Quotes about concert

A collection of quotes on the topic of concert, people, music, doing.

Quotes about concert

“I could express my feelings more easily if they could be put into the notes of music, but as the very best concert would not cover my affection for you, dear daddy, I must use the simple words of my heart, to lay before you my utmost gratitude and filial affection”

Frédéric Chopin (1810–1849) Polish composer

As quoted in Chopin's Letter.
Source: Chopin's Letter (1988) by Henryk Opieński,E. L. Voynich, p. 4

Music, Feeling, Heart, Gratitude

“Concerts are never real music, you have to give up the idea of hearing in them all the most beautiful things of art.”

Frédéric Chopin (1810–1849) Polish composer

Said to one of his students, according to "Chopin: Pianist and Teacher: As Seen by His Pupils" by Jean-Jacques Eigeldinger

Beauty, Art, Music, Idea

“A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business — live concerts.”

Elvis Presley (1935–1977) American singer and actor

Press conference (5 September 1972), also quoted in Paranoia & Power : Fear & Fame of Entertainment Icons (2007) by Gene N Landrum, p. 60

Business, Parting

“Now let me be clear: I suffer no illusions about Saddam Hussein. He is a brutal man. A ruthless man. A man who butchers his own people to secure his own power.… The world, and the Iraqi people, would be better off without him. But I also know that Saddam poses no imminent and direct threat to the United States, or to his neighbors…and that in concert with the international community he can be contained until, in the way of all petty dictators, he falls away into the dustbin of history.”

Barack Obama (1961) 44th President of the United States of America

Remarks Against Going to War with Iraq (2 October 2002).
2000-03

People, World, Way, History

“Although it may seem incredible, this cure helped me. At the beginning of the summer I began to compose… New musical ideas began to stir with me-far more than I needed for my concerto. By the autumn I had finished the Adagio and Finale… The Two movements I played… at a charity concert… They had a gratifying success… By the Spring I had finished the first movement of the concerto… Out of gratitude, I dedicated it to Nikolay Dahl.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

About his second piano concerto. Masterworks of the Orchestral Repertoire: A Guide for Listeners by Donald N. Ferguson.

Music, Spring, Idea, Autumn

“The Russo-Japanese War now gives to all an awareness that even war and peace in Europe – its destiny – isn’t decided between the four walls of the European concert, but outside it, in the gigantic maelstrom of world and colonial politics.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

"In the Storm" in Le Socialiste http://www.marxists.org/archive/luxemburg/1904/05/01.htm as translated by Mitch Abidor (1 - 8 May 1904) Context: The Russo-Japanese War now gives to all an awareness that even war and peace in Europe – its destiny – isn’t decided between the four walls of the European concert, but outside it, in the gigantic maelstrom of world and colonial politics. And its in this that the real meaning of the current war resides for social-democracy, even if we set aside its immediate effect: the collapse of Russian absolutism. This war brings the gaze of the international proletariat back to the great political and economic connectedness of the world, and violently dissipates in our ranks the particularism, the pettiness of ideas that form in any period of political calm. The war completely rends all the veils which the bourgeois world – this world of economic, political and social fetishism – constantly wraps us in. The war destroys the appearance which leads us to believe in peaceful social evolution; in the omnipotence and the untouchability of bourgeois legality; in national exclusivism; in the stability of political conditions; in the conscious direction of politics by these “statesmen” or parties; in the significance capable of shaking up the world of the squabbles in bourgeois parliaments; in parliamentarism as the so-called center of social existence. War unleashes – at the same time as the reactionary forces of the capitalist world – the generating forces of social revolution which ferment in its depths.

War, World, Peace

“I'd like to say "thank you" on behalf of the group and ourselves and I hope we passed the audition.
Closing line of the Beatles' rooftop concert on (30 January 1969), this was also the last line of the Let It Be film and the album version of "Get Back"”

John Lennon (1940–1980) English singer and songwriter

Hope

“As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (…) You don't pick out the rain that soaks you to the skin when you come out of a concert.”

Julio Cortázar book Hopscotch

Source: Hopscotch

Love

“Let's buy books so as not to read them; let's go to concerts without caring to hear the music or see who's there; let's take long walks because we're sick of walking; and let's spend whole days in the country, just because it bores us.”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

Books, Music, Reading, Country

“It was like being in the eye of a hurricane. You'd wake up in a concert and think "Wow how did I get here?”

John Lennon (1940–1980) English singer and songwriter

Thinking

“My dad (Fabrizio Pausini) is big fan of Elvis Presley. So the house where I grew up is called Pausiniland, … my dad keeps all my awards, dresses I’ve worn in concerts. That’s where it’s all on display.”

Laura Pausini (1974) Italian singer

Los Angeles Daily News (October 16, 2014)

Housing

“Invisibility. That would be so cool just to go anywhere without people seeing you. You could sneak into rock concerts and films and stuff. And I'd like to have Hagrid's three-head dog, because then nobody would try to fight me. I think I'd love to be a wizard in Harry's world, even though you have to face a lot of danger.”

Daniel Radcliffe (1989) English actor

On what magical power would Daniel like to have

Love, People, World, Dogs

“I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji (Pt Shivkumar Sharma), Amjadbhai (Amjad Ali Khan) or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

Music

“Where do people get off saying the Beatles should give $200,000,000 to South America? You know, America has poured billions into places like that. It doesn't mean a damn thing. After they've eaten that meal, then what? It lasts for only a day. After the $200,000,000 is gone, then what? It goes round and round in circles. You can pour money in forever. After Peru, then Harlem, then Britain. There is no one concert. We would have to dedicate the rest of our lives to one world concert tour, and I'm not ready for it. Not in this lifetime, anyway.”

John Lennon (1940–1980) English singer and songwriter

Responding to suggestion that the Beatles should reunite to perform benefit concerts.
Playboy interview (1980)

Money, People, World

“Hi and Merry Christmas. I’m honored to have a chance to speak with you and your family this year. Recently we learned that our governments, working in concert, have created a system of worldwide system of mass surveillance watching everything we do. Great Britain’s George Orwell warned us of the danger of this kind of information.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Source: http://www.washingtonpost.com/world/national-security/edward-snowden-after-months-of-nsa-revelations-says-his-missions-accomplished/2013/12/23/49fc36de-6c1c-11e3-a523-fe73f0ff6b8d_story.html 2013 Christmas Message

Family, Learning, Chance, Christmas

“The fans have been really incredible everywhere we've been…. You want to make sure you put on the best concert of your life to show them how appreciative you are.”

Jonathan Davis (1971) Heavy metal singer, frontman for Korn

Life

“We choose hope over fear. We see the future not as something out of our control, but as something we can shape for the better through concerted and collective effort. We reject fatalism or cynicism when it comes to human affairs. We choose to work for the world as it should be, as our children deserve it to be.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to the United Nations (September 2014)

Children, World, Fear, Hope

“It makes rock concerts look like tea parties.”

John Lennon (1940–1980) English singer and songwriter

Commenting on American Football, in interview with Howard Cosell on ABC Television (December 1974)

Tea

“Messieurs, I should like to be granted the favour of performing at one of your admirable concerts, and this I beg to ask of you. Trusting, since I lack other qualifications to obtain this, in your goodwill towards artists, I dare to hope that you will greet my request favourably, I have the honour to be, Messieurs, your very humble servant.
Frédéric Chopin
Cité Bergère, No. 4”

Frédéric Chopin (1810–1849) Polish composer

Letter of application to the Société des Concerts du Conservatoire.
Source: (13 March 1832); published in At the Piano with Fauré (1963) by Marguerite Long, p. 31

Hope

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Love, Marriage, Age, World

“I have a saying. 'Never judge a book by its cover'. I say that because I don't even know who Ozzy is. I wake up a new person every day. But if you've got a fantasy of Ozzy, who am I to say? I mean, if you think I sleep upside-down in the rafters and fly around at night and bite people's throats out, then that's your thing. But I can tell you now, all I ever wanted was for people to come to my concerts and have a good time. I don't want anyone to harm themselves in any way, shape or form-and my intentions are good whether people want to believe it or not. I'm not going to suddenly become a Jesus freak or anything. But I do have my beliefs and my beliefs are certainly not satanic.”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

Rolling Stone Online, May 1997.

People, Books, Way, Thinking

“A consensus has emerged in our scientific community that global warming is no longer merely a theory but a reality, a crisis with truly global implications for planet Earth and all of us who share it. - Told to thousands at the New Jersey concert for Live Earth”

Leonardo DiCaprio (1974) American actor and film producer

Communication, Reality

“In our common struggle against fascist aggression over 60 years ago, several thousand American soldiers lost their lives in battlefields in China. Their heroic sacrifice still remains fresh in the minds of the Chinese people. Thanks to the concerted efforts made by our two governments and our two peoples over the years, our friendship has grown from strength to strength and yielded rich fruit.”

Hu Jintao (1942) former General Secretary of the Communist Party of China

2000s, White House speech (2006)

Friendship, People, Effort

“I never really learned how to sing. I mean, I think I get most of my experience from just the shower, just annoying my parents to no end, singing loud, having grand encore concerts in the shower. But I’ve kind of been stuck with this high-pitched voice since forever, so I kind of learned how to use it to my advantage. And I can go very low, too. Not many people know that. I went low once on the show and no one believed it was me.”

Chris Colfer (1990) actor, singer, book author

Interview Quotes, Random Quotes

People, Thinking, Parent, Learning

“It was a fun show. At one point the barricade in front of the stage gave way, which scared the concert promoters because they thought people were going to get hurt. So we had to stop the show for a while. That was funny… Although I guess only funny because no one got hurt.”

Mike Shinoda (1977) American musician

On Live Earth (Variety Interview, 7/16/2007)

People, Way, Hurt

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Love, Music, Feeling, Star

“These capitalists generally act harmoniously and in concert to fleece the people, and now that they have got into a quarrel with themselves, we are called upon to appropriate the people's money to settle the quarrel.”

Abraham Lincoln (1809–1865) 16th President of the United States

Speech to Illinois legislature (January 1837); This is "Lincoln's First Reported Speech", found in the Sangamo Journal (28 January 1837) according to McClure's Magazine (March 1896); also in Lincoln's Complete Works (1905) ed. by Nicolay and Hay, Vol. 1, p. 24
1830s

Money, People

“We can succeed only by concert. It is not "Can any of us imagine better?" but "Can we all do better?"”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Second State of the Union address (1862)
Context: I do not forget the gravity which should characterize a paper addressed to the Congress of the nation by the Chief Magistrate of the nation, nor do I forget that some of you are my seniors, nor that many of you have more experience than I in the conduct of public affairs. Yet I trust that in view of the great responsibility resting upon me you will perceive no want of respect to yourselves in any undue earnestness I may seem to display. Is it doubted, then, that the plan I propose, if adopted, would shorten the war, and thus lessen its expenditure of money and of blood? Is it doubted that it would restore the national authority and national prosperity and perpetuate both indefinitely? Is it doubted that we here — Congress and Executive can secure its adoption? Will not the good people respond to a united and earnest appeal from us? Can we, can they, by any other means so certainly or so speedily assure these vital objects? We can succeed only by concert. It is not "Can any of us imagine better?" but "Can we all do better?" Object whatsoever is possible, still the question recurs, "Can we do better?"

Imagination

“We must begin by acknowledging the hard truth: We will not eradicate violent conflict in our lifetimes. There will be times when nations — acting individually or in concert — will find the use of force not only necessary but morally justified.”

Barack Obama (1961) 44th President of the United States of America

2009, Nobel Prize acceptance speech (December 2009)
Context: In today's wars, many more civilians are killed than soldiers; the seeds of future conflict are sown, economies are wrecked, civil societies torn asunder, refugees amassed, children scarred.
I do not bring with me today a definitive solution to the problems of war. What I do know is that meeting these challenges will require the same vision, hard work, and persistence of those men and women who acted so boldly decades ago. And it will require us to think in new ways about the notions of just war and the imperatives of a just peace.
We must begin by acknowledging the hard truth: We will not eradicate violent conflict in our lifetimes. There will be times when nations — acting individually or in concert — will find the use of force not only necessary but morally justified.
I make this statement mindful of what Martin Luther King Jr. said in this same ceremony years ago: "Violence never brings permanent peace. It solves no social problem: it merely creates new and more complicated ones." As someone who stands here as a direct consequence of Dr. King's life work, I am living testimony to the moral force of non-violence. I know there's nothing weak — nothing passive — nothing naïve — in the creed and lives of Gandhi and King.
But as a head of state sworn to protect and defend my nation, I cannot be guided by their examples alone. I face the world as it is, and cannot stand idle in the face of threats to the American people. For make no mistake: Evil does exist in the world. A non-violent movement could not have halted Hitler's armies. Negotiations cannot convince al Qaeda's leaders to lay down their arms. To say that force may sometimes be necessary is not a call to cynicism — it is a recognition of history; the imperfections of man and the limits of reason.

Truth, Time

“I think a band by its very nature is only as good as the chemistry between the players. None of us in rock bands, or whatever kind of bands we’re in, are virtuosos, otherwise we’d be concert pianists. So the only thing you have in your favor as a band is your unique chemistry.”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.stopcryingyourheartout.co.uk/2015/11/chris-martin-on-oasis-and-working-with.html?m=1 source

Nature, Thinking

“It can never be again! Everyone always talks about a good thing coming to an end, as if life was over. But I'll be 40 when this interview comes out. Paul is 38. Elton John, Bob Dylan — we're all relatively young people. The game isn't over yet. Everyone talks in terms of the last record or the last Beatle concert — but, God willing, there are another 40 years of productivity to go. I'm not judging whether "I Am The Walrus" is better or worse than "Imagine."”

John Lennon (1940–1980) English singer and songwriter

It is for others to judge. I am doing it. I do. I don't stand back and judge — I do.
On talk of a Beatles re-union
Playboy interview (1980)

Life, God, People, Imagination

“Crowds of questions stream through me like lines of people exiting a soccer ground or a concert. They push and shove and trip. Some make their way around. Some remain in their seats, waiting for their opportunity.”

Markus Zusak (1975) Australian author

Source: I Am the Messenger

People, Way, Question, Waiting

“Yep, my daddy was an undependable drunk. But he'd never missed any of my organized games, concerts, plays, or picnics. He may not have loved me perfectly, but he loved me as well as he could. (189)”

Sherman Alexie book The Absolutely True Diary of a Part-Time Indian

Source: The Absolutely True Diary of a Part-Time Indian

Love, Game

“When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.”

Robert McKee (1941) American academic specialised in seminars for screenwriters

Source: Story: Substance, Structure, Style, and the Principles of Screenwriting

Mood

“In cities men cannot be prevented from concerting together, and from awakening a mutual excitement which prompts sudden and passionate resolutions. Cities may be looked upon as large assemblies, of which all the inhabitants are members; their populace exercises a prodigious influence upon the magistrates, and frequently executes its own wishes without their intervention.”

Alexis De Tocqueville book Democracy in America

Variant translation: In towns it is impossible to prevent men from assembling, getting excited together and forming sudden passionate resolves. Towns are like great meeting houses with all the inhabitants as members. In them the people wield immense influence over their magistrates and often carry their desires into execution without intermediaries.
Source: Democracy in America, Volume I (1835), Chapter XV-IXX, Chapter XVII.

Men, Exercises, Passion

“Nonsense. I think that the problem isn't with them downloading the song, the problem is when they buy the record and when they burn a million discs off their computer for all their friends. That's the reason why every single band, no matter who you are, your sales are chopped by fifty to sixty percent after your first week out. It's a huge problem, but instead of giving people more reasons to buy the product, they don't worry about that. I think you have to enhance the value of the product. Like when KISS was putting out records, their 'Alive' record sold so well because it made you feel like you were part of the concert experience. There was also an actual program in the thing, all these pictures, the KISS Army stuff… There's so much stuff that added to the value of that package. There wasn't a KISS fan out there who didn't want the whole thing, because everything that came along with the music was so worthwhile to them. It's not rocket-science, this stuff.”

David Draiman (1973) American singer and songwriter

Disturbed's David Draiman Offers 'Solution' To Illegal Music Downloading http://www.webcitation.org/64oENbO3B, Blabbermouth.net, 11 July 2003)

People, Music, Feeling, Kiss

“The term organization, and the principles that govern it, are inherent in every form of concerted human effort, even where there are no more than two people involved. For example take two men who combine their efforts to lift and move a stone that is too heavy to be moved by one. In the fact of this combination of effort we have the reality of human organization for a given purpose. Likewise in the procedure necessary to this end we find the fundamental principles of organization. To begin with, the two lifters must lift in unison. Without this combination of effort the result would be futile. Here we have co-ordination, the first principle of organization. Likewise one of these two must give the signal "heave ho!" or its equivalent, to the other, thus illustrating the principle of leadership or command. Again the other may have a suggestion to make to the leader in the matter of procedure, which involves the vital staff principle of advice or counsel. And so on. Thus in every form of concerted effort principles of organization are as essential and inevitable as organization itself.”

James D. Mooney (1884–1957) American businessman

Source: "The principles of organization", 1937, p. 90

Men, People, Reality, Effort

“In 1992 by chance I witnessed a drum and bugle corps competition on television and became aware of three-valve bugles. A year later my wife, Donna, and I attended a performance in La Mirada of the previous year's winner. I have experienced fine concert band performances and also good symphonies in my life, but what was not prepared for what I experienced that day. The entire bugle corps was turned away from us playing softly and suddenly they turned toward us and projected a very thick chord. Every hair on my body stood up (and I have a lot of it) and I decided at that moment to buy some of these instruments. In the next year I purchased approximately $14,000 worth of bugles. After having completed an orchestrational family all the way down to the contrabass bugle, I began writing. This album is the result of this particular interest in my sixth decade in music.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Written in 1997, from the liner notes for Jazz Corps (1998)

Life, Family, Music, Way

“Happiness implied a choice, and within that choice a concerted will, a lucid desire.”

Albert Camus book A Happy Death

A Happy Death (1971)

Happiness

“Jerry Cantrell speaking with the crowd during Alice in Chains' concert at the InMusic Festival in Zagreb, Croatia on June 27, 2018, quoted in”

Jerry Cantrell (1966) American musician and songwriter

https://www.nme.com/news/interpol-offered-a-classy-conclusion-to-a-sensational-inmusic-festival-in-zagreb-2346552, Interpol offered a classy conclusion to a sensational INmusic Festival in Zagreb, NME, June 28, 2018
On Alice in Chains

Quotes

“Friedan: A celebration of women's bodies is all right with me so long as there is no denial of the personhood of women. I suppose sometimes women are sex objects -- and men are too, by the way. It's the definition of women just as sex objects that bothers me. Women can celebrate themselves as sex objects, they can celebrate their own sexuality and can enjoy the sexuality of men as far as I'm concerted. Let's have men centerfolds. [.. ] Playboy's centerfold is fine. It's holding onto your own anachronism and it is not pornographic, though many of my sisters would disagree. It's harmless. […] Playboy strikes me as an odd mixture of sex -- sometimes juvenile --- and forward intellectual thoughts.”

Betty Friedan (1921–2006) American activist

The Playboy Interview (1992)

Women, Men, Sex, Way

“Liszt has never needed revival; his music has always been an important part of the concert repertoire. Nevertheless, he has appeared to need rehabilitation.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

Music, Appearance, Parting

“Dotty: Archie says the Church is a monument to irrationality.
George: … The National Gallery is a monument to irrationality! Every concert hall is a monument to irrationality! — and so is a nicely kept garden, or a lover's favour, or a home for stray dogs! You stupid woman, if rationality were the criterion for things being allowed to exist, the world would be one gigantic field of soya beans!”

Tom Stoppard Jumpers

Act I
Jumpers (1972)

Stupidity, World, Dogs, Home

“In an age when immense technological advances have created lethal weapons which could be, and are, used by the powerful and the unprincipled to dominate the weak and the helpless, there is a compelling need for a closer relationship between politics and ethics at both the national and international levels. The Universal Declaration of Human Rights of the United Nations proclaims that 'every individual and every organ of society' should strive to promote the basic rights and freedoms to which all human beings regardless of race, nationality or religion are entitled. But as long as there are governments whose authority is founded on coercion rather than on the mandate of the people, and interest groups which place short-term profits above long-term peace and prosperity, concerted international action to protect and promote human rights will remain at best a partially realized struggle.”

Aung San Suu Kyi book Freedom from Fear

Freedom from Fear (1991)

People, Age, Peace, Religion

“I feel it is our duty to sustain the federated action of Europe. I think it has suffered by the somewhat absurd name which has been given to it—the Concert of Europe—and the intense importance of the fact has been buried under the bad jokes to which the word has given rise. But the federated action of Europe—if we can maintain it, if we can maintain this Legislature—is our sole hope of escaping from the constant terror and the calamity of war, the constant pressure of the burdens of an armed peace which weigh down the spirits and darken the prospects of every nation in this part of the world. ["Hear, hear!"] The federation of Europe is the only hope we have; but that federation is only to be maintained by observing the conditions on which every Legislature must depend, on which every judicial system must be based—the engagements into which it enters must be respected.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech http://hansard.millbanksystems.com/lords/1897/mar/19/speech-by-lord-kimberley-at-norwich in the House of Lords (19 March 1897) 1890s

War, World, Peace, Hope

“The next day he [uncle Alfred] took me to hear the 'Concert Colonne' at the Chatelet. First we lunched and then went to the hall. There was a fine program! Schumann, Bizet (new to me), Berlioz (ditto). - I can scarcely express how I marveled at the Hamlet and Romeo et Juliette of Berlioz. - He belongs with Delacroix, with Shakespeare, he is of the same family, he has the mark of these men of genius. He is prodigious in movement, imagination, strangeness, vigor, delicacy, sense of contrast, he is terrible and suave.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Paris, 2 April 1883, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 26
1880's

Men, Family, Imagination, Sense

“I have performed with British musicians. I have sung Rabindra Sangeet and French numbers too. Most often I include local flavour in my concerts to connect with people. ]]”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan He defines ‘style’ as tradition http://hindu.com/thehindu/fr/2008/01/04/stories/2008010451130100.htm, The Hindu, 4 January 2008.

People

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fiber seemed to vibrate with elemental musical power. Wildness and gentleness were never far from each other in his piano-playing, and demonic outbursts would magically give way to inner peace. It was as little trouble to him (as Alfred Polgar once said of an actor) to lose himself as to find himself.
His playing of slow movements was full of an unselfconsciousness beside which the music-making of others, famous names included, seemed academic or insincere. With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself.”

Alfred Brendel (1931) Austrian pianist, poet, and author

As cited in: Ruth Hanna Sachs, ‎D. E. Heap, ‎Joyce Light (2005). White Rose History, Volume II (Academic Version). p. 366

Peace, Music, Way, Soul

“After a ten minute prayer, the gist of which was, "Oh Lord, just sing through Mark tonight and keep him out of the picture altogether," I considered the prospect of lining up a great number of such concerts, then staying at home and sending a cardboard likeness of myself for God to sing through.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

God, Home, Singing

“I hate analyzing stuff. I do the bare minimum. When it comes to interpretation, I just play it and go from there. I think emotion is everything. When you get the notes, you've just scratched the surface. The best things happen spontaneously, on stage. I'm doing three concerts here; I guarantee that none of them will be the same. We're not machines.”

Sarah Chang (1980) violinist

JS online 1999 http://www2.jsonline.com/enter/performingarts/strini/jun99/chang03060299.asp

Hate, Thinking

“Yesterday there was a Concert Spirituel. The symphony by Haydn was lovely and the execution very good. Mademoiselle Wendling and a Welsh tenor Giuliano were hissed. Danner and another Welsh violinist Giuliani were overall applauded. A sinfonia concertante by the brothers Thonberg [Romberg] got applause. The concert on the bassoon by Devienne so so.”

Joseph Martin Kraus (1756–1792) German composer

Gestern war Concert Spirituel. Die Symphonie von Haydn war allerliebst und die Exekution vorzüglich gut. Mlle Wendling und ein welscher Tenorist Giuliano wurden ausgepfiffen. Danner und ein andrer welscher Geiger Giuliani wurden allgemein beklatscht. Eine Symphonie concertante von den Gebrüdern und Söhnen Thonberg [Romberg] fand Beifall. Das Konzert auf dem Fagotte von Devienne so so.
Letter dated Paris, 3rd February 1785. To pater Roman Hofstetter in Amorbach, in: Irmgard Leux-Henschen, Joseph Martin Kraus in seinen Briefen, Stockholm 1978.
Letters

Love

“Today we need a concerted international effort that would result in freezing the assets of the ruling family, which are estimated at $10bn.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2010s, The world must not forsake Yemen's struggle for freedom (2011)

Family, Effort

“For the road to world peace and freedom is still long, and there are burdens which only full partners can share — in supporting the common defense, in expanding world trade, in aligning our balance of payments, in aiding the emergent nations, in concerting political and economic policies, and in welcoming to our common effort other industrialized nations, notably Japan, whose remarkable economic and political development of the 1950's permits it now to play on the world scene a major constructive role.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Third State of the Union Address

World, Peace, Support, Effort

“I tour a bit in America and a lot in Europe, Holland especially, where they have this forward-looking music scene because they got through the barriers 15 years ago. They gobble up the things I do. I go to the Far East - I like working with the orchestra in Singapore - but my favourite places tend to be the ones where it's more than turning up and doing a big concert. Next month I go to the Sydney Festival, where I've persuaded them to do the Lou Harrison concerto. As penance, though I don't mind it, I have to play the Gershwin concerto in the first half. And I hope to return year after year to South Africa, where I've been with the National Symphony Orchestra into Soweto. Education work is being done there for the first time. Previously they had never bothered to find new audiences, and now they are staring into an abyss which we may face too. Events there are a fast-forward version of what could happen here.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

Education, Hope, Music, Time

“There was one form of concerted action that Tolstoy believed advisable and he asked the workers to refrain religiously, firstly, from working for capitalists, if they could possibly get on without it; secondly, from offering their work at a lower rate than that current; thirdly, from improving their position by passing over to the side of the capitalists and serving their interests; and fourthly and chiefly, from participating in governmental coercion, be it police, customhouse, or military service. Only by such "a religious attitude toward the form of their activity" can the workmen liberate themselves from oppression. …a bloodless revolution that would be carried into effect through passive resistance. The workers are simply to refrain from doing anything that will add to the wealth or power of those who now dominate their lives. …All the people cannot be shot down or imprisoned and if all the people were willing to do as Thoreau did—go to jail rather than pay taxes, government itself would disappear.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 72-73

People, Wealth

“Several implications follow from Hayek's insights into the nature of capitalism.(a) The claim "I deserve my pretax income" is not generally true. Nor should the basic organization of property rules be based on considerations of moral desert. Hence, claims about desert have no standing in deciding whether taxation for the purpose of funding social insurance is just.
(b) The claim that people rocked by the viccisitudes of the market, or poor people generally, are getting what they deserve is also not generally true. To moralize people's misfortunes in this way is both ignorant and mean. Capitalism continuously and randomly pulls the rug out from under even the most prudent and diligent people. It is in principle impossible for even the most prudent to forsee all the market turns that could undo them. (If it were possible, then efficient socialist planning would be possible, too. But it isn't.)
(c) Capitalist markets are highly dynamic and volatile. This means that at any one time, lots of people are going under. Often, the consequences of this would be catastrophic, absent concerted intervention to avert the outcomes generated by markets. For example, the economist Amartya Sen has documented that sudden shifts in people's incomes (which are often due to market volatility), and not absolute food shortages, are a principal cause of famine.
(d) The volatility of capitalist markets creates a profound and urgent need for insurance, over and above the insurance needs people would have under more stable (but stagnant) economic systems. This need is increased also by the fact that capitalism inspires a love of personal independence, and hence brings about the smaller ("nuclear") family forms that alone are compatible with it. We no longer belong to vast tribes and clans. This sharply reduces the ability of individuals under capitalism to pool risks within families, and limits the claims they can effectively make on nonhousehold (extended) family members for assistance. To avoid or at least ameliorate disaster and disruption, people need to pool the risks of capitalism.”

Elizabeth S. Anderson (1959) professor of philosophy and womens' studies

How Not to Complain About Taxes (III): "I deserve my pretax income" http://left2right.typepad.com/main/2005/01/how_not_to_comp_1.html (January 26, 2005)

Love, People, Family, Food

“I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's "Rest in the Lord." It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.”

Thomas Eakins (1844–1916) American painter

Letter to Henry A. Rowland (1897-10-04).

Thinking, Painting

“On concerts: "Concerts are nonsense. They create many problems: money, interests – it is hardly spontaneous. I want to feel the same pleasure that my audience experiences, otherwise it’s not honest"”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1979

Money, Pleasure, Feeling, Problem

“I remember when I was eight, my friends thought it was a little bit unusual that I was going off to Europe or to Asia, and playing concerts. And they would go to Tower (Records) and see my CD out. So that was a little different! But, I guess they've gotten used to it now, and really could not care less," she asserted. "It's nice because most of my friends are not musicians, and it keeps me grounded.”

Sarah Chang (1980) violinist

Korean Quarterly 1998 http://www.koreanquarterly.org/Summer98/sarahchang.asp

“One day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything has changed and changed completely under your nose. The world you lived in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.”

Milton Mayer (1908–1986) American journalist

They Thought They Were Free: The Germans, 1933-35 (1955)

God, Hate, People, World

“I usually do field work before I sit down to play with somebody; in other words I go listen to them play in a concert, listen to their music, tapes, whatever, so that when I sit down with them, I have a vague idea what their temperament is about and what kind of musical patterns they enjoy playing. Solo, I am the captain of the ship, and I decide what I will play and dictate the pace of the show.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

in The ring from Lata was like a blessing from Saraswati, 12 December 2013, Rediff.com http://www.rediff.com/chat/trans/0111zaki.htm, Quote

Music, Idea

“You open London Times and you find reviews of Western classical music concerts finding pride of place even if the concerts themselves have less than 200 people in a hall meant for 1,500. They do this because they want to highlight what they see as their socio-cultural legacy.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

People, Music, Time

“India is free but she has not achieved unity, only a fissured and broken freedom…. The old communal division into Hindu and Muslim seems to have hardened into the figure of a permanent political division of the country. It is to be hoped that the Congress and the nation will not accept the settled fact as for ever settled or as anything more than a temporary expedient. For if it lasts, India may be seriously weakened, even crippled: civil strife may remain always possible, possible even a new invasion and foreign conquest. The partition of the country must go,'it is to be hoped by a slackening of tension, by a progressive understanding of the need of peace and concord, by the constant necessity of common and concerted action, even of an instrument of union for that purpose. In this way unity may come about under whatever form'the exact form may have a pragmatic but not a fundamental importance. But by whatever means, the division must and will go. For without it the destiny of India might be seriously impaired and even frustrated. But that must not be.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

August 15, 1947 (A passage from Sri Aurobindo's message on the occasion of India's independence. August 15 is also Sri Aurobindo's own birthday.)
India's Rebirth

Peace, Hope, Way, Communication

“This test has much in common with the other great challenges that are defining this young century -- from weapons proliferation, to the spread of disease, to transnational terrorism. These are truly global problems, and no one nation, no matter how much power or political will it possesses, can succeed alone. We all need partners, and we all need to work in concert.”

Condoleezza Rice (1954) American Republican politician; U.S. Secretary of State; political scientist

US Department of State http://www.state.gov/secretary/rm/2007/09/92893.htm, September 28, 2007.

Disease, Problem

“My main goal when I started my collection – and I didn’t think beyond this actually – was that I wanted to dress rock stars and the people that go to rock concerts.”

Anna Sui (1964) American fashion designer

Lula Magazine Interview (February 26, 2014)

People, Star, Thinking

“From many of his concerts and public appearances.”

Al Hurricane (1936–2017) American singer-songwriter

Chiquitita, como te quiero.
Live performances

Appearance

“Clearly, no longer can a dictator count on East-West confrontation to stymie concerted United Nations action against aggression. A new partnership of nations has begun. And we stand today at a unique and extraordinary moment. The crisis in the Persian Gulf, as grave as it is, also offers a rare opportunity to move toward an historic period of cooperation. Out of these troubled times, our fifth objective — a new world order — can emerge: a new era, freer from the threat of terror, stronger in the pursuit of justice, and more secure in the quest for peace. An era in which the nations of the world, east and west, north and south, can prosper and live in harmony.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

Speech to joint session of Congress (11 September 1990), as quoted in Encyclopedia of Leadership (2004) by George R. Goethals, Georgia Jones Sorenson, and James MacGregor Burns, p. 1776 http://books.google.com/books?id=kjLspnsZS4UC&pg=RA4-PA1776&dq=%22Out+of+these+troubled+times+our+fifth+objective+a+new+world+order+can+emerge%22&num=100&ei=JoabR-ieJZjSigH106CoCg&ie=ISO-8859-1&sig=75hwmo0dYLCTYEOSWyXaECUpMzA and Confrontation in the Gulf; Transcript of President's Address to Joint Session of Congress http://query.nytimes.com/gst/fullpage.html?res=9C0CE6DF113CF931A2575AC0A966958260 The New York Times. September 12, 1990.

World, Peace, Justice, Time

“The Culture-Philistine … everywhere meets with educated people of his own sort, and since schools, universities and academies are adapted to his requirements and fashioned on the model corresponding to his cultivation. Since he finds almost everywhere the same tacit conventions with respect to religion, morality and literature, with respect to marriage, the family, the community and the state, he considers it demonstrated that this imposing homogeneity is culture. It never enters his head that this systematic and well-organised philistinism, which is set up in all high places and installed at every editorial desk, is not by any means made culture just because its organs are in concert. It is not even bad culture, says Nietzsche; it is barbarism fortified to the best of its ability, but entirely lacking the freshness and savage force of original barbarism; and he has many graphic expressions to describe Culture-Philistinism as the morass in which all weariness is stuck fast, and in the poisonous mists of which all endeavour languishes.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: An Essay on Aristocratic Radicalism (1889), p. 8

Marriage, People, Education, School

“Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful.”

Gangubai Hangal (1913–2009) Indian singer

In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Money, World, Family, Peace

“The smaller the society, the fewer probably will be the distinct parties and interests composing it; the fewer the distinct parties and interests, the more frequently will a majority be found of the same party; and the smaller the number of individuals composing a majority, and the smaller the compass within which they are placed, the more easily will they concert and execute their plans of oppression. Extend the sphere, and you take in a greater variety of parties and interests; you make it less probable that a majority of the whole will have a common motive to invade the rights of other citizens; or if such a common motive exists, it will be more difficult for all who feel it to discover their own strength, and to act in unison with each other.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Federalist No. 10
1780s, Federalist Papers (1787–1788)

Feeling, Motivation

“It’s important to understand how we got where we are today. In 1966, the unthinkable happened: a madman climbed the University of Texas clock tower and opened fire, killing more than a dozen people. It was the first mass shooting in the age of television, and it left a real impression on the country. It was the kind of terror we didn’t expect to ever see again. But around 30 years ago, we started to see an uptick in these types of shootings, and over the last decade they’ve become the new norm.
In July 2012, a gunman walked into a darkened theater in Aurora and shot 12 people to death, injuring 70 more. One of his weapons was an assault rifle. The sudden and utterly random violence was a terrifying sign of what was to come.
In December 2012, a young man entered an elementary school in Newtown and murdered six educators and 20 young children. One of his weapons was an assault rifle. Watching the aftermath of these young babies being gunned down was heartrending.
In June 2016, a gunman entered a nightclub in Orlando and sprayed revelers with gunfire. The shooter fired hundreds of rounds, many in close proximity, and killed 49. Many of the victims were shot in the head at close range. One of his weapons was an assault rifle.
Last month, a gunman opened fire on concertgoers in Las Vegas, turning an evening of music into a killing field. All told, the shooter used multiple assault rifles fitted with bump-fire stocks to kill 58 people. The concert venue looked like a warzone.
Over the weekend in Sutherland Springs, 26 were killed by a gunman with an assault rifle. The dead ranged from 17 months old to 77 years. No one is spared with these weapons of war. When so many rounds are fired so quickly, no one is spared. Another community devastated and dozens of families left to pick up the pieces.
These are just a few of the many communities we talk about in hushed tones—San Bernardino, Littleton, Aurora, towns and cities across the country that have been permanently scarred.”

Dianne Feinstein (1933) American politician

[Senators Introduce Assault Weapons Ban, November 8, 2017, w:Diane Feinstein, Diane, Feinstein, https://www.feinstein.senate.gov/public/index.cfm/2017/11/senators-introduce-assault-weapons-ban]
On the introduction of the Assault Weapons Ban of 2017

Death, War, Children, People

“We've watched the Homo Sapiens interest group since the first appearance of the Blight. Where is this "Earth" the humans claim to be from? "Half way around the galaxy," they say, and deep in the Slow Zone. Even their proximate origin, Nyjora, is conveniently in the Slowness. We see an alternative theory: Sometime, maybe further back than the last consistent archives, there was a battle between Powers. The blueprint for this "human race" was written, complete with communication interfaces. Long after the original contestants and their stories had vanished, this race happened to get in position where it could Transcend. And that Transcending was tailor-made, too, re-establishing the Power that had set the trap to begin with.We're not sure of the details, but a scenario such as this is inevitable. What we must do is also clear. Straumli Realm is at the heart of the Blight, obviously beyond all attack. But there are other human colonies. We ask the Net to help in identifying all of them. We ourselves are not a large civilization, but we would be happy to coordinate the information gathering, and the military action that is required to prevent the Blight's spread in the Middle Beyond. For nearly seventeen weeks, we've been calling for action. Had you listened in the beginning, a concerted strike might have been sufficient to destroy the Straumli Realm. Isn't the Fall of Relay enough to wake you up? Friends, if we act together we still have a chance.Death to vermin.”

Vernor Vinge A Fire Upon the Deep (1st edition)

Source: A Fire Upon the Deep (1992), p. 245.

Happiness, Way, Communication, Appearance

“She talks about how Brahms baby sat them while her mother, Clara, was out earning a living, concertizing all over Europe. Brahms continued in their lives until his death. She also talks about her loving relationship with her mother; her usual sibling like relationships with the other Schumann children; and how she would get mad at Brahms when he would make her mother sad, even cry, but none of them could be mad at Brahms for very long.”

Harry Markowitz (1927) American economist

On Eugene Schumann http://www.amazon.com/review/R280VQKJ4LC7OI

Love, Death, Children, Sadness

“Sudden and near the trumpet's notes out-spread,
And soon his eyes could see the metal flower,
Shining upturned, out on the morning pour
Its incense audible; could see a train
From out the street slow-winding on the plain
With lyres and cymbals, flutes and psalteries,
While men, youths, maids, in concert sang to these
With various throat, or in succession poured,
Or in full volume mingled. But one word
Ruled each recurrent rise and answering fall,
As when the multitudes adoring call
On some great name divine, their common soul,
The common need, love, joy, that knits them in one whole.
The word was "Jubal!"… "Jubal" filled the air,
And seemed to ride aloft, a spirit there,
Creator of the choir, the full-fraught strain
That grateful rolled itself to him again.
The aged man adust upon the bank
— Whom no eye saw — at first with rapture drank
The bliss of music, then, with swelling heart,
Felt, this was his own being's greater part,
The universal joy once born in him.”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)

Love, Men, Youth, Age

“The freedom secured by the Constitution consists, in one of its essential dimensions, of the right of the individual not to be injured by the unlawful exercise of governmental power. The mandate for segregated schools, Brown v. Board of Education, 347 U. S. 483 (1954); a wrongful invasion of the home, Silverman v. United States, 365 U. S. 505 (1961); or punishing a protester whose views offend others, Texas v. Johnson, 491 U. S. 397 (1989); and scores of other examples teach that individual liberty has constitutional protection, and that liberty’s full extent and meaning may remain yet to be discovered and affirmed. Yet freedom does not stop with individual rights. Our constitutional system embraces, too, the right of citizens to debate so they can learn and decide and then, through the political process, act in concert to try to shape the course of their own times and the course of a nation that must strive always to make freedom ever greater and more secure. Here Michigan voters acted in concert and statewide to seek consensus and adopt a policy on a difficult subject against a historical background of race in America that has been a source of tragedy and persisting injustice. That history demands that we continue to learn, to listen, and to remain open to new approaches if we are to aspire always to a constitutional order in which all persons are treated with fairness and equal dignity. Were the Court to rule that the question addressed by Michigan voters is too sensitive or complex to be within the grasp of the electorate; or that the policies at issue remain too delicate to be resolved save by university officials or faculties, acting at some remove from immediate public scru-tiny and control; or that these matters are so arcane that the electorate’s power must be limited because the people cannot prudently exercise that power even after a full debate, that holding would be an unprecedented restriction on the exercise of a fundamental right held not just by one person but by all in common. It is the right to speak and debate and learn and then, as a matter of political will, to act through a lawful electoral process.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Schuette v. Coalition to Defend Affirmative Action, 572 U. S. ____, (2016), plurality opinion.

People, Education, School, Law

“I wasn't motivated to do it [re-record Bach's Goldberg Variations] until rather recently, when it occurred to me, on one of my rare relistenings to that early recording, that it was very nice, but that it was perhaps a little bit like thirty very interesting but somewhat independent-minded pieces, going their own way, and all making a comment on the ground bass on which they are all formed and to which they all conform. And I suddenly felt, not having played it in, well, since I stopped playing concerts, about 20 years, having not played it in all that time, that maybe I wasn't savaged by any over-exposure to it, and that if I looked at it again, I could find a way of making some sort of almost arithmetical correspondence between the theme and the subsequent variations, so that there would be some sort of temporal relationship, I don't want to say just exactly 2, 4, 8, 16, 32, that kind of correspondence, but, you know what I mean, there would be a sense in which, substituting for the fact that Bach had absolutely no melodic design that is continuous but rather a base harmonic design that is continuous, there would be at least a rhythmic design that is continuous, and the sense of pulse that went through it. And that seemed to me sufficient justification […] to do it all over again.”

Glenn Gould (1932–1982) Canadian pianist

transcribed from The Glenn Gould Collection vol 13 (Sony laserdisc).

Way, Motivation, Sense, Time

“Society is eliminating the prerogatives and privileges of feudal. aristocratic culture together with its content. The fact that the transcending truths of the fine arts, the aesthetics of life and thought, were accessible only to the few wealthy and educated was the fault of a repressive society. But this fault is not corrected by paperbacks, general education, long-playing records, and the abolition of formal dress in the theater and concert hall. The cultural privileges expressed the injustice of freedom, the contradiction between ideology and reality, the separation of intellectual from material productivity; but they also provided a protected realm in which the tabooed truths could survive in abstract integrity—remote from the society which suppressed them.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 64-65

Life, Truth, Education, Art

“Democracy says that the popular vote can take right away and once taken away the act is sanctioned and upheld by all laws, human and divine. I deny it. I say it is a wrong, however it is perpetuated. Why, mothers. What do you care how you are robbed of your babe? The question is not how it is done, the outrage is that it is done at all. No matter whether it is done by an individual or a conspiracy of many individuals in a community agreeing and concerting according to the forms of law. If the poor babe is torn from your heart, that is the unspeakable wrong. Not the manner in which it is perpetrated.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838&ndash;64 https://web.archive.org/web/20160319081944/https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA234#v=onepage&q&f=false (2004), edited by William Frederick Moore and Jane Ann Moore, p. 234 1860s, Speech (October 1860)

Law, Democracy, Communication, Question

“I will render whatever Lord Siva makes me render. I never plan for my concerts. I render what comes.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, "Mangalampalli can't wait to come home".

“When blimp photographs are taken of giant stadia packed full of rock-concert or football fans, we get an idea of what 100,000 people look like. We all think of Hiroshima as the worst single killing of humans by humans. That was about a 75,000-capacity-coliseum-full. Each day of each year, year after year, a 75,000-capacity-stadiumfull of around-the-world humans perish from starvation or its side effects, despite an annual average 5-percent world food-production overage of the amount of food adequate for the total world's population. This daily kill of innocents dwarfs the awful Auschwitz killing.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Grunch of Giants (1983)

People, World, Food, Idea

“On "shithole countries": "What makes a country, the place or the people? Does the country create the man or does the man make the country? The answer is no chicken-or-egg quandary. Human action is the ultimate adjudicator of a human being's worth. The aggregate action of many human beings acting in concert is what makes or breaks a society. In other words, it is the individual who creates the collective, not the other way around. The Man makes the country what it is."”

Ilana Mercer South African writer

" Why Trump Pooh-Poohed 'Shithole Countries,' https://townhall.com/columnists/ilanamercer/2018/02/01/why-trump-poohpoohed-sithole-countries-part-2-n2442943" Townhall.com, February 1, 2018. 2010s, 2018

People, Way, Country

“I wanted a break. I had been on the road more or less since I was 18, you know? And I hadn't known any other life, other than, you know, hotel rooms and concerts and records and studios and press conferences. … and to me, here was a chance to jump off that kind of wagon and see life for real. You know, actually my last album was called Back to Earth. So that was the meaning of it. I wanted to join the human race again. I didn't want to be a star. I didn't want to continue with that thing, because so much illusion and non-reality is connected to it. I wanted to be real. And so I — I kind of — I found an opportunity. And the actual point about music was — the imam who I met and who I first embraced Islam with in London's Central Mosque, he actually told me to continue making records.”

Cat Stevens (1948) British singer-songwriter

On the abandonment of his music career after converting to Islam, on Larry King Live (7 October 2004) http://transcripts.cnn.com/TRANSCRIPTS/0410/07/lkl.01.html

Life, Music, Star, Reality

“As my right hon. Friend the Member for Manchester, Gorton (Mr. Kaufman) pointed out, many Jewish refugees fled from Russia in 1905 and from Nazi Germany in the 1930s. If the Bill had been law at that time, they could not have come here. There are also the victims of the Iran-Iraq war, the Fascist junta in Chile, and so on. The list is endless. The Minister should come clean about it. He should be honest enough to say that he is turning his back on all the asylum problems in the world. The racist connotations of not having anything to do with the problems of the Third world show that the Minister is working in concert with other European Governments to turn their backs on problems which in many cases were created by west European Governments in the first place…All that the Minister is trying to do is to appeal to the basic sense of xenophobia in the media, in the country and throughout Europe. They want to turn their backs on the problems of the rest of the world. I hope that there will be a greater sense of civilised values on this side of the House when we come to vote against the Bill than has ever been shown by the Tory party.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1987/mar/16/immigration-carriers-liability-bill in the House of Commons (16 March 1987). 1980s

War, World, Law, Hope

“If the representatives of the people betray their constituents, there is then no recourse left but in the exertion of that original right of self-defense which is paramount to all positive forms of government, and which against the usurpations of the national rulers may be exerted with infinitely better prospect of success than against those of the rulers of an individual State. In a single State, if the persons entrusted with supreme power become usurpers, the different parcels, subdivisions, or districts of which it consists, having no distinct government in each, can take no regular measures for defense. The citizens must rush tumultuously to arms, without concert, without system, without resource; except in their courage and despair.”

Alexander Hamilton Federalist Papers

No. 28
The Federalist Papers (1787–1788)

People, Courage, Success, Personality

“It's a little like a Ray Charles concert, isn't it? Georgia!”

Ian Darke (1950) British association football and boxing commentator

2010s, 2014, Voice of the Americans (2014)

“My dream is to perform in a big, celebratory concert in a free Cuba, but I don't think they'd even let me into the country. And if they did, I'd have to speak against what is going on, which the government fears. I don't know how much change toward democracy we'll see as long as one of the Castro brothers is around, but I do believe there is a future with a new leader someday. But this leader will also love Cuba and really want to take her forward. When that day comes, Emilio and I will be there in any way that we can be of service.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Latina Magazine (September, 2007)
2007, 2008

Love, Fear, Dreams, Way

“Pot is a better drug than alcohol. Fact! … I'll prove it to you. If you're at a ball game or a concert and someone's really violent and aggressive and obnoxious, are they drunk or are they smoking pot? [The crowd answers "Drunk."] Wow! We all know the truth.”

Bill Hicks (1961–1994) American comedian

Source: Flying Saucer Tour Vol. I (2002)

Alcohol, Truth, Game

“I got my apprenticeship, with the Young Concert Artists Trust, playing all these warhorses in Raymond Gubbay concerts. Some are not for me anymore, but I'd still play the Grieg at the drop of a hat; it's so fresh. I'm very careful to keep on playing a lot of mainstream repertoire. I'm not into being the court jester who just does the wacky stuff. Making the connections and taking people down new paths is what I enjoy.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

People

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Way, Change, Personality

“Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas everyday, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2007)

People, Art, Reading, Success

“This paper reports on a comparative case study of 13 industrial firms that implemented an enterprise resource planning (ERP) system. It compares firms based on their dialectic leaming process. All firms had to overcome knowledge barriers of two types: those associated with the configuration of the ERP package, and those associated with the assimilation of new work processes. We found that both strong core teams and carefully managed consulting relationships addressed configuration knowledge barriers. User training that included both technical and business processes, along with a phased implementation approach, helped firms to overcome assimilation knowledge barriers. However, all firms in this study experienced ongoing concerns with assimilation knowledge barriers, and we observed two different approaches to address them. In a piecemeal approach, firms concentrated on the technology first and deferred consideration of process changes. In a concerted approach, both the technology and process changes were undertaken together. Although most respondents clearly stated a preference for either piecemeal or concerted change, all firms engaged in practices that reflected a combination of these approaches.”

Jeanne W. Ross (1958) American computer scientist

Abstract, p. 17-18
Learning to implement enterprise systems (2002)

Business, Knowledge, Study, Strong

“You can give music variation without changing the notes. When you get close to a piece there will inevitable be tinkering. I sometimes wonder if concert pianists expend so much effort and energy finding new ways to interpret that what they really need is some more direct form of self-expression.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

Music, Way, Effort, Change

“You can’t just take kids off the streets, put them in a hall, and expect them to know how to react…. During my first season, while I was conducting a youth concert, one kid went through a plate glass window and two bathrooms were totally destroyed…”

Henry Mazer (1918–2002) American conductor

As quoted in Rosenberg, Deena and Rosenberg, Bernard (1979). The Music Makers, New York: Columbia University Press, 1st ed., pg. 326, ISBN 0231039530.
Then-Chicago Symphony Orchestra Associate Conductor Henry Mazer and director of its youth concerts in March 1975 on Youth Musical Education in the Chicago Public Schools.

Youth, Season