“And God smiled again,
And the rainbow appeared,
And curled itself around his shoulder.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 7.
God's Trombones: Seven Negro Sermons in Verse (1927)

Justin D. Fox photo
Raymond Chandler photo
Lee Meriwether photo

“They had identified themselves with their limitations; they were making a career of them. They had turned from all other reality, and curled up in them snugly, as in a womb.”

Source: The Charioteer (1953), p. 141
Context: After some years of muddled thinking on the subject, he suddenly saw quite clearly what it was he had been running away from; why he had refused Sandy's first invitation, an what the trouble had been with Charles. It was also the trouble, he perceived, with nine-tenths or the people here tonight. They were specialists. They had not merely accepted their limitations, as Laurie was ready to accept his, loyal to his humanity if not to his sex, and bringing an extra humility to the hard study of human experience. They had identified themselves with their limitations; they were making a career of them. They had turned from all other reality, and curled up in them snugly, as in a womb.

Kate Bush photo

“For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

This is the portion of "Jig of Life" which was actually written as well as spoken by Kate's brother John Carder Bush.
Song lyrics, Hounds of Love (1985), The Ninth Wave
Context: Can't you see where memories are kept bright?
Tripping on the water like a laughing girl.
Time in her eyes is spawning past life,
One with the ocean and the woman unfurled,
Holding all the love that waits for you here.
Catch us now for I am your future.
A kiss on the wind and we'll make the land.
Come over here to where When lingers,
Waiting in this empty world,
Waiting for Then, when the lifespray cools.
For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.

“For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.”

John Carder Bush (1944) British artist; brother of Kate Bush

This portion of the track "Jig of Life" on his sister Kate's album Hounds of Love (1985) was actually written as well as spoken by JCB.
Jig of Life (1985)
Context: Can't you see where memories are kept bright?
Tripping on the water like a laughing girl.
Time in her eyes is spawning past life,
One with the ocean and the woman unfurled,
Holding all the love that waits for you here.
Catch us now for I am your future.
A kiss on the wind and we'll make the land.
Come over here to where When lingers,
Waiting in this empty world,
Waiting for Then, when the lifespray cools.
For Now does ride in on the curl of the wave,
And you will dance with me in the sunlit pools.
We are of the going water and the gone.
We are of water in the holy land of water
And all that's to come runs in
With the thrust on the strand.

Alfred, Lord Tennyson photo

“That jewelled mass of millinery,
That oiled and curled Assyrian Bull.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

Part I, section vi, stanza 6
Maud; A Monodrama (1855)

“When Brother Francis had removed the last tray, he touched the papers reverently: only a handful of folded documents here, and yet a treasure; for they had escaped the angry flames of the Simplification, wherein even sacred writings had curled, blackened, and withered into smoke while ignorant mobs howled and hailed it a triumph.”

Ch 2
A Canticle for Leibowitz (1959), Fiat Homo
Context: When Brother Francis had removed the last tray, he touched the papers reverently: only a handful of folded documents here, and yet a treasure; for they had escaped the angry flames of the Simplification, wherein even sacred writings had curled, blackened, and withered into smoke while ignorant mobs howled and hailed it a triumph. He handled the papers as one might handle holy things, shielding them from the wind with his habit, for all were brittle and cracked from age. There was a sheaf of rough sketches and diagrams. There were hand-scribbled notes, two large folded papers, and a small book entitled Memo.

Alfred, Lord Tennyson photo
J. Howard Moore photo

“Look at the manner in which the aborigines are swept away from continent after continent by the sword and beverage of the Aryans. See how the red children of America have been cheated and debauched and driven from homes where they and their fathers had lived from immemorial generations. When the banner of Castile first furled in Bahama breezes, America was inhabited by a noble, magnanimous, and happy people. They were not like the sodden, suspicious, revengeful remnants that to-day huddle on barricaded reserves, the vindictive survivors of four centuries of injustice. They were kind and generous. They came to the invading Europeans as children, with minds of wonder and with hands filled with presents. They were treated by the invaders like refuse. They were plundered, and their outstretched hands cut off and fed to Spanish hounds. They are gone from the valleys where once their camp-smokes curled to heaven, and their quaint canoes ruffle the moonlight of the rivers no more. They that remain are too weak to rise in warlike challenge to the aggressions of the mighty white. But the story of the meeting of the pale and the red, and of the wrongs of the vanquished red, will remain as one of the mournful tales of this world when the kindred of Lo, like fleecy clouds, have melted into the infinite azure of the past.”

J. Howard Moore (1862–1916)

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Preponderance of Egoism, p. 133–134

“Paddy dashed back towards his goal like a woman who smells a cake burning. The ball won the race and it curled inside the near post as Paddy crashed into the outside of the net and lay against it like a fireman who had returned to find his station ablaze.”

Con Houlihan (1925–2012) Irish sportswriter

The Evening Press, 25 September 1978. As reprinted https://www.independent.ie/opinion/analysis/con-houlihan-paddy-dashed-back-to-his-goal-like-a-woman-who-smells-a-cake-burning--26885274.html in the Irish Independent following Houlihan's death.

Theodor Mommsen photo

“Few men have had their elasticity so thoroughly put to the proof as Caesar-- the sole creative genius produced by Rome, and the last produced by the ancient world, which accordingly moved on in the path that he marked out for it until its sun went down. Sprung from one of the oldest noble families of Latium--which traced back its lineage to the heroes of the Iliad and the kings of Rome, and in fact to the Venus-Aphrodite common to both nations--he spent the years of his boyhood and early manhood as the genteel youth of that epoch were wont to spend them. He had tasted the sweetness as well as the bitterness of the cup of fashionable life, had recited and declaimed, had practised literature and made verses in his idle hours, had prosecuted love-intrigues of every sort, and got himself initiated into all the mysteries of shaving, curls, and ruffles pertaining to the toilette-wisdom of the day, as well as into the still more mysterious art of always borrowing and never paying. But the flexible steel of that nature was proof against even these dissipated and flighty courses; Caesar retained both his bodily vigour and his elasticity of mind and of heart unimpaired. In fencing and in riding he was a match for any of his soldiers, and his swimming saved his life at Alexandria; the incredible rapidity of his journeys, which usually for the sake of gaining time were performed by night--a thorough contrast to the procession-like slowness with which Pompeius moved from one place to another-- was the astonishment of his contemporaries and not the least among the causes of his success. The mind was like the body. His remarkable power of intuition revealed itself in the precision and practicability of all his arrangements, even where he gave orders without having seen with his own eyes. His memory was matchless, and it was easy for him to carry on several occupations simultaneously with equal self-possession. Although a gentleman, a man of genius, and a monarch, he had still a heart. So long as he lived, he cherished the purest veneration for his worthy mother Aurelia (his father having died early); to his wives and above all to his daughter Julia he devoted an honourable affection, which was not without reflex influence even on political affairs. With the ablest and most excellent men of his time, of high and of humbler rank, he maintained noble relations of mutual fidelity, with each after his kind. As he himself never abandoned any of his partisans after the pusillanimous and unfeeling manner of Pompeius, but adhered to his friends--and that not merely from calculation--through good and bad times without wavering, several of these, such as Aulus Hirtius and Gaius Matius, gave, even after his death, noble testimonies of their attachment to him.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol.4. Part 2.
The History of Rome - Volume 4: Part 2